Classic Columbia and Okeh Benny Goodman Orchestra Sessions (1939–1958)

~ Release by Benny Goodman and His Orchestra (see all versions of this release, 1 available)

Tracklist

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7▼CD
#TitleRatingLength
1Down South Camp Meetin’
recorded in:
New York, New York, United States (from 1951-04-26 until 1951-04-27)
producer:
George Avakian (US 1940–90s record producer) (in 1951-04)
alto saxophone:
Al Klink (in 1951-04) and Hymie Shertzer (in 1951-04)
baritone saxophone:
Art Drelinger (in 1951-04)
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1951-04)
double bass:
Bob Haggart (in 1951-04)
drums (drum set):
Terry Snyder (in 1951-04)
guitar:
Johnny Smith (jazz guitarist) (in 1951-04)
piano:
Stan Freeman (in 1951-04)
tenor saxophone:
Boomie Richman (in 1951-04) and Peanuts Hucko (in 1951-04)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (in 1951-04), Cutty Cutshall (in 1951-04) and Lou McGarity (in 1951-04)
trumpet:
Billy Butterfield (in 1951-04), Chris Griffin (Gordon Claude Griffin, trumpeter) (in 1951-04), Jimmy Maxwell (Trumpet) (in 1951-04) and Al Stewart (Trumpet) (in 1951-04)
orchestra:
Benny Goodman and His Orchestra (in 1951-04)
instrumental recording of:
Down South Camp Meetin’ (in 1951-04)
composer:
Fletcher Henderson and Irving Mills
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:18
2Mean to Me
recorded in:
New York, New York, United States (from 1951-04-26 until 1951-04-27)
producer:
George Avakian (US 1940–90s record producer) (in 1951-04)
alto saxophone:
Al Klink (in 1951-04) and Hymie Shertzer (in 1951-04)
baritone saxophone:
Art Drelinger (in 1951-04)
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1951-04)
double bass:
Bob Haggart (in 1951-04)
drums (drum set):
Terry Snyder (in 1951-04)
guitar:
Johnny Smith (jazz guitarist) (in 1951-04)
piano:
Stan Freeman (in 1951-04)
tenor saxophone:
Boomie Richman (in 1951-04) and Peanuts Hucko (in 1951-04)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (in 1951-04), Cutty Cutshall (in 1951-04) and Lou McGarity (in 1951-04)
trumpet:
Billy Butterfield (in 1951-04), Chris Griffin (Gordon Claude Griffin, trumpeter) (in 1951-04), Jimmy Maxwell (Trumpet) (in 1951-04) and Al Stewart (Trumpet) (in 1951-04)
orchestra:
Benny Goodman and His Orchestra (in 1951-04)
instrumental recording of:
Mean to Me (in 1951-04)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
2:55
3South of the Border
recorded in:
New York, New York, United States (from 1951-04-26 until 1951-04-27)
producer:
George Avakian (US 1940–90s record producer) (in 1951-04)
alto saxophone:
Al Klink (in 1951-04) and Hymie Shertzer (in 1951-04)
baritone saxophone:
Art Drelinger (in 1951-04)
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1951-04)
double bass:
Bob Haggart (in 1951-04)
drums (drum set):
Terry Snyder (in 1951-04)
guitar:
Johnny Smith (jazz guitarist) (in 1951-04)
piano:
Stan Freeman (in 1951-04)
tenor saxophone:
Boomie Richman (in 1951-04) and Peanuts Hucko (in 1951-04)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (in 1951-04), Cutty Cutshall (in 1951-04) and Lou McGarity (in 1951-04)
trumpet:
Billy Butterfield (in 1951-04), Chris Griffin (Gordon Claude Griffin, trumpeter) (in 1951-04), Jimmy Maxwell (Trumpet) (in 1951-04) and Al Stewart (Trumpet) (in 1951-04)
orchestra:
Benny Goodman and His Orchestra (in 1951-04)
instrumental recording of:
South of the Border (Down Mexico Way) (in 1951-04)
writer:
Michael Carr (songwriter) and Jimmy Kennedy (Irish songwriter)
publisher:
Shapiro, Bernstein & Co., Inc. and Peter Maurice Music Co. Ltd. (on 1939-03-30)
3:13
4Muskat Ramble
recorded in:
New York, New York, United States (from 1951-04-26 until 1951-04-27)
producer:
George Avakian (US 1940–90s record producer) (in 1951-04)
alto saxophone:
Al Klink (in 1951-04) and Hymie Shertzer (in 1951-04)
baritone saxophone:
Art Drelinger (in 1951-04)
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1951-04)
double bass:
Bob Haggart (in 1951-04)
drums (drum set):
Terry Snyder (in 1951-04)
guitar:
Johnny Smith (jazz guitarist) (in 1951-04)
piano:
Stan Freeman (in 1951-04)
tenor saxophone:
Boomie Richman (in 1951-04) and Peanuts Hucko (in 1951-04)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (in 1951-04), Cutty Cutshall (in 1951-04) and Lou McGarity (in 1951-04)
trumpet:
Billy Butterfield (in 1951-04), Chris Griffin (Gordon Claude Griffin, trumpeter) (in 1951-04), Jimmy Maxwell (Trumpet) (in 1951-04) and Al Stewart (Trumpet) (in 1951-04)
orchestra:
Benny Goodman and His Orchestra (in 1951-04)
recording of:
Muskrat Ramble (1926 original instrumental version) (in 1951-04)
composer:
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
2:25
5Lulu’s Back in Town
recorded in:
New York, New York, United States (from 1951-04-29 until 1951-04-30)
producer:
George Avakian (US 1940–90s record producer) (in 1951-04)
alto saxophone:
Al Klink (in 1951-04) and Hymie Shertzer (in 1951-04)
baritone saxophone:
Art Drelinger (in 1951-04)
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1951-04)
double bass:
Bob Haggart (in 1951-04)
drums (drum set):
Terry Snyder (in 1951-04)
guitar:
Johnny Smith (jazz guitarist) (in 1951-04)
piano:
Stan Freeman (in 1951-04)
tenor saxophone:
Boomie Richman (in 1951-04) and Peanuts Hucko (in 1951-04)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (in 1951-04), Cutty Cutshall (in 1951-04) and Lou McGarity (in 1951-04)
trumpet:
Billy Butterfield (in 1951-04), Chris Griffin (Gordon Claude Griffin, trumpeter) (in 1951-04), Jimmy Maxwell (Trumpet) (in 1951-04) and Al Stewart (Trumpet) (in 1951-04)
orchestra:
Benny Goodman and His Orchestra (in 1951-04)
instrumental recording of:
Lulu’s Back in Town (in 1951-04)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
2:44
6Star Dust
recorded in:
New York, New York, United States (from 1951-04-29 until 1951-04-30)
producer:
George Avakian (US 1940–90s record producer) (in 1951-04)
alto saxophone:
Al Klink (in 1951-04) and Hymie Shertzer (in 1951-04)
baritone saxophone:
Art Drelinger (in 1951-04)
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1951-04)
double bass:
Bob Haggart (in 1951-04)
drums (drum set):
Terry Snyder (in 1951-04)
guitar:
Johnny Smith (jazz guitarist) (in 1951-04)
piano:
Stan Freeman (in 1951-04)
tenor saxophone:
Boomie Richman (in 1951-04) and Peanuts Hucko (in 1951-04)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (in 1951-04), Cutty Cutshall (in 1951-04) and Lou McGarity (in 1951-04)
trumpet:
Billy Butterfield (in 1951-04), Chris Griffin (Gordon Claude Griffin, trumpeter) (in 1951-04), Jimmy Maxwell (Trumpet) (in 1951-04) and Al Stewart (Trumpet) (in 1951-04)
orchestra:
Benny Goodman and His Orchestra (in 1951-04)
instrumental recording of:
Stardust (the jazz standard) (in 1951-04)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
3:28
7Wrappin’ It Up
recorded in:
New York, New York, United States (from 1951-04-29 until 1951-04-30)
