NOW Yearbook ’82

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Special Edition digibook, incl. 28-page booklet.

Anmerkung zuletzt geändert am 2025-02-02 22:14 UTC.

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1Eye of the Tiger
assistierende(r) Techniker(in):
Hill Swimmer
Techniker(in):
Phil Bonnano und Mike Clink
Produzent(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographisches Urheberrecht (℗) von:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
aufgenommen bei:
Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 28) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 63)
recording of:
Eye of the Tiger
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1982 nominee)
Survivor4.24:06
2Dead Ringer for Love
Produzent(in):
Jimmy Iovine und Jim Steinman
Bassgitarre:
Steve Buslowe
Gitarre [guitars]:
Davey Johnstone
Horn:
Alan Rubin, Lou Delgatto, Lou Marani und Tom Malone (US trombonist)
Klavier:
Roy Bittan
Perkussion:
Jimmy Maelen (percussion)
Schlagzeug:
Liberty DeVitto (US drummer)
Schlitztrommel [African logs]:
Neleam Ymmij
Hintergrundgesang:
Allan Nicholls (Canadian musician), Rhonda Coullet, Rory Dodd, Ted Neeley und Eric Troyer
vocals:
Cher und Meat Loaf
Interpret(in):
Cher
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recording of:
Dead Ringer for Love
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1981), Neverland Music Publishing Company (in 1981) und Peg Music Company (in 1981)
Meat Loaf with Cher3.84:23
3Centerfold
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 314)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:37
4Abracadabra (2003 digital remaster)
phonographisches Urheberrecht (℗) von:
Sailor Music (in 1982)
Musikvideos:
Abracadabra von Steve Miller Band (American rock band)
recording of:
Abracadabra
Texter und Komponist(in):
Steve Miller (leader of Steve Miller Band)
publisher:
Sailor Music
Steve Miller Band4.33:38
5Back on the Chain Gang
Techniker(in):
Steve Churchyard
Produzent(in):
Chris Thomas (UK record producer / remixer)
Bassgitarre:
Tony Butler (English rock bassist with Big Country)
Gitarre:
Billy Bremner und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Schlagzeug:
Martin Chambers (drummer for The Pretenders)
Hintergrundgesang:
Tony Butler (English rock bassist with Big Country), Martin Chambers (drummer for The Pretenders) und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Sologesang:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1982) und WEA Records Ltd. (holding company based in the UK) (in 1982)
aufgenommen bei:
Air Studios (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 486)
recording of:
Back on the Chain Gang
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
gewidmet:
James Honeyman‐Scott
publisher:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing (do not use as a release label!)
Pretenders4.53:51
6I Can’t Go for That (No Can Do)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1981)
recording of:
I Can’t Go for That (No Can Do)
Texter:
Sara Allen, Daryl Hall und John Oates
Komponist(in):
Daryl Hall
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Geomantic Music, Hot Cha Music Co., Primary Wave Brian, Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Daryl Hall & John Oates4.53:45
7Arthur’s Theme (Best That You Can Do)
assistierende(r) Techniker(in):
Stuart Gitlin und Margaret Gwynne (engineer)
zusätzliche(r) Techniker(in):
John Guess, Lee Herschberg, Mark Linett und Richard Mullen
Produzent(in):
Michael Omartian
Mix:
Chet Himes
Sologesang:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
Saiteninstrumente arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
concertmaster:
Assa Drori
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
aufgenommen bei und mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
Verfasser(in):
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager und Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America und Woolnough Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1981 winner)
Christopher Cross53:51
8Hard to Say I’m Sorry (2009 remaster)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recording of:
Hard to Say I’m Sorry
Verfasser(in):
Peter Cetera (in 1982) und David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1982) und Foster Frees Music Inc. (in 1982)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Chicago4.653:48
9Waiting for a Girl Like You
assistierende(r) Techniker(in):
Edwin Hobgood (engineer) und Michael Sauvage
Techniker(in):
Tony Platt (UK engineer and producer), Brad Samuelsohn und Dave Wittman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Robert John “Mutt” Lange (Robert John Lange)
Bassgitarre:
Rick Wills
E-Gitarre [lead guitar]:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Keyboard:
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Bob Mayo (US session keyboardist & guitarist)
Schlagzeug:
Dennis Elliott
Synthesizer:
Thomas Dolby
Hintergrundgesang:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981, in 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Waiting for a Girl Like You
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner3.354:47
10Avalon (2003 digital remaster)
Produzent(in):
Rhett Davies und Roxy Music
Mix:
Bob Clearmountain
Bassgitarre:
Alan Spenner (von 1981 bis 1982)
Gitarre:
Neil Hubbard (von 1981 bis 1982) und Phil Manzanera (von 1981 bis 1982)
Keyboard und Sologesang:
Bryan Ferry (von 1981 bis 1982)
Perkussion:
Jimmy Maelen (percussion) (von 1981 bis 1982)
Saxophon:
Andy Mackay (of Roxy Music) (von 1981 bis 1982)
Schlagzeug:
Andy Newmark (von 1981 bis 1982)
Hintergrundgesang:
Yannick Etienne (von 1981 bis 1982) und Fonzi Thornton (von 1981 bis 1982)
Interpret(in):
Roxy Music (von 1981 bis 1982)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (vom 1982 bis heute, in 1982), Virgin EG Records Ltd. (in 1982) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1999, in 2003)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1981 bis 1982)
recording of:
Avalon (von 1981 bis 1982)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4.154:12
11Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.453:27
12Fireworks
recording of:
Fireworks
Texter:
Steven Severin
Komponist(in):
John McGeoch, Peter Clarke (UK drummer Peter Clarke of The Banshees, The Creatures, etc.), Steven Severin und Siouxsie Sioux (Susan Janet Ballion)
Siouxsie and the Banshees54:23
13Rock the Casbah
Techniker(in):
Bob Clearmountain
Produzent(in):
Guy Stevens
Mix:
Glyn Johns
Bassgitarre:
Paul Simonon
Gitarre:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
Schlagzeug:
Topper Headon
vocals:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
Musikvideos:
Rock the Casbah von The Clash (70s–80s British punk rock band)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 58)
recording of:
Rock the Casbah
Verfasser(in):
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
The Clash4.653:41
14Beat Surrender
Produzent(in):
Peter Wilson (UK Producer)
Trompete:
Martin Drover und Luke Tunney
Hintergrundgesang:
Afrodiziac, Claudia Fontaine (vocals, background vocals), Tracie (80s UK pop singer Tracie Young) und Caron Wheeler (English singer, songwriter, and record producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
aufgenommen bei:
Phonogram Studios in London (Greater London), England, Vereinigtes Königreich (in 1982-10)
recording of:
Beat Surrender (in 1982-10)
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd. und Stylist Music Ltd.
The Jam3:25
15Our House
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 13) und VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 29)
recording of:
Our House
Texter:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.93:24
16Brave New World
recording of:
Brave New World
Verfasser(in):
Joel Bogen und Toyah Willcox
Toyah3:34
17See Those Eyes (7″ version)
Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
Produzent(in):
Martin Rushent
recording of:
See Those Eyes
Texter und Komponist(in):
Tich Anderson, Clare Grogan, Tony McDaid, Johnny McElhone und Jim McKinven
Altered Images3:08
18John Wayne is Big Leggy (single version)
recording of:
John Wayne Is Big Leggy
Verfasser(in):
Paul Caplin, Kate Garner und Jeremy Healy
publisher:
Carlin Music Corporation, Chrysalis Music Ltd. (music publisher, affiliated with PRS) und EMI Music Publishing Ltd. (PRS‐affiliated)
Haysi Fantayzee3:19
19Party Fears Two (2016 remaster; single edit)
recording of:
Party Fears Two
Verfasser(in):
Billy MacKenzie (Scottish tenor singer & songwriter) und Alan Rankine
The Associates4:08
20Temptation (7″ version)
recording of:
Temptation (New Order)
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company) und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
New Order5:22
4▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:Now Yearbook (UK Now subseries) (Nummer: 1982) (Reihenfolge: 18)