Goldeneye: Soundtrack Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Copyright: ℗ 2022 Warner Music Group - X5 Music Group

Annotazione modificata l'ultima volta il 2026-01-25 16:52 UTC.

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#TitoloArtistaValutazioneDurata
1Rewrite the Stars
tecnico:
Derik Lee (engineer)
produttore:
Joseph Trapanese e Greg Wells
produttore aggiunto:
Chris Leon (additional producer for "Rewrite the Stars" from The Greatest Showman)
tecnico di missaggio:
Greg Wells
arrangiatore:
Rob Mathes
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2017) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2017)
registrazione di:
Rewrite the Stars
autore:
Benj Pasek e Justin Paul
parte di:
The Greatest Showman (2017 musical film)
Zac Efron & Zendaya3:37
2Don't Stop
assistente tecnico:
Chris Morris (LA engineer & producer (late ’70s))
tecnico:
Ken Caillat e Richard Dashut
produttore:
Ken Caillat, Richard Dashut e Fleetwood Mac
produttore aggiunto:
Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
chitarra basso :
John McVie
tastiera e sintetizzatore :
Christine McVie
voce:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Warner Bros. (holding: file NO releases) (nel 2004)
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Don’t Stop
paroliere e compositore:
Christine McVie
editore:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) e Gentoo Music, Inc. (nel 1977)
Fleetwood Mac4.23:14
3Adventure of a Lifetime
produttore:
Rik Simpson e StarGate (Norwegian production/songwriting team)
tecnico di missaggio:
Phil Tan (Malaysian-American audio engineer)
batteria :
Will Champion
chitarra :
Jonny Buckland
chitarra basso :
Guy Berryman
pianoforte e voce principale:
Chris Martin (lead singer of Coldplay)
voce aggiuntiva:
Merry Clayton
arrangiatore:
Coldplay e StarGate (Norwegian production/songwriting team)
video musicali:
Adventure of a Lifetime (Music video) di Coldplay
parte di:
BILLIONS CLUB, Billboard Year-End Hot 100 singles of 2016 (numero: 95) e Indie 88: Top 500 Indie Rock Songs (numero: 398)
registrazione di:
Adventure of a Lifetime
autore:
Guy Berryman, Jonny Buckland, Will Champion e Chris Martin (lead singer of Coldplay)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing MGB Ltd.
Coldplay4.054:24
4The Living Daylights (single version)
registrazione di:
The Living Daylights
autore:
Pal Waaktaar (guitarist, songwriter and singer)
compositore aggiunto:
John Barry (English score composer)
editore:
ATV Music e BMG Music
parte di:
James Bond themes
a-ha4:16
5Sucker For Pain (with Wiz Khalifa, Imagine Dragons, Logic & Ty Dolla $ign feat. X Ambassadors)
produttore:
Alex da Kid (UK musician, record producer, songwriter, record executive & fashion designer)
assistente tecnico di missaggio:
Chris Galland e Ike Schultz
tecnico di missaggio:
Manny Marroquin
mixata presso:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2016 (numero: 68) e BILLIONS CLUB
registrazione di:
Sucker for Pain
autore:
Alexander Grant (UK musician, record producer, songwriter, record executive & fashion designer), Benjamin McKee (American bassist, Imagine Dragons), Cameron Thomaz (US rapper), Daniel Reynolds (American singer/songwriter, producer), Daniel Sermon, Dwayne Carter, Daniel Platzman, Robert Hall, Sam Harris (X Ambassadors) e Tyrone Griffin Jr.
Lil Wayne3.84:03
6Arthur's Theme (Best That You Can Do)
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
produttore:
Michael Omartian
tecnico di missaggio:
Chet Himes
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981, nel 1983)
registrata presso e mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 19)
registrazione di:
Arthur’s Theme (Best That You Can Do)
autore:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager e Christopher Cross (US singer‐songwriter)
editore:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America e Woolnough Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 54th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1981 winner)
Christopher Cross53:54
7Sing
assistente tecnico di registrazione:
Ramon Rivas e Rob Suchecki (AM Aesthetic)
tecnico di registrazione e editor:
Andrew Coleman (recording/mix engineer, Neptunes-associated)
tecnico:
Geoff Swan
produttore:
Pharrell Williams
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
chitarra :
Ed Sheeran (UK singer‐songwriter)
chitarra aggiunto:
Andrew Coleman (recording/mix engineer, Neptunes-associated)
voce:
Ed Sheeran (UK singer‐songwriter)
diritti fonografici (℗) detenuti da:
Asylum Records UK (company credits only; do not use as release label!) (nel 2014), Warner Music UK Ltd. (not for release label use!) (nel 2014) e Warner Music UK Limited (not for release label use!) (nel 2024)
registrata presso:
Jungle City Studios in New York, New York, Stati Uniti
mixata presso:
Mixsuite UK in London (Greater London), England, Regno Unito
parte di:
Billboard Year-End Hot 100 singles of 2014 (numero: 56)
registrazione di:
Sing
autore:
Ed Sheeran (UK singer‐songwriter) e Pharrell Williams
editore:
Ed Sheeran Limited, EMI April Music Inc., Sony/ATV Music Publishing e Sony/ATV Music Publishing (UK) Ltd.
