50 Finest Jazz

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:25
2’s Wonderful
cover recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
Quincy Jones3:14
3Take Five
Dave Brubeck5:25
4Summertime
vocals:
Ella Fitzgerald (American jazz singer)
Interpret(in):
Louis Armstrong
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald4:56
5So What
recorded in:
New York, New York, Vereinigte Staaten (am 1959-03-02)
recording engineer:
Fred Plaut (am 1959-03-02)
Produzent(in):
Irving Townsend
alto saxophone:
Cannonball Adderley (am 1959-03-02)
Klavier:
Bill Evans (pianist) (am 1959-03-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-03-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-03-02)
Tenorsaxophon:
John Coltrane (am 1959-03-02)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1959-03-02)
aufgenommen bei:
Columbia 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1959-03-02)
Remix von:
So What (stereo) von Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
So What (am 1959-03-02)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
Miles Davis4.29:23
6Take the “A” Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
Duke Ellington3:00
7Stranger on the Shore
Acker Bilk3:08
8Mr. Bojangles
Produzent(in):
Don Costa (US pop music arranger & producer) und Mike Curb
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (in 1971)
cover recording of:
Mr. Bojangles
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
Sammy Davis Jr.5:45
9Fever
Fingerschnippen:
Peggy Lee (jazz vocalist) (am 1958-05-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-05-19)
Kontrabass [bass]:
Joe Mondragon (am 1958-05-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (am 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1958-05-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (am 1958-05-19)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Peggy Lee4.23:19
10My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Chet Baker2:22
11Jeepers Creepers
recorded in:
New York, New York, Vereinigte Staaten (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
Bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
Klavier:
Bobby Timmons (in 1957-07)
Posaune:
Bob Burgess (american trombonist) (in 1957-07) und Jimmy Cleveland (US jazz trombonist) (in 1957-07)
Saxophon:
Jimmy Ford (saxophone) (in 1957-07) und Anthony Ortega (jazz saxophonist) (in 1957-07)
Schlagzeug:
Larry Bunker (in 1957-07)
Tenorsaxophon:
Willie Maiden (in 1957-07)
Trompete:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) und Tom Slaney (in 1957-07)
instrumental recording of:
Jeepers Creepers (in 1957-07)
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
Maynard Ferguson2:34
12Strange Fruit
Bass:
John Fields (Jazz bassist)
Klavier:
Buster Harding
Schlagzeug:
Marquis Foster
recording of:
Strange Fruit
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
Billie Holiday3:18
13Ornithology
Produzent(in):
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1946-03-28)
Gitarre:
Arvin Garrison (am 1946-03-28)
Klavier:
Dodo Marmarosa (am 1946-03-28)
Kontrabass:
Vic McMillan (am 1946-03-28)
Schlagzeug:
Roy Porter (am 1946-03-28)
Tenorsaxophon:
Lucky Thompson (am 1946-03-28)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1946-03-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-03-28)
recording of:
Ornithology (am 1946-03-28)
Komponist(in):
Benny Harris und Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
Charlie Parker3:04
14My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.93:32
15Put Off
Bass:
Paul Chambers (US jazz bassist) (am 1961-12-15)
Klavier:
Hank Jones (piano) (am 1961-12-15)
Schlagzeug:
Connie Kay (am 1961-12-15)
Vibraphon:
Milt Jackson (am 1961-12-15)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1961-12-15)
Milt Jackson5:36
16What a Difference a Day MakesDinah Washington2:32
17So Long Eric
recording of:
So Long Eric
Komponist(in):
Charles Mingus
Charles Mingus4:34
18Autumn in New York
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-09-18)
Bass:
Leroy Vinnegar (am 1955-09-18)
Klavier:
Kenny Drew (am 1955-09-18)
Schlagzeug:
Lawrence Marable (am 1955-09-18)
Tenorsaxophon:
Dexter Gordon (am 1955-09-18)
instrumental cover recording of:
Autumn in New York (1934) (am 1955-09-18)
Texter und Komponist(in):
Vernon Duke
publisher:
Chappell & Co. und Warner Bros., Inc. (not for release label use!)
