Road Trip Tunes

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2020 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Spotify + Deezer)

(As of 2020-07-27).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
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  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇦🇱 Albania (al) 🇧🇦 Bosnia and Herzegovina (ba) 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇭🇷 Croatia (hr) 🇮🇹 Italy (it) 🇲🇪 Montenegro (me) 🇲🇰 Macedonia (mk) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
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  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma) 🇹🇳 Tunisia (tn)
  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇭 Ghana (gh) 🇳🇬 Nigeria (ng) 🇸🇳 Senegal (sn)
  • Eastern Africa: 🇰🇪 Kenya (ke)
  • Middle Africa: 🇨🇲 Cameroon (cm)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Southern Asia: 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇹🇼 Taiwan (tw) 🇰🇷 Korea (kr)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇰🇭 Cambodia (kh)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Anmerkung zuletzt geändert am 2020-07-27 17:35 UTC.

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Laid
recording engineer und Mix:
Ben Fenner
assistierende(r) Techniker(in):
Ben Findlay (engineer and producer)
Produzent(in):
Brian Eno
vocals:
Tim Booth
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 461)
recording of:
Laid
Texter:
Tim Booth
Komponist(in):
Tim Booth, Jim Glennie und Larry Gott
James4.42:37
2Don’t You (Forget About Me)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Don’t You (Forget About Me)
Verfasser(in):
Keith Forsey (drummer, producer and songwriter) und Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Universal Music (plain logo: “Universal Music”)
Simple Minds1.56:28
3California
Burak Yeter2:57
4Losing My Religion
Techniker(in):
Scott Litt (producer and engineer)
Produzent(in):
Scott Litt (producer and engineer) und R.E.M. (American rock band)
Bass und Keyboard:
Mike Mills (R.E.M. bass player)
E-Gitarre und Mandoline:
Peter Buck (R.E.M. guitarist)
Gast-Akustikgitarre:
Peter Holsapple
Perkussion und Schlagzeug:
Bill Berry (R.E.M. drummer)
vocals:
Mike Mills (R.E.M. bass player) und Michael Stipe
arranger:
Mike Mills (R.E.M. bass player)
phonographisches Urheberrecht (℗) von:
R.E.M./Athens Ltd. (in 1991) und R.E.M./Athens, Ltd. (in 1991)
Musikvideos:
Losing My Religion von R.E.M. (American rock band)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 112), Indie 88: Top 500 Indie Rock Songs (Nummer: 115), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 169) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 349)
recording of:
Losing My Religion
Verfasser(in):
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
publisher:
Night Garden Music
R.E.M.4.24:28
5Midnight Rider
Techniker(in) und Produzent(in):
Tom Dowd
Akustikgitarre, Gitarre [lead guitar] und Slide-Gitarre:
Duane Allman (von 1970-02 bis 1970-07)
Bass:
Berry Oakley (US bassist, The Allman Brothers Band) (von 1970-02 bis 1970-07)
Gitarre [lead guitar]:
Dickey Betts (von 1970-02 bis 1970-07)
Orgel und Klavier und Sologesang:
Gregg Allman (von 1970-02 bis 1970-07)
Schlagzeug und Perkussion:
Jai Johanny Johanson (von 1970-02 bis 1970-07) und Butch Trucks (von 1970-02 bis 1970-07)
aufgenommen bei:
Capricorn Sound Studio in Macon, Georgia, Vereinigte Staaten (in 1970-02), Criteria Studios in Miami, Florida, Vereinigte Staaten (in 1970-03, in 1970-05, in 1970-07) und Regent Sound Studios in New York, New York, Vereinigte Staaten (in 1970-07)
recording of:
Midnight Rider (von 1970-02 bis 1970-07)
Texter und Verfasser(in):
Gregg Allman und Robert Kim Payne
Komponist(in):
Gregg Allman
publisher:
Elijah Blue Music, Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Allman Brothers Band4.152:57
6Fade Into You
recording engineer:
Dale Everingham
Produzent(in):
David Roback
Akustikgitarre, E-Gitarre, Klavier und Slide-Gitarre:
David Roback
Bass:
Jason Yates
Schlagzeug:
Keith Mitchell (drummer in several 1980s/90s Californian bands)
Tamburin:
Hope Sandoval
vocals:
Hope Sandoval
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
aufgenommen bei:
Westbeach Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
engineered at:
Live Oak Studio in Berkeley, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Fade Into You (Official Video) von Mazzy Star
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 468) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 468)
recording of:
Fade Into You
Texter:
Hope Sandoval
Komponist(in):
David Roback
publisher:
Salley Gardens, Sand Devil Music und Wixen Music Publishing, Inc.
