In Vienna: The Decca Recordings

~ Release by István Kertész (see all versions of this release, 1 available)

Tracklist

1▶CD: Mozart: Symphonies nos. 25 & 40
2▶CD: Mozart: Symphonies nos. 29 & 35
3▶CD: Mozart: Symphonies nos. 33 & 39
4▶CD: Mozart: Eine kleine Nachtmusik / March no. 1 / Symphony no. 36 "Linz"
5▶CD: Mozart: Opera Festival (1)
6▶CD: Mozart: Opera Festival (2)
7▶CD: Mozart: La clemenza di Tito (1)
8▼CD: Mozart: La clemenza di Tito (2)
#TitleArtistRatingLength
1La clemenza di Tito, K. 621: Act 2, Scene 1. "Amico, m'ha perduto un istante"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
partial recording of:
La clemenza di Tito, K. 621: Act II (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621
Wolfgang Amadeus Mozart0:51
2La clemenza di Tito, K. 621: Act 2, Scene 1. "Torna di Tito a lato/torna e l'error passato"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 13 Aria "Torna di Tito a lato" (Annio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:03
3La clemenza di Tito, K. 621: Act 2, Scene 1. "Partir degg'io, o restar?/Io non ho mente per distinguer consigli"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 13 Recitativi "Partir deggio, o restar? ... Sesto! - Che chiedi?" (Sesto, Vitellia, Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:38
4La clemenza di Tito, K. 621: Act 2, Scene 1. "Ingrata, addio! Se a volta mai ti senti lieve aura che s'aggri"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene IV. No. 14 Terzetto "Se al volto mai ti senti" (Sesto, Vitellia, Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart4:27
5La clemenza di Tito, K. 621: Act 2, Scene 2. "Ah, grazie si rendano al sommo fattor"
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Wiener Staatsoper Choir
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 15 Coro "Ah grazie si rendano" (Coro, Tito) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:31
6La clemenza di Tito, K. 621: Act 2, Scene 2. "Andremo, Publio, fra poco. Io non avre riposo"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
partial recording of:
La clemenza di Tito, K. 621: Act II (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621
Wolfgang Amadeus Mozart1:29
7La clemenza di Tito, K. 621: Act 2, Scene 2. "Tardi s'avvede d'un tradimento, chi mai di fede"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 16 Aria "Tardi s'avvede" (Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:31
8La clemenza di Tito, K. 621: Act 2, Scene 2. "No, cosi scellerato il mio Sesto non credo."
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 16 Recitativo "No, così scellerato" (Tito, Annio, Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:30
9La clemenza di Tito, K. 621: Act 2, Scene 2. "Tu fosti tradito" [Annio]
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene VII. No. 17 Aria "Tu fosti tradito" (Annio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:01
10La clemenza di Tito, K. 621: Act 2, Scene 2. "Che orror! che tradimento!"
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene VIII. Recitativo accompagnato "Che orror! che tradimento!" (Tito) / Recitativi "Ingrato!" (Tito) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:30
11La clemenza di Tito, K. 621: Act 2, Scene 2. "Qello di Tito e il volto?"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene X. No. 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:59
12La clemenza di Tito, K. 621: Act 2, Scene 2. "Odimi, o Sesto!"
producer:
Erik Smith (British producer, pianist and harpsichordist)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 18 Recitativo "Odimi, oh Sesto; siam soli" (Tito, Sesto) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:48
13La clemenza di Tito, K. 621: Act 2, Scene 2. " Deh, per questo istante solo"
producer:
Erik Smith (British producer, pianist and harpsichordist)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 19 Aria (Rondo) "Deh per questo istante solo" (Sesto) / Aria "Disperato vado a morte" (Sesto) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart6:30
14La clemenza di Tito, K. 621: Act 2, Scene 2. "Publio! Andiamo al popolo che attende"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
partial recording of:
La clemenza di Tito, K. 621: Act II (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621
recording of:
La clemenza di Tito, K. 621: Act II, No. 20 Aria "Se all'impero" (Tito) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart5:22
15La clemenza di Tito, K. 621: Act 2, Scene 2. "Ah, Vitellia!"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
soprano vocals [Servilia]:
Lucia Popp (soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
partial recording of:
La clemenza di Tito, K. 621: Act II (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621
Wolfgang Amadeus Mozart2:16
16La clemenza di Tito, K. 621: Act 2, Scene 2. "S'altro che lagrime"
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals [Servilia]:
Lucia Popp (soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 21 Aria "S'altro che lagrime" (Servilia) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:06
17La clemenza di Tito, K. 621: Act 2, Scene 2. "Ecco il punto, Vitellia"
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene XV. No. 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
recording of:
La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" / "Infelice! qual orrore!" (Vitellia) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart9:39
18La clemenza di Tito, K. 621: Act 2, Scene 2. "Che del ciel, che degli dei"
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Wiener Staatsoper Choir
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene XVI. No. 24 Coro "Che del ciel, che degli Dei" (Coro) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:19
19La clemenza di Tito, K. 621: Act 2, Scene 2. "Sesto, de' tuoi delitti
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
soprano vocals [Servilia]:
Lucia Popp (soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 24 Recitativo "Sesto, de' tuoi delitti" (Tito, Vitellia, Servilia, Sesto, Annio, Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
recording of:
La clemenza di Tito, K. 621: Act II, Scene XVII. No. 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:40
20La clemenza di Tito, K. 621: Act 2, Scene 2. "Tu, e ver, m'assolvi, Augusto"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
choir vocals:
Wiener Staatsoper Choir
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
soprano vocals [Servilia]:
Lucia Popp (soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene XVII. No. 26 Sestetto con coro "Tu, è ver, m’assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:55
9▶CD: Mozart: Requiem
10▶CD: Schubert: Symphonies nos. 1 & 2
11▶CD: Schubert: Symphonies nos. 3 & 6
12▶CD: Schubert: Symphonies nos. 4 & 5
13▶CD: Schubert: Symphony no. 8 / Overtures
14▶CD: Schubert: Symphony no. 9 in C major "The Great"
15▶CD: Brahms: Symphony No. 1 / Variations on a theme by Haydn
16▶CD: Brahms: Symphony no. 2
17▶CD: Brahms: Symphonies nos. 3 & 4
18▶CD: Donizetti: Don Pasquale (1)
19▶CD: Donizetti: Don Pasquale (2)
20▶CD: Dvořák: Symphony no. 9 "From the New World"