Die ultimative Chart Show: Die erfolgreichsten Fetenhits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1I Was Made For Lovin’ You
phonographisches Urheberrecht (℗) von:
Phonogram International (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982)
Bearbeitung von:
I Was Made for Lovin’ You von KISS (US rock band)
recording of:
I Was Made for Lovin’ You
Verfasser(in):
Desmond Child, Vini Poncia und Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) und Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS44:22
2Ça plane pour moi
Produzent(in):
Lou Deprijck
phonographisches Urheberrecht (℗) von:
BMG Belgium (in 1977)
recording of:
Ça plane pour moi (in 1977)
Texter:
Yves Lacomblez
Komponist(in):
Lou Deprijck
publisher:
Klugerpartners und Universal Publishing
Plastic Bertrand4.552:54
3Hit That Perfect Beat
Techniker(in):
Tom Frederikse
Produzent(in):
Adam Williams
Mix:
Gareth Jones (UK producer/engineer)
Sologesang:
John Foster (John Jøn, Bronski Beat)
recording of:
Hit That Perfect Beat
Verfasser(in):
Steve Bronski, John Foster (John Jøn, Bronski Beat) und Larry Steinbachek
Bronski Beat53:30
4You Spin Me Round (Like a Record)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 19)
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive44:27
5Word Up!
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1986)
Musikvideos:
Word Up! von Cameo (American soul-influenced funk group)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 70) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 81)
recording of:
Word Up!
Verfasser(in):
Larry Blackmon und Tomi Jenkins
publisher:
All Seeing Eye Music, Better Days Music und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:10
6Nur geträumt
recording engineer:
Ahmed Chouraqui, Janzoulou, Jeo und Gena Wernic
Sound-Engineering und Mix:
Jeo
Koproduzent(in):
Gena Wernic
Produzent(in):
Jörn‐Uwe Fahrenkrog‐Petersen und Jeo
Bassgitarre:
Paul Di Leo
Gitarre:
PC (guitarist Patrick Christensen of Warren Suicide) und Jörg Sander
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen
Schlagzeug:
Marco Minnemann
Hintergrundgesang und Sologesang:
Nena (the person, performing solo since 1987)
arranger:
Jörn‐Uwe Fahrenkrog‐Petersen und Nena (the person, performing solo since 1987)
phonographisches Urheberrecht (℗) von:
Warner Strategic Marketing
aufgenommen bei:
Gantec Studio in Berlin, Deutschland, Jeopark in Buchholz, Niedersachsen, Deutschland und On Air Studio (Berlin) in Berlin, Deutschland
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland
recording of:
Nur geträumt (in 2002)
Texter:
Rolf Brendel und Nena Kerner (the person, performing solo since 1987)
Komponist(in):
Uwe Fahrenkrog-Petersen
publisher:
EMI Songs Musikverlag GmbH
Nena2:54
7Flieger, grüß mir die Sonne
cover recording of:
Flieger, grüß’ mir die Sonne (von 1980-06 bis 1980-07)
Texter:
Walter Reisch
Komponist(in):
Allan Gray
Extrabreit2:48
8Der Erste Sahne Mix
Bearbeitung von:
Der „Erste Sahne“-Mix (Maxi‐Version): Aber bitte mit Sahne / Ein ehrenwertes Haus / Mit 66 Jahren / Mathilda / Ich weiß was ich will / Siebzehn Jahr, blondes Haar / Paris einfach so nur zum Spaß / Ich war noch niemals in New York / Sag’ ihr, ich laß sie grüßen / Vielen Dank für die Blumen / Tante Emma / Anuschka / Humtata und Tätärä / Griechischer Wein von Udo Jürgens (Austrian–Swiss composer, singer and songwriter)
medley including a recording of:
Aber bitte mit Sahne (in 1997)
Texter:
Eckart Hachfeld und Wolfgang Spahr (songwriter and producer)
Komponist(in):
Udo Jürgens (Austrian–Swiss composer, singer and songwriter)
publisher:
Montana (German publisher/label) (in 1976)
medley including a recording of:
Ein ehrenwertes Haus (in 1997)
Texter:
Michael Kunze (producer and songwriter)
Komponist(in):
Udo Jürgens (Austrian–Swiss composer, singer and songwriter)
medley including a recording of:
Mit 66 Jahren (in 1997)
Texter:
Wolfgang Hofer (Austrian singer/songwriter)
Komponist(in):
Udo Jürgens (Austrian–Swiss composer, singer and songwriter)
medley including a recording of:
Siebzehn Jahr, blondes Haar (in 1997)
Texter:
Thomas Hörbiger und Udo Jürgens (Austrian–Swiss composer, singer and songwriter)
Komponist(in):
Udo Jürgens (Austrian–Swiss composer, singer and songwriter)
Udo Jürgens3:39
9Ein Stern (der deinen Namen trägt)
recording of:
Ein Stern (der deinen Namen trägt) (in 2006)
