The Buzz

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1CD
#TitleArtistRatingLength
1What I Got
recording of:
What I Got
lyricist:
Bradley Nowell
composer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Lady Madonna
is based on:
Life Is… Too Short
is based on:
Loving
is based on:
My Mom Smokes Pot
is based on:
Nappy Heads
revision of:
What I Got (reprise)
Sublime32:47
2What's the Frequency, Kenneth?
additional engineer:
David Colvin, Jeff DeMorris, Mark Gruber and Mark Howard (producer/recording engineer, New Orleans/Los Angeles based)
engineer:
Pat McCarthy
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Victor Janacua
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1994)
recorded at:
Criteria Studios in Miami, Florida, United States, Crossover Soundstage in Atlanta, Georgia, United States, Kingsway Studios (New Orleans) in New Orleans, Louisiana, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
mixed at:
Louie’s Clubhouse in Los Angeles, California, United States
music videos:
What’s the Frequency, Kenneth? (music video) by R.E.M. (American rock band)
recording of:
What’s the Frequency, Kenneth?
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.4.24:00
3All Mixed Up
assistant recording engineer and assistant mixer:
John Ewing Jr (engineer)
recording engineer and mixer:
Ron Saint Germain and Scott Ralston
producer:
311 and Ron Saint Germain
bass guitar:
P-Nut (311 member)
drums (drum set) and percussion:
Chad Sexton
guitar:
Nicholas Hexum and Timothy J. Mahoney (311 member)
turntable [scratches]:
Count SA
vocals:
Count SA and Nicholas Hexum
phonographic copyright (℗) by:
Capricorn Records (US label) (in 1995) and Volcano Entertainment III, L.L.C. (in 1995)
recorded at and mixed at:
NRG Recording Studios in North Hollywood, Los Angeles, California, United States
music videos:
All Mixed Up by 311
recording of:
All Mixed Up
lyricist:
Douglas Martinez and Nicholas Hexum
composer:
Nicholas Hexum
publisher:
Hydroponic Music
3113.93:01
4How's It Going To Be?
additional engineer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
engineer:
David Gleeson
additional producer:
Kevin Cadogan and Arion Salazar
producer:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind), Ren Klyce and Eric Valentine (Eric Dodd, producer and instrumentalist)
mixer:
Tom Lord‐Alge
autoharp and guitar:
Kevin Cadogan
bass guitar:
Arion Salazar
cello:
Ari Gorman
drums (drum set):
Michael Urbano
background vocals:
Kevin Cadogan and Arion Salazar
lead vocals:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
arranger:
Kevin Cadogan and Arion Salazar
recording of:
How’s It Going to Be
lyricist and composer:
Kevin Cadogan and Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
publisher:
3EB Publishing and Cappagh Hill (BMI)
Third Eye Blind3.44:12
5Zombie
assistant engineer and assistant producer:
Julie Gardiner (engineer)
engineer and producer:
Stephen Street (famous producer, songwriter)
acoustic guitar and electric guitar:
Noel Hogan and Dolores O’Riordan
bass guitar:
Mike Hogan (bassist for The Cranberries)
drums (drum set) and percussion:
Fergal Lawler
keyboard and lead vocals:
Dolores O’Riordan
background vocals:
Noel Hogan
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label), Island Records, Inc. (US, Island holding) (in 1994), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994) and Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (from 1993-11 until 1994-08) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1993-11 until 1994-08)
mixed at:
The Manor in Oxfordshire, England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1994) and Indie 88: Top 500 Indie Rock Songs (number: 234)
recording of:
Zombie
lyricist and composer:
Dolores O’Riordan
publisher:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) and Universal–Songs of PolyGram International, Inc.
The Cranberries4.25:07
6Inside Out
assistant engineer:
Zak Belica, Billy Bowers (US engineer), John Burton (engineer) and Doug Trantow
engineer, producer and mixer:
Don Gilmore (American rock/nu metal music producer)
editor:
Don C. Tyler (mastering engineer, electronic music producer, graphic designer)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 499)
recording of:
Inside Out
lyricist:
Max Collins
composer:
Eve 6
Eve 64.153:40
7Take a Picture
co-producer:
Rae DiLeo and Geno Lenardo
producer:
Ben Grosse (American producer and engineer) and Richard Patrick
mixer:
Ben Grosse (American producer and engineer)
phonographic copyright (℗) by:
Reprise Records (in 1999) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1999)
mixed at:
The Mix Room in Burbank, California, United States
recording of:
Take a Picture
lyricist and composer:
Richard Patrick
publisher:
EMI April Music Inc. (from 1999 to present) and Happy Ditties From Paradise (from 1999 to present)
Filter3.76:02
8Shine
engineer and mixer:
Matthew Serletic and Ed Roland
producer:
Ed Roland
bass:
Will Turpin
drums (drum set):
Shane Evans
guitar:
Dean Roland and Ed Roland
guitar [lead guitar]:
Ross Childress
vocals:
Ed Roland
arranger:
Ed Roland
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1993)
produced for:
Rising Storm Productions
recorded at and mixed at:
