Innovations

~ Pubblicazione di Hans Zimmer (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

Copyright: © 2024 UMG Recordings, Inc.

Annotazione modificata l'ultima volta il 2024-10-30 18:55 UTC.

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#TitoloArtistaValutazioneDurata
2Matera
assistente tecnico di registrazione:
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) e Jack Mills (engineer)
tecnico di registrazione:
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig e John Prestage (engineer)
programmazione degli strumenti:
Hans Zimmer (German score composer)
tecnico:
Chuck Choi
produttore:
Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) e Hans Zimmer (German score composer)
assistente tecnico di missaggio:
Eva Reistad e Alvin Wee
tecnico di missaggio:
Al clay e Stephen Lipson
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Adam Miller (engineer)
arpa :
Skaila Kanga (harpist)
batteria :
Jason Bonham
chitarra :
Amir John Haddad (german-spanish multi instrumentalist)
chitarra elettrica :
Johnny Marr
clarinetto :
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) e Martin Robertson (saxophonist & clarinetist)
contrabbasso :
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) e Steve Williams (double bassist)
corno francese :
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) e Phil Woods (French hornist from the UK)
fagotto :
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) e Rachel Simms (bassoonist)
flauto :
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) e Rowland Sutherland
flauto contralto :
Lindsey Ellis, Fiona Fulton e Karen Jones (flautist)
percussione :
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) e Frank Ricotti (percussionist)
tromba :
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) e Tom Walsh (UK brass player)
trombone :
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) e Andy Wood (trombonist)
tuba :
Owen Slade (tuba player)
viola :
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes‐Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) e Fiona Winning (violist)
violino :
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) e Warren Zielinski (violinist)
violoncello :
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson (cellist), Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jacqueline Thomas (British cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) e Chris Worsey (cellist)
cori:
London Voices
direttore d'orchestra:
John Altman e Matt Dunkley
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
arrangiatore:
Steven Doar (production music)
orchestratore:
Òscar Senén
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 2021) e Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (nel 2021)
registrazione di:
Matera
compositore:
Hans Zimmer (German score composer)
parte di:
No Time To Die
Hans Zimmer21:59
3Chevaliers de Sangreal
tecnico di registrazione:
Geoff Foster (sound engineer)
assistente tecnico:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Jake Jackson (recording engineer)
tecnico di missaggio:
Al Clay e Alan Meyerson
editor:
Simon Changer (editor)
esecutore:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
diritti fonografici (℗) detenuti da:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) e Universal Music Classical (nel 2006)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Chevaliers de Sangreal (The Da Vinci Code)
compositore:
Hans Zimmer (German score composer)
parte di:
The Da Vinci Code
Hans Zimmer34:07
4Time (Arr. Guitar)
registrazione di:
Time (Inception)
compositore:
Hans Zimmer (German score composer)
parte di:
Inception (Live in Prague)
Music Lab Collective43:19
5Mogadishu Blues
tecnico di registrazione:
Al Clay, Malcolm Luker, Alan Meyerson e Greg Townley (producer/mixer)
assistente tecnico:
Kevin Globerman, Gregg Silk, T.J. Lingren e Jason Wormer (american engineer)
produttore:
Bob Badami, Pietro Scalia e Hans Zimmer (German score composer)
tecnico di missaggio:
Big Al Clay e Alan Meyerson
assistente editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrazione di:
Mogadishu Blues
compositore:
Hans Zimmer (German score composer)
Hans Zimmer12:54
7Fructus Gravis
tecnico di registrazione:
Geoff Foster (sound engineer)
assistente tecnico:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Jake Jackson (recording engineer)
tecnico di missaggio:
Al Clay e Alan Meyerson
editor:
Simon Changer (editor)
diritti fonografici (℗) detenuti da:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) e Universal Music Classical (nel 2006)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Fructus gravis (The Da Vinci Code)
compositore:
Hans Zimmer (German score composer)
parte di:
The Da Vinci Code
Hans Zimmer22:50
9Vale of Plenty
tecnico di registrazione:
Al Clay, Malcolm Luker, Alan Meyerson e Greg Townley (producer/mixer)
assistente tecnico:
Kevin Globerman, Gregg Silk, T.J. Lingren e Jason Wormer (american engineer)
produttore:
Bob Badami, Pietro Scalia e Hans Zimmer (German score composer)
tecnico di missaggio:
Big Al Clay e Alan Meyerson
assistente editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrazione di:
Vale Of Plenty
compositore:
Hans Zimmer (German score composer)
Hans Zimmer12:28
10Earth
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
produttore:
Klaus Badelt (German score composer) e Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (nel 2000)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Earth (Gladiator)
compositore:
Hans Zimmer (German score composer)
parte di:
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra23:02