producer:
George Avakian (US 1940–90s record producer) (in 1951-04)
alto saxophone:
Al Klink (in 1951-04) and Hymie Shertzer (in 1951-04)
baritone saxophone:
Art Drelinger (in 1951-04)
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1951-04)
double bass:
Bob Haggart (in 1951-04)
drums (drum set):
Terry Snyder (in 1951-04)
guitar:
Johnny Smith (jazz guitarist) (in 1951-04)
piano:
Stan Freeman (in 1951-04)
tenor saxophone:
Boomie Richman (in 1951-04) and Peanuts Hucko (in 1951-04)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (in 1951-04), Cutty Cutshall (in 1951-04) and Lou McGarity (in 1951-04)
trumpet:
Billy Butterfield (in 1951-04), Chris Griffin (Gordon Claude Griffin, trumpeter) (in 1951-04), Jimmy Maxwell (Trumpet) (in 1951-04) and Al Stewart (Trumpet) (in 1951-04)
orchestra:
Benny Goodman and His Orchestra (in 1951-04)
recording of:
Wrappin' It Up (in 1951-04)
composer:
Fletcher Henderson
3:12
8King Porter Stomp
recorded in:
New York, New York, United States (from 1951-04-29 until 1951-04-30)
producer:
George Avakian (US 1940–90s record producer) (in 1951-04)
alto saxophone:
Al Klink (in 1951-04) and Hymie Shertzer (in 1951-04)
baritone saxophone:
Art Drelinger (in 1951-04)
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1951-04)
double bass:
Bob Haggart (in 1951-04)
drums (drum set):
Terry Snyder (in 1951-04)
guitar:
Johnny Smith (jazz guitarist) (in 1951-04)
piano:
Stan Freeman (in 1951-04)
tenor saxophone:
Boomie Richman (in 1951-04) and Peanuts Hucko (in 1951-04)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (in 1951-04), Cutty Cutshall (in 1951-04) and Lou McGarity (in 1951-04)
trumpet:
Billy Butterfield (in 1951-04), Chris Griffin (Gordon Claude Griffin, trumpeter) (in 1951-04), Jimmy Maxwell (Trumpet) (in 1951-04) and Al Stewart (Trumpet) (in 1951-04)
orchestra:
Benny Goodman and His Orchestra (in 1951-04)
recording of:
King Porter Stomp (in 1951-04)
composer:
Jelly Roll Morton
3:08
9When Buddha Smiles
recorded in:
New York, New York, United States (on 1951-09-26)
alto saxophone:
Al Klink (on 1951-09-26) and Hymie Shertzer (on 1951-09-26)
baritone saxophone:
Art Drelinger (on 1951-09-26)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1951-09-26)
double bass:
Bob Haggart (on 1951-09-26)
drums (drum set):
Terry Snyder (on 1951-09-26)
guitar:
Johnny Smith (jazz guitarist) (on 1951-09-26)
piano:
Stan Freeman (on 1951-09-26)
tenor saxophone:
Boomie Richman (on 1951-09-26) and Peanuts Hucko (on 1951-09-26)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (on 1951-09-26), Cutty Cutshall (on 1951-09-26) and Lou McGarity (on 1951-09-26)
trumpet:
Chris Griffin (Gordon Claude Griffin, trumpeter) (on 1951-09-26), Carl Pool (big-band era trumpet player) (on 1951-09-26), Bernie Privin (on 1951-09-26) and Al Stewart (Trumpet) (on 1951-09-26)
orchestra:
Benny Goodman and His Orchestra (on 1951-09-26)
recording of:
When Buddha Smiles (on 1951-09-26)
composer:
Nacio Herb Brown (US songwriter)
3:14
10Sunrise Serenade
recorded in:
New York, New York, United States (on 1951-09-26)
alto saxophone:
Al Klink (on 1951-09-26) and Hymie Shertzer (on 1951-09-26)
baritone saxophone:
Art Drelinger (on 1951-09-26)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1951-09-26)
double bass:
Bob Haggart (on 1951-09-26)
drums (drum set):
Terry Snyder (on 1951-09-26)
guitar:
Johnny Smith (jazz guitarist) (on 1951-09-26)
piano:
Stan Freeman (on 1951-09-26)
tenor saxophone:
Boomie Richman (on 1951-09-26) and Peanuts Hucko (on 1951-09-26)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (on 1951-09-26), Cutty Cutshall (on 1951-09-26) and Lou McGarity (on 1951-09-26)
trumpet:
Chris Griffin (Gordon Claude Griffin, trumpeter) (on 1951-09-26), Carl Pool (big-band era trumpet player) (on 1951-09-26), Bernie Privin (on 1951-09-26) and Al Stewart (Trumpet) (on 1951-09-26)
orchestra:
Benny Goodman and His Orchestra (on 1951-09-26)
recording of:
Sunrise Serenade (on 1951-09-26)
lyricist:
Jack Lawrence (US songwriter) (in 1939)
composer:
Frankie Carle (in 1939)
3:08
11I’m Gonna Sit Right Down and Write Myself a Letter
recorded in:
New York, New York, United States (on 1952-05-28)
producer:
George Avakian (US 1940–90s record producer) (on 1952-05-28)
alto saxophone:
Al Klink (on 1952-05-28) and Hymie Shertzer (on 1952-05-28)
baritone saxophone:
Art Drelinger (on 1952-05-28)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1952-05-28)
double bass:
Jack Lesberg (on 1952-05-28)
drums (drum set):
Terry Snyder (on 1952-05-28)
guitar:
Mundell Lowe (on 1952-05-28)
piano:
Mel Powell (American composer and jazz pianist) (on 1952-05-28)
tenor saxophone:
Boomie Richman (on 1952-05-28) and Peanuts Hucko (on 1952-05-28)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (on 1952-05-28), Cutty Cutshall (on 1952-05-28) and Lou McGarity (on 1952-05-28)
trumpet:
Chris Griffin (Gordon Claude Griffin, trumpeter) (on 1952-05-28), Dale McMickle (on 1952-05-28), Bernie Privin (on 1952-05-28) and Ricky Trent (on 1952-05-28)
orchestra:
Benny Goodman and His Orchestra (on 1952-05-28)
recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (on 1952-05-28)
lyricist:
Joe Young (US lyricist)
composer:
Fred Ahlert and Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) and Rytvoc, Inc. (ASCAP)
2:44
12My Honey’s Lovin’ Arms
recorded in:
New York, New York, United States (on 1952-05-28)
producer:
George Avakian (US 1940–90s record producer) (on 1952-05-28)
alto saxophone:
Al Klink (on 1952-05-28) and Hymie Shertzer (on 1952-05-28)
baritone saxophone:
Art Drelinger (on 1952-05-28)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1952-05-28)
double bass:
Jack Lesberg (on 1952-05-28)
drums (drum set):
Terry Snyder (on 1952-05-28)
guitar:
Mundell Lowe (on 1952-05-28)
piano:
Mel Powell (American composer and jazz pianist) (on 1952-05-28)
tenor saxophone:
Boomie Richman (on 1952-05-28) and Peanuts Hucko (on 1952-05-28)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (on 1952-05-28), Cutty Cutshall (on 1952-05-28) and Lou McGarity (on 1952-05-28)
trumpet:
Chris Griffin (Gordon Claude Griffin, trumpeter) (on 1952-05-28), Dale McMickle (on 1952-05-28), Bernie Privin (on 1952-05-28) and Ricky Trent (on 1952-05-28)
orchestra:
Benny Goodman and His Orchestra (on 1952-05-28)
recording of:
My Honey’s Loving Arms (on 1952-05-28)
writer:
Joseph Meyer (US songwriter) and Harry Ruby
2:37
13Wolverine Blues
clarinet:
Benny Goodman (clarinetist and bandleader)
orchestra:
Benny Goodman and His Orchestra
recording of:
Wolverine Blues
lyricist:
Benjamin F Spikes (Benjamin Franklin "Reb" Spikes) and John Spikes
composer:
Jelly Roll Morton
3:00
14Back in Your Own Backyard
recorded in:
New York, New York, United States (on 1958-02-25)
producer:
Irving Townsend (on 1952-02-25)
alto saxophone:
Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1952-02-25) and Hymie Shertzer (on 1952-02-25)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1952-02-25)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1952-02-25)
