Swing When You’re Winning

~ Veröffentlichung von Robbie Williams (alle Versionen dieser Veröffentlichung ansehen, 13 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1I Will Talk and Hollywood Will Listen
recording engineer und Mix:
Al Schmitt
Techniker(in):
Richard Flack (producer/engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Rupert Coulson (sound engineer) und Ricky Graham (engineer)
vocals:
Robbie Williams
Orchester:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist, conductor)
recording of:
I Will Talk and Hollywood Will Listen
Orchestrator(in):
Vince Mendoza
Texter und Verfasser(in):
Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
BMG Music Publishing Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated)
2.73:18
2Mack the Knife
recording engineer und Mix:
Al Schmitt
assistierende(r) Techniker(in):
Steve Genewick und Christina Paakkari
Techniker(in):
Richard Flack (producer/engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Rupert Coulson (sound engineer) und Ricky Graham (engineer)
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) und Dan Higgins (saxophonist and woodwind recording artist)
baritone saxophone:
Greg Huckins
Bass:
Chuck Berghofer (Jazz bassist)
Bassposaune:
Craig Ware (trombonist)
Gitarre:
George Doering
Klavier:
Jim Cox (US keyboard player, composer)
Perkussion:
Brian Kilgore
Schlagzeug [drums]:
Harold Jones (jazz drummer)
Tenorposaune [tenor trombones]:
Alex Iles, Andy Martin (jazz trombonist) und Bruce Otto
Tenorsaxophon [tenor saxophones]:
Pete Christlieb und Sal Lozano (saxophonist)
Trompete [trumpets]:
Wayne Bergeron, Jeff Bunnell, Chuck Findley (trumpet, trombone, horn player) und Gary Grant (brass)
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
3.93:19
3Somethin’ Stupid
recording engineer:
Al Schmitt (Sologesang [vocals])
assistierende(r) Techniker(in):
Steve Genewick, Christina Paakkari und Steve Price (UK recording engineer/producer/orchestrator/arranger)
Techniker(in):
Richard Flack (producer/engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
assistierende(r) Mix:
Rupert Coulson (sound engineer) und Ricky Graham (engineer)
Bass:
David Catlin‐Birch (UK bassist and guitarist)
Gitarre [guitars]:
Mitch Dalton
Perkussion:
Frank Ricotti (percussionist)
Schlagzeug [drums]:
Ralph Salmins
Trompete [trumpets]:
Simon Gardner (trumpet player), Steve Sidwell (English composer & wind instrumentalist) und Paul Spong (trumpetist)
vocals:
Nicole Kidman (actress) und Robbie Williams
Orchester:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist, conductor)
Musikvideos:
Somethin’ Stupid von Robbie Williams and Nicole Kidman (actress)
cover recording of:
Somethin’ Stupid
Texter und Komponist(in):
Carson Parks
publisher:
Greenwood Music, Montclare Music und Montclare Music Co Ltd.
