Absolute Hits of the 50’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Edited by Tine Hanson & Mogens Hansen
Publisher: EVA

Edited by Tine Hanson & Mogens Hansen
Publisher: EVA

Annotazione modificata l'ultima volta il 2006-05-30 18:18 UTC.

Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1Wake Up Little Susie
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 21) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 311)
registrazione di:
Wake Up Little Susie (nel 1957)
autore:
Boudleaux Bryant e Felice Bryant
editore:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:02
2Living Doll
produttore:
Norrie Paramor
voce:
Cliff Richard
esecutore:
The Drifters (London group, pre-Shadows)
registrazione di:
Living Doll
paroliere e compositore:
Lionel Bart
editore:
J. Albert & Son Pty. Ltd.
Cliff Richard2:38
3Stupid Cupid
registrazione di:
Stupid Cupid
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
Connie Francis2:12
4He’s Got the Whole World in His Hand
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1957)
registrazione di:
He’s Got the Whole World in His Hands (nel 1958)
paroliere e compositore:
[traditional] (special purpose artist)
editore:
Thandewye Music (publisher; do NOT use as release label)
Laurie London2:21
5Kansas City
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 5)
registrazione cover di:
Kansas City (aka “K.C. Loving”)
paroliere:
Jerry Leiber (nel 1952)
autore:
J.Leiber, M.Stoller (songwriting team)
compositore:
Mike Stoller (nel 1952)
editore:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co., Peter Maurice Music Co. Ltd. e Sony/ATV Songs LLC
Wilbert Harrison32:28
6Blue Suede Shoes
batteria :
W.S. Holland (nel 1955-12)
chitarra :
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12) e Jay Perkins (nel 1955-12)
contrabbasso :
Clayton Perkins (nel 1955-12)
voce:
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12)
diritti fonografici (℗) detenuti da:
Sun (US label founded in 1952) (nel 1955, dal 1956 a oggi)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 5) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 95)
registrazione di:
Blue Suede Shoes (nel 1955-12)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:15
7Oh Carol
diritti fonografici (℗) detenuti da:
BMG Music
registrazione di:
Oh! Carol (nel 1959)
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Universal Music Careers
Neil Sedaka32:15
8Personality
registrazione di:
Personality (nel 1959)
paroliere e compositore:
Harold Logan e Lloyd Price (US R&B/soul singer)
Lloyd Price2:36
9Why Do Fools Fall in Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 307)
registrazione di:
Why Do Fools Fall in Love (nel 1955-11)
autore:
Morris Levy e Frankie Lymon
autore aggiunto:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) e Herman Santiago (singer for Frankie Lymon & The Teenagers)
editore:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Lymon & The Teenagers4.52:18
10(We’re Gonna) Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra elettrica [lead guitar] :
Danny Cedrone (il 1954-04-12)
chitarra elettrica [rhythm guitar] e voce principale:
Bill Haley (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
diritti fonografici (℗) detenuti da:
Sonet Music AB (nel 1954) e MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (nel 1955)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley and His Comets4.352:13
11Mona Lisa
registrazione cover di:
Mona Lisa
paroliere:
Raymond B. Evans (American songwriter)
compositore:
Jay Livingston
editore:
Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-editore:
BMG Unisong Music Publishers BV
parte di:
The 23rd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1950 winner)
Carl Mann2:23
12Ooby DoobyRoy Orbison2:13
13What Do You Want to Make Those Eyes at Me For?
registrazione di:
What Do You Want to Make Those Eyes at Me For?
paroliere:
Howard Johnson (songwriter / lyricist) e Joseph McCarthy (lyricist, 1885–1943)
compositore:
James V. Monaco
editore:
EMI United Partnership Ltd.
parte di:
Irene (the musical)
Emile Ford & the Checkmates22:05
14Great Balls of Fire
produttore:
Jerry Bruckheimer, Jack Clement, Don Simpson (American film producer, screenwriter, and actor) e Sam Phillips (founder of Sun Records) (nel 1957)
batteria :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
chitarra basso :
Sidney Stokes
pianoforte :
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (nel 1957-10)
voce:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (nel 1957-10)
diritti fonografici (℗) detenuti da:
Sun Record Company (nel 1957)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1957-10-08)
edit di:
Great Balls of Fire (chat & master) di Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 96) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 242)
registrazione di:
Great Balls of Fire (nel 1957-10)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
editore:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
registrazione cover di:
Great Balls of Fire
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
editore:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis4.351:52
15Tears on My Pillow
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 30) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 478)
registrazione di:
Tears on My Pillow
paroliere:
Al Lewis (Tin Pan Alley era lyricist)
compositore:
Sylvester Bradford
editore:
Gladys Music (nel 1958), Sovereign Music Co. (nel 1958) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (nel 1989)
Little Anthony & the Imperials2.52:15
16Summertime Blues
basso elettrico :
Connie “Guybo” Smith (bass player) (il 1958-03-28)
batteria :
Earl Palmer (il 1958-03-28)
chitarra :
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-03-28)
voce:
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-03-28)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1958)
registrata presso:
Goldstar Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1958-03-28)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 73) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 432)
registrazione di:
Summertime Blues (nel 1958-05)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran3.751:58
17Be‐Bop‐A‐Lula
batteria [drums] :
Dickie Harrell (il 1956-05-04)
chitarra [lead guitar] :
Cliff Gallup (lead guitarist for The Blue Caps) (il 1956-05-04)
chitarra [rhythm guitar] :
Willie Williams (50s rock guitarist) (il 1956-05-04)
contrabbasso [upright bass] :
Jack Neal (il 1956-05-04)
voce:
Gene Vincent (il 1956-05-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (dal 1956 a oggi)
registrata presso:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Stati Uniti (il 1956-05-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 9) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 102)
registrazione di:
Be‐Bop‐a‐Lula (il 1956-05-04)
autore:
Bill “Tex” Davis e Gene Vincent
editore:
Lowery Music Co. Inc.
Gene Vincent4.352:36
18Handful of Songs
Tommy Steele2:07
19At the Hop
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 28)
registrazione di:
At the Hop
autore:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
editore:
Sea-Lark Enterprises, Inc., Singular Music e Tristan Music Ltd.
Danny & the Juniors3.42:31
20Chantilly Lace
registrazione di:
Chantilly Lace
paroliere e compositore:
J.P. Richardson (known as The Big Bopper)
editore:
Glad Music Co.
Big Bopper42:25
21Blueberry Hill
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (nel 1957) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti
edit di:
Blueberry Hill (Imperial) di Fats Domino
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 147)
registrazione cover di:
Blueberry Hill (il 1956-06-27)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
autore:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino4.652:21
22Here Comes Summer
registrazione di:
Here Comes Summer
paroliere e compositore:
Jerry Keller
Jerry Keller2:09
23Bony Moronie
basso :
Ted Brinson (il 1957-09-11)
batteria :
Earl Palmer (il 1957-09-11)
chitarra :
Rene Hall (il 1957-09-11)
pianoforte :
Larry Williams (1950s rocker) (il 1957-09-11)
sassofono :
John E. Oliveri (il 1957-09-11)
sassofono baritono :
Jewell Grant (US saxophonist) (il 1957-09-11)
sassofono tenore :
Plas Johnson (il 1957-09-11)
voce:
Larry Williams (1950s rocker) (il 1957-09-11)
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti (il 1957-09-11)
registrazione di:
Boney Maroney (il 1957-09-11)
paroliere e compositore:
Lawrence E. Williams (1950s rocker)
editore:
ATV Music Ltd., EMI Music (do not use as release label! this is a music publisher), Sony/ATV Music Publishing (UK) Ltd. e Venice Music
Larry Williams3:05
24Donna
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
registrazione di:
Donna
paroliere e compositore:
Ritchie Valens
editore:
Aberbach Musikverlag (German publisher) e Carlin Music Corporation
Richie Valens4.82:30
25Petite Fleur
esecutore:
Monty Sunshine
registrazione cover di:
Petite Fleur (original instrumental) (nel 1959)
compositore:
Sidney Bechet
Chris Barber’s Jazz Band2:43
2CD

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parte di:Absolute Hits of the (EVA Records (Denmark)) (numero: 50) (ordine: 1)
Wikidata:Q12300445 [info]