Now That’s What I Call Dad Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1We Will Rock You
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
assistierende(r) Produzent(in) und Koproduzent(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
Queen (UK rock group)
E-Gitarre und Gitarre:
Brian May (Queen guitarist) (von 1977-08 bis 1977-09)
foot stomps [footstomps] und Händeklatschen:
John Deacon (von 1977-08 bis 1977-09), Brian May (Queen guitarist) (von 1977-08 bis 1977-09), Freddie Mercury (von 1977-08 bis 1977-09) und Roger Taylor (Queen drummer) (von 1977-08 bis 1977-09)
Hintergrundgesang:
Brian May (Queen guitarist) (von 1977-08 bis 1977-09), Freddie Mercury (von 1977-08 bis 1977-09) und Roger Taylor (Queen drummer) (von 1977-08 bis 1977-09)
Sologesang:
Freddie Mercury (von 1977-08 bis 1977-09)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2001, in 2011)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (von 1977-08 bis 1977-09)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 338)
recording of:
We Will Rock You (von 1977-08 bis 1977-09)
Texter und Komponist(in):
Brian May (Queen guitarist)
publisher:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. und Sony/ATV
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.82:03
2Start Me Up
Produzent(in):
The Glimmer Twins (production name for Mick Jagger & Keith Richards)
Bass:
Bill Wyman
Schlagzeug:
Charlie Watts (drummer in The Rolling Stones)
Hintergrundgesang:
Keith Richards (Rolling Stones guitarist) und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Sologesang:
Mick Jagger (The Rolling Stones)
phonographisches Urheberrecht (℗) von:
Promotone B.V. (not for release label use!) (in 1981, in 1993, in 2012)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 94)
recording of:
Start Me Up
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Rolling Stones4.23:33
3With or Without You
recording engineer:
Flood (British producer Mark Ellis)
Synthesizer [DX7]-Programmierung:
Brian Eno
zusätzliche(r) Techniker(in):
Pat McCarthy und Dave Meegan (producer)
Produzent(in):
Brian Eno und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
assistierende(r) Mix:
Mary Kettle
Mix:
Steve Lillywhite und Mark Wallis
Bassgitarre:
Adam Clayton
Gitarre:
The Edge (U2 guitarist David Evans)
Keyboard:
Brian Eno
Mundharmonika und Sologesang:
Bono (singer of U2)
Omnichord, Tamburin und zusätzlich Gitarre:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Perkussion und Schlagzeug:
Larry Mullen, Jr.
Hintergrundgesang:
The Edge (U2 guitarist David Evans), Brian Eno und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
phonographisches Urheberrecht (℗) von:
BMG Ariola München GmbH (in 1987), Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1987, in 2007, in 2017), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1987) und Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2007)
aufgenommen bei und mixed at:
Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irland
Musikvideos:
With or Without You von U2 (Irish rock band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 13), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 131) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 211)
recording of:
With or Without You
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. und The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., U2 Music, Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group), Universal Music Publishing International B.V. (Global Licensing & Royalty Review division, Universal Music Publishing Group) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
U24.254:55
4Livin’ on a Prayer
assistierende(r) Techniker(in):
Tim Crich
Techniker(in) und Mix:
Bob Rock
Produzent(in):
Bruce Fairbairn
Akustikgitarre, E-Gitarre, Gitarrensynthesizer [IVL Guitar Synths] und Talkbox:
Richie Sambora
E-Bass [Bass]:
Alec John Such
Keyboard [Keyboards, Noises]:
Dave Bryan (keyboardist for Bon Jovi)
Perkussion und Schlagzeug:
Tico Torres
Hintergrundgesang [Backing Vocals]:
Jon Bon Jovi, Dave Bryan (keyboardist for Bon Jovi), Richie Sambora und Alec John Such
Sologesang:
Jon Bon Jovi
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2011)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada
Musikvideos:
Livin’ on a Prayer von Bon Jovi (group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 146), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 457)
recording of:
Livin’ on a Prayer
Verfasser(in):
Jon Bon Jovi, Desmond Child und Richie Sambora
publisher:
Aggressive Music, Aggressive Music (A), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., SBK Songs Ltd., Sony/ATV Tunes LLC (ASCAP), Universal Music Group International (manages UMG’s offices in most countries outside of North America), Universal Music Works (GMR affiliated), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), April Music Inc. (in 1986), Bon Jovi Publishing (in 1986), Desmobile Inc. (in 1986) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1986)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bon Jovi4.14:11
5Radioactive
recording engineer:
Josh Mosser
Produzent(in):