übersetzte Version von:
Forelsket
3.452:50
4Do Nothin’ Till You Hear From Me
recording engineer und Mix:
Al Schmitt
assistierende(r) Techniker(in):
Steve Genewick und Christina Paakkari
Techniker(in):
Richard Flack (producer/engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Rupert Coulson (sound engineer) und Ricky Graham (engineer)
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) und Bill Liston
baritone saxophone:
Greg Huckins
Bass:
Chuck Berghofer (Jazz bassist)
Bassposaune:
Craig Ware (trombonist)
Gitarre:
George Doering
Klavier:
Jim Cox (US keyboard player, composer)
Schlagzeug [drums]:
Harold Jones (jazz drummer)
Solo-Trompete:
Chuck Findley (trumpet, trombone, horn player)
Tenorposaune [tenor trombones]:
Alex Iles, Andy Martin (jazz trombonist) und Bruce Otto
Tenorsaxophon [tenor saxophones]:
Pete Christlieb und Sal Lozano (saxophonist)
Trompete [trumpets]:
Wayne Bergeron, Dennis Farias, Chuck Findley (trumpet, trombone, horn player) und Gary Grant (brass)
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Do Nothin’ Till You Hear From Me
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
3.42:58
5It Was a Very Good Year
Techniker(in):
Jim Brumby (UK engineer), Richard Flack (producer/engineer) und Lowell Frank (engineer)
zusätzliche(r) Techniker(in):
Jim Brumby (UK engineer)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (Aufgabe: original recording) und Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Rupert Coulson (sound engineer) und Ricky Graham (engineer)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) und Robbie Williams
conductor:
Gordon Jenkins
arranger:
Gordon Jenkins
cover recording of:
It Was a Very Good Year
Texter und Komponist(in):
Ervin Drake (songwriter)
publisher:
Memory Lane Music (publishing company), Reedlands Music Corp. und The Songwriters Guild
3.44:29
6Straighten Up and Fly Right
recording engineer und Mix:
Al Schmitt
assistierende(r) Techniker(in):
Christina Paakkari
Techniker(in):
Richard Flack (producer/engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Steve Genewick
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) und Bill Liston
baritone saxophone:
Greg Huckins
Bass:
Chuck Berghofer (Jazz bassist)
Bassposaune:
Craig Ware (trombonist)
Gitarre:
George Doering
Klavier:
Jim Cox (US keyboard player, composer)
Schlagzeug [drums]:
Harold Jones (jazz drummer)
Solo-Saxophon:
Pete Christlieb
Tenorposaune [tenor trombones]:
Alex Iles, Andy Martin (jazz trombonist) und Bruce Otto
Tenorsaxophon [tenor saxophones]:
Pete Christlieb und Sal Lozano (saxophonist)
Trompete [trumpets]:
Wayne Bergeron, Dennis Farias, Chuck Findley (trumpet, trombone, horn player) und Gary Grant (brass)
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Straighten Up and Fly Right
Verfasser(in):
Nat King Cole und Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30)
42:36
7Well, Did You Evah
recording engineer und Mix:
Al Schmitt
Techniker(in):
Richard Flack (producer/engineer) und Mike Ross‐Trevor (engineer)
zusätzliche(r) Techniker(in):
Richard Flack (producer/engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Rupert Coulson (sound engineer) und Ricky Graham (engineer)
vocals:
Jon Lovitz (comedian) und Robbie Williams
Orchester:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist, conductor)
cover recording of:
Well, Did You Evah! (High Society)
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Chappell & Co. (in 1956)
Teil von:
DuBarry Was a Lady (1939 stage musical)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
3.93:50
8Mr. Bojangles
recording engineer und Mix:
Al Schmitt
assistierende(r) Techniker(in):
Steve Genewick und Christina Paakkari
Techniker(in):
Richard Flack (producer/engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Rupert Coulson (sound engineer) und Ricky Graham (engineer)
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) und Dan Higgins (saxophonist and woodwind recording artist)
baritone saxophone:
Greg Huckins
Bass:
Chuck Berghofer (Jazz bassist)
Bassposaune:
Craig Ware (trombonist)
Gitarre:
George Doering
Klavier:
Jim Cox (US keyboard player, composer)
Perkussion:
Brian Kilgore
Schlagzeug [drums]:
Harold Jones (jazz drummer)
Tenorposaune [tenor trombones]:
Alex Iles, Andy Martin (jazz trombonist) und Bruce Otto
Tenorsaxophon [tenor saxophones]:
Pete Christlieb und Sal Lozano (saxophonist)
Trompete [trumpets]:
