Las mejores canciones de cine, vol. 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1My Heart Will Go On
recording engineer:
Humberto Gatica und David Gleeson
sonstige Unterstützung:
Emilie Charlap (Aufgabe: orchestratra contractor) und Dan Shea (Aufgabe: sound design)
drum machine [drum and rhythm]-Programmierung:
Walter Afanasieff
Programmierung:
Dan Shea
zusätzliche drum machine [drum and rhythm]-Programmierung:
Dan Shea
assistierende(r) Techniker(in):
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer und Greg Thompson (engineer, mixer)
Techniker(in):
Humberto Gatica (Sologesang) und Dan Shea
Koproduzent(in):
James Horner (American score composer)
Produzent(in):
Walter Afanasieff
Mix:
Humberto Gatica
Bass-Synthesizer [synth bass], Hammond-Orgel [Hammond B-3 organ] und Keyboard:
Walter Afanasieff
Fiddle [Irish fiddle]:
Paul Peabody (violinist)
Gitarre:
Dann Huff
tin whistle [pennywhistle/whistles]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
zusätzlich Keyboard:
Dan Shea
Hintergrundgesang:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens und Jeanie Tracy
conductor:
William Ross (composer, orchestrator, arranger, conductor)
arranger:
Walter Afanasieff
Orchestrator(in):
William Ross (composer, orchestrator, arranger, conductor)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und Wallyworld in San Rafael, California (Kalifornien), Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
My Heart Will Go On (love theme from Titanic) von Céline Dion
a cappella versions:
The music from that movie about the boat von David Thorne (designer)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 2) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 279)
recording of:
My Heart Will Go On
Texter:
Will Jennings
Komponist(in):
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1997 winner)
Teil von:
Titanic
Céline Dion4.354:40
2Streets of Philadelphia
Produzent(in):
Chuck Plotkin und Bruce Springsteen
Mix:
Bob Clearmountain
vocals:
Bruce Springsteen
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment, Inc., U.S.A. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
recording of:
Streets of Philadelphia (in 1993-09)
publisher:
Bruce Springsteen
Texter und Komponist(in):
Bruce Springsteen (in 1993-08)
publisher:
Zomba Music Publishing (music publisher – add no releases here!) und Zomba Music Publishing Ltd.
Teil von:
The 66th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1993 winner)
Bruce Springsteen3.653:51
3I Want to Spend My Lifetime Loving You
Programmierung:
Jeff Bova
assistierende(r) Techniker(in):
Alex Black (engineer), Marc Lane (production music) und Aya Takemura
Techniker(in):
Steven Rinkoff
Koproduzent(in):
Steven Rinkoff
Produzent(in):
Jim Steinman (in 1998)
Mix:
Frank Filipetti
vocals:
Marc Anthony (Marco Antonio Muñiz, salsa and latin pop singer) und Tina Arena
Interpret(in):
Jeff Bova
arranger:
Jeff Bova und Jim Steinman
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998) und Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1998)
aufgenommen bei:
Bovaland in New York, New York, Vereinigte Staaten, Chung King Studio in New York, New York, Vereinigte Staaten, Metropolis (London) in London (Greater London), England, Vereinigtes Königreich und Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
mixed at:
Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
I Want to Spend My Lifetime Loving You (The Mask of Zorro) (in 1998)
Texter:
Will Jennings
Komponist(in):
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia), Sony/ATV Music Publishing Australia Pty Ltd., Triple Star Music, Inc. und TSP Music, Inc.
cover recording of:
I Want to Spend My Lifetime Loving You (The Mask of Zorro)
Texter:
Will Jennings
Komponist(in):
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia), Sony/ATV Music Publishing Australia Pty Ltd., Triple Star Music, Inc. und TSP Music, Inc.