Mazzy Star3.74:54
7Dirty Work
assistierende(r) Techniker(in):
Tim Weston (in 1972-08)
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
Produzent(in):
Gary Katz (in 1972-08)
Akustikgitarre:
Denny Dias (in 1972-08)
E-Bass:
Walter Becker (in 1972-08)
E-Gitarre:
Jeff “Skunk” Baxter (in 1972-08)
Flügelhorn:
Snooky Young (in 1972-08)
Orgel und Wurlitzer Electric Piano:
Donald Fagen (in 1972-08)
Schlagzeug:
Jim Hodder (in 1972-08)
Tenorsaxophon:
Jerome Richardson (in 1972-08)
Hintergrundgesang:
Walter Becker (in 1972-08), Donald Fagen (in 1972-08) und Jim Hodder (in 1972-08)
Sologesang:
David Palmer (early Steely Dan vocalist) (in 1972-08)
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1972) und Geffen Records (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-08)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 6)
recording of:
Dirty Work (in 1972-08)
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
American Broadcasting Music, Inc., MCA Music Ltd., Red Giant Inc., Red Giant Music, Inc., United Artists Music, Universal Music Corp. (USA, affiliated with ASCAP), Universal/MCA Music Ltd. (not for release label use!) und Wingate Music Corp.
Steely Dan3.853:05
8Superstition
recording engineer:
Joan DeCola und Austin Godsey
Moog-Programmierung:
Malcolm Cecil (in 1972) und Robert Margouleff (in 1972)
Partner-Produzent(in):
Malcolm Cecil und Robert Margouleff
Produzent(in):
Stevie Wonder
Mix:
Malcolm Cecil und Robert Margouleff
Clavinet, Moog und Schlagzeug:
Stevie Wonder (in 1972)
Saxophon:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.) (in 1972)
Trompete:
Steve Madaio (in 1972)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1972)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 12) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 74)
recording of:
Superstition
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, 大洋音楽 (Taiyō Music), Jobete Music Co., Inc. (in 1972) und Stein & Van Stock, Inc. (in 1972)
Stevie Wonder4.84:28
9Bad to the Bone
Techniker(in):
Paul Mufson und John Nagy
assistierende(r) Produzent(in):
Ken Irwin und John Nagy
Produzent(in):
Terry Manning (US recording engineer) und The Delaware Destroyers (George Thorogood & the Destroyers)
Mix:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood (blues, rock, and blues/rock guitarist and vocalist) und Terry Manning (US recording engineer) (in 1992)
Bass:
Bill Blough (von 1981 bis 1982)
Gitarre und Sologesang:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist) (von 1981 bis 1982)
Keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (von 1981 bis 1982)
Klavier:
Ian Stewart (piano/keyboard, Rolling Stones member)
Saxophon:
Hank Carter (Hank "Hurricane" Carter) (von 1981 bis 1982)
Schlagzeug:
Jeff Simon (von 1981 bis 1982)
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
aufgenommen bei:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, Vereinigte Staaten (von 1981 bis 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, Vereinigte Staaten
recording of:
Bad to the Bone (von 1981 bis 1982)
Texter und Komponist(in):
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
publisher:
Del Sound Music
George Thorogood & the Destroyers4.24:48
10Come On Eileen (single edit)
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
künstlerische Leitung:
Clive Langer und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:07
11Hook
Assistent recording engineer:
Todd Vos
zusätzlich Assistent recording engineer:
Brian Sperber
Techniker(in):
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson)
Produzent(in) und Mix:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) und Steve Thompson (producer)
assistierende(r) Mix:
Eric Thompson (Sound and mixing engineer)
zusätzliche(r) assistierende(r) Mix:
Jay Ryan (recording engineer)
Akustikgitarre, E-Gitarre und Mandoline:
Chan Kinchla
Bass und Fretless Bass:
Bobby Sheehan
Mundharmonika und Hintergrundgesang und Sologesang:
John Popper
Perkussion:
Bashiri Johnson
Schlagzeug und Perkussion:
Brendan Hill (Blues Traveler)
arranger:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson), Blues Traveler und Steve Thompson (producer)
recording of:
Hook
Texter und Komponist(in):
John Popper
Blues Traveler44:49
12Lust for Life
Techniker(in):
Eduard Meyer und Colin Thurston
Produzent(in):
Bewlay Bros.
