| # | Title | Artist | Rating | Length |
|---|
| 1 | Curly Sue | tAKiDA | 5 | 3:49 |
| 2 | Home | Daughtry | 3.35 | 4:11 |
| 3 | Wind of Change- assistant engineer:
- Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher
- engineer:
- Erwin Musper and Keith Olsen
- producer:
- Keith Olsen and Scorpions
- mixer:
- Shay Baby, Erwin Musper and Keith Olsen
- acoustic guitar:
- Rudolf Schenker (in 1990)
- bass guitar:
- Francis Buchholz (in 1990)
- drums (drum set) and percussion:
- Herman Rarebell (in 1990)
- electric guitar [lead guitar] and electric guitar [rhythm guitar]:
- Matthias Jabs (in 1990) and Rudolf Schenker (in 1990)
- guest keyboard:
- Koen van Baal (in 1990)
- slide guitar:
- Matthias Jabs (in 1990)
- background vocals:
- Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (in 1990) and Rudolf Schenker (in 1990)
- lead vocals:
- Klaus Meine (in 1990)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1990, in 1991) and The Island Def Jam Music Group (in 1990)
- recorded at:
- Goodnight LA Studios in Van Nuys, California, United States (in 1990) and Wisseloord Studios in Hilversum, Noord-Holland , Netherlands, Kingdom of the Netherlands (in 1990)
- mixed at:
- Wisseloord Studios in Hilversum, Noord-Holland , Netherlands, Kingdom of the Netherlands
- recording of:
- Wind of Change (in 1990)
- lyricist and composer:
- Klaus Meine
- publisher:
- BMG Rights Management GmbH , Copyright Control , PolyGram International Publishing, Inc. , Polygram Music, PRI Music, Inc. and Universal PolyGram International Publishing, Inc.
| Scorpions | 3.4 | 5:11 |
| 4 | To Be With You- assistant engineer:
- Chris Kupper, David Luke , Scott Ralston, Michael Semanick and Andy Udoff
- engineer and mixer:
- Kevin Elson and Tom Size
- producer:
- Kevin Elson
- bass guitar [bass]:
- Billy Sheehan
- drums (drum set) [drums]:
- Pat Torpey
- guitar:
- Paul Gilbert
- lead vocals [vocals]:
- Eric Martin
- phonographic copyright (℗) by:
- Atlantic Recording Corp. (in 1991), Warner Music International (in 1991) and Warner Music H.K. Ltd. (in 1997)
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States, Fantasy Studios in Berkeley, California, United States and Rumbo Recorders in Canoga Park, Los Angeles, California, United States
- music videos:
- To Be With You by Mr. Big
- recording of:
- To Be With You
- writer:
- David Grahame and Eric Martin
- publisher:
- イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), Dog Turner Music (from 1991 to present), EMI April Music Inc. (from 1991 to present), Eric Martin Songs (from 1991 to present), Tasmanian Compositions (from 1991 to present), ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Mr. Big | 4.4 | 3:26 |
| 5 | Rough Boy | ZZ Top | 3.35 | 4:49 |
| 6 | Is This Love | Whitesnake | 4.2 | 4:40 |
| 7 | Behind Blue Eyes | Limp Bizkit | 4.4 | 4:29 |
| 8 | Don’t Stop Believin’- assistant engineer:
- Wally Buck
- engineer:
- Kevin Elson
- producer:
- Kevin Elson and Mike Stone
- bass guitar:
- Ross Valory (from 1981-04 until 1981-06)
- drums (drum set) and percussion:
- Steve Smith (from 1981-04 until 1981-06)
- guitar:
- Neal Schon (from 1981-04 until 1981-06)
- keyboard and piano:
- Jonathan Cain (from 1981-04 until 1981-06)
- background vocals:
- Jonathan Cain (from 1981-04 until 1981-06), Neal Schon (from 1981-04 until 1981-06) and Ross Valory (from 1981-04 until 1981-06)
- lead vocals:
- Steve Perry (from 1981-04 until 1981-06)
- phonographic copyright (℗) by:
- CBS Inc. (in 1981), CBS Records Inc. (in 1981), Columbia Records (in 1981), Sony Music Entertainment (in 1981) and Sony Music Entertainment Inc. (in 1981)
- recorded at:
- Fantasy Studios in Berkeley, California, United States (from 1981-04 until 1981-06)
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- part of:
- SWR1 Hitparade 2022 (number: 10), VH1: 100 Greatest Songs of the 80’s (number: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 34), Billboard Hot 100: 2026-07-18 (number: 35), Billboard: The 500 Best Pop Songs (number: 51) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 133)
- recording of:
- Don’t Stop Believin’ (from 1981-04 until 1981-06)
- writer:
- Jonathan Cain, Steve Perry and Neal Schon
- publisher:
- BMG Rights Management (UK) Ltd. , Lacey Boulevard Music, Sharandall Music, Sony Music , Universal/MCA Music Ltd. and Weedhigh‐Nightmare Music
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス , 日音 Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
| Journey | 4.3 | 4:08 |
| 9 | Beth- engineer:
- Jay Messina and Corky Stasiak
- producer:
- Bob Ezrin
- acoustic guitar:
- Dick Wagner
- grand piano:
- Bob Ezrin
- lead vocals:
- Peter Criss
- orchestra:
- New York Philharmonic
- recorded at and mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- recording of:
- Beth
- writer:
- Peter Criss, Bob Ezrin and Stan Penridge
- publisher:
- KISS Songs Inc. (ended), All by Myself Publishing Company, Café Americana Inc., Irving Music of Canada, Peter Criss Publishing, Reach Music Canada, Reach Music Publishing, Inc. and Rock Steady Music
- sub-publisher:
- ユニバーサル・ミュージック・パブリッシング Synch事業部 , ワーナー・チャペル音楽出版 Synch事業部 , 日音 Synch事業部 , ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| KISS | 4.15 | 2:46 |
| 10 | Eyes Without a Face | Billy Idol | 3 | 4:10 |
| 11 | When the Children Cry | White Lion | 3.5 | 4:19 |
| 12 | Two Out of Three Ain’t Bad | Meat Loaf | 4 | 5:24 |
| 13 | Alison | Elvis Costello | 3.85 | 3:17 |
| 14 | When I See You Smile | Bad English | 4 | 4:18 |
| 15 | Sarah | Thin Lizzy | | 3:23 |
| 16 | Cats in the Cradle- engineer and mixer:
- Mark Dodson and Randy Long
- producer:
- Mark Dodson
- bass guitar:
- Cordell Crockett (in 1992)
- drums (drum set):
- Mark Davis (in 1992)
- guitar:
- Klaus Eichstadt (in 1992) and Dave Fortman (in 1992)
- background vocals:
- Jennifer Barry (in 1992)
- lead vocals:
- Whitfield Crane (in 1992)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1992) and UMG Recordings, Inc. (in 1992)
- cover recording of:
- Cat’s in the Cradle (in 1992)
- writer:
- Sandra Campbell Chapin and Harry F Chapin
- publisher:
- Neue Welt Musikverlag GmbH & Co. KG , Story Songs, Ltd, Warner Bros., Inc. , Warner Chappell Music , Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited
| Ugly Kid Joe | 3.75 | 4:02 |
| 17 | I'll Stand By You | Pretenders | 3.55 | 3:57 |
| 18 | Walk on the Wild Side- producer:
- David Bowie , Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie , Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- samples from:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited , EMI Music Publishing Ltd. , Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
| Lou Reed | 4.25 | 4:13 |
| 19 | Hey There Delilah | Plain White T’s | 3 | 3:47 |
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