Dexter Gordon6:33
19The Entertainer
Chris Barber’s Jazz Band3:51
20Baby, It’s Cold Outside
vocals:
Buddy Clark (US 1930s~1940s singer) und Dinah Shore
Orchester:
Ted Dale and His Orchestra
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1949)
recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1949 winner)
Dinah Shore2:21
21Greenbacks
recorded in:
Atlanta, Georgia, Vereinigte Staaten (am 1954-11-18)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Bass:
Jimmy Bell (jazz bassist) (am 1954-11-18)
Gitarre:
Wesley Jackson (US R&B guitarist) (am 1954-11-18)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
Schlagzeug:
Glenn Brooks (am 1954-11-18)
Solo-baritone saxophone [baritone sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1954-11-18)
Tenorsaxophon [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1954-11-18)
Trompete:
Joe Bridgewater (am 1954-11-18) und Charles "Clanky" Whitley (am 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
Greenbacks (am 1954-11-18)
Texter und Komponist(in):
Renald Richard
Ray Charles12:55
22As Time Goes By
cover recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
Tony Bennett3:15
23Stairway to the Stars
recording engineer:
Bill Schwartau (am 1962-06-02)
Bass:
Chuck Israels (am 1962-06-02)
Klavier:
Bill Evans (pianist) (am 1962-06-02, am 1962-06-05)
Kontrabass [bass]:
Chuck Israels (am 1962-06-02, am 1962-06-05)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1962-06-02, am 1962-06-05)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (am 1962-06-02)
instrumental cover recording of:
Stairway to the Stars (am 1962-06-02)
Texter:
Mitchell Parish
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI United Partnership Ltd. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
instrumental recording of:
Stairway to the Stars (am 1962-06-05)
Texter:
Mitchell Parish
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI United Partnership Ltd. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Bill Evans4:50
24Fly Me to the Moon (In Other Words)Nancy Wilson with The Billy May Orchestra2:54
25Honeysuckle Rose
recording of:
Honeysuckle Rose
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
Count Basie3:02
26I Wanna Be Loved by You
cover recording of:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
Texter:
Bert Kalmar
Komponist(in):
Harry Ruby und Herbert Stothart (composer)
publisher:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
Texter:
Bert Kalmar
Komponist(in):
Harry Ruby und Herbert Stothart (composer)
publisher:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Marilyn Monroe2:59
27Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:50
28A Quiet Gass
Gitarre:
Bob Bain (guitarist), Al Hendrickson und Barney Kessel
Holzblasinstrumente:
Paul Horn, Ted Nash (40s-80s US swing reedman, uncle of the other) und Ronny Lang
Klavier:
John Williams (American jazz pianist)
Kontrabass:
Rolly Bundock und Joe Mondragon
Posaune:
Hoyt Bohannon, John Halliburton, Karl De Karske, Dick Nash und Jimmy Priddy
Rohrblattinstrumente:
Gene Cipriano, Plas Johnson, Ronnie Lang und Ted Nash (40s-80s US swing reedman, uncle of the other)
Schlagzeug:
Shelly Manne (US jazz drummer) und Alvin Stoller
Trompete:
Frank Beach (trombone, trumpet), Pete Candoli und Conrad Gozzo
Vibraphon:
Larry Bunker und Victor Feldman (jazz musician)
Waldhorn:
John Cave (french horn), Vincent DeRosa, John Graas und Richard Perissi
recording of:
A Quiet Gass
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
Henry Mancini3:05
29Let Me Off Uptown
Gene Krupa3:04
30Sing Sing Sing
recording of:
Sing, Sing, Sing (With a Swing)
Texter und Komponist(in):
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (beendet) und EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Benny Goodman5:04
31Lullaby of Birdland
Mel Tormé34:50
32A Night in Tunisia
Ronnie Scott3:41
33Patterns
Bass:
Jamil Nasser (von 1970-02-02 bis 1970-02-03)
Klavier:
Ahmad Jamal (von 1970-02-02 bis 1970-02-03)
Schlagzeug:
Frank Gant (von 1970-02-02 bis 1970-02-03)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (von 1970-02-02 bis 1970-02-03)
recording of:
Patterns (in 1970-02)
Komponist(in):
Ahmad Jamal
Ahmad Jamal6:15
34I’ve Got You Under My Skin
Stan Getz3:19
35Embraceable You
recorded in:
New York, New York, Vereinigte Staaten (am 1954-12-18)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1954-12-18)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1954-12-18)
vocals:
Sarah Vaughan (am 1954-12-18)
conductor:
Ernie Wilkins (am 1954-12-18)
arranger:
Ernie Wilkins
cover recording of:
Embraceable You (am 1954-12-18)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Sarah Vaughan4:51
36Old Devil Moon
cover recording of:
Old Devil Moon (from “Finian’s Rainbow”)
Texter:
Yip Harburg
Komponist(in):
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
Teil von:
Finian’s Rainbow (1947 Broadway musical)
Lena Horne2:34
37In the Mood
instrumental recording of:
In the Mood (am 1939-08-01)
Texter:
Andy Razaf
Komponist(in):
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
basiert auf:
Tar Paper Stomp
Teil von:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller3.753:35