Bassgitarre:
Tony Sales (von 1977-06-04 bis 1977-06-18)
Gitarre:
Carlos Alomar (von 1977-06-04 bis 1977-06-18) und Ricky Gardiner (von 1977-06-04 bis 1977-06-18)
Klavier:
David Bowie (English singer‐songwriter) (von 1977-06-04 bis 1977-06-18)
Schlagzeug, shakers und Tamburin:
Hunt Sales (von 1977-06-04 bis 1977-06-18)
Hintergrundgesang:
Hunt Sales (von 1977-06-04 bis 1977-06-18) und Tony Sales (von 1977-06-04 bis 1977-06-18)
Sologesang:
Iggy Pop (von 1977-06-04 bis 1977-06-18)
phonographisches Urheberrecht (℗) von:
Thousand Mile, Inc. (in 1977, in 1990) und Virgin Records America (used for copyrights) (in 1977)
aufgenommen bei:
Hansa Studio III in Berlin, Deutschland (von 1977-06-04 bis 1977-06-18)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 67), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 325)
recording of:
Lust for Life (von 1977-06-04 bis 1977-06-18)
Texter:
Iggy Pop
Komponist(in):
David Bowie (English singer‐songwriter) und Iggy Pop
publisher:
Bewlay Bros. Music, EMI Music (do not use as release label! this is a music publisher), Fleur Music Ltd. (publisher), Tintoretto Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (in 1988) und James Osterberg Music (in 1988)
Iggy Pop4.455:11
13Shout
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
remixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) und Steve Thompson (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 2014)
recording of:
Shout (in 1984)
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. und Virgin Music (Publishers) Ltd.
Tears for Fears8:00
14Walking on a Dream
recording engineer und Mix:
Peter Mayes
zusätzlich recording engineer:
Chris Vallejo
Koproduzent(in):
Peter Mayes
Produzent(in):
Donnie Sloan
phonographisches Urheberrecht (℗) von:
Nick Littlemore (in 2008)
phonographisches Urheberrecht (℗) von:
The Sleepy Jackson Pty Ltd. (in 2008)
Musikvideos:
Walking on a Dream von Empire of the Sun
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 24), triple j's Hottest 100 of 2008 (16th edition of Australian annual music poll) (Nummer: 4), Pitchfork Presents: The 100 Best Tracks of 2008 (Nummer: 96) und Indie 88: Top 500 Indie Rock Songs (Nummer: 146)
recording of:
Walking on a Dream
Texter:
Nick Littlemore und Jonathan Sloan
Komponist(in):
Jonathan Sloan und Luke Steele
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing Australia Pty Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Empire of the Sun43:16
15Good Vibrations (remastered)
recording engineer:
Bruce Botnick (von 1966-02 bis 1966-06), Chuck Britz (von 1966-02 bis 1966-06) und Larry Levine (von 1966-02 bis 1966-06)
Techniker(in):
Chuck Britz und Jim Lockert (Enginear)
Produzent(in):
The Beach Boys (American rock band) und Brian Wilson (Beach Boys co‐founder)
Mix:
Derry FitzGerald
Sologesang:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06) und Carl Wilson (Beach Boys) (von 1966-02 bis 1966-06)
vocals:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06), Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06) und Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (von 1966-02 bis 1966-06)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:40
16Rebel Yell
Techniker(in):
Michael Frondelli
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Dave Wittman
Bass, Gitarre und Keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
Bassgitarre:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
Keyboard:
Judi Dozier (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Rebel Yell von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 79)
recording of:
Rebel Yell (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) und WC Music Corp.