11Zimmer: Main Theme [Rain Man]
Hans Zimmer4:49
12Zimmer: Shelter Mountain
registrazione di:
Shelter Mountain (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench4:11
13Now We Are Free
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
produttore:
Klaus Badelt (German score composer) e Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 2000), Dreamworks Productions LLC (nel 2000) e Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (nel 2000)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Now We Are Free (Gladiator)
paroliere:
Lisa Gerrard
compositore:
Klaus Badelt (German score composer), Lisa Gerrard e Hans Zimmer (German score composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs e Universal‐MCA Music Publishing (US)
parte di:
Gladiator
medley che comprende una registrazione cover di:
Now We Are Free (Gladiator)
paroliere:
Niloofar Rafiei
si basa su:
Now We Are Free (Gladiator)
medley di:
Now We Are Free (Gladiator)
Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra44:14
14Honor Him
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
produttore:
Klaus Badelt (German score composer) e Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (nel 2000)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Honor Him (Gladiator)
compositore:
Hans Zimmer (German score composer)
parte di:
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra41:20
15L'Esprit Des Gabriel
tecnico di registrazione:
Geoff Foster (sound engineer)
assistente tecnico:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Jake Jackson (recording engineer)
tecnico di missaggio:
Al Clay e Alan Meyerson
editor:
Simon Changer (editor)
diritti fonografici (℗) detenuti da:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) e Universal Music Classical (nel 2006)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
L’Esprit des Gabriel (The Da Vinci Code)
compositore:
Hans Zimmer (German score composer)
parte di:
The Da Vinci Code
Hans Zimmer1.52:49
16Zimmer: The Ferry
registrazione di:
The Ferry (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench3:15
17The Paschal Spiral
tecnico di registrazione:
Geoff Foster (sound engineer)
assistente tecnico:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Jake Jackson (recording engineer)
tecnico di missaggio:
Al Clay e Alan Meyerson
editor:
Simon Changer (editor)
diritti fonografici (℗) detenuti da:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) e Universal Music Classical (nel 2006)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
The Paschal Spiral (The Da Vinci Code)
compositore:
Hans Zimmer (German score composer)
parte di:
The Da Vinci Code
Hans Zimmer1.52:49
18Of the Earth
tecnico di registrazione:
Al Clay, Malcolm Luker, Alan Meyerson e Greg Townley (producer/mixer)
assistente tecnico:
Kevin Globerman, Gregg Silk, T.J. Lingren e Jason Wormer (american engineer)
produttore:
Bob Badami, Pietro Scalia e Hans Zimmer (German score composer)
tecnico di missaggio:
Big Al Clay e Alan Meyerson
assistente editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrazione di:
Of the Earth
compositore:
Hans Zimmer (German score composer)
Hans Zimmer22:19
19Slaves to Rome
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
produttore:
Klaus Badelt (German score composer) e Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (nel 2000)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Slaves to Rome (Gladiator)
compositore:
Hans Zimmer (German score composer)
parte di:
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra11:00
20Salvete Virgines
tecnico di registrazione:
Geoff Foster (sound engineer)
assistente tecnico:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Jake Jackson (recording engineer)
tecnico di missaggio:
Al Clay e Alan Meyerson
editor:
Simon Changer (editor)
diritti fonografici (℗) detenuti da:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) e Universal Music Classical (nel 2006)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Salvete virgines (The Da Vinci Code)
paroliere:
Abhay Manusmare
compositore:
Hans Zimmer (German score composer)
parte di:
The Da Vinci Code
Hans Zimmer13:14
21Not Yet
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
tecnico:
Kevin Globerman e Gregg Silk
produttore:
Klaus Badelt (German score composer), Alan Meyerson e Hans Zimmer (German score composer)
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, nel 2001)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
remixata presso:
Lectroluv Studio in East Village, New York, New York, Stati Uniti
registrazione di:
Not Yet
compositore:
Klaus Badelt (German score composer) e Lisa Gerrard
Gavin Greenaway, The Lyndhurst Orchestra, Hans Zimmer & Lisa Gerrard1:33
22Zimmer: This Is Going to Hurt
registrazione di:
This Is Going to Hurt (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench2:47
23Progeny
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
produttore:
Klaus Badelt (German score composer) e Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (nel 2000)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Progeny (Gladiator)
compositore:
Hans Zimmer (German score composer)
parte di:
Gladiator
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard1.52:14
24Sorrow
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
produttore:
Klaus Badelt (German score composer) e Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (nel 2000)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Sorrow (Gladiator)
compositore:
Klaus Badelt (German score composer) e Lisa Gerrard
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard1:26
25Secrets
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
tecnico:
Kevin Globerman e Gregg Silk
produttore:
Klaus Badelt (German score composer), Alan Meyerson e Hans Zimmer (German score composer)
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, nel 2001)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
remixata presso:
Lectroluv Studio in East Village, New York, New York, Stati Uniti
registrazione di:
Secrets
compositore:
Klaus Badelt (German score composer) e Lisa Gerrard
registrazione di:
Secrets
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer1:59
26Marrakesh Marketplace
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (nel 2001)
registrazione di:
Marrakesh Marketplace
compositore:
Jeff Rona
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer0:42
27Zimmer: Burning Tree
registrazione di:
Burning Tree (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench10:14
28Rome Is the Light
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
tecnico:
Kevin Globerman e Gregg Silk
produttore:
Klaus Badelt (German score composer), Alan Meyerson e Hans Zimmer (German score composer)
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, nel 2001)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
remixata presso:
Lectroluv Studio in East Village, New York, New York, Stati Uniti
registrazione di:
Rome Is the Light
compositore:
Klaus Badelt (German score composer), Lisa Gerrard e Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra, Hans Zimmer & Lisa Gerrard2:44
29To Zuccabar
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
produttore:
Klaus Badelt (German score composer) e Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (nel 2000)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
To Zuccabar
registrazione di:
To Zucchabar (Gladiator)
compositore:
Ջիվան Գասպարյան (Djivan Gasparyan, duduk player) e Hans Zimmer (German score composer)
parte di:
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra43:16
30Zimmer: She Never Sleeps
registrazione di:
She Never Sleeps (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench2:17
31Leave No Man Behind
tecnico di registrazione:
Al Clay, Malcolm Luker, Alan Meyerson e Greg Townley (producer/mixer)
assistente tecnico:
Kevin Globerman, Gregg Silk, T.J. Lingren e Jason Wormer (american engineer)
produttore:
Bob Badami, Pietro Scalia e Hans Zimmer (German score composer)
tecnico di missaggio:
Big Al Clay e Alan Meyerson
assistente editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrazione di:
Leave No Man Behind (Black Hawk Down)
compositore:
Hans Zimmer (German score composer)
Hans Zimmer26:19
32The Mob
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
tecnico:
Kevin Globerman e Gregg Silk
produttore:
Klaus Badelt (German score composer), Alan Meyerson e Hans Zimmer (German score composer)
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, nel 2001)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
remixata presso:
Lectroluv Studio in East Village, New York, New York, Stati Uniti
registrazione di:
The Mob
compositore:
Lisa Gerrard e Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra, Hans Zimmer & Lisa Gerrard2:23
33Maximus
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
tecnico:
Kevin Globerman e Gregg Silk
produttore:
Klaus Badelt (German score composer), Alan Meyerson e Hans Zimmer (German score composer)
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, nel 2001)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
remixata presso:
Lectroluv Studio in East Village, New York, New York, Stati Uniti
registrazione di:
Maximus
compositore:
Hans Zimmer (German score composer)
Heitor Pereira, Gavin Greenaway & The Lyndhurst Orchestra1:09
34Chant
tecnico di registrazione:
Al Clay, Malcolm Luker, Alan Meyerson e Greg Townley (producer/mixer)
assistente tecnico:
Kevin Globerman, Gregg Silk, T.J. Lingren e Jason Wormer (american engineer)
produttore:
Bob Badami, Pietro Scalia e Hans Zimmer (German score composer)
tecnico di missaggio:
Big Al Clay e Alan Meyerson
assistente editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrazione di:
Chant (Black Hawk Down)
compositore:
Hans Zimmer (German score composer)
Hans Zimmer12:34
35Death Smiles at All of Us
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
tecnico:
Kevin Globerman e Gregg Silk
produttore:
Klaus Badelt (German score composer), Alan Meyerson e Hans Zimmer (German score composer)
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, nel 2001)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
remixata presso:
Lectroluv Studio in East Village, New York, New York, Stati Uniti
registrazione di:
Death Smiles at Us All
compositore:
Klaus Badelt (German score composer) e Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer2:29
36Reunion
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
produttore:
Klaus Badelt (German score composer) e Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (nel 2000)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Reunion (Gladiator)
compositore:
Klaus Badelt (German score composer) e Lisa Gerrard
registrazione di:
Reunion
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard31:14
37Zimmer: I'll Follow Your Voice
registrazione di:
I'll Follow Your Voice (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench6:28
38The Protector of Rome
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
tecnico:
Kevin Globerman e Gregg Silk
produttore:
Klaus Badelt (German score composer), Alan Meyerson e Hans Zimmer (German score composer)
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, nel 2001)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
remixata presso:
Lectroluv Studio in East Village, New York, New York, Stati Uniti
registrazione di:
The Protector of Rome
compositore:
Klaus Badelt (German score composer), Lisa Gerrard e Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer1:26
39All That Remains
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
tecnico:
Kevin Globerman e Gregg Silk
produttore:
Klaus Badelt (German score composer), Alan Meyerson e Hans Zimmer (German score composer)
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, nel 2001)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
remixata presso:
Lectroluv Studio in East Village, New York, New York, Stati Uniti
registrazione di:
All That Remains
compositore:
Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer0:55
40Strength and Honor
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
produttore:
Klaus Badelt (German score composer) e Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (nel 2000)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Strength and Honor (Gladiator)
compositore:
Hans Zimmer (German score composer)
parte di:
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra12:10
41Figurines
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
tecnico:
Kevin Globerman e Gregg Silk
produttore:
Klaus Badelt (German score composer), Alan Meyerson e Hans Zimmer (German score composer)
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, nel 2001)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
remixata presso:
Lectroluv Studio in East Village, New York, New York, Stati Uniti
registrazione di:
Figurines
compositore:
Lisa Gerrard
Lisa Gerrard1:02
42The General Who Became a Slave
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
tecnico:
Kevin Globerman e Gregg Silk
produttore:
Klaus Badelt (German score composer), Alan Meyerson e Hans Zimmer (German score composer)
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, nel 2001)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
remixata presso:
Lectroluv Studio in East Village, New York, New York, Stati Uniti
registrazione di:
The General Who Became a Slave
compositore:
Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer3:03
43The Emperor Is Dead
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
produttore:
Klaus Badelt (German score composer) e Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (nel 2000)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
The Emperor Is Dead (Gladiator)
compositore:
Klaus Badelt (German score composer) e Lisa Gerrard
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard1:22
44Elysium
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
produttore:
Klaus Badelt (German score composer) e Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (nel 2000)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Elysium (Gladiator)
compositore:
Klaus Badelt (German score composer) e Lisa Gerrard
editore:
SKG Songs
parte di:
Gladiator
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard2.52:41
45Malleus Maleficarum
tecnico di registrazione:
Geoff Foster (sound engineer)
assistente tecnico:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Jake Jackson (recording engineer)
tecnico di missaggio:
Al Clay e Alan Meyerson
editor:
Simon Changer (editor)
diritti fonografici (℗) detenuti da:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) e Universal Music Classical (nel 2006)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Malleus maleficarum (The Da Vinci Code)
compositore:
Hans Zimmer (German score composer)
parte di:
The Da Vinci Code
Hans Zimmer22:19
46The Wheat
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
produttore:
Klaus Badelt (German score composer) e Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (nel 2000)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
The Wheat (Aftermath, Gladiator)
compositore:
Lisa Gerrard
editore:
SKG Songs
parte di:
Gladiator
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard11:03
47Final Ascent
assistente tecnico di registrazione:
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) e Jack Mills (engineer)
tecnico di registrazione:
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig e John Prestage (engineer)
programmazione degli strumenti:
Hans Zimmer (German score composer)
tecnico:
Chuck Choi
produttore:
Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) e Hans Zimmer (German score composer)
assistente tecnico di missaggio:
Eva Reistad e Alvin Wee
tecnico di missaggio:
Al clay e Stephen Lipson
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Adam Miller (engineer)
arpa :
Skaila Kanga (harpist)
batteria :
Jason Bonham
chitarra :
Amir John Haddad (german-spanish multi instrumentalist)
chitarra elettrica :
Johnny Marr
clarinetto :
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) e Martin Robertson (saxophonist & clarinetist)
contrabbasso :
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) e Steve Williams (double bassist)
corno francese :
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) e Phil Woods (French hornist from the UK)
fagotto :
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) e Rachel Simms (bassoonist)
flauto :
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) e Rowland Sutherland
flauto contralto :
Lindsey Ellis, Fiona Fulton e Karen Jones (flautist)
percussione :
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) e Frank Ricotti (percussionist)
tromba :
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) e Tom Walsh (UK brass player)
trombone :
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) e Andy Wood (trombonist)
tuba :
Owen Slade (tuba player)
viola :
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes‐Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) e Fiona Winning (violist)
violino :
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) e Warren Zielinski (violinist)
violoncello :
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson (cellist), Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jacqueline Thomas (British cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) e Chris Worsey (cellist)
cori:
London Voices
direttore d'orchestra:
John Altman e Matt Dunkley
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
arrangiatore:
Steven Doar (production music)
orchestratore:
Òscar Senén
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 2021) e Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (nel 2021)
registrazione di:
Final Ascent
compositore:
Hans Zimmer (German score composer)
parte di:
No Time To Die
Hans Zimmer27:25
49Opening the Doors
assistente tecnico di registrazione:
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) e Jack Mills (engineer)
tecnico di registrazione:
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig e John Prestage (engineer)
programmazione degli strumenti:
Hans Zimmer (German score composer)
tecnico:
Chuck Choi
produttore:
Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) e Hans Zimmer (German score composer)
assistente tecnico di missaggio:
Eva Reistad e Alvin Wee
tecnico di missaggio:
Al clay e Stephen Lipson
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Adam Miller (engineer)
arpa :
Skaila Kanga (harpist)
batteria :
Jason Bonham
chitarra :
Amir John Haddad (german-spanish multi instrumentalist)
chitarra elettrica :
Johnny Marr
clarinetto :
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) e Martin Robertson (saxophonist & clarinetist)
contrabbasso :
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) e Steve Williams (double bassist)
corno francese :
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) e Phil Woods (French hornist from the UK)
fagotto :
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) e Rachel Simms (bassoonist)
flauto :
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) e Rowland Sutherland
flauto contralto :
Lindsey Ellis, Fiona Fulton e Karen Jones (flautist)
percussione :
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) e Frank Ricotti (percussionist)
tromba :
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) e Tom Walsh (UK brass player)
trombone :
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) e Andy Wood (trombonist)
tuba :
Owen Slade (tuba player)
viola :
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes‐Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) e Fiona Winning (violist)
violino :
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) e Warren Zielinski (violinist)
violoncello :
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson (cellist), Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jacqueline Thomas (British cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) e Chris Worsey (cellist)
cori:
London Voices
direttore d'orchestra:
John Altman e Matt Dunkley
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
arrangiatore:
Steven Doar (production music)
orchestratore:
Òscar Senén
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 2021) e Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (nel 2021)
registrazione di:
Opening the Doors
compositore:
Hans Zimmer (German score composer)
parte di:
No Time To Die
Hans Zimmer12:45
51Gun Barrel
assistente tecnico di registrazione:
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) e Jack Mills (engineer)
tecnico di registrazione:
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig e John Prestage (engineer)
programmazione degli strumenti:
Hans Zimmer (German score composer)
tecnico:
Chuck Choi
produttore:
Stephen Lipson, Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) e Hans Zimmer (German score composer)
assistente tecnico di missaggio:
Eva Reistad e Alvin Wee
tecnico di missaggio:
Al clay e Stephen Lipson
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Adam Miller (engineer)
arpa :
Skaila Kanga (harpist)
batteria :
Jason Bonham
chitarra :
Amir John Haddad (german-spanish multi instrumentalist)
chitarra elettrica :
Johnny Marr
clarinetto :
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) e Martin Robertson (saxophonist & clarinetist)
contrabbasso :
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) e Steve Williams (double bassist)
corno francese :
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) e Phil Woods (French hornist from the UK)
fagotto :
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) e Rachel Simms (bassoonist)
flauto :
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) e Rowland Sutherland
flauto contralto :
Lindsey Ellis, Fiona Fulton e Karen Jones (flautist)
legni [Woodwinds] :
Pedro Eustache
percussione :
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) e Frank Ricotti (percussionist)
tromba :
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) e Tom Walsh (UK brass player)
trombone :
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) e Andy Wood (trombonist)
tuba :
Owen Slade (tuba player)
viola :
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes‐Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) e Fiona Winning (violist)
violino :
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) e Warren Zielinski (violinist)
violoncello :
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Jacky Thomas (British cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson (cellist), Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) e Chris Worsey (cellist)
cori:
London Voices
direttore d'orchestra:
John Altman e Matt Dunkley
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
arrangiatore:
Steven Doar (production music)
orchestratore:
Òscar Senén
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 2021) e Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (nel 2021)
registrazione di:
Gun Barrel
compositore:
Hans Zimmer (German score composer)
parte di:
No Time To Die
Hans Zimmer20:56
52Cuba Chase
assistente tecnico di registrazione:
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) e Jack Mills (engineer)
tecnico di registrazione:
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig e John Prestage (engineer)
programmazione degli strumenti:
Hans Zimmer (German score composer)
tecnico:
Chuck Choi
produttore:
Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) e Hans Zimmer (German score composer)
assistente tecnico di missaggio:
Eva Reistad e Alvin Wee
tecnico di missaggio:
Al clay e Stephen Lipson
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Adam Miller (engineer)
arpa :
Skaila Kanga (harpist)
batteria :
Jason Bonham
chitarra :
Amir John Haddad (german-spanish multi instrumentalist)
chitarra elettrica :
Johnny Marr
clarinetto :
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) e Martin Robertson (saxophonist & clarinetist)
contrabbasso :
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) e Steve Williams (double bassist)
corno francese :
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) e Phil Woods (French hornist from the UK)
fagotto :
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) e Rachel Simms (bassoonist)
flauto :
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) e Rowland Sutherland
flauto contralto :
Lindsey Ellis, Fiona Fulton e Karen Jones (flautist)
percussione :
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) e Frank Ricotti (percussionist)
tromba :
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) e Tom Walsh (UK brass player)
trombone :
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) e Andy Wood (trombonist)
tuba :
Owen Slade (tuba player)
viola :
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes‐Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) e Fiona Winning (violist)
violino :
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) e Warren Zielinski (violinist)
violoncello :
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson (cellist), Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jacqueline Thomas (British cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) e Chris Worsey (cellist)
cori:
London Voices
direttore d'orchestra:
John Altman e Matt Dunkley
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
arrangiatore:
Steven Doar (production music)
orchestratore:
Òscar Senén
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 2021) e Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (nel 2021)
registrazione di:
Cuba Chase
compositore:
Hans Zimmer (German score composer)
parte di:
No Time To Die
Hans Zimmer15:41
53Still Reprise
tecnico di registrazione:
Al Clay, Malcolm Luker, Alan Meyerson e Greg Townley (producer/mixer)
assistente tecnico:
Kevin Globerman, Gregg Silk, T.J. Lingren e Jason Wormer (american engineer)
produttore:
Bob Badami, Pietro Scalia e Hans Zimmer (German score composer)
tecnico di missaggio:
Big Al Clay e Alan Meyerson
assistente editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrazione di:
Still (Black Hawk Down)
compositore:
Hans Zimmer (German score composer)
Hans Zimmer12:12
54Ad Arcana
tecnico di registrazione:
Geoff Foster (sound engineer)
assistente tecnico:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Jake Jackson (recording engineer)
tecnico di missaggio:
Al Clay e Alan Meyerson
editor:
Simon Changer (editor)
diritti fonografici (℗) detenuti da:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) e Universal Music Classical (nel 2006)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Ad arcana (The Da Vinci Code)
compositore:
Hans Zimmer (German score composer)
parte di:
The Da Vinci Code
Hans Zimmer36:07
56Daniel's 9th Cipher
tecnico di registrazione:
Geoff Foster (sound engineer)
assistente tecnico:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Jake Jackson (recording engineer)
tecnico di missaggio:
Al Clay e Alan Meyerson
editor:
Simon Changer (editor)
diritti fonografici (℗) detenuti da:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) e Universal Music Classical (nel 2006)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Daniel’s 9th Cipher (The Da Vinci Code)
compositore:
Hans Zimmer (German score composer)
parte di:
The Da Vinci Code
Hans Zimmer39:31
57Rose of Arimathea
tecnico di registrazione:
Geoff Foster (sound engineer)
assistente tecnico:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Jake Jackson (recording engineer)
tecnico di missaggio:
Al Clay e Alan Meyerson
editor:
Simon Changer (editor)
diritti fonografici (℗) detenuti da:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) e Universal Music Classical (nel 2006)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Rose of Arimathea (The Da Vinci Code)
compositore:
Hans Zimmer (German score composer)
parte di:
The Da Vinci Code
Hans Zimmer38:12

Accreditamenti