Ed Sheeran3.33:55
8Summer Feelings (feat. Charlie Puth) - From 'SCOOB!' The Album
Lennon Stella3.752:40
9Grease - 2007 Remaster
Frankie Valli3:23
10Locked Out of Heaven
assistente tecnico di registrazione:
Bob Mallory e Tyler Hartman (audio engineer)
tecnico di registrazione:
alalal (engineer & producer), Wayne Gordon, Ari Levine e Mark Ronson (British DJ and producer)
supporto a vario titolo:
Mark Ronson (British DJ and producer) (incarico: dj shit) e Artie Smith (incarico: gear & vibes)
tecnico aggiunto:
Charles Moniz
produttore:
Jeff Bhasker, Emile Haynie (hip hop producer, aka "Emile"), Mark Ronson (British DJ and producer) e The Smeezingtons
tecnico di missaggio:
Manny Marroquin
basso :
Nick Movshon
batteria [drums] :
Homer Steinweiss
batteria [drums] aggiunto, effetti [FX] aggiunto e tastiera [keys] aggiunto:
Emile Haynie (hip hop producer, aka "Emile")
chitarra [guitars] :
Bruno Mars (US singer)
tastiera [keyboards] :
Jeff Bhasker
voce:
Bruno Mars (US singer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2012) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2012)
registrata presso:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti, Daptone Studios in Bushwick, New York, New York, Stati Uniti e Levcon Studios in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2013 (numero: 11) e BILLIONS CLUB
registrazione di:
Locked Out of Heaven
autore:
Bruno Mars (US singer), Philip Lawrence (urban songwriter/producer, of The Smeezingtons) e Ari Levine
editore:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint), Mars Force Music, Mars Force Songs, LLC, Music Famamanem LP, Northside Independent Music Publishing LLC, Roc Nation Music, Toy Plane Music, Universal Music Corp. (USA, affiliated with ASCAP) e WB Music Corp. (1929–2019)
Bruno Mars4.13:53
11Waving Through a Window
registrazione di:
Waving Through a Window
autore:
Benj Pasek e Justin Paul
parte di:
Dear Evan Hansen
Ben Platt & Dear Evan Hansen Cast NL3:56
12Glory of Love
Peter Cetera4:18
13Heathens
programmazione e produttore:
Mike Elizondo e Tyler Joseph
tecnico e tecnico di missaggio:
Adam Hawkins (US mix engineer)
batteria e percussione :
Josh Dun
chitarra basso , pianoforte e sintetizzatore :
Tyler Joseph
voce:
Tyler Joseph
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2016) e Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.) (nel 2016)
registrata presso:
Can Am in Tarzana, Los Angeles, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2016 (numero: 21), Grammy Award: Best Rock Performance nominees (numero: 2017), Billboard Year-End Hot 100 singles of 2017 (numero: 58) e BILLIONS CLUB
registrazione di:
Heathens
paroliere e compositore:
Tyler Joseph
editore:
Fueled by Ramen, Stryker Joseph Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
twenty one pilots4.23:16
14Broken & Beautiful
produttore:
Steve Mac (British pop producer/songwriter Steve McCutcheon) e Marshmello
assistente tecnico di missaggio:
Scott Desmarais e Robin Florent
tecnico di missaggio:
Manny Marroquin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2019) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2019)
mixata presso:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti
Kelly Clarkson3:39
15Kiss From a Rose
assistente produttore:
Richard Lowe (UK producer/engineer)
produttore:
Trevor Horn
assistente tecnico di missaggio:
Tom Elmhirst (mixing engineer)
tecnico di missaggio:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
voce principale:
Seal (English‐born singer and songwriter)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1994), Warner Music Argentina S.A. (nel 2009) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2009)
è stato produttore per:
Horn Productions
registrata presso e mixata presso:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 308)
registrazione di:
Kiss From a Rose
paroliere e compositore:
Seal (English‐born singer and songwriter) (nel 1987)
editore:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) e SPZ Music Incorporated (BMI affiliated)
Seal3.854:48
16The Schuyler Sisters
registrazione di:
The Schuyler Sisters (Hamilton: An American Musical)
paroliere e compositore:
Lin‐Manuel Miranda
arrangiatore:
Alex Lacamoire
parte di:
Hamilton: An American Musical
Renee Elise Goldsberry, Phillipa Soo, Jasmine Cephas Jones & Leslie Odom Jr.43:07
17Never Ending Story (2009 remaster)
produttore:
Giorgio Moroder
voce:
Beth Anderson (US pop vocalist) e Limahl
voce di accompagnamento:
Beth Andersen (US pop vocalist)
voce principale:
Limahl
esecutore:
Limahl
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) e Neue Constantin Film Productions GmbH
parte di:
Cachitos Nochevieja 2022 (numero: 51)
registrazione di:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
paroliere:
Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Limahl3.353:30
18I Like It
co-produttore:
Invincible (hip hop producer?)