Alex da Kid (UK musician, record producer, songwriter, record executive & fashion designer) und Imagine Dragons (American pop rock band)
Mix:
Manny Marroquin
zusätzlich guitar family:
J. Browz (for Veers Music)
aufgenommen bei:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Radioactive von Imagine Dragons (American pop rock band)
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 3), Grammy Award: Best Rock Performance nominees (Nummer: 2014 winner), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 19), Billboard Year-End Hot 100 singles of 2014 (Nummer: 57) und Indie 88: Top 500 Indie Rock Songs (Nummer: 90)
recording of:
Radioactive
Verfasser(in):
Alex da Kid (UK musician, record producer, songwriter, record executive & fashion designer), Ben McKee (American bassist, Imagine Dragons), Josh Mosser, Dan Reynolds (American singer/songwriter, producer) und Wayne Sermon
publisher:
Imagine Dragons Publishing, JMosser Music, Kidinakorner2 Publishing, Songs for KIDinaKORNER und Songs of Universal, Inc. (BMI)
Imagine Dragons4.33:08
6Mr. Brightside
recording engineer:
Jeff Saltzman (music attorney and record producer)
Produzent(in):
Jeff Saltzman (music attorney and record producer) und The Killers (American rock band)
Mix:
Mark Needham
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2004) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 4), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 33), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 51), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 90) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 378)
recording of:
Mr. Brightside
Verfasser(in):
Brandon Flowers und Dave Keuning
publisher:
The Killers Publishing und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers4.33:43
7Dakota
Techniker(in):
Jim Lowe (sound engineer)
Produzent(in) und Mix:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics) und Jim Lowe (sound engineer)
phonographisches Urheberrecht (℗) von:
V2 Music Limited (holding company - do not use as release label) (in 2005), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Dakota
Texter und Komponist(in):
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Stereophonics3.954:58
8Take Me to Church
Produzent(in):
Andrew Hozier‐Byrne (Irish singer/songwriter) und Rob Kirwan
Mix:
Rob Kirwan
Bass:
Alex Ryan (multi-instrumentalist)
Cello:
Kate Ellis (Irish cellist)
Gitarre, Klavier und Synthesizer:
Andrew Hozier‐Byrne (Irish singer/songwriter)
Perkussion und Schlagzeug:
Fiachra Kinder
vocals:
Andrew Hozier‐Byrne (Irish singer/songwriter)
phonographisches Urheberrecht (℗) von:
Rubyworks (in 2013)
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 14) und Indie 88: Top 500 Indie Rock Songs (Nummer: 481)
recording of:
Take Me to Church
Texter, Komponist(in) und arranger:
Andrew Hozier‐Byrne (Irish singer/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK), Sony/ATV Songs LLC und The Evolving Music Co. Ltd.
Hozier3.94:03
9Rockstar
recording of:
Rockstar
Texter:
Chad Kroeger
Komponist(in):
Daniel Adair, Chad Kroeger, Mike Kroeger und Ryan Peake
Nickelback54:15
10Sweet Home Alabama
sonstige Unterstützung:
Ronnie Van Zant
Techniker(in) und Produzent(in):
Al Kooper
E-Bass:
Leon Wilkeson (in 1973-07)
E-Gitarre:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) und Gary Rossington (in 1973-07)
Keyboard:
Billy Powell (in 1973-07)
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (in 1973-07)
Hintergrundgesang:
Merry Clayton (in 1973-07) und Clydie King (in 1973-07)
Sologesang:
Ronnie Van Zant (in 1973-07)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
aufgenommen bei:
Studio One (Doraville, GA) in Doraville, Georgia, Vereinigte Staaten (in 1973-07)
Teil von:
Billboard Hot 100: 2026-07-18 (Nummer: 31), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 398)
recording of:
Sweet Home Alabama (in 1973-07)
sonstige Unterstützung:
Ronnie Van Zant
Verfasser(in):
Ed King (US guitarist, bassist & songwriter), Gary Rossington und Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:46
11More Than a Feeling
recording of:
More Than a Feeling
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Pure Songs (in 1976)
Boston3:24
12(Don’t Fear) The Reaper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 1978)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 397) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 449)
recording of:
(Don’t Fear) The Reaper
Texter und Komponist(in):
Donald Roeser (singer, lead guitarist and songwriter)
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.43:51
13Bat out of Hell
Bassgitarre:
Kasim Sulton
Gitarre und Gitarre [Motorcycle guitar]:
Todd Rundgren
Keyboard:
Roy Bittan, Todd Rundgren und Jim Steinman
Klavier:
Roy Bittan
Perkussion:
Jim Steinman
Schlagzeug:
Max Weinberg
Synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
Hintergrundgesang:
Todd Rundgren und Kasim Sulton
Sologesang:
Meat Loaf
zusätzlich Hintergrundgesang:
Rory Dodd und Ellen Foley
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Bearbeitung von:
Bat Out of Hell von Meat Loaf
recording of:
Bat out of Hell
Texter und Komponist(in):
Jim Steinman
publisher:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music und Peg Music Co.
