19 Greatest Hits

~ Veröffentlichung von Johnny Cash (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1Don't Take Your Guns to Town
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1958-08-13)
Produzent(in):
Don Law
Akustikgitarre:
Johnny Cash (country music legend) (am 1958-08-13)
Bass:
Marshall Grant (am 1958-08-13)
E-Gitarre:
Luther Perkins (am 1958-08-13)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1958-08-13)
vocals:
Johnny Cash (country music legend) (am 1958-08-13)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1958)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1958-08-13)
recording of:
Don’t Take Your Guns to Town (am 1958-08-13)
Texter und Komponist(in):
Johnny Cash (country music legend)
publisher:
Anne-Rachel Music Corp.
43:06
2Sunday Morning Coming Down
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
aufgenommen bei:
Grand Ole Opry House in Nashville, Tennessee, Vereinigte Staaten (am 1970-07-10)
Teil von:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (Nummer: 6)
live cover recording of:
Sunday Mornin’ Comin’ Down (am 1970-07-10)
Texter und Komponist(in):
Kris Kristofferson
2.754:11
3Remember the Alamo
cover recording of:
Remember the Alamo
Texter und Komponist(in):
Jane Bowers
publisher:
Southern Music (publisher)
2:50
4Big River
recording of:
Big River
Texter und Komponist(in):
Johnny Cash (country music legend)
publisher:
Hi Lo Music Inc. (BMI-affiliated), House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash) und Knox Music, Inc.
2:20
5Five Feet High and Rising
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1959-03-12)
Produzent(in):
Don Law
Bass:
Marshall Grant
E-Gitarre:
Luther Perkins
Gitarre und Sologesang:
Johnny Cash (country music legend)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1959-03-12)
live recording of:
Five Feet High and Rising (am 1959-03-12)
Texter und Komponist(in):
Johnny Cash (country music legend)
Arrangement von:
Wo ist Zuhause, Mama
3.651:49
6The Streets of Laredo
recording of:
Streets of Laredo (aka “Cowboy’s Lament”)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 23650)
Version von:
The Unfortunate Lass (Bad Girl's Lament)
3:43
7Orange Blossom Special
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-12-20)
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Bass:
Marshall Grant
E-Gitarre:
Luther Perkins
Gitarre:
Johnny Cash (country music legend) und Ray Edenton
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-12-20)
Saxophon:
Boots Randolph (am 1964-12-20)
Schlagzeug:
W.S. Holland
Sologesang:
Johnny Cash (country music legend)
Interpret(in):
The Carter Family (later generations of the family after 1943)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1964-12-20)
cover recording of:
Orange Blossom Special (am 1964-12-20)
Texter und Komponist(in):
Ervin Rouse
publisher:
Glanco Music (BMI-affiliated) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
43:08
8Ring of Fire
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1963-03-25)
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Bass:
Marshall Grant
E-Gitarre:
Luther Perkins
Gitarre:
Johnny Cash (country music legend) und Jack Clement
Klavier:
Bill Pursell
Schlagzeug:
W.S. Holland
Trompete:
Bill McElhiney
Sologesang:
Johnny Cash (country music legend)
vocals und Interpret(in):
The Carter Family (later generations of the family after 1943)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1963, in 1977)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1963-03-25)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 25), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 87), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 201) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 388)
cover recording of:
Ring of Fire (am 1963-03-25)
Verfasser(in):
June Carter Cash (American Country singer and songwriter) und Merle Kilgore
publisher:
Painted Desert Music Corporation
4.252:38
9Bonanza
recording of:
Bonanza
Orchestrator(in):
David Rose (songwriter, pianist and orchestra leader)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Livingston & Evans Inc. (ASCAP) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Teil von:
Bonanza (American Western TV series 1959–1973)
2:23
10Give My Love to Rose
recording of:
Give My Love to Rose
Texter und Komponist(in):
Johnny Cash (country music legend)
publisher:
Aberbach (London) (publisher) und Carlin Music
2:25
11I Walk the Line
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-03-04)
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Akustikgitarre und Sologesang:
Johnny Cash (country music legend) (am 1964-03-04)
Bass:
Marshall Grant (am 1964-03-04)
E-Gitarre:
Luther Perkins (am 1964-03-04)
Gitarre:
Norman Blake (bluegrass guitarist) (am 1964-03-04) und Bob Johnson (American banjo player from Chattanooga, Tennessee) (am 1964-03-04)
Schlagzeug:
W.S. Holland (am 1964-03-04)
phonographisches Urheberrecht (℗) von:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) (in 1964) und Don Law (in 1964)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1964-03-04)
recording of:
I Walk the Line (am 1964-03-04)
Texter und Komponist(in):
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) und House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
4.352:36
12Danny Boy
recording of:
Danny Boy
publisher:
Alfred Music (publisher of sheet music for music education)
Texter:
Frederick Edward Weatherly (von 1910 bis 1913)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) und Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
basiert auf:
Londonderry Air
5:13
13Jackson
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1967-01-11)
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Instrumente:
Johnny Cash (country music legend)
vocals:
June Carter Cash (American Country singer and songwriter) und Johnny Cash (country music legend)
Interpret(in):
June Carter Cash (American Country singer and songwriter)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 112)
cover recording of:
Jackson (am 1967-01-11)
Texter und Komponist(in):
Jerry Leiber (in 1963) und Billy Edd Wheeler (in 1963)
publisher:
Sony/ATV Songs LLC
live cover recording of:
Jackson
Texter und Komponist(in):
Jerry Leiber (in 1963) und Billy Edd Wheeler (in 1963)
publisher:
Sony/ATV Songs LLC
recording of:
Jackson
Texter und Komponist(in):
Jerry Leiber (in 1963) und Billy Edd Wheeler (in 1963)
publisher:
Sony/ATV Songs LLC
42:47
14Folsom Prison Blues
Produzent(in):
Sam Phillips (founder of Sun Records)
Akustikgitarre und Sologesang:
Johnny Cash (country music legend) (am 1955-07-30)
E-Gitarre:
Luther Perkins (am 1955-07-30)
Kontrabass:
Marshall Grant (am 1955-07-30)
vocals:
Johnny Cash (country music legend)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1988)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1955-07-30)
recording of:
Folsom Prison Blues (am 1955-07-30)
Texter und Komponist(in):
Johnny Cash (country music legend)
publisher:
Aberbach (London) (publisher), Carlin Music Corporation und Hi Lo Music
basiert auf:
Crescent City Blues
4.352:47
15A Boy Named Sue
Techniker(in):
Bob Breault und Neil Wilburn
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Bass:
Marshall Grant
Gitarre:
Johnny Cash (country music legend), Carl Perkins (American pioneer of rockabilly music) und Bob Wootton
Schlagzeug:
W.S. Holland
Sologesang:
Johnny Cash (country music legend)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1969) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
aufgenommen bei:
San Quentin State Prison in Marin County, California (Kalifornien), Vereinigte Staaten (am 1969-02-24)
live recording of:
A Boy Named Sue (am 1969-02-24)
Texter und Komponist(in):
Shel Silverstein
4.43:44
16If I Were a Carpenter
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1969-08-20)
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
zusätzlich vocals:
June Carter Cash (American Country singer and songwriter)
Interpret(in):
June Carter Cash (American Country singer and songwriter)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
cover recording of:
If I Were a Carpenter (am 1969-08-20)
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Faithful Virtue Music
43:01
17Guess Things Happen That Way
recording of:
Guess Things Happen That Way
Texter und Komponist(in):
Jack Clement
1:56
18The One on the Right Is on the Left
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1965-11-29)
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1966)
cover recording of:
The One on the Right Is on the Left (am 1965-11-29)
Verfasser(in):
Jack Clement
cover recording of:
The One on the Right Is on the Left
Verfasser(in):
Jack Clement
52:51
19Don't Think Twice It's All Right
cover recording of:
Don’t Think Twice, It’s All Right
Texter:
Bob Dylan (in 1962)
Komponist(in):
[traditional] (special purpose artist) (in 1962) und Bob Dylan (in 1962)
arranger:
Paul Clayton (in 1962) und Bruce Langhorne (in 1962)
publisher:
Budde Musikverlag (German publisher), Neue Welt Musikverlag, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Witmark & Sons Essex Music, Warner/Chappell (Warner/Chappell Music, Inc.) (von 1963 bis 1991), Warner Bros.-Seven Arts Records, Inc. (not a label) (in 1965) und Special Rider Music (vom 1991 bis heute)
adaptations:
Anna olla älä huoli lain
Version von:
Who’s Gonna Buy You Ribbons (When I’m Gone)
2:56

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