Marc Anthony & Tina Arena4:41
4I Finally Found Someone
Techniker(in):
Felipe Elgueta und Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Marnie Riley
Mix:
Mick Guzauski
vocals:
Bryan Adams (Canadian singer/songwriter) (in 1996) und Barbra Streisand (in 1996)
Saiteninstrumente arranger:
Jack Hayes (American composer & orchestrator)
arranger:
Bryan Adams (Canadian singer/songwriter), David Foster (Canadian music producer, arranger and composer) und Robert John “Mutt” Lange (Robert John Lange)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
Teil von:
The Downloader’s Music Source Book (Nummer: 187)
recording of:
I Finally Found Someone (in 1996)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter), Marvin Hamlisch, Robert John “Mutt” Lange (Robert John Lange) und Barbra Streisand
publisher:
Zomba Enterprises, Inc. (beendet), Anthem Team Sports Music, Badams Music Limited, Emanuel Music, TSP Music, Inc. und Universal Music–Z Tunes LLC
Teil von:
The 69th Academy Award for Best Original Song (Nummer: 2)
Barbra Streisand & Bryan Adams3:42
5It Had to Be You
arranger und Orchestrator(in):
Marc Shaiman (American score composer and lyricist)
cover recording of:
It Had to Be You (in 1989-05)
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
Harry Connick, Jr.2:38
6I Believe I Can Fly
recording of:
I Believe I Can Fly
Texter und Komponist(in):
R. Kelly
publisher:
Imagem Music (beendet), R. Kelly Publishing Inc., Zomba Music Publ. Ltd. und Zomba Songs Inc.
sub-publisher:
BMG Music Publishing Hong Kong Ltd
R. Kelly24:43
7Gangsta’s Paradise
Produzent(in):
Doug Rasheed
Hintergrundgesang:
Trinna Simmons
vocals:
L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
Samples:
Pastime Paradise von Stevie Wonder
Musikvideos:
Gangsta’s Paradise von Coolio (US rapper, actor, chef & record producer) feat. L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 98) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 166)
recording of:
Gangsta’s Paradise
Verfasser(in):
Artis L. Ivey Jr. (US rapper, actor, chef & record producer), Larry James Sanders (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”), Doug Rasheed und Stevie Wonder
publisher:
IQ Music Ltd., Jobete Music (appears also as: Jobete Msc.) und Polygram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
basiert auf:
Pastime Paradise
Coolio feat. LV3.954:00
8Will You Be There
recording engineer und Mix:
Matt Forger und Bruce Swedien
Koproduzent(in):
Bruce Swedien
Produzent(in):
Michael Jackson (“King of Pop”)
recording of:
Will You Be There
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
Michael Jackson5:50
9Take My Breath Away
Techniker(in):
Dave Concors, Michael Rosen (US metal producer/engineer) und Tom Whitlock
Produzent(in):
Jerry Bruckheimer, Giorgio Moroder und Don Simpson (American film producer, screenwriter, and actor)
Mix:
Giorgio Moroder und Brian Reeves
E-Gitarre:
Ric Olsen
Schlagzeug:
Rob Brill
Synthesizer:
Arthur Barrow und John Crawford (Berlin bassist)
Sologesang:
Terri Nunn (Berlin singer)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
aufgenommen bei:
Oasis Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Take My Breath Away von Berlin (US new wave/synthpop)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 28), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 62) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 490)
recording of:
Take My Breath Away (song from the 1986 film Top Gun)
Texter:
Tom Whitlock
Komponist(in):
Giorgio Moroder
publisher:
Famous Music Publishing Germany GmbH & Co. KG (beendet), Jastian Music Inc. (beendet), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986), GMPC (in 1986) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) (beendet), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1986 winner)
Berlin3.654:11
10Show Me Heaven
Maria McKee3:25
11What a Wonderful World
recorded in:
New York, Vereinigte Staaten (am 1967-08-16)
Techniker(in):
Eddie Brackett und Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
baritone saxophone:
Raymond Stanfield (am 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16), Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Gitarre:
Allen Hanlon (jazz guitarist) (am 1967-08-16), Art Ryerson (am 1967-08-16) und Willard Suyker (am 1967-08-16)
Klarinette:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Jerome Richardson (am 1967-08-16)
Klavier:
Hank Jones (piano) (am 1967-08-16)
Kontrabass:
Russ Savakus (am 1967-08-16)
Perkussion:
Warren Hard (am 1967-08-16)
Posaune:
Urbie Green (am 1967-08-16) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1967-08-16)
Schlagzeug:
Grady Tate (am 1967-08-16)
Tenorsaxophon:
Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Trompete:
Louis Armstrong (am 1967-08-16), Clark Terry (American swing trumpeter) (am 1967-08-16) und Joe Wilder (am 1967-08-16)
Sologesang:
Louis Armstrong (am 1967-08-16)
Orchester:
Louis Armstrong’s Orchestra and Chorus (am 1967-08-16)
conductor und chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (am 1967-08-16)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und Project 3 Records Inc. (in 1988)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 171) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 283)
recording of:
What a Wonderful World (am 1967-08-16)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong3.952:17
12Mrs. Robinson
recording engineer:
Roy Halee (am 1968-02-02)
assistierende(r) Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Produzent(in):
Art Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Gitarre:
Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1968-02-02)
vocals:
Art Garfunkel (am 1968-02-02) und Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 270)
recording of:
Mrs. Robinson (am 1968-02-02)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:03
13Dream a Little Dream of Me
Produzent(in):
Lou Adler
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1968)
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Cass Elliot3.353:11
14San Francisco (Be Sure to Wear Some Flowers in Your Hair)
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Wingate Music Corp.