double bass:
George Duvivier (on 1952-02-25)
drums (drum set):
Roy Burnes (on 1958-02-25)
guitar:
Tony Mottola (on 1952-02-25)
piano:
Hank Jones (piano) (on 1952-02-25)
tenor saxophone:
Boomie Richman (on 1952-02-25) and Al Klink (on 1952-02-25)
trombone:
Eddie Bert (on 1952-02-25), Bill Byers (on 1952-02-25) and Chauncey Welsch (on 1952-02-25)
trumpet:
Buck Clayton (on 1952-02-25), Bernie Glow (on 1952-02-25) and Doc Severinsen (on 1952-02-25)
orchestra:
Benny Goodman and His Orchestra (on 1952-02-25)
instrumental recording of:
Back in Your Own Back Yard (on 1958-02-25)
additional lyricist:
Al Jolson
lyricist:
Billy Rose (lyricist and Broadway producer)
composer:
Dave Dreyer
publisher:
Bourne Co. (not for release label use, this is a music publisher)
2:56
15Swing Into Spring
recorded in:
New York, New York, United States (on 1958-02-25)
producer:
Irving Townsend (on 1952-02-25)
alto saxophone:
Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1952-02-25) and Hymie Shertzer (on 1952-02-25)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1952-02-25)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1952-02-25)
double bass:
George Duvivier (on 1952-02-25)
drums (drum set):
Roy Burnes (on 1958-02-25)
guitar:
Tony Mottola (on 1952-02-25)
piano:
Hank Jones (piano) (on 1952-02-25)
tenor saxophone:
Boomie Richman (on 1952-02-25) and Al Klink (on 1952-02-25)
trombone:
Eddie Bert (on 1952-02-25), Bill Byers (on 1952-02-25) and Chauncey Welsch (on 1952-02-25)
trumpet:
Buck Clayton (on 1952-02-25), Bernie Glow (on 1952-02-25) and Doc Severinsen (on 1952-02-25)
orchestra:
Benny Goodman and His Orchestra (on 1952-02-25)
2:50
16Swanee River
recorded in:
New York, New York, United States (on 1958-02-25)
producer:
Irving Townsend (on 1952-02-25)
alto saxophone:
Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1952-02-25) and Hymie Shertzer (on 1952-02-25)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1952-02-25)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1952-02-25)
double bass:
George Duvivier (on 1952-02-25)
drums (drum set):
Roy Burnes (on 1958-02-25)
guitar:
Tony Mottola (on 1952-02-25)
piano:
Hank Jones (piano) (on 1952-02-25)
tenor saxophone:
Boomie Richman (on 1952-02-25) and Al Klink (on 1952-02-25)
trombone:
Eddie Bert (on 1952-02-25), Bill Byers (on 1952-02-25) and Chauncey Welsch (on 1952-02-25)
trumpet:
Buck Clayton (on 1952-02-25), Bernie Glow (on 1952-02-25) and Doc Severinsen (on 1952-02-25)
orchestra:
Benny Goodman and His Orchestra (on 1952-02-25)
3:21
17I’m Gonna Sit Right Down and Write Myself a Letter (alternate take 9)
recorded in:
New York, New York, United States (on 1952-05-28)
producer:
George Avakian (US 1940–90s record producer) (on 1952-05-28)
alto saxophone:
Al Klink (on 1952-05-28) and Hymie Shertzer (on 1952-05-28)
baritone saxophone:
Art Drelinger (on 1952-05-28)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1952-05-28)
double bass:
Jack Lesberg (on 1952-05-28)
drums (drum set):
Terry Snyder (on 1958-05-28)
guitar:
Mundell Lowe (on 1952-05-28)
piano:
Mel Powell (American composer and jazz pianist) (on 1952-05-28)
tenor saxophone:
Boomie Richman (on 1952-05-28) and Peanuts Hucko (on 1952-05-28)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (on 1952-05-28), Cutty Cutshall (on 1952-05-28) and Lou McGarity (on 1952-05-28)
trumpet:
Chris Griffin (Gordon Claude Griffin, trumpeter) (on 1952-05-28), Dale McMickle (on 1952-05-28), Bernie Privin (on 1952-05-28) and Ricky Trent (on 1952-05-28)
orchestra:
Benny Goodman and His Orchestra (on 1952-05-28)
instrumental recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (on 1958-05-28)
lyricist:
Joe Young (US lyricist)
composer:
Fred Ahlert and Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) and Rytvoc, Inc. (ASCAP)
2:44
18Hora Staccato
clarinet:
Benny Goodman (clarinetist and bandleader)
orchestra:
Benny Goodman and His Orchestra
recording of:
Hora staccato (catch-all for arrangements)
composed in:
Romania
composer:
Grigoraș Dinicu (Romanian violin virtuoso and composer)
arrangement of:
Hora Staccato (dance for solo violin)
2:39
19Poor Butterfly
clarinet:
Benny Goodman (clarinetist and bandleader)
orchestra:
Benny Goodman and His Orchestra
instrumental recording of:
Poor Butterfly
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
3:23
20Moonglow
recorded in:
Los Angeles, California, United States (on 1951-12-19)
producer:
Paul Weston (on 1951-12-19)
cello:
Cy Bernard (on 1951-12-19) and Armand Kaproff (on 1951-12-19)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1951-12-19)
double bass:
John Ryan (double bassist) (on 1951-12-19)
drums (drum set):
Nick Fatool (on 1951-12-19)
guitar:
George van Eps (on 1951-12-19)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1951-12-19)
trombone:
Hal Diner (on 1951-12-19), Bill Schaefer (on 1951-12-19) and Al Thompson (on 1951-12-19)
viola:
Maurice Perlmutter (on 1951-12-19) and Dave Sterkin (on 1951-12-19)
violin:
Sam Cytron (on 1951-12-19), Dave Frisina (on 1951-12-19), George Kast (on 1951-12-19), Sam Middleman (on 1951-12-19), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1951-12-19), Ted Rosen (on 1951-12-19), Mischa Russell (violinist) (on 1951-12-19), Felix Slatkin (on 1951-12-19) and Marshall Sosson (on 1951-12-19)
orchestra:
Benny Goodman with Strings (on 1951-12-19)
arranger:
Paul Weston (in 1951)
instrumental recording of:
Moonglow (on 1951-12-19)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
2:26
21Georgia on My Mind
recorded in:
Los Angeles, California, United States (on 1951-12-19)
producer:
Paul Weston (on 1951-12-19)
cello:
Cy Bernard (on 1951-12-19) and Armand Kaproff (on 1951-12-19)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1951-12-19)
double bass:
John Ryan (double bassist) (on 1951-12-19)
drums (drum set):
Nick Fatool (on 1951-12-19)
guitar:
George van Eps (on 1951-12-19)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1951-12-19)
trombone:
Hal Diner (on 1951-12-19), Bill Schaefer (on 1951-12-19) and Al Thompson (on 1951-12-19)
viola:
Maurice Perlmutter (on 1951-12-19) and Dave Sterkin (on 1951-12-19)
violin:
Sam Cytron (on 1951-12-19), Dave Frisina (on 1951-12-19), George Kast (on 1951-12-19), Sam Middleman (on 1951-12-19), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1951-12-19), Ted Rosen (on 1951-12-19), Mischa Russell (violinist) (on 1951-12-19), Felix Slatkin (on 1951-12-19) and Marshall Sosson (on 1951-12-19)
orchestra:
Benny Goodman with Strings (on 1951-12-19)
arranger:
Paul Weston (in 1951)
instrumental recording of:
Georgia on My Mind (on 1951-12-19)
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
3:09
22I Gotta Right to Sing the Blues
recorded in:
Los Angeles, California, United States (on 1951-12-19)
producer:
Paul Weston (on 1951-12-19)
cello:
Cy Bernard (on 1951-12-19) and Armand Kaproff (on 1951-12-19)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1951-12-19)