Texter und Komponist(in):
Nik P.
DJ Ötzi3:56
10Let’s Twist Again
vocals:
Chubby Checker (in 1961-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 40)
recording of:
Let’s Twist Again (in 1961-06)
Texter:
Kal Mann
Komponist(in):
Dave Appell
publisher:
Kalmann Music Inc., Warner/Chappell Music Australia Pty. Ltd. und Belinda (Scandinavia) AB (in 1974)
Chubby Checker4.652:21
11Dance Hall Days
Produzent(in):
Ross Cullum und Chris Hughes (producer, aka “Merrick”)
phonographisches Urheberrecht (℗) von:
Geffen Records und The David Geffen Company (legal rights relating to Geffen Records) (in 1984)
recording of:
Dance Hall Days
Verfasser(in):
Darren Costin, Nick Feldman und Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3.23:54
12Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:25
13Le Freak
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 10) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 391)
recording of:
Le Freak
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic3.25:26
14Upside Down
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
vocals:
Diana Ross
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980) und Motown Records (not for label use; use “Motown” instead) (in 1980)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 89)
recording of:
Upside Down
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3.754:04
15Finally
recording of:
Finally (CeCe Peniston song)
Verfasser(in):
Cecilia Peniston, Felipe Delgado, Elbert Linnear und R. K. Jackson
publisher:
Blue Zephyr, Ce Ce Peniston Music, Mainlot Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Urban Tracks Music und Wax Museum Music
CeCe Peniston4:08
16Sing Hallelujah!
Techniker(in):
Gundars Rullis (Chorgesang)
Koproduzent(in):
Douglas Carr (Swedish songwriter)
Produzent(in) und Mix:
Denniz PoP
Chorgesang:
Berit Cullberg, Björn Klingvall, Johanna Nyström und Joakim Sanden
Hintergrundgesang:
Giovanna Bragazzi
remixer:
Douglas Carr (Swedish songwriter)
produced for:
SweMix Productions
aufgenommen bei und mixed at:
SweMix Studio in Stockholm, Stockholms län (Stockholm county), Schweden
engineered at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (Chorgesang)
recording of:
Sing Hallelujah!
Texter:
Dr. Alban
Komponist(in):
Douglas Carr (Swedish songwriter) und Denniz PoP
publisher:
BMG Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Songs of Logic, SweMix Music und SweMix Songs
Dr. Alban33:58
17Tu Es Foutu
recording of:
Tu es foutu
Texter:
Ingrid Alberini (Italian dance/pop singer)
Komponist(in):
Marco Soncini
In‐Grid2.53:36
18Saturday Night
recording engineer und Mix:
Larry Pignagnoli und Davide Riva
Produzent(in):
Larry Pignagnoli
phonographisches Urheberrecht (℗) von:
A La Mode (in 1994), Energy Prod. SRL (company credits only; do NOT use as release label) (in 1994) und Labelle Music (publisher and production company) (in 1994)
aufgenommen bei und mixed at:
Labelle Studio
recording of:
Saturday Night
Texter:
Larry Pignagnoli
Komponist(in):
Larry Pignagnoli und Davide Riva
publisher:
A La Mode, B. Mikulski Publ. (Bernhard Mikulski Publishing) und Labelle Music (publisher and production company)
Whigfield3.154:03
19Evacuate the Dancefloor
Produzent(in) und Mix:
Manuel "Manian" Reuter und Yann "Yanou" Peifer
sonstiger Gesang:
Carlprit (German-Zimbabwean rapper, actor, songwriter and music manager)
vocals:
Natalie Horler
arranger:
Manuel "Manian" Reuter und Yann "Yanou" Peifer
Musikvideos:
Evacuate the Dancefloor von Cascada (German Euro‐pop act)
recording of:
Evacuate the Dancefloor
Verfasser(in):
Allan Eshuijs, Yann Peifer und Manuel Reuter
Cascada4.33:26
20The Power
recording of:
The Power
Verfasser(in):
Benito Benites, Antoinette Colandero und John Garrett III
publisher:
Hanseatic Musikverlag GmbH (1964–2001), House of Fun Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Snap!3:40
21Insomnia
Produzent(in):
Rollo (Rollo Armstrong of Faithless) und Sister Bliss
Sologesang [rap]:
Maxi Jazz
Bearbeitung von:
Insomnia (original Reverence album mix) von Faithless
recording of:
Insomnia
Texter:
Maxi Jazz
Verfasser(in):
Maxi Jazz, Rollo (Rollo Armstrong of Faithless) und Sister Bliss
Faithless33:33
22Das geht ab (Wir feiern die ganze Nacht)
recording of:
Das geht ab
Frauenarzt43:29

Nennungen

Veröffentlichungsgruppe

Teil von:Die ultimative Chart Show (Nummer: 2012-12-21) (Reihenfolge: 78)