Scott McKenzie3.752:58
15A Whole New World
Programmierung und Produzent(in):
Walter Afanasieff
Synclavier-Programmierung:
Gary Cirimelli und Ren Klyce
zusätzliche Programmierung:
Dan Shea
Techniker(in):
Dana Jon Chappelle
leitende(r) Produzent(in):
Brenda Dash und Jay Landers (Executive producer, A&R, producer, songwriter and music publisher)
Mix:
Bruce Botnick
Editing:
Kathleen Fogarty-Bennett
Bass-Synthesizer, Keyboard und Synclavier [synclavier acoustic guitar]:
Walter Afanasieff
Gitarre:
Michael Landau
Synthesizer [Akai]:
Ren Klyce
vocals:
Regina Belle und Peabo Bryson
arranger:
Walter Afanasieff
zusätzlich arranger:
Robbie Buchanan (Canadian producer)
phonographisches Urheberrecht (℗) von:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (in 1992) und Walt Disney Records (in 1992)
recording of:
A Whole New World (Aladdin)
Texter:
Tim Rice
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (in 1992) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1992)
Teil von:
The 65th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1992 winner)
Teil von:
Aladdin (1992 film soundtrack)
Teil von:
Aladdin (stage musical based on the 1992 Disney animated film)
Peabo Bryson & Regina Belle4.24:03
16The Way You Look Tonight
Produzent(in):
Danny Bennett
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1998)
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
Tony Bennett3:23
17Someday
Produzent(in):
Simon Climie
Mix:
Andy Bradfield
Gitarre:
Eric Clapton
vocals:
Eternal (British R&B girl group)
Interpret(in):
Eric Clapton und Eternal (British R&B girl group)
Saiteninstrumente arranger:
Nick Ingman
arranger:
Simon Climie und Grant Mitchell (musician, record producer and arranger)
cover recording of:
Someday (The Hunchback of Notre Dame)
Texter:
Stephen Schwartz (musical theatre lyricist/composer)
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (in 1996) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1996)
Teil von:
The Hunchback of Notre Dame (1996 film soundtrack)
Eternal2.84:19
18Go the Distance
recording engineer:
Dana Jon Chappelle, John Kurlander (engineer) und David Reitzas
Programmierung:
David Gleeson und Dan Shea
assistierende(r) Techniker(in):
Steve Milo
zusätzliche(r) Techniker(in):
David Gleeson
Produzent(in):
Walter Afanasieff und Michael Bolton
Mix:
Mick Guzauski
Gitarre:
Michael Landau
Schlagzeug:
John “JR” Robinson (session drummer)
zusätzlich Keyboard:
Dan Shea
Hintergrundgesang:
Sandy Griffith, Claytoven Richardson und Jeanie Tracy
vocals:
Michael Bolton
conductor:
Jeremy Lubbock
arranger:
Walter Afanasieff, Michael Bolton und Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
Disney Enterprises, Inc. (not for release label use!) (in 1997) und Walt Disney Records (in 1997)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Go the Distance (Michael Bolton version)
Texter:
David Zippel
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) und Wonderland Music Company, Inc. (a division of Disney Music Publishing)
Version von:
Go the Distance (Hercules, film version)
Michael Bolton4:41
19Knockin’ on Heaven’s Door
Techniker(in):
Dan Wallin
Produzent(in):
Gordon Carroll (producer)
Bassgitarre:
Terry Paul (in 1973-02)
Gitarre:
Bob Dylan (in 1973-02) und Roger McGuinn (in 1973-02)
Harmonium, Orgel und Spinet:
Carl Fortina (in 1973-02)
Schlagzeug:
Jim Keltner (in 1973-02)
Hintergrundgesang:
Carol Hunter (in 1973-02), Brenda Patterson (in 1973-02) und Donna Weiss (in 1973-02)
vocals:
Bob Dylan (in 1973-02)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973)
engineered at:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 190)
recording of:
Knockin’ on Heaven