Wayne Bergeron, Jeff Bunnell, Chuck Findley (trumpet, trombone, horn player) und Gary Grant (brass)
vocals:
Robbie Williams
Orchester:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist, conductor)
cover recording of:
Mr. Bojangles
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
3.43:18
9One for My Baby
recording engineer und Mix:
Al Schmitt
assistierende(r) Techniker(in):
Steve Genewick und Christina Paakkari
Techniker(in):
Richard Flack (producer/engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Rupert Coulson (sound engineer) und Ricky Graham (engineer)
Solo-Klavier:
Bill Miller (pianist)
Solo-Saxophon:
Jamie Talbot (English jazz alto saxophonist)
vocals:
Robbie Williams
Orchester:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist, conductor)
cover recording of:
One for My Baby (and One More for the Road)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
3.254:18
10Things
recording engineer:
Mike Ross‐Trevor (engineer) (Sologesang [vocals]) und Al Schmitt
Techniker(in):
Richard Flack (producer/engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
assistierende(r) Mix:
Rupert Coulson (sound engineer) und Ricky Graham (engineer)
Mix:
Al Schmitt
Bass:
David Catlin‐Birch (UK bassist and guitarist)
Gitarre:
Mitch Dalton
Perkussion:
Frank Ricotti (percussionist)
Posaune [trombones]:
Richard Edwards (trombonist) und Neil Sidwell
Saxophon [saxophones]:
Dave Bishop (saxophonist) und Chris White (UK jazz saxophonist)
Schlagzeug [drums]:
Ralph Salmins
Trompete [trumpets]:
Simon Gardner (trumpet player), Steve Sidwell (English composer & wind instrumentalist) und Paul Spong (trumpetist)
vocals:
Jane Horrocks (Little Voice) und Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Things
Texter und Komponist(in):
Bobby Darin
publisher:
Alley Music Corp. und Trio Music Company
3.43:23
11Ain’t That a Kick in the Head
recording engineer und Mix:
Al Schmitt
assistierende(r) Techniker(in):
Steve Genewick und Christina Paakkari
Techniker(in):
Richard Flack (producer/engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Rupert Coulson (sound engineer) und Ricky Graham (engineer)
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) und Dan Higgins (saxophonist and woodwind recording artist)
baritone saxophone:
Greg Huckins
Bass:
Chuck Berghofer (Jazz bassist)
Bassposaune:
Craig Ware (trombonist)
Gitarre:
George Doering
Klavier:
Jim Cox (US keyboard player, composer)
Schlagzeug [drums]:
Harold Jones (jazz drummer)
Tenorposaune [tenor trombones]:
Alex Iles, Andy Martin (jazz trombonist) und Bruce Otto
Tenorsaxophon [tenor saxophones]:
Pete Christlieb und Sal Lozano (saxophonist)
Trompete [trumpets]:
Wayne Bergeron, Jeff Bunnell, Chuck Findley (trumpet, trombone, horn player) und Gary Grant (brass)
vocals:
Robbie Williams
Orchester:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist, conductor)
cover recording of:
Ain’t That a Kick in the Head
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Maraville Music Corp.
3.252:28
12They Can’t Take That Away From Me
recording engineer und Mix:
Al Schmitt
assistierende(r) Techniker(in):
Steve Genewick und Christina Paakkari
Techniker(in):
Larry Alexander (producer/engineer) (Sologesang [Rupert Everett’s vocal]), Richard Flack (producer/engineer) und Mike Ross‐Trevor (engineer)
zusätzliche(r) Techniker(in):
Jeff Bova
Produzent(in):
Guy Chambers (English songwriter and record producer) und Nicky Holland (Sologesang [Rupert Everett’s vocal])
assistierende(r) Mix:
Rupert Coulson (sound engineer) und Ricky Graham (engineer)
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) und Eric Marienthal
baritone saxophone:
Bev Dahlke-Smith
Bass:
Chuck Berghofer (Jazz bassist)
Bassposaune:
Phil Teele
Gitarre:
George Doering
Klavier:
Jim Cox (US keyboard player, composer)
Perkussion:
Brian Kilgore
Schlagzeug [drums]:
Harold Jones (jazz drummer)
Tenorposaune [tenor trombones]:
Steve Holtman (trombonist), Andy Martin (jazz trombonist) und Bruce Otto
Tenorsaxophon [tenor saxophones]:
Pete Christlieb und Sal Lozano (saxophonist)
Trompete [trumpets]:
Wayne Bergeron, Jeff Bunnell, Chuck Findley (trumpet, trombone, horn player) und Gary Grant (brass)
vocals:
Rupert Everett und Robbie Williams
Orchester:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist, conductor)
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
3.43:08
13Have You Met Miss Jones?
recording engineer und Mix:
Al Schmitt
Techniker(in):
Jim Brumby (UK engineer) und Steve Price (UK recording engineer/producer/orchestrator/arranger)
zusätzliche(r) Techniker(in):
Jim Brumby (UK engineer) und Tom Jenkins (English sound engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Steve Genewick
alto saxophone [alto saxophones]:
Iain Dixon und Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Phil Todd (UK flautist/saxophonist)
Bassposaune:
Dave Stewart (trombonist)
E-Gitarre:
Mitch Dalton
Klavier:
Dave Arch (pianist, conductor, arranger and composer)
Kontrabass:
Sam Burgess
Posaune [trombones]:
Gordon Campbell (UK trombone player; BBC Big Band), Richard Edwards (trombonist) und Neil Sidwell
Schlagzeug [drums]:
Ralph Salmins
Tenorsaxophon [tenor saxophones]:
Dave Bishop (saxophonist) und Chris White (UK jazz saxophonist)
Trompete [trumpets]:
John Barclay (trumpeter), Stuart Brooks (trumpet and horn player), Simon Gardner (trumpet player) und Paul Spong (trumpetist)
Vibraphon:
Anthony Kerr
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
3.42:34
14Me and My Shadow
recording engineer und Mix:
Al Schmitt
assistierende(r) Techniker(in):
Jim Brumby (UK engineer), Steve Genewick und Christina Paakkari
Techniker(in):
Jim Brumby (UK engineer) und Richard Flack (producer/engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Rupert Coulson (sound engineer) und Ricky Graham (engineer)
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) und Bill Liston
baritone saxophone:
Greg Huckins
Bass:
Chuck Berghofer (Jazz bassist)
Bassposaune:
Craig Ware (trombonist)
Gitarre:
George Doering
Klavier:
Jim Cox (US keyboard player, composer)
Schlagzeug [drums]:
Harold Jones (jazz drummer)
Tenorposaune [tenor trombones]:
Alex Iles, Andy Martin (jazz trombonist) und Bruce Otto
Tenorsaxophon [tenor saxophones]:
Pete Christlieb und Sal Lozano (saxophonist)
Trompete [trumpets]:
Wayne Bergeron, Dennis Farias, Chuck Findley (trumpet, trombone, horn player) und Gary Grant (brass)
vocals:
Jonathan Wilkes und Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Me and My Shadow
Texter:
Billy Rose (lyricist and Broadway producer)
zusätzliche(r) Verfasser(in):
Al Jolson
Komponist(in):
Dave Dreyer
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Larry Spier Inc.
2.93:16
15Beyond the Sea
recording engineer und Mix:
Al Schmitt
assistierende(r) Techniker(in):
Steve Genewick und Christina Paakkari
Techniker(in):
Jim Brumby (UK engineer), Richard Flack (producer/engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Rupert Coulson (sound engineer) und Ricky Graham (engineer)
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) und Eric Marienthal
baritone saxophone:
Bev Dahlke-Smith
Bass:
Chuck Berghofer (Jazz bassist)
Bassposaune:
Phil Teele
Gitarre:
George Doering
Klavier:
Jim Cox (US keyboard player, composer)
Schlagzeug [drums]:
Harold Jones (jazz drummer)
Tenorposaune [tenor trombones]:
Steve Holtman (trombonist), Andy Martin (jazz trombonist) und Bruce Otto
Tenorsaxophon [tenor saxophones]:
Pete Christlieb und Sal Lozano (saxophonist)
Trompete [trumpets]:
Wayne Bergeron, Jeff Bunnell, Chuck Findley (trumpet, trombone, horn player) und Gary Grant (brass)
vocals:
Robbie Williams
Orchester:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist, conductor)
cover recording of:
Beyond the Sea
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Charles Trenet
publisher:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
übersetzte Version von:
La Mer
28:15