Shoot to Kill

~ Release by John Scott (see all versions of this release, 2 available)

Annotation

This volume is limited to 2000 copies

Annotation last modified on 2013-02-12 14:25 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Main Title
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Main Title
orchestrator and composer:
John Scott (film composer)
3:33
2Kill My Wife Next
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Kill My Wife Next
orchestrator and composer:
John Scott (film composer)
6:39
3Boat Chase
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Boat Chase
orchestrator and composer:
John Scott (film composer)
5:15
4The Road Block
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
The Road Block
orchestrator and composer:
John Scott (film composer)
1:35
5Bishop's Falls
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Bishop's Falls
orchestrator and composer:
John Scott (film composer)
1:03
6Happy Campers
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Happy Campers
orchestrator and composer:
John Scott (film composer)
1:57
7Blazing Saddle
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Blazing Saddle
orchestrator and composer:
John Scott (film composer)
1:48
8I Hate the Woods
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
I Hate the Woods
orchestrator and composer:
John Scott (film composer)
0:48
9Behold the Gorge
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Behold the Gorge
orchestrator and composer:
John Scott (film composer)
0:44
10It's a Long Way Down No.1
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
It's a Long Way Down No.1
orchestrator and composer:
John Scott (film composer)
0:40
11It's a Long Way Down No.2 (Parts I & II)
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
It's a Long Way Down No.2 (Parts I & II)
orchestrator and composer:
John Scott (film composer)
2:36
12Climbing Trek
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Climbing Trek
orchestrator and composer:
John Scott (film composer)
2:53
13Not a Bear
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Not a Bear
orchestrator and composer:
John Scott (film composer)
0:31
14And the Killer Is
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
And the Killer Is
orchestrator and composer:
John Scott (film composer)
3:23
15Who's Jonathan
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Who's Jonathan
orchestrator and composer:
John Scott (film composer)
0:44
16The Bodies
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
The Bodies
orchestrator and composer:
John Scott (film composer)
3:24
17Say Your Name
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Say Your Name
orchestrator and composer:
John Scott (film composer)
2:25
18The Chimney
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
The Chimney
orchestrator and composer:
John Scott (film composer)
1:15
19The Storm, Part I
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
The Storm, Part I
orchestrator and composer:
John Scott (film composer)
2:06
20The Storm, Part II
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
The Storm, Part II
orchestrator and composer:
John Scott (film composer)
2:12
21Mr. Bear
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Mr. Bear
orchestrator and composer:
John Scott (film composer)
1:04
22Sara's Best Shot
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Sara's Best Shot
orchestrator and composer:
John Scott (film composer)
2:07
23Bingo
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Bingo
orchestrator and composer:
John Scott (film composer)
0:23
24Torching a Fence
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Torching a Fence
orchestrator and composer:
John Scott (film composer)
2:09
25Let Her Go or Die
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Let Her Go or Die
orchestrator and composer:
John Scott (film composer)
10:54
26End Titles
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
End Titles
orchestrator and composer:
John Scott (film composer)
3:56
27Kill My Wife Next (original version)
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
1:54
28Bishop's Falls (original version)
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
1:05
29It's a Long Way Down No.2 (Part II - revised version)
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
0:59
30Climbing Trek (original version)
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
3:04
31Roller Rink Source No.1
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
2:35
32Roller Rink Source No.2
recording engineer:
Shawn Murphy (producer/engineer)
producer and editor:
Douglass Fake
mixer:
Douglass Fake and Joe Tarantino (audio engineer, mastering)
conductor:
John Scott (film composer)
phonographic copyright (℗) by:
Touchstone Pictures
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
edited at:
Intrada in Oakland, California, United States
2:02