38Smoke Gets in Your Eyes
Lawrence Welk2:19
39Lullaby in Rhythm
Klavier:
Arnold Ross (am 1946-07-31)
Kontrabass:
Eddie Safranski (am 1946-07-31)
Posaune:
Kai Winding (am 1946-07-31)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1946-07-31)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1946-07-31)
Trompete:
John Anderson (US jazz trumpeter) (am 1946-07-31)
recording of:
Lullaby in Rhythm (am 1946-07-31)
Texter:
Walter Hirsch (in 1938)
Komponist(in):
Benny Goodman (clarinetist and bandleader) (in 1938), Clarence Profit (in 1938) und Edgar Sampson (in 1938)
June Christy2:36
40Tuxedo Junction
Al Hirt2:42
41Begin the Beguine
recorded in:
New York, New York, Vereinigte Staaten (am 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1938-07-24) und Les Robinson (am 1938-07-24)
Gitarre:
Al Avola (am 1938-07-24)
Klarinette:
Artie Shaw (am 1938-07-24)
Klavier:
Les Burness (am 1938-07-24)
Kontrabass:
Sid Weiss (am 1938-07-24)
Posaune:
George Arus (am 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (am 1938-07-24) und Ted Vesely (am 1938-07-24)
Schlagzeug:
Cliff Leeman (am 1938-07-24)
Tenorsaxophon:
Tony Pastor (am 1938-07-24) und Ronnie Perry (am 1938-07-24)
Trompete:
Claude Bowen (am 1938-07-24), John Best (jazz trumpeter) (am 1938-07-24) und Chuck Peterson (trumpet) (am 1938-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1938-07-24)
conductor:
Artie Shaw (am 1938-07-24)
arranger:
Jerry Gray (US big band arranger and conductor)
aufgenommen bei und engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1938-07-24)
instrumental recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Artie Shaw33:17
42Buona Sera
Produzent(in):
Voyle Gilmore
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber (am 1956-04-19)
Kontrabass:
Amato Rodrigues (am 1956-04-19)
Posaune:
James Blount, Jr. (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Buona sera (am 1956-04-19)
Texter:
Carl Sigman
Komponist(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
übersetzte Version von:
Buona sera signorina (italian version for Fred Buscaglione)
Louis Prima42:58
43Route 66
recording of:
(Get Your Kicks on) Route 66
Texter und Komponist(in):
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Burke-Van Heusen, Inc. (am 1946-04-22)
Nat King Cole3:02
44Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Frankie Laine2:49
45Let’s Do It (Let’s Fall in Love)
Orchester:
Henri René & His Orchestra (am 1953-10-05)
recording of:
Let’s Do It (Noël Coward version)
Texter und Komponist(in):
Cole Porter (composer)
zusätzlicher Texter:
Noël Coward
Version von:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Eartha Kitt3:09
46Toot‐Toot Tootsie
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
Klavier:
Sonny Clark (von 1957-06-11 bis 1957-06-12)
Kontrabass:
Percy Heath (von 1957-06-11 bis 1957-06-12)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (von 1957-06-11 bis 1957-06-12)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (von 1957-06-11 bis 1957-06-12)
engineered at:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (von 1957-06-11 bis 1957-06-12)
instrumental cover recording of:
Toot, Toot, Tootsie (Goo’ Bye) (von 1957-06-11 bis 1957-06-12)
Verfasser(in):
Ernie Erdman (Songwriter/composer and pianist), Gus Kahn und Dan Russo (1920s–30s violinist, songwriter, and big band leader)
publisher:
Salabert
Sonny Rollins4:22
47That Old Feeling
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-12)
Bass:
Ray Brown (jazz bassist) (am 1957-10-12)
Klavier:
Lou Levy (am 1957-10-12)
Saxophon:
Stan Getz (am 1957-10-12) und Gerry Mulligan (am 1957-10-12)
Schlagzeug:
Stan Levey (am 1957-10-12)
instrumental recording of:
That Old Feeling (am 1957-10-12)
Texter:
Lew Brown
Komponist(in):
Sammy Fain
publisher:
Leo Feist, Inc. und Warner Bros. Music Corp.
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
Gerry Mulligan5:59
48On the Sunnyside of the StreetDizzy Gillespie5:40
49Love for Sale
Techniker(in):
Rudy van Gelder
Produzent(in):
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (am 1958-03-09)
Klavier:
Hank Jones (piano) (am 1958-03-09)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-03-09)
Schlagzeug:
Art Blakey (am 1958-03-09)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1958-03-09)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1958-03-09)
instrumental cover recording of:
Love for Sale (am 1958-03-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
Cannonball Adderley4.57:08
50Yardbird Suite
recording engineer:
Tom Dowd (am 1958-08-03)
Produzent(in):
Nesuhi Ertegun (am 1958-08-03)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1958-08-03)
Kontrabass [bass]:
Percy Heath (am 1958-08-03)
Schlagzeug:
Connie Kay (am 1958-08-03)
Vibraphon:
Milt Jackson (am 1958-08-03)
live recording of:
Yardbird Suite (instrumental version) (am 1958-08-03)
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist) (in 1946)
Modern Jazz Quartet5:14

Nennungen

Veröffentlichung

zum Herunterladen kaufen:https://play.google.com/store/music/album?id=Bd4d6iscec6jlsxl3w6upwlmikm [Info] (bis 2020-10-12)
ASIN:UK: B0099WYOZC [Info]