Meat Loaf4.654:53
14Ace of Spades
Produzent(in):
Vic Maile (von 1980-08-04 bis 1980-09-15)
E-Bass und Sologesang:
Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (von 1980-08-04 bis 1980-09-15)
E-Gitarre:
'Fast' Eddie Clarke (Motörhead guitarist) (von 1980-08-04 bis 1980-09-15)
Schlagzeug:
Phil 'Philthy Animal' Taylor (former Motörhead drummer) (von 1980-08-04 bis 1980-09-15)
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1980), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1980) und Universal Music (plain logo: “Universal Music”) (in 1980)
aufgenommen bei:
Jackson’s Studios in Rickmansworth, Hertfordshire, England, Vereinigtes Königreich (von 1980-08-04 bis 1980-09-15)
Musikvideos:
Ace of Spades von Motörhead
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 3), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 10), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 33), TV Cream: Real 100 Best Singles Ever (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 442)
recording of:
Ace of Spades (von 1980-08-04 bis 1980-09-15)
Verfasser(in):
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) und Phil Taylor (former Motörhead drummer)
publisher:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.252:48
15Should I Stay or Should I Go
Techniker(in):
Bob Clearmountain
Produzent(in):
Guy Stevens
Mix:
Glyn Johns
Bassgitarre:
Paul Simonon
Gitarre:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
Schlagzeug:
Topper Headon
Gast vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 42), Indie 88: Top 500 Indie Rock Songs (Nummer: 183) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 228)
recording of:
Should I Stay or Should I Go
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
publisher:
Nineden Ltd. und Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.43:08
16Town Called Malice
Produzent(in):
The Jam (late 70s/early 80s UK punk/mod revival band) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1981-12)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 151)
recording of:
Town Called Malice
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam4.82:54
17Two Princes
Techniker(in):
Frank Aversa und Spin Doctors
Produzent(in):
Frank Aversa, Peter Denenberg, Frankie LaRocka und Spin Doctors
Mix:
Peter Denenberg, Frankie LaRocka und Spin Doctors
Bassgitarre:
Mark White (Spin Doctors)
Gitarre:
Eric Schenkman
Hammond-Orgel, Schlagzeug und Perkussion:
Aaron Comess
Gast Hintergrundgesang:
John Popper
vocals:
Chris Barron
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Two Princes (original version)
Verfasser(in):
Chris Barron, Aaron Comess, Eric Schenkman und Mark White (Spin Doctors)
publisher:
Mow B'jow Music, Sony Songs Inc. und Sony/ATV Music Publishing Ltd.
recording of:
Two Princes (Muppets parody)
Parodieversion von:
Two Princes (original version)
Spin Doctors4.24:14
18She’s So Lovely
Programmierung, Techniker(in), Produzent(in) und Mix:
Andy Green (producer, engineer)
Musikvideos:
She’s So Lovely von Scouting for Girls
recording of:
She’s So Lovely
Texter und Komponist(in):
Roy Stride
Scouting for Girls3.353:43
19Chelsea Dagger
recording of:
Chelsea Dagger
Texter und Komponist(in):
Jon Fratelli
The Fratellis33:22
20Rocks
Techniker(in):
David Bianco (American engineer and record producer) und Jeff Powell (engineer)
zusätzliche(r) Techniker(in):
David Bianco (American engineer and record producer) und Jeffrey Reed
Koproduzent(in):
David Bianco (American engineer and record producer)
Produzent(in):
Tom Dowd
zusätzliche(r) Produzent(in):
George Drakoulias
remixer:
George Drakoulias
phonographisches Urheberrecht (℗) von:
Creation Records Ltd. (in 1994) und Sire Records Company (not for release label use!) (in 1994)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten und Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Rocks
Verfasser(in):
Bobby Gillespie, Andrew Innes und Robert Young (British guitarist, of Primal Scream)
publisher:
Complete Music Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream3.63:36
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Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 88)