Yale Recordings, Volume 9: Live at Basin Street, 1954

~ Release by Benny Goodman (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1After You've Gone
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
live instrumental recording of:
After You’ve Gone (in 1954)
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
4:50
2Body and Soul
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
live instrumental recording of:
Body and Soul (in 1954)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:08
3Nice Work If You Can Get It
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
live instrumental recording of:
Nice Work If You Can Get It (in 1954)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:49
4The World Is Waiting for the Sunrise
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
live instrumental recording of:
The World Is Waiting for the Sunrise (in 1954)
lyricist:
Gene Lockhart (in 1918)
composer:
Raymond Roberts (in 1918)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Chappell Music Ltd. (on 1919-01-24)
4:12
5Avalon
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
live instrumental recording of:
Avalon (in 1954)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Jerome H. Remick & Co. (on 1920-09-04)
2:45
6Dark Eyes
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
5:49
7Don't Be That Way
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
live instrumental recording of:
Don’t Be That Way (in 1954)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
5:23
8How High the Moon
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
live instrumental recording of:
How High the Moon (in 1954)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:41
9One O'Clock Jump
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
live recording of:
One O’Clock Jump (in 1954)
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
6:11
10I've Found a New Baby
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
live instrumental recording of:
I’ve Found a New Baby (in 1954)
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
3:20
11On the Sunny Side of the Street
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
live instrumental recording of:
On the Sunny Side of the Street (in 1954)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
3:18
12Runnin' Wild
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
live instrumental recording of:
Runnin’ Wild (in 1954)
lyricist:
Joe Grey (in 1922) and Leo Wood (American songwriter & lyricist; 1882—1929) (in 1922)
composer:
Arthur Harrington Gibbs (in 1922)
3:42
13Liza (All the Clouds'll Roll Away)
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
live instrumental recording of:
Liza (All the Clouds’ll Roll Away) (in 1954)
lyricist:
Ira Gershwin and Gus Khan
composer:
George Gershwin (composer)
publisher:
New World Music Corp. (in 1929)
included in:
An American in Paris (2015 Broadway musical)
3:02
14Exactly Like You
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
live instrumental recording of:
Exactly Like You (in 1954)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
writer:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Jimmy McHugh (songwriter) (in 1930)
3:46
15Someday, Sweetheart
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
live instrumental recording of:
Someday Sweetheart (in 1954)
lyricist and composer:
Benjamin Franklin Spikes (Benjamin Franklin "Reb" Spikes) and John Curry Spikes
publisher:
Spikes Bros. and Carter Music House (on 1919-12-26)
3:13
16China Boy
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
live instrumental recording of:
China Boy (in 1954)
composer:
Phil Boutelje (in 1922) and Richard A. Winfree (in 1922)
publisher:
Leo Feist Inc.
3:49
17Piano Interlude
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
0:39
18Our Love Is Here to Stay
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
live instrumental recording of:
Love Is Here to Stay (in 1954)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
2:27
19That's A-Plenty
clarinet:
Benny Goodman (clarinetist and bandleader) (in 1954)
double bass:
Israel Crosby (in 1954)
drums (drum set):
Morey Feld (in 1954)
guitar:
Steve Jordan (guitar) (in 1954)
piano:
Mel Powell (American composer and jazz pianist) (in 1954)
trumpet:
Charlie Shavers (in 1954)
live instrumental recording of:
That’s a Plenty (in 1954)
lyricist:
Ray Gilbert
composer:
Lew Pollack
publisher:
Janeiro Music Co. and Lew Pollack Music
6:17

Credits

Release group

part of:The Yale University Music Library (number: 9) (order: 7)