double bass:
John Ryan (double bassist) (on 1951-12-19)
drums (drum set):
Nick Fatool (on 1951-12-19)
guitar:
George van Eps (on 1951-12-19)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1951-12-19)
trombone:
Hal Diner (on 1951-12-19), Bill Schaefer (on 1951-12-19) and Al Thompson (on 1951-12-19)
viola:
Maurice Perlmutter (on 1951-12-19) and Dave Sterkin (on 1951-12-19)
violin:
Sam Cytron (on 1951-12-19), Dave Frisina (on 1951-12-19), George Kast (on 1951-12-19), Sam Middleman (on 1951-12-19), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1951-12-19), Ted Rosen (on 1951-12-19), Mischa Russell (violinist) (on 1951-12-19), Felix Slatkin (on 1951-12-19) and Marshall Sosson (on 1951-12-19)
orchestra:
Benny Goodman with Strings (on 1951-12-19)
arranger:
Paul Weston (in 1951)
instrumental recording of:
I Gotta Right to Sing the Blues (on 1951-12-19)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
2:25
23I Didn’t Know What Time It Was
recorded in:
Los Angeles, California, United States (on 1951-12-19)
producer:
Paul Weston (on 1951-12-19)
cello:
Cy Bernard (on 1951-12-19) and Armand Kaproff (on 1951-12-19)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1951-12-19)
double bass:
John Ryan (double bassist) (on 1951-12-19)
drums (drum set):
Nick Fatool (on 1951-12-19)
guitar:
George van Eps (on 1951-12-19)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1951-12-19)
trombone:
Hal Diner (on 1951-12-19), Bill Schaefer (on 1951-12-19) and Al Thompson (on 1951-12-19)
viola:
Maurice Perlmutter (on 1951-12-19) and Dave Sterkin (on 1951-12-19)
violin:
Sam Cytron (on 1951-12-19), Dave Frisina (on 1951-12-19), George Kast (on 1951-12-19), Sam Middleman (on 1951-12-19), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1951-12-19), Ted Rosen (on 1951-12-19), Mischa Russell (violinist) (on 1951-12-19), Felix Slatkin (on 1951-12-19) and Marshall Sosson (on 1951-12-19)
orchestra:
Benny Goodman with Strings (on 1951-12-19)
arranger:
Paul Weston (in 1951)
instrumental recording of:
I Didn’t Know What Time It Was (Pal Joey) (on 1951-12-19)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
2:57
24Goodbye
recorded in:
Los Angeles, California, United States (on 1952-03-05)
producer:
Paul Weston (on 1952-03-05)
cello:
Cy Bernard (on 1952-03-05) and Victor Gottlieb (on 1952-03-05)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1952-03-05)
double bass:
Morty Corb (bass, USA) (on 1952-03-05)
drums (drum set):
Nick Fatool (on 1951-12-19)
guitar:
George van Eps (on 1952-03-05)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1952-03-05)
trombone:
Hal Diner (on 1952-03-05), Bill Schaefer (on 1952-03-05) and Al Thompson (on 1952-03-05)
viola:
Virginia Majewski (violist) (on 1952-03-05) and Dave Sterkin (on 1952-03-05)
violin:
Harry Bluestone (on 1952-03-05), Sam Cytron (on 1952-03-05), Sam Middleman (on 1952-03-05), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1952-03-05), Ted Rosen (on 1952-03-05), Mischa Russell (violinist) (on 1952-03-05), Eudice Shapiro (Violinist) (on 1952-03-05), Felix Slatkin (on 1952-03-05) and Robert Sushel (on 1952-03-05)
orchestra:
Benny Goodman with Strings (on 1952-03-05)
instrumental recording of:
Goodbye (on 1952-03-05)
lyricist and composer:
Gordon Jenkins
writer:
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
3:22
25Embraceable You
recorded in:
Los Angeles, California, United States (on 1952-03-05)
producer:
Paul Weston (on 1952-03-05)