produttore:
J. White (American record producer, songwriter, and DJ) e Tainy (Marcos Efraín Masís, reggaeton producer)
voce:
Cardi B (American rapper)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2018) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2018)
campionamenti:
I Like It (I Like It Like That) di Pete Rodríguez y su Conjunto
parte di:
Billboard Year-End Hot 100 singles of 2018 (numero: 7), Rolling Stone: The 100 Best Songs of the 2010s (numero: 9), Stereogum: The 200 Best Songs of the 2010s (numero: 40), Billboard Year-End Hot 100 singles of 2019 (numero: 69), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 384) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 387)
registrazione di:
I Like It
autore:
Belcalis Almanzar (American rapper), Benito Martínez Ocasio, José Osorio, Tony Pabón e Manny Rodríguez (percussionist and composer with Pete Rodríguez)
editore:
A Million Dollar Dream (ASCAP), Artist Publishing Group West, BMG Platinum Songs US, Convinced Music, Editora De Musica Mambo KingZinc, EMI Blackwood Music Inc., EMI Longitude Music, RSM Publishing (publisher "Desierto"), Songs of Kobalt Music Publishing, Songs of LVS Publishing (BMI-affiliated), Sony/ATV Allegro, Sony/ATV Ballad, Universal Music Corporation (USA, affiliated with ASCAP), Universal Música Unica Publishing (Latin artist publishing) e Washpoppin, Inc.
cita i testi di:
I Like It (Like That) (Pete Rodríguez boogaloo)
cita la musica di:
I Like It (Like That) (Pete Rodríguez boogaloo)
Cardi B, Bad Bunny & J Balvin44:13
19Is This Love
produttore:
Keith Olsen (US producer and engineer) e Mike Stone (producer and engineer, 1960s–80s)
tecnico di missaggio:
Keith Olsen (US producer and engineer)
batteria e percussione :
Aynsley Dunbar
chitarra e voce di accompagnamento:
John Sykes
chitarra basso :
Neil Murray (British bass guitar player)
tastiera :
Don Airey
tastiera ospite :
Don Airey e Bill Cuomo
voce principale:
David Coverdale
diritti fonografici (℗) detenuti da:
Whitesnake Productions (Overseas) Ltd. (nel 1987, nel 2008) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2008)
mixata presso:
Goodnight LA Studios in Van Nuys, California, Stati Uniti
registrazione di:
Is This Love (Whitesnake song)
autore:
David Coverdale e John Sykes
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake4.24:44
20Pure Shores
programmazione:
Sean Spuehler
produttore:
William Orbit (English musician, composer and record producer)
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
voce:
Melanie Blatt e Shaznay Lewis
diritti fonografici (℗) detenuti da:
Warner Music UK Limited (not for release label use!) (nel 2000)
parte di:
The Downloader’s Music Source Book (numero: 380)
registrazione di:
Pure Shores
compositore:
Shaznay Lewis e William Orbit (English musician, composer and record producer)
All Saints3.654:26
21Salt
produttore:
Cirkut
assistente tecnico di missaggio:
John Hanes (audio engineer, mixer)
tecnico di missaggio:
Serban Ghenea
esecutore:
Ava Max
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
registrazione di:
Salt
autore:
Amanda Ava Koci, Henry Walter, Madison Love, Nicole Morier e Autumn Rowe
Ava Max43:00
22Iris
assistente tecnico:
Greg Burns (engineer) (incarico: second engineer) e Rafa Sardina (incarico: second engineer)
tecnico:
Allen Sides
produttore:
Rob Cavallo e Goo Goo Dolls
tecnico di missaggio:
Jack Joseph‐Puig
basso :
Robby Takac
batteria e percussione :
Mike Malinin
chitarra :
John Rzeznik
mandolino :
Tim Pierce (US session guitarist)
pianoforte :
Jamie Muhoberac
voce:
John Rzeznik
arrangiatore archi [string] :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
video musicali:
Iris di Goo Goo Dolls
registrazione di:
Iris
paroliere e compositore:
John Rzeznik
editore:
EMI Virgin Songs, Inc. e Scrap Metal Music
Goo Goo Dolls4.14:50
23You Can't Stop the Girl (From "Maleficent: Mistress of Evil")
diritti fonografici (℗) detenuti da:
Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 2019)
video musicali:
You Can’t Stop the Girl di Bebe Rexha
registrazione di:
You Can’t Stop the Girl
autore:
Nate Cyphert, Aaron Huffman, Joe Khajadourian, Jeff Lin, Sean Nelson (American musician, journalist, music critic and filmmaker; member of Harvey Danger), Michael Pollack (songwriter), Bebe Rexha, Alex Schwartz (member of The Futuristics) e Evan Sult
Bebe Rexha2:38
24Ain't Nobody
registrazione di:
Ain’t Nobody
paroliere e compositore:
David Wolinski
editore:
Overdue Music
Chaka Khan4:05
25Feel It Still
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2017) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2017)
