Meet The Fockers (Original Motion Picture Soundtrack)

~ Veröffentlichung von Randy Newman (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Copyright: © 2004 Universal Studios and DreamWorks LLC
℗ 2004 Varese Sarabande Records, Inc.

Anmerkung zuletzt geändert am 2025-01-05 04:29 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1We’re Gonna Get Married
Assistent recording engineer:
Bryan Clements, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music), Mark Eshelman (recording engineer) und Greg Loskorn (American sound engineer)
recording engineer, Produzent(in) und Mix:
Frank Wolf (engineer at Skyline Recording)
assistierendes Editing:
Mark Bensi und Brenda Heins
Editing:
Bruno Coon
conductor:
Randy Newman (American singer‐songwriter and score composer)
Interpret(in):
Hollywood Studio Symphony
phonographisches Urheberrecht (℗) von:
Varèse Sarabande Records, Inc. (not for release label use!)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
We’re Gonna Get Married
Orchestrator(in):
Randy Newman (American singer‐songwriter and score composer) und Jonathan Sacks (American composer)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
Randy Newman2:23
2Crazy ’Bout My Baby
Assistent recording engineer:
Bryan Clements, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music), Mark Eshelman (recording engineer) und Greg Loskorn (American sound engineer)
recording engineer, Produzent(in) und Mix:
Frank Wolf (engineer at Skyline Recording)
assistierendes Editing:
Mark Bensi und Brenda Heins
Editing:
Bruno Coon
conductor:
Randy Newman (American singer‐songwriter and score composer)
Interpret(in):
Hollywood Studio Symphony
phonographisches Urheberrecht (℗) von:
Varèse Sarabande Records, Inc. (not for release label use!)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Crazy ’Bout My Baby
Orchestrator(in):
Randy Newman (American singer‐songwriter and score composer) und Jonathan Sacks (American composer)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
Randy Newman2:49
3Baby and Me
Assistent recording engineer:
Bryan Clements, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music), Mark Eshelman (recording engineer) und Greg Loskorn (American sound engineer)
recording engineer, Produzent(in) und Mix:
Frank Wolf (engineer at Skyline Recording)
assistierendes Editing:
Mark Bensi und Brenda Heins
Editing:
Bruno Coon
conductor:
Randy Newman (American singer‐songwriter and score composer)
Interpret(in):
Hollywood Studio Symphony
phonographisches Urheberrecht (℗) von:
Varèse Sarabande Records, Inc. (not for release label use!)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Baby and Me
Orchestrator(in):
Randy Newman (American singer‐songwriter and score composer) und Jonathan Sacks (American composer)
Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
Randy Newman2:12
4Jack
Assistent recording engineer:
Bryan Clements, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music), Mark Eshelman (recording engineer) und Greg Loskorn (American sound engineer)
recording engineer, Produzent(in) und Mix:
Frank Wolf (engineer at Skyline Recording)
assistierendes Editing:
Mark Bensi und Brenda Heins
Editing:
Bruno Coon
conductor:
Randy Newman (American singer‐songwriter and score composer)
Interpret(in):
Hollywood Studio Symphony
phonographisches Urheberrecht (℗) von:
Varèse Sarabande Records, Inc. (not for release label use!)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Jack
Orchestrator(in):
Randy Newman (American singer‐songwriter and score composer) und Jonathan Sacks (American composer)
Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
Randy Newman2:57
5Meet the Fockers
Assistent recording engineer:
Bryan Clements, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music), Mark Eshelman (recording engineer) und Greg Loskorn (American sound engineer)
recording engineer, Produzent(in) und Mix:
Frank Wolf (engineer at Skyline Recording)
assistierendes Editing:
Mark Bensi und Brenda Heins
Editing:
Bruno Coon
conductor:
Randy Newman (American singer‐songwriter and score composer)
Interpret(in):
Hollywood Studio Symphony
phonographisches Urheberrecht (℗) von:
Varèse Sarabande Records, Inc. (not for release label use!)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Meet the Fockers
Orchestrator(in):
Randy Newman (American singer‐songwriter and score composer) und Jonathan Sacks (American composer)
Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
Randy Newman4:21
6Suspicious Mind
Assistent recording engineer:
Bryan Clements, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music), Mark Eshelman (recording engineer) und Greg Loskorn (American sound engineer)
recording engineer, Produzent(in) und Mix:
Frank Wolf (engineer at Skyline Recording)
assistierendes Editing:
Mark Bensi und Brenda Heins
Editing:
Bruno Coon
conductor:
Randy Newman (American singer‐songwriter and score composer)
Interpret(in):
Hollywood Studio Symphony
phonographisches Urheberrecht (℗) von:
Varèse Sarabande Records, Inc. (not for release label use!)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Suspicious Mind
Orchestrator(in):
Randy Newman (American singer‐songwriter and score composer) und Jonathan Sacks (American composer)
Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
Randy Newman3:19
7The Shot
Assistent recording engineer:
Bryan Clements, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music), Mark Eshelman (recording engineer) und Greg Loskorn (American sound engineer)
recording engineer, Produzent(in) und Mix:
Frank Wolf (engineer at Skyline Recording)
assistierendes Editing:
Mark Bensi und Brenda Heins
Editing:
Bruno Coon
conductor:
Randy Newman (American singer‐songwriter and score composer)
Interpret(in):
Hollywood Studio Symphony
phonographisches Urheberrecht (℗) von:
Varèse Sarabande Records, Inc. (not for release label use!)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Shot
Orchestrator(in):
Randy Newman (American singer‐songwriter and score composer) und Jonathan Sacks (American composer)
Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
Randy Newman2:12
8Here’s My Plan / It’s All Right Now
Assistent recording engineer:
Bryan Clements, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music), Mark Eshelman (recording engineer) und Greg Loskorn (American sound engineer)
recording engineer, Produzent(in) und Mix:
Frank Wolf (engineer at Skyline Recording)
assistierendes Editing:
Mark Bensi und Brenda Heins
Editing:
Bruno Coon
conductor:
Randy Newman (American singer‐songwriter and score composer)
Interpret(in):
Hollywood Studio Symphony
phonographisches Urheberrecht (℗) von:
Varèse Sarabande Records, Inc. (not for release label use!)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Here’s My Plan / It’s All Right Now
Orchestrator(in):
Randy Newman (American singer‐songwriter and score composer) und Jonathan Sacks (American composer)
Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
Randy Newman4:21
9Going Up the Country
Produzent(in):
Canned Heat und Skip Taylor
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (von 1968-08-06 bis 1968-08-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
aufgenommen bei:
I.D. Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1968-08-06 bis 1968-08-07)
recording of:
Going Up the Country (von 1968-08-06 bis 1968-08-07)
Texter, Verfasser(in) und Komponist(in):
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. und United Artists Music Ltd.
Version von:
Bull Doze Blues
Canned Heat32:51
10If I Were a Carpenter
Techniker(in):
Doc Siegel und Val Valentin (Aufgabe: director of engineering)
Produzent(in):
Charles Koppelman (American businessman and musician) und Don Rubin
arranger:
Donald Peake
recording of:
If I Were a Carpenter (in 1967)
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Faithful Virtue Music
live recording of:
If I Were a Carpenter
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Faithful Virtue Music
Tim Hardin12:42
11Wilderness (dub)
recording of:
Wilderness (dub)
Verfasser(in):
Bruno Coon
HeadBone3:35
12Dancing
recording of:
Dancing
Verfasser(in):
Bruno Coon
HeadBone3:42