MSE Studios in Miami, Florida, United States, Real 2 Reel Studios (original location, Stockbridge 76-00) in Stockbridge, Georgia, United States and Rising Storm Studios in Atlanta, Georgia, United States
recording of:
Shine
lyricist and composer:
Ed Roland
publisher:
Roland/Lentz Music
Collective Soul4.655:06
9Closing Time
recording engineer and producer:
Nick Launay
assistant engineer:
Jim Champagne, Alex Oana, Shane Washington and Richard Werbowenko
mixer:
Jack Joseph‐Puig
bass guitar:
John Munson
drums (drum set):
Jacob Slichter
guitar and piano and lead vocals:
Dan Wilson (American singer/songwriter)
strings:
Bruce Allard, Mary Bahr, Carolyn Boulay, Troy Gardner and Josh Koestenbaum
vocals:
John Munson and Jacob Slichter
conductor:
Jacob Slichter
performer:
Semisonic
strings arranger:
Jacob Slichter
recorded at:
Seedy Underbelly (MN) in Minnesota, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
music videos:
Closing Time by Semisonic
part of:
Indie 88: Top 500 Indie Rock Songs (number: 367)
recording of:
Closing Time
lyricist and composer:
Dan Wilson (American singer/songwriter)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Semisonic3.74:34
10Good
recording engineer and producer:
Dan Rothchild
phonographic copyright (℗) by:
Swell Records (label associated with Better Than Ezra) (in 1993) and Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1995)
recording of:
Good
lyricist and composer:
Kevin Griffin (member of Better Than Ezra)
Better Than Ezra4.253:06
11Far Behind
assistant engineer:
Jon Plum
engineer:
Kelly Gray
producer and mixer:
Candlebox and Kelly Gray
bass:
Bardi Martin
drums (drum set):
Scott Mercado
guitar:
Peter Klett
vocals:
Kevin Martin (Candlebox vocalist)
recorded at:
Robert Lang Studios in Shoreline, Washington, United States (on 1992-04-19)
recording of:
Far Behind
lyricist:
Kevin Martin (Candlebox vocalist)
composer:
Candlebox
Candlebox4.64:57
12You Get What You Give
producer:
Gregg Alexander
bass:
John Pierce (US session bassist)
guitar:
Gregg Alexander and Rusty Anderson
membranophone:
Gary Ferguson (Session drummer)
percussion:
Juliet Prater
piano:
Rick Nowels
arranger:
Gregg Alexander
additional vocals arranger:
Richard Podolor
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1998)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 390) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 453)
recording of:
You Get What You Give
writer:
Gregg Alexander and Rick Nowels
publisher:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. and Grosse Point Harlem
New Radicals4.654:59
13What It's Like
engineer:
John Gamble (member of the SD50s)
producer:
Everlast (US rapper/singer/songwriter Erik Schrody), John Gamble (member of the SD50s) and Dante Ross
mixer:
Jamie Staub
bass:
Ben Bocardo
cello:
Elizabeth Wright
guitar family:
Everlast (US rapper/singer/songwriter Erik Schrody)
viola:
John Wang
violin:
Alen C. Agadhzhanyan and Jacqueline Suzuki
strings arranger:
Giovanni Loria and SD50’s
recording of:
What It’s Like (Everlast)
lyricist and composer:
Erik Schrody
Everlast4.15:04
14Cumbersome
assistant engineer:
Brian Benscoter
engineer and mixer:
Tom Morris (guitarist, producer and recording engineer from Florida, US)
producer:
J. Pollock (guitarist of Seven Mary Three), J. Ross (Seven Mary Three) and Tom Morris (guitarist, producer and recording engineer from Florida, US)
recorded at:
Morrisound Recording in Tampa, Florida, United States (from 1995-06 until 1995-07)
recording of:
Cumbersome
publisher:
7 Mary 3
writer:
Jason Pollock (guitarist of Seven Mary Three) and Jason Ross (Seven Mary Three)
Seven Mary Three4.553:57
15One Week
assistant recording engineer:
Bob MacLeod (in 1998-02) and Scott Lake (in 1998-03)
recording engineer:
Susan Rogers (US sound engineer) (in 1998-02) and David Leonard (US producer and engineer) (in 1998-03)
producer:
Barenaked Ladies (in 1998), David Leonard (US producer and engineer) (in 1998) and Susan Rogers (US sound engineer) (in 1998)
assistant mixer:
Charlie Brocco (from 1998-03 until 1998-04) and Kevin Szymanski (from 1998-03-04 until 1998-04-04)
mixer:
David Leonard (US producer and engineer) (from 1998-03 until 1998-04)
acoustic guitar:
Ed (from 1998-02 until 1998-03)
drums (drum set) [drums]:
Tyler (from 1998-02 until 1998-03)
electric guitar:
Ed (from 1998-02 until 1998-03) and Kevin (from 1998-02 until 1998-03)
electric upright bass [electric double bass]:
Jim (from 1998-02 until 1998-03)
keyboard [keyboards]:
Kevin (from 1998-02 until 1998-03)
background vocals [dans la maison]:
Ed (from 1998-02 until 1998-03) and Tyler (from 1998-02 until 1998-03)
lead vocals [vocals]:
Ed (from 1998-02 until 1998-03) and Steven (Barenaked Ladies) (from 1998-02 until 1998-03)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (in 1998-02) and Phase One Studios in Toronto, Ontario, Canada (in 1998-03)
mixed at:
East Iris Studios in Nashville, Tennessee, United States (from 1998-03 until 1998-04)
music videos:
One Week by Barenaked Ladies
recording of:
One Week (from 1998-02 until 1998-03)
lyricist and composer:
Ed Robertson
publisher:
Treat Baker Music (in 1997) and WB Music Corp. (1929–2019) (in 1997)
Barenaked Ladies4.12:50