video musicali:
Feel It Still di Portugal. The Man
parte di:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 33), Billboard Year-End Hot 100 singles of 2018 (numero: 33), Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2018 winner), Billboard Year-End Hot 100 singles of 2017 (numero: 45), BILLIONS CLUB e Indie 88: Top 500 Indie Rock Songs (numero: 386)
registrazione di:
Feel It Still
autore:
Robert Bateman (R&B singer/songwriter/record producer), Zachary Scott Carothers, Frederick Gorman, John Baldwin Gourley, John Hill (producer and songwriter, aka Johnny Rodeo), Brian Holland (Motown producer & songwriter), Eric Howk, Zoe Manville, Kyle O’Quin, Jason Wade Sechrist e Asa Taccone
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
cita la musica di:
Please Mr. Postman
Portugal. The Man4.252:42
26This Kiss
produttore:
Byron Gallimore e Faith Hill (country pop singer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1998) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
video musicali:
This Kiss di Faith Hill (country pop singer)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 118)
registrazione di:
This Kiss
autore:
Beth Nielsen Chapman (American singer and songwriter), Robin Lerner e Annie Roboff (American songwriter, musician and producer)
editore:
Almo Music Corp (USA, affiliated with ASCAP) (nel 1997), Anwa Music (nel 1997), BNC Songs (nel 1997), Nomad-Noman Music (nel 1997), Puckalesia Songs (nel 1997) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1997)
Faith Hill3.53:15
27Everybody Needs Somebody to Love
produttore:
Bob Tischler
batteria :
Willie "Too Big" Hall
chitarra :
Steve Cropper e Matt Murphy (US blues guitarist)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
sassofono :
Tom “Bones” Malone (US trombonist) e Lou Marini
tastiera :
Murphy Dunne
tromba :
Al Rubin
voce:
Elwood J. Blues (Saturday Night Live character portrayed by Dan Aykroyd) e Jake E. “Joliet” Blues (Saturday Night Live character portrayed by John Belushi)
arrangiatore voce di accompagnamento:
Paul Schaffer (pianist, bandleader, Dave Letterman's sidekick)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrazione cover di:
Everybody Needs Somebody to Love
autore:
Bert Russell Berns, Solomon Burke e Jerry Wexler
editore:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC e Musical Lights Tokyo
The Blues Brothers4.33:25
28This Is Me (From "The Greatest Showman")
Keala Settle & The Greatest Showman Ensemble3:55
29Semi-Charmed Life
programmazione:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind) e Eric Valentine (Eric Dodd, producer and instrumentalist)
assistente tecnico:
Jaquire King e Kevin Scott (engineer)
tecnico e tecnico di missaggio:
Eric Valentine (Eric Dodd, producer and instrumentalist)
co-produttore:
Eric Valentine (Eric Dodd, producer and instrumentalist)
produttore:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
produttore aggiunto:
Kevin Cadogan e Arion Salazar
batteria :
Brad Hargreaves
chitarra :
Kevin Cadogan e Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
chitarra basso :
Arion Salazar
spazzole e voce principale:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
voce di accompagnamento:
Kevin Cadogan
arrangiatore:
Kevin Cadogan e Arion Salazar
arrangiatore aggiunto:
Ren Klyce
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 138) e Indie 88: Top 500 Indie Rock Songs (numero: 347)
registrazione di:
Semi‐Charmed Life
paroliere e compositore:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
editore:
3EB Publishing
Third Eye Blind44:29
30Edge of Seventeen (2016 remaster)
tecnico:
Shelly Yakus
produttore:
Jimmy Iovine
batteria :
Russ Kunkel (session drummer)
chitarra :
Waddy Wachtel
chitarra basso [bass] :
Bob Glaub
organo :
Benmont Tench
percussione :
Bobbye Hall
pianoforte :
Roy Bittan
voce principale:
Stevie Nicks
diritti fonografici (℗) detenuti da:
Modern Records, Inc. (nel 1981) e Rhino Entertainment Company (not for release label use!) (nel 2016)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 217)
registrazione di:
Edge of Seventeen
paroliere e compositore:
Stevie Nicks
dedicata a:
John Lennon (The Beatles)
Stevie Nicks4.055:29
31From Russia With Love (1995 remaster)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
voce principale:
Matt Monro
direttore d'orchestra:
John Barry (English score composer)
arrangiatore:
John Barry (English score composer)
registrazione di:
From Russia With Love
paroliere e compositore:
Lionel Bart
editore:
EMI United Partnership Ltd.