Billy Idol4.54:47
17Feelin’ Alright
Produzent(in):
Denny Cordell
Mix:
Tony Visconti
Bass:
Carol Kaye
Gitarre:
David Cohen (British guitarist)
Klavier:
Artie Butler
Maracas / Rumba-Rasseln und tumbi:
Laudir de Oliveira
membranophone:
Paul Humphries (drums)
Hintergrundgesang:
Merry Clayton, Brenda Holloway und Patrice Holloway
cover recording of:
Feelin’ Alright
Texter und Komponist(in):
Dave Mason (co‐founder of Traffic)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Joe Cocker34:12
18Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:26
19No Rain
assistierende(r) Techniker(in):
Mr. Jon Plum
Techniker(in):
Rick Parashar
Produzent(in) und Mix:
Blind Melon und Rick Parashar
Akustikgitarre [Gibson J-30]:
Christopher Thorn
Bass [1969 Fender Jazz]:
Brad Smith (Blind Melon bassist)
E-Gitarre [Fender Stratocaster, 1962 Reissue]:
Rogers Stevens
Fingerschnippen, Perkussion, Schlagzeug und shakers:
Glen Graham (Blind Melon percussionist)
Hintergrundgesang und Sologesang:
Shannon Hoon
aufgenommen bei:
London Bridge Studios in Seattle, Washington, Vereinigte Staaten
Musikvideos:
No Rain von Blind Melon
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 14) und Indie 88: Top 500 Indie Rock Songs (Nummer: 414)
recording of:
No Rain
Verfasser(in):
Glen Graham (Blind Melon percussionist), Shannon Hoon, Brad Smith (Blind Melon bassist), Rogers Stevens und Christopher Thorn
publisher:
EMI April Music Inc. und Heavy Melon Music
Blind Melon4.33:37
20Lucky Man (remastered 2016)
recording engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
The Verve und Youth (producer/bassist Martin Glover)
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
recording of:
Lucky Man
Texter und Komponist(in):
Richard Ashcroft
The Verve3.854:54
21Let Me
Matthew Mole3:48
22Town Called Malice
Produzent(in):
The Jam (late 70s/early 80s UK punk/mod revival band) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1981-12)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 151)
recording of:
Town Called Malice
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam4.82:53
23Fortunate Son
recording engineer und Mix:
Russ Gary
Produzent(in):
John Fogerty
Bassgitarre:
Stu Cook
Gitarre:
John Fogerty und Tom Fogerty
Schlagzeug:
Doug Clifford
Hintergrundgesang:
Doug Clifford, Stu Cook und Tom Fogerty
Sologesang:
John Fogerty
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten und Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (am 1971-09-01)
mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Hot 100: 2026-07-18 (Nummer: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 99) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 227)
recording of:
Fortunate Son (in 1969-08)
Texter und Komponist(in):
John Fogerty
publisher:
Cody River Music Company, Jondora Music und Prestige Music ltd.
Creedence Clearwater Revival4.452:18
24All Right Now
Techniker(in):
Roy Thomas Baker (producer)
Produzent(in):
Free (60s/70s UK blues rock group)
zusätzliche(r) Produzent(in):
John Kelly (producer)
Bass:
Andy Fraser (English bassist, member of Free) (in 1970)
E-Bass und Klavier:
Andy Fraser (English bassist, member of Free)
Gitarre:
Paul Kossoff (in 1970)
Schlagzeug:
Simon Kirke (in 1970)
Sologesang:
Paul Rodgers (in 1970)
vocals:
Paul Rodgers
phonographisches Urheberrecht (℗) von:
Free (60s/70s UK blues rock group) (in 1970)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970) und Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970) und Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1970)
Musikvideos:
All Right Now von Free (60s/70s UK blues rock group)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 27)
recording of:
All Right Now (in 1970)
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.155:33
25Learning to Fly
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer)