cello:
Cy Bernard (on 1952-03-05) and Victor Gottlieb (on 1952-03-05)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1952-03-05)
double bass:
Morty Corb (bass, USA) (on 1952-03-05)
drums (drum set):
Nick Fatool (on 1952-03-05)
guitar:
George van Eps (on 1952-03-05)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1952-03-05)
trombone:
Hal Diner (on 1952-03-05), Bill Schaefer (on 1952-03-05) and Al Thompson (on 1952-03-05)
viola:
Virginia Majewski (violist) (on 1952-03-05) and Dave Sterkin (on 1952-03-05)
violin:
Harry Bluestone (on 1952-03-05), Sam Cytron (on 1952-03-05), Sam Middleman (on 1952-03-05), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1952-03-05), Ted Rosen (on 1952-03-05), Mischa Russell (violinist) (on 1952-03-05), Eudice Shapiro (Violinist) (on 1952-03-05), Felix Slatkin (on 1952-03-05) and Robert Sushel (on 1952-03-05)
orchestra:
Benny Goodman with Strings (on 1952-03-05)
arranger:
Paul Weston (in 1952)
instrumental recording of:
Embraceable You (on 1952-03-05)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:35
26Lover, Come Back to Me
recorded in:
Los Angeles, California, United States (on 1952-03-05)
producer:
Paul Weston
cello:
Cy Bernard (on 1952-03-05) and Victor Gottlieb (on 1952-03-05)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1952-03-05)
double bass:
Morty Corb (bass, USA) (on 1952-03-05)
drums (drum set):
Nick Fatool (on 1952-03-05)
guitar:
George van Eps (on 1952-03-05)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1952-03-05)
trombone:
Hal Diner (on 1952-03-05), Bill Schaefer (on 1952-03-05) and Al Thompson (on 1952-03-05)
viola:
Virginia Majewski (violist) (on 1952-03-05) and Dave Sterkin (on 1952-03-05)
violin:
Harry Bluestone (on 1952-03-05), Sam Cytron (on 1952-03-05), Sam Middleman (on 1952-03-05), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1952-03-05), Ted Rosen (on 1952-03-05), Mischa Russell (violinist) (on 1952-03-05), Eudice Shapiro (Violinist) (on 1952-03-05), Felix Slatkin (on 1952-03-05) and Robert Sushel (on 1952-03-05)
orchestra:
Benny Goodman with Strings (on 1952-03-05)
arranger:
Paul Weston (in 1952)
instrumental recording of:
Lover, Come Back to Me (from "The New Moon") (on 1952-03-05)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:37
27If I Had You
recorded in:
Los Angeles, California, United States (on 1952-03-05)
producer:
Paul Weston (on 1952-03-05)
cello:
Cy Bernard (on 1952-03-05) and Victor Gottlieb (on 1952-03-05)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1952-03-05)
double bass:
Morty Corb (bass, USA) (on 1952-03-05)
drums (drum set):
Nick Fatool (on 1952-03-05)
guitar:
George van Eps (on 1952-03-05)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1952-03-05)
trombone:
Hal Diner (on 1952-03-05), Bill Schaefer (on 1952-03-05) and Al Thompson (on 1952-03-05)
viola:
Virginia Majewski (violist) (on 1952-03-05) and Dave Sterkin (on 1952-03-05)
violin:
Mischa Russell (violinist), Harry Bluestone (on 1952-03-05), Sam Cytron (on 1952-03-05), Sam Middleman (on 1952-03-05), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1952-03-05), Ted Rosen (on 1952-03-05), Eudice Shapiro (Violinist) (on 1952-03-05), Felix Slatkin (on 1952-03-05) and Robert Sushel (on 1952-03-05)
orchestra:
Benny Goodman with Strings (on 1952-03-05)
arranger:
Paul Weston (on 1952-03-05)
instrumental recording of:
If I Had You (jazz standard) (on 1952-03-05)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
2:49