parte di:
James Bond themes
parte di:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
Matt Monro3.352:35
32I Want to Know What Love Is
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott “Abada” Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984, nel 2018) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner3.954:54
33Somewhere Only We Know
programmazione, produttore e tecnico di missaggio:
Paul Beard (violinist)
tecnico:
Joe Kearns (British record producer, writer and engineer)
co-tecnico di missaggio:
Joe Kearns (British record producer, writer and engineer)
chitarra acustica :
Paul Sayer
percussione e pianoforte :
Paul Beard (violinist)
voce principale:
Lily Allen
arrangiatore archi :
James Banbury, Andy Cook (engineer), Matt Doughty e Will Hicks
arrangiatore:
Paul Beard (violinist)
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2014)
registrazione cover di:
Somewhere Only We Know
autore:
Tom Chaplin, Richard Hughes (Keane member) e Tim Rice‐Oxley
editore:
BMG Music Publishing Ltd.
Lily Allen43:28
34Nothing's Gonna Stop Us Now
esecutore:
Starship (continuation of Jefferson Starship) (nel 1987)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985, nel 1987), BMG Entertainment (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
Nothing’s Gonna Stop Us Now (nel 1987)
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
registrazione cover di:
Nothing’s Gonna Stop Us Now
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
Starship3.754:30
35We Are Young
programmazione aggiuntiva:
Ken Lewis (recording engineer and mixer)
programmazione degli strumenti:
Jeff Bhasker
tecnico:
Andrew Dawson (US mix engineer), Sonny Pinnar (UK producer/engineer John Simpson, aka Sonny Pinna) (archi) e Stuart White
produttore:
Jeff Bhasker e TommyD (incarico: orchestral producer)
assistente tecnico di missaggio:
Stuart White
tecnico di missaggio:
Jeff Bhasker
archi :
Wired Strings
contrabbasso :
Lucy Shaw (double bassist)
corno francese :
Richard Ashton, Corinne Bailey (British hornist) e Richard Bissel (British horn player and composer)
flauto :
Chloe Vincent
tastiera [keyboards] e voce di accompagnamento:
Jeff Bhasker
trombone :
Mark Frost (trombone), Pat Hartley e Trevor Mires
viola :
Natalie Cavey e Emma Owens (violist, violinist, strings)
violino :
Natalia Bonner (violinist), Stephanie Cavey, Sally Jackson (violinist) e Jenny Sacha
violoncello :
Rosie Danvers e Jane Oliver (cellist)
cori:
Ky'lee Abrams, Boyce Buchanan, Marley Mulvihill, Lowell Novitch, Renata Robins, Skye Saltzman, Finn Snyder, Genevieve Thomas, West Los Angeles Children’s Choir e Janet Yang
direttore d'orchestra:
Barbara Klaskin Silberg
orchestratore:
Jeff Bhasker e Rosie Danvers
diritti fonografici (℗) detenuti da:
Fueled by Ramen, LLC (not for release label use; fka Fueled by Ramen, Inc.) (nel 2011)
registrata presso:
Enormous Studios in Los Angeles, California, Stati Uniti, Jungle City in New York, New York, Stati Uniti, Livingston Studios in Wood Green, Haringey, London (Greater London), England, Regno Unito (archi) e The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (cori)
versioni a cappella:
We Are Young di The Beelzebubs (Tufts University all-male a cappella group)
parte di:
Billboard Year-End Hot 100 singles of 2012 (numero: 3), Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2013), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 276), BILLIONS CLUB e Indie 88: Top 500 Indie Rock Songs (numero: 420)
registrazione di:
We Are Young
autore:
Jeff Bhasker e Fun. (American indie pop band)
editore:
Bearvon Music, FBR Music, Rough Art, Shira Lee Lawrence Rick Music, SonyATV Songs LLC, Way Above Music e WB Music Corp. (1929–2019)
fun. & Janelle Monáe3.854:11
36Wind Beneath My Wings
Bette Midler4:54
37St. Elmo's Fire (Man in Motion)
produttore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore ottoni [horns] :
David Foster (Canadian music producer, arranger and composer) e Jerry Hey
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1985) e John Parr Music Ltd. (nel 2016)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 28) e TV Cream: Real 100 Best Singles Ever (numero: 85)
registrazione di:
St. Elmo’s Fire
autore:
David Foster (Canadian music producer, arranger and composer) e John Parr
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:12
38Gangsta
programmazione degli strumenti:
Djemba
assistente tecnico:
Jeff Vaughn (engineer)
tecnico:
Ryan Gladieux
produttore:
Djemba e JMIKE
assistente tecnico di missaggio:
Maddox Chhim e David Nakaji
tecnico di missaggio:
Jaycen Joshua
voce di accompagnamento:
Skylar Grey (US singer-songwriter and record producer)
mixata presso:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti
lavorazione tecnica effettuata presso:
Atlantic Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Gangsta
autore:
Jason Evigan, Skylar Grey (US singer-songwriter and record producer), Kehlani Parrish (Kehlani Ashley Parrish, an American singer-songwriter) e Jacob Luttrell
Kehlani3.652:57
39You Sexy Thing (2011 remaster)
Hot Chocolate4:05
40What If
Kate Winslet4:04
41I Got You Babe
voce:
Sonny Bono (nel 1965) e Cher (nel 1965)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 331) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 444)
registrazione di:
I Got You Babe (nel 1965)
paroliere e compositore:
Sonny Bono
editore:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) e Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:10
42Sharp Dressed Man (2003 remaster)
tecnico:
Terry Manning (US recording engineer)
produttore:
Bill Ham (manager of ZZ Top)
basso elettrico :
Dusty Hill
batteria e percussione :
Frank Beard (ZZ Top drummer)
chitarra elettrica e voce principale:
Billy Gibbons
voce:
Dusty Hill
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti
registrazione di:
Sharp Dressed Man
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
compositore:
Chrome Division (Norwegian heavy metal band)
editore:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic e Stage Three Songs
sub-editore:
BMG Gold Songs e Zazta Muzic Ltd.
ZZ Top4.64:13
43Street Life
strumenti:
Doc Severinsen
registrazione di:
Street Life (nel 1981)
autore:
Will Jennings e Joe Sample
editore:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Four Knights Music, Four Knights Music Co., Fujipacific Music, Inc., Irving Music, Inc., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
Randy Crawford2.54:14
44Return of the Mack - C&J Street Remix
Mark Morrison3:33
45Alexander Hamilton
registrazione di:
Alexander Hamilton (Hamilton: An American Musical)
paroliere e compositore:
Lin‐Manuel Miranda
parte di:
Hamilton: An American Musical
Christopher Jackson, Leslie Odom Jr., Anthony Ramos, Daveed Diggs, Okieriete Onaodowan, Lin-Manuel Miranda & Phillipa Soo4.653:57
46Wild Ones
parte di:
Billboard Year-End Hot 100 singles of 2012 (numero: 11)
registrazione di:
Wild Ones
autore:
Axel Hedfors (Swedish DJ, record producer and remixer), Marcus Cooper, Raphaël Judrin, Jacob Luttrell, Benjamin Maddahi, Pierre‐Antoine Melki, Sia Furler (Sia, Australian singer‐songwriter) e Tramar Dillard (American rapper)
Flo Rida & Sia4.23:53
47Boogie Shoes
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2004)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 324)
registrazione di:
Boogie Shoes
autore:
Harry Wayne Casey e Richard Finch
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
KC and the Sunshine Band4.252:12
48Uninvited
registrazione di:
Uninvited
paroliere e compositore:
Alanis Morissette
editore:
Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) e Vanhurst Place Music
parte di:
Jagged Little Pill (the musical)
Alanis Morissette4:36
49Stand by Me
Ben E. King2:58
50Talk Dirty
tecnico di registrazione:
Finis “KY” White, JP Negrete e Nico Hartikainen
programmazione e produttore:
Ricky Reed
assistente tecnico:
Meg Margossian
tecnico:
Drew Kapner
assistente tecnico di missaggio:
Chris Galland e Delbert Bowers (American engineer)
tecnico di missaggio:
Finis “KY” White e Manny Marroquin
strumenti:
Ricky Reed
voce:
Jason Derulo e Rie Abe
voce ospite:
2 Chainz (fka Tity Boi)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 2013, nel 2014) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2013, nel 2014)
registrata presso:
Atlantic Studios, Hollywood in Hollywood, Los Angeles, California, Stati Uniti, Deuce Station in Atlanta, Georgia, Stati Uniti e Larrabee Sound North in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Deuce Station in Atlanta, Georgia, Stati Uniti e Larrabee Sound North in North Hollywood, Los Angeles, California, Stati Uniti
campionamenti:
Hermetico di Balkan Beat Box
parte di:
Billboard Year-End Hot 100 singles of 2014 (numero: 6)
registrazione di:
Talk Dirty
editore:
Jason Desrouleaux
autore:
2 Chainz (fka Tity Boi), E. Frederic, Jason Desrouleaux, Jason Evigan, Ori Kaplan, Sean Douglas (American record producer and songwriter), Tamir Muskat (Tamir Muscat) e Tomer Yosef
editore:
Abarbanel, Bad Robot, Bluma Music, BMG Chrysalis (may be used as an imprint, trade name of BMG Rights Management in the US/UK/SE), Eastman Pond Publishing, Frederic and Ried Music, Irving Music (BMI), Muskat Love Music, Reservoir Media Music, Songs From the Boardwalk Music Publishing, LLC, Ty Epps Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Jason Derulo & 2 Chainz2.452:58
51Someday We'll All Be Free
Donny Hathaway4:11
52What I've Done
assistente tecnico:
Phillip Broussard, Jr.
produttore:
Frederick "Rick" Rubin (US record producer, former co‐president of Columbia Records) e Mike Shinoda
voce:
Chester Bennington
video musicali:
What I’ve Done (official video) di Linkin Park (American rock band)
registrazione di:
What I've Done (dal 2006 al 2007)
paroliere e compositore:
Chester Bennington, Rob Bourdon, Bradford Phillip Delson, David Michael Farrell, Joseph “Joe” Hahn, Linkin Park (American rock band) e Mike Shinoda
autore:
Chester Bennington, Rob Bourdon, Brad Delson, David Michael Farrell, Joseph “Joe” Hahn e Mike Shinoda
editore:
Big Bad Mr. Hahn Music, Chesterchaz Publishing, Kenji Kobayashi Music, Nondisclosure Agreement Music, Pancakey Cakes Music, Rob Bourdon Music e Universal Music–Z Songs
Linkin Park3.93:26
53I Say a Little Prayer
tecnico di registrazione:
Tom Dowd (il 1968-04-17)
produttore:
Jerry Wexler
basso :
Jerry Jemmott (il 1968-04-17)
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-17)
chitarra :
Tommy Cogbill (il 1968-04-17)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-17)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-17)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 117)
registrazione cover di:
I Say a Little Prayer (il 1968-04-17)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.33:33
54Rio - 2009 Remaster
registrazione di:
Rio
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
Duran Duran5:13
55Push
assistente tecnico di registrazione:
John Nielsen (engineer)
tecnico:
Jeff Tomei
produttore:
Matt Serletic
assistente tecnico di missaggio:
Malcolm Springer
tecnico di missaggio:
Greg Archilla e Matt Serletic
editor:
Don C. Tyler (mastering engineer, electronic music producer, graphic designer)
batteria [drums] :
Paul Doucette (member of Matchbox Twenty)
chitarra [lead guitar] :
Kyle Cook (member of Matchbox Twenty)
chitarra [rhythm guitar] :
Adam Gaynor
chitarra basso [bass] :
Brian Yale
voce:
Rob Thomas (Matchbox Twenty)
voce di accompagnamento [BG’s]:
Kyle Cook (member of Matchbox Twenty) e Adam Gaynor
registrata presso:
Triclops Recording in Atlanta, Georgia, Stati Uniti
mixata presso:
House of Blues Studios in Memphis, Tennessee, Stati Uniti
registrazione di:
Push
autore:
Matt Serletic e Rob Thomas (Matchbox Twenty)
editore:
EMI Blackwood Music Inc., Melusic e U Rule Music
Matchbox Twenty3.353:58
56Nobody Does It Better
basso elettrico :
Marcus Miller (jazz musician)
batteria :
Steve Gadd (drummer)
percussione :
Don Alias
sassofono contralto :
David Sanborn
tastiera :
Oleta Adams
arrangiatore:
Johnny Mandel (American composer and arranger)
registrazione strumentale cover di:
Nobody Does It Better (from “The Spy Who Loved Me”)
paroliere:
Carole Bayer Sager
compositore:
Marvin Hamlisch
editore:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., EMI United Partnership Ltd. e United Artists Music Ltd.
parte di:
The 50th Academy Award for Best Original Song (numero: 2) e James Bond themes
parte di:
The Spy Who Loved Me
David Sanborn4:41
57My Lovin' (You're Never Gonna Get It)
tecnico di registrazione:
Steve Counter
assistente tecnico:
John Jackson (engineer)
tecnico aggiunto:
Neil King (sound engineer) e Michael Semanick
produttore:
Denzil Foster (songwriter, musician, producer) e Thomas McElroy (songwriter, musician, producer)
tecnico di missaggio:
Ken Kessie
arrangiatore:
Denzil Foster (songwriter, musician, producer) e Thomas McElroy (songwriter, musician, producer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 2022)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
mixata presso:
Can Am Studios in Tarzana, Los Angeles, California, Stati Uniti
campionamenti:
The Payback di James Brown (The Godfather of Soul)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 2) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 471)
registrazione di:
My Lovin’ (You’re Never Gonna Get It)
autore:
Denzil Foster (songwriter, musician, producer) e Thomas McElroy (songwriter, musician, producer)
editore:
EMI Blackwood Music Inc., Two Tuff Enuff Publishing e Irving Music (BMI) (dal 1992 a oggi)
En Vogue4.64:42
58Falling
tecnico di registrazione:
Art Polhemus
co-produttore:
Angelo Badalamenti (American score composer) e David Lynch (filmmaker)
produttore:
Angelo Badalamenti (American score composer) e David Lynch (filmmaker)
tecnico di missaggio:
Jay Healy
batteria :
Grady Tate
chitarra elettrica :
Vinnie Bell e Eddie Dixon
clarinetto e flauto :
Eddie Daniels (US jazz/classical saxophonist, clarinetist & flutist) e Al Regni
pianoforte :
Angelo Badalamenti (American score composer)
sassofono tenore :
Al Regni
sintetizzatore :
Angelo Badalamenti (American score composer) e Kinny Landrum
voce:
Julee Cruise (US singer and actress)
arrangiatore e orchestratore:
Angelo Badalamenti (American score composer)
diritti fonografici (℗) detenuti da:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (nel 1990)
registrata presso:
Excalibur Sound in New York, New York, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
registrazione di:
Falling (Twin Peaks theme song)
paroliere:
David Lynch (filmmaker)
compositore:
Angelo Badalamenti (American score composer)
editore:
Anlon Music Co. (Anlon Music Company), O.K. Paul Music e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
versione di:
Theme from Twin Peaks
parte di:
Twin Peaks (original soundtrack of the TV series)
Julee Cruise4.355:22
59Disco Inferno - Edit
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 54)
registrazione di:
Disco Inferno
autore:
Leroy Green (disco/soul songwriter) e Ron Kersey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. e Six Strings Music
The Trammps4.353:12
60Sweet Baby James - 2019 Remaster
tecnico:
Bill Lazerus (nel 1969-12)
produttore:
Peter Asher (nel 1969-12)
basso elettrico :
John London (nel 1969-12)
batteria [drums] :
Russ Kunkel (session drummer) (nel 1969-12)
chitarra acustica e voce principale:
James Taylor (singer-songwriter and guitarist) (nel 1969-12)
chitarra pedal steel :
Red Rhodes (nel 1969-12)
pianoforte :
Carole King (nel 1969-12)
violino :
Chris Darrow (US country rock multi-instrumentalist and singer-songwriter) (nel 1969-12)
diritti fonografici (℗) detenuti da:
Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1970)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1969-12)
registrazione di:
Sweet Baby James (nel 1969-12)
paroliere e compositore:
James Taylor (singer-songwriter and guitarist)
editore:
Country Road Music, Inc. (ASCAP-affiliated)
James Taylor3.52:51
61Baby, I Love Your Way
registrazione cover di:
Baby, I Love Your Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
Big Mountain34:10
62La Bamba
produttore:
Mitchell Froom
esecutore:
Los Lobos (Chicano rock band)
arrangiatore:
Ritchie Valens
diritti fonografici (℗) detenuti da:
FFRR Records Ltd. (company name, NOT a label!) (nel 1987) e Slash Records (company, do not use as release label!) (nel 1987)
registrazione cover di:
La bamba (additional lyrics by Ritchie Valens)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Los Lobos4.152:54
63Goldfinger
tecnico:
John Richards (engineer)
produttore:
John Barry (English score composer) e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
voce:
Shirley Bassey (Welsh singer) (nel 1964-07)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Goldfinger (nel 1964-07)
paroliere:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd. e Sony/ATV Songs LLC
parte di:
James Bond themes
parte di:
Goldfinger
Shirley Bassey4.252:49
64Spaces
Jaymes Young43:48
65This Must Be the Place (Naive Melody) (2005 remaster)
assistente tecnico:
Franklin Gibson (recording engineer)
tecnico:
Butch Jones e Alex Sadkin (incarico: final overdubs)
produttore:
Talking Heads
tecnico di missaggio:
Alex Sadkin
batteria :
Chris Frantz
chitarra e voce di accompagnamento:
Tina Weymouth
chitarra basso, chitarra e tastiera :
David Byrne (Talking Heads)
percussione ospite :
David Van Tieghem
sintetizzatore ospite :
Wally Badarou
tastiera :
Jerry Harrison (Talking Heads & producer)
voce:
David Byrne (Talking Heads)
diritti fonografici (℗) detenuti da:
Sire Records Company (not for release label use!) (nel 1983)
registrata in aggiunta presso:
Compass Point Studios in Nassau, Bahamas
registrata presso:
Blank Tapes in New York, New York, Stati Uniti
mixata presso:
Compass Point Studios in Nassau, Bahamas
video musicali:
This Must Be the Place (Naive Melody) di Talking Heads
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 123) e Indie 88: Top 500 Indie Rock Songs (numero: 327)
registrazione di:
This Must Be the Place (Naive Melody)
autore:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) e Tina Weymouth
editore:
Bleu Disque Music Co., Inc. (publisher) e Index Music, Inc.
Talking Heads3.94:56