Produzent(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Jeff Lynne und Tom Petty
Bass, Gitarre und Keyboard und Hintergrundgesang:
Jeff Lynne (in 1991)
Gitarre, Perkussion und Hintergrundgesang und Sologesang:
Tom Petty (in 1991)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1991) und Geffen Records (in 2014)
aufgenommen bei:
Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1991)
recording of:
Learning to Fly (in 1991)
Verfasser(in):
Jeff Lynne und Tom Petty
publisher:
EMI April Music Inc. und Gone Gator Music (ASCAP affiliated)
Tom Petty and the Heartbreakers4.454:01
26Born This Way
Assistent recording engineer:
Pete Hutchings
recording engineer und Mix:
Dave Russell (British engineer, producer)
Programmierung:
Garibay (US producer, songwriter and DJ) und Paul Blair
Produzent(in):
Garibay (US producer, songwriter and DJ), Lady Gaga, Jeppe Laursen und Paul Blair
assistierende(r) Mix:
Al Carlson, Kevin Porter (trombone) und Kenta Yonesaka
Instrumente:
Lady Gaga
Keyboard:
Garibay (US producer, songwriter and DJ) und Lady Gaga
arranger:
Garibay (US producer, songwriter and DJ) und Lady Gaga
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich und Germano Studios in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Germano Studios in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Born This Way von Lady Gaga
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 6), Billboard Year-End Hot 100 singles of 2011 (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 125)
recording of:
Born This Way
Texter und Komponist(in):
Lady Gaga und Jeppe Laursen
publisher:
Garibay Music Publishing, GloJoe Music Inc., House of Gaga Publishing Inc., Korsbaek Publishing, Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lady Gaga3.954:21
27Radioactive
recording engineer:
Josh Mosser
Produzent(in):
Alex da Kid (UK musician, record producer, songwriter, record executive & fashion designer) und Imagine Dragons (American pop rock band)
Mix:
Manny Marroquin
zusätzlich guitar family:
J. Browz (for Veers Music)
aufgenommen bei:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Radioactive von Imagine Dragons (American pop rock band)
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 3), Grammy Award: Best Rock Performance nominees (Nummer: 2014 winner), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 19), Billboard Year-End Hot 100 singles of 2014 (Nummer: 57) und Indie 88: Top 500 Indie Rock Songs (Nummer: 90)
recording of:
Radioactive
Verfasser(in):
Alex da Kid (UK musician, record producer, songwriter, record executive & fashion designer), Ben McKee (American bassist, Imagine Dragons), Josh Mosser, Dan Reynolds (American singer/songwriter, producer) und Wayne Sermon
publisher:
Imagine Dragons Publishing, JMosser Music, Kidinakorner2 Publishing, Songs for KIDinaKORNER und Songs of Universal, Inc. (BMI)
Imagine Dragons4.33:07
28Price Tag
recording engineer und Techniker(in):
Chris “TEK” O’Ryan, Sam Holland (sound engineer) und Emily Wright
Programmierung und Produzent(in):
Dr. Luke
assistierende(r) Techniker(in):
Tatiana Gottwald
assistierende(r) Mix:
Tim Roberts (engineer)
Mix:
Serban Ghenea und John Hanes (audio engineer, mixer)
Bassgitarre:
Butch Coleman
Keyboard [keyboards], membranophone und Schlagzeug [drums]:
Dr. Luke
vocals:
B.o.B (US rapper Bobby Ray Simmons, Jr.) und Jessie J (English singer-songwriter)
zusätzlich Gast vocals:
B.o.B (US rapper Bobby Ray Simmons, Jr.)
produced for:
Kasz Money Productions, Inc.
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, GCR Audio in Buffalo, New York, Vereinigte Staaten und Stadium Red Studio in Harlem, New York, New York, Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
Price Tag von Jessie J (English singer-songwriter) feat. B.o.B (US rapper Bobby Ray Simmons, Jr.)
recording of:
Price Tag
Verfasser(in):
Bobby Ray Simmons, Jr. (US rapper Bobby Ray Simmons, Jr.), Łukasz Gottwald, Jessica Cornish (English singer-songwriter) und Claude Kelly
publisher:
Ham Squad Music, Kasz Money Publishing (ASCAP affiliated), Prescription Songs, Shady Music Publishing, LLC (BMI), Songs of Universal, Inc. (BMI), Sony/ATV Music Publishing (UK) Ltd., Studio Beast Music (publishing company linked to Claude Kelly) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Publishing (Germany) GmbH und Universal/MCA Music Publishing GmbH
Jessie J feat. B.o.B3.753:42
29Animals
recording engineer:
Max Martin (Swedish record producer) und Shellback
Programmierung und Produzent(in):
Shellback
assistierende(r) Techniker(in):
Eric Eylands und Tim Roberts (engineer) (Aufgabe: assistant engineered for mix)
Techniker(in):
John Hanes (audio engineer, mixer) (Aufgabe: engineered for mix) und Noah Passovoy
Mix:
Serban Ghenea
Bassgitarre [bass]:
Mickey Madden
Gitarre [lead guitars]:
James Valentine (Maroon 5)
Keyboard [keyboards]:
Jesse Carmichael und PJ Morton
Perkussion und Schlagzeug:
Matt Flynn (Maroon 5 drummer)
zusätzlich Bass, zusätzlich Gitarre, zusätzlich Keyboard [keys], zusätzlich Schlagzeug und Hintergrundgesang:
Shellback
vocals:
Adam Levine (Maroon 5’s lead vocalist)
arranger:
Shellback
produced for:
MXM Productions
aufgenommen bei:
Conway Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und MXM Studios in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
Mixstar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 46) und Billboard Year-End Hot 100 singles of 2014 (Nummer: 62)
recording of:
Animals
Verfasser(in):
Benjamin Levin (producer Benjamin Levin), Adam Levine (Maroon 5’s lead vocalist) und Shellback
publisher:
Concord Road (BMI), Kobalt Music Publishing Ltd. (UK), Matza Ballzack Music, MXM Music, Prescription Songs, LLC, Songs of Universal, Inc. (BMI), Sudgee 2 Music und Where da Kasz At
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Maroon 54.33:52
30I Was Made for Lovin’ You
recording engineer und Mix:
Jay Messina
assistierende(r) Techniker(in):
Jim Galante und Jon Mathias (engineer)
Produzent(in):
Vini Poncia
Keyboard und Hintergrundgesang:
Vini Poncia
Schlagzeug:
Anton Fig
Sologesang:
Paul Stanley (KISS frontman)
phonographisches Urheberrecht (℗) von:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
I Was Made for Lovin’ You
Verfasser(in):
Desmond Child, Vini Poncia und Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) und Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS4.454:30
31Pompeii
Programmierung und Produzent(in):
Mark Crew (songwriter, record producer and mix engineer) und Dan Smith (member of UK band Bastille)
assistierende(r) Mix:
Matty Green (mix engineer)
Mix:
Mark “Spike” Stent (producer, engineer)
Bassgitarre [bass]:
William Farquarson (bassist, Bastille)
Keyboard [keyboards]:
Mark Crew (songwriter, record producer and mix engineer)
Keyboard [keyboards] und Klavier:
Dan Smith (member of UK band Bastille)
Schlagzeug:
Chris “Woody” Wood (drummer, Bastille)
Hintergrundgesang [backing vocals]:
Ian Dudfield, Ralph Pelleymounter (Lead singer of To Kill A King), Josh Platman und Jon Willoughby
vocals:
Dan Smith (member of UK band Bastille)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2013)
aufgenommen bei:
Unit 24 (Mark Crew's studio) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Pompeii von Bastille (British indie pop band)
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 12), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 297)
recording of:
Pompeii
Texter und Komponist(in):
Dan Smith (member of UK band Bastille)
publisher:
Bastille Music, Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Bastille3.43:33
32Everybody Talks
Produzent(in):
Justin Meldal‐Johnsen
Mix:
Billy Bush (mixing engineer)
mixed at:
Red Razor Sounds in Atwater Village, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2012 (Nummer: 22)
recording of:
Everybody Talks
Verfasser(in):
Tyler Glenn (member of Neon Trees) und Tim Pagnotta
publisher:
CYP One Publishing (in 2012), DLJ Songs (in 2012) und Downtown DMP Songs (in 2012)
Neon Trees4.152:57
33Blurred Lines (physical version)
Produzent(in):
Pharrell Williams
Samples:
Got to Give It Up von Marvin Gaye
Musikvideos:
Blurred Lines von Robin Thicke feat. T.I. (Atlanta US rapper & producer Clifford Harris) & Pharrell Williams
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 2), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2014) und Billboard Year-End Hot 100 singles of 2014 (Nummer: 83)
recording of:
Blurred Lines
Verfasser(in):
Marvin Gaye, T.I. (Atlanta US rapper & producer Clifford Harris), Robin Thicke und Pharrell Williams
publisher:
Deyjah’s Daddy Muzik (beendet), EMI April Music, Inc., I Like ’em Thicke Music und More Water From Nazareth
Robin Thicke feat. T.I. & Pharrell Williams2.54:24
34Cruise
Teil von:
Taste Of Country: Top Songs of 2012 (Nummer: 8) und Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 155)
recording of:
Cruise
Verfasser(in):
Tyler Hubbard (Florida Georgia Line), Brian Kelley (Florida Georgia Line), Joey Moi, Chase Rice und Jesse Rice (country music songwriter)
Florida Georgia Line3.753:33
35Ocean Avenue
recording engineer und Produzent(in):
Neal Avron (American engineer)
assistierende(r) Mix:
Femio Hernandez
Mix:
Tom Lord‐Alge
Bass:
Peter Mosely (von 2003-02 bis 2003-03)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 2003-02 bis 2003-03)
mixed at:
South Beach Studios in Miami Beach, Florida, Vereinigte Staaten
recording of:
Ocean Avenue (von 2003-02 bis 2003-03)
Verfasser(in):
Ben Harper (guitarist for pop/punk band Yellowcard), William Ryan Key, Longineu Parsons, Sean Mackin (Violinist for Yellowcard) und Peter Mosely
publisher:
Bromuda Music (in 2003)
Yellowcard4.053:22
36Johnny B. Goode (1967 version)
Bassgitarre:
Forrest Frierson
Gitarre:
Chuck Berry und Quincy Macon
Schlagzeug:
Ebby Hardy
Sologesang:
Chuck Berry
recording of:
Johnny B. Goode (in 1966)
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Chuck Berry52:44
37Delilah
Programmierung:
Pete Prokopiw
assistierende(r) Techniker(in):
Iain Berryman (engineer) und Jonathan Sagis (engineer)
Techniker(in):
Robin Baynton
Produzent(in):
Markus Dravs
assistierende(r) Mix:
Eduardo de La Paz (producer/engineer)
Mix:
Craig Silvey
Bass:
Mark Saunders (bassist for Florence + the Machine)
E-Gitarre:
Leo Abrahams
Klavier und Orgel:
Robin Baynton
Perkussion und Schlagzeug:
Chris Hayden
Hintergrundgesang und Sologesang:
Florence Welch (English singer)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 2015)
mixed at:
Toast Studios (mixing studio) in London (Greater London), England, Vereinigtes Königreich
engineered at:
The Pool in Southwark, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Delilah von Florence + the Machine
instrumental versions:
Delilah (instrumental) von Florence + the Machine
recording of:
Delilah
Verfasser(in):
Isabella Summers und Florence Welch (English singer)
publisher:
Goldzeal Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Florence + the Machine3.654:53
38Drive
recording engineer, Produzent(in) und Mix:
Anthony West und Josephine Vander West
Saiteninstrumente:
Miles Brett, Thomas Greed, Clifton Harrison und Nerys Richards (engineer, strings)
recording of:
Drive
Verfasser(in):
Anthony West und Josephine Vander West
Oh Wonder13:16
39Life Is a Highway (remastered version)
recording engineer und Mix:
Justin Niebank
Produzent(in):
Dann Huff und Rascal Flatts
cover recording of:
Life Is a Highway
Texter und Komponist(in):
Tom Cochrane (of Red Rider)
publisher:
PW Arrangements und Universal Music Publishing Canada
recording of:
Life Is a Highway
Texter und Komponist(in):
Tom Cochrane (of Red Rider)
publisher:
PW Arrangements und Universal Music Publishing Canada
Rascal Flatts34:36

Nennungen

Veröffentlichung

kostenlos streamen:https://open.spotify.com/album/0xGaTFaqCLbNUUcuTVb8cy [Info]
https://www.deezer.com/album/156507082 [Info]
Streaming-Seite:Amazon Music US [Info]
https://tidal.com/album/146234832 [Info]
https://us.napster.com/artist/various-artists/album/road-trip-tunes [Info] (bis 2022-06-08)