Handel: The Great Oratorios

~ Uitgave van George Frideric Handel (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

1▶cd: La Resurrezione - Parte prima
2▶cd: La Resurrezione - Parte seconda
3▶cd: Acis & Galatea - Act I
4▶cd: Acis & Galatea - Act II
5▶cd: Esther - Scenes 1-4
6▶cd: Esther - Scenes 5 & 6
7▶cd: Athalia - Part I
8▶cd: Athalia - Part II, Part III
9▶cd: Alexander's Feast - Part I
10▶cd: Alexander's Feast - Concerto grosso in C major, Part II
11▶cd: Saul - Symfonia, Act I
12▶cd: Saul - Act II
13▶cd: Saul - Act III
14▶cd: Israel in Egypt - Part I
15▶cd: Israel in Egypt - Part II / Coronation Anthems
16▶cd: Messiah - Part I, Part II (beginning)
17▶cd: Messiah - Part II (conclusion), Part III
18▶cd: Samson - Act I
19▼cd: Samson - Act II
#TitelWaarderingDuur
1Samson, HWV 57: Act Two, Scene 1. Recitative: "Despair not thus!" (Manoa, Samson)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
basvocalen [Manoa]:
Michael George (operatic bass) (in 2002)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Recitative: Despair not thus! (Manoah/Samson) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
1:26
2Samson, HWV 57: Act Two, Scene 1. No. 22 Air: "Just are the ways of God to man" (Manoa)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
basvocalen [Manoa]:
Michael George (operatic bass) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Air: Just are the ways of God to man (Mahoah) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
3:26
3Samson, HWV 57: Act Two, Scene 1. Recitative: "My evils hopeless are!" (Samson, Micah)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
altvocalen [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Recitative: My Evils Hopeless Are! (Samson/Micah) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
0:46
4Samson, HWV 57: Act Two, Scene 1. No. 23 Air: "Return, oh God of hosts!" (Micah)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
altvocalen [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
koor:
The Sixteen (UK choir) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Air: Return, O God of Hosts! (Micah). Chorus: To Dust His Glory They Would Tread (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
8:39
5Samson, HWV 57: Act Two, Scene 2. Recitative: "But who is this?" (Micah, Samson, Dalila)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
altvocalen [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
sopraanvocalen [Dalila]:
Lynda Russell (soprano) (in 2002)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Recitative: But who is this ? (Micah/Samson/Dalila) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
3:16
6Samson, HWV 57: Act Two, Scene 2. No. 25 Air: "With plaintive notes and am'rous moan" (Dalila)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
sopraanvocalen [Dalila]:
Lynda Russell (soprano) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Air: With plaintive notes (Delila) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
7:06
7Samson, HWV 57: Act Two, Scene 2. Recitative: "Alas! th'event was worse than I foresaw" (Dalila) / Act Two, Scene 2. Recitative: "Forgive what's done" (Dalila)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
sopraanvocalen [Dalila]:
Lynda Russell (soprano) (in 2002)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Recitative: Alas! Th'event was worse than I foresaw (Dalila). Did love constrain thee? (Samson) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
0:55
8Samson, HWV 57: Act Two, Scene 2. No. 26 Air: "Your charms to ruin led the way" (Samson)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Air: Your charms to ruin led the way (Samson) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
3:37
9Samson, HWV 57: Act Two, Scene 2. Recitative: "Forgive what's done" (Dalila)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
sopraanvocalen [Dalila]:
Lynda Russell (soprano) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Recitative: Forgive what's done (Dalila) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
0:30
10Samson, HWV 57: Act Two, Scene 2. No. 27 Duet: "My (Her) faith and truth, oh Samson, prove" (Dalila, Virgin) / Act Two, Scene 2. No. 28 Chorus of Virgins: "Her faith and truth, oh Samson, prove"
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
koor:
The Sixteen (UK choir) (in 2002)
sopraanvocalen [Dalila]:
Lynda Russell (soprano) (in 2002)
sopraanvocalen [Virgin]:
Lynne Dawson (soprano) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Duet: My/Her faith and truth (Delilah/Virgin). Chorus: Her faith and truth (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
6:15
11Samson, HWV 57: Act Two, Scene 2. No. 29 Air & Chorus: "To fleeting pleasures make your court" (Dalila)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
koor:
The Sixteen (UK choir) (in 2002)
sopraanvocalen [Dalila]:
Lynda Russell (soprano) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Air: To fleeting pleasures (Delilah). Chorus: Her faith and truth. (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
4:54
12Samson, HWV 57: Act Two, Scene 2. Recitative: "Ne'er think of that!" (Samson, Dalila)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
sopraanvocalen [Dalila]:
Lynda Russell (soprano) (in 2002)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Recitative: Ne’er think of that! (Samson/Dalila). (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
1:27
13Samson, HWV 57: Act Two, Scene 2. No. 30 Duet: "Traitor to love! I'll sue no more" (Dalila, Samson)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
altvocalen [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
sopraanvocalen [Dalila]:
Lynda Russell (soprano) (in 2002)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Duet:Traitor to love! I'll sue no more (Dalila/Samson) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
is een opname van:
Samson, HWV 57: Act II. Recitative: She's gone! (Micah). So let her go! (Samson) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
1:57
14Samson, HWV 57: Act Two, Scene 3. No. 31 Air: "It is not virtue, valour, wit" (Micah)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
altvocalen [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Air: It is not virtue, valour, wit (Micah) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
4:13
15Samson, HWV 57: Act Two, Scene 3. Recitative: "Favour'd of heav'n" (Samson)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Recitative: Favoured of heaven is he (Samson) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
0:22
16Samson, HWV 57: Act Two, Scene 3. No. 32 Chorus of Israelites: "To man God's universal law"
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
koor:
The Sixteen (UK choir) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Chorus: To man God's universal law (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
2:31
17Samson, HWV 57: Act Two, Scene 4. Recitative: "No words of peace" (Micah, Harapha, Samson)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
altvocalen [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
basvocalen [Harapha]:
Jonathan Best (operatic bass) (in 2002)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Recitative: No words of peace (Micah/Harapha/Samson) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
1:38
18Samson, HWV 57: Act Two, Scene 4. No. 33 Air: "Honour and arms scorn such a foe" (Harapha)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
basvocalen [Harapha]:
Jonathan Best (operatic bass) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Air: Honour and Arms (Harapha) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
5:41
19Samson, HWV 57: Act Two, Scene 4. Recitative: "Put on your arms" (Samson)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Recitative: Put on your arms (Samson) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
0:11
20Samson, HWV 57: Act Two, Scene 4. No. 34 Air: "My strength is from the living God" (Samson)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Air: My strength is from the living God (Samson) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
2:54
21Samson, HWV 57: Act Two, Scene 4. Recitative: "With thee! a man condemn'd" (Harapha, Samson)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
basvocalen [Harapha]:
Jonathan Best (operatic bass) (in 2002)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Recitative: With thee, a man condemn'd (Harapha). Cam’st thou for this, vain boaster? (Samson/Harapha) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
0:42
22Samson, HWV 57: Act Two, Scene 4. No. 35 Duet: "Go, baffled coward, go" (Samson, Harapha)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
basvocalen [Harapha]:
Jonathan Best (operatic bass) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Duet: Go, baffled coward (Samson/Harapha) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
2:17
23Samson, HWV 57: Act Two, Scene 4. Recitative: "Here lie the proof" (Micah)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
altvocalen [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Recitative: Here lies the proof (Micah) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
0:47
24Samson, HWV 57: Act Two, Scene 4. No. 36 Chorus of Israelites: "Hear, Jacob's God, Jehovah, hear!"
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
koor:
The Sixteen (UK choir) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Chorus: Hear, Jacob's God, Jehovah, hear! (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
3:15
25Samson, HWV 57: Act Two, Scene 4. Recitative: "Dagon, arise!" (Harapha)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
basvocalen [Harapha]:
Jonathan Best (operatic bass) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Recitative: Dagon, arise, attend thy sacred feast! (Harapha) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
0:14
26Samson, HWV 57: Act Two, Scene 4. No. 37a Air: "To song and dance we give the day" (Philistine man)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
tenorvocalen [Philistine man]:
Mark Padmore (British tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Air: To song and dance we give the day (Philistine man) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
4:05
27Samson, HWV 57: Act Two, Scene 4. No. 37b Chorus of Philistines: "To song and dance we give the day" (Chorus)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
koor:
The Sixteen (UK choir) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Chorus: To song and dance we give the day (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
1:58
28Samson, HWV 57: Act Two, Scene 4. No. 38 Chorus of Israelites and Philistines: "Fix'd in his everlasting seat"
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
koor:
The Sixteen (UK choir) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act II. Chorus: Fix'd in his everlasting seat (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act II
3:03
20▶cd: Samson - Act III
21▶cd: Semele - Act I
22▶cd: Semele - Act II
23▶cd: Semele - Act III
24▶cd: Hercules - Act I
25▶cd: Hercules - Act II
26▶cd: Hercules - Act III
27▶cd: Belshazzar - Act I (beginning)
28▶cd: Belshazzar - Act I (conclusion), Act II (beginning)
29▶cd: Belshazzar - Act II (conclusion), Act III
30▶cd: Judas Maccabaeus - Act I
31▶cd: Judas Maccabaeus - Act II
32▶cd: Judas Maccabaeus - Act III
33▶cd: Solomon - Act I
34▶cd: Solomon - Act II
35▶cd: Solomon - Act III
36▶cd: Theodora - Part I
37▶cd: Theodora - Part II (& alternative scene 2)
38▶cd: Theodora - Part III
39▶cd: Jephtha - Act I
40▶cd: Jephtha - Act II
41▶cd: Jephtha - Act III

Relaties

Uitgave

discografisch lemma:https://www.deccaclassics.com/en/cat/4830142 [info] (beëindigd)
https://www.deccaclassics.com/en/catalogue/products/handel-great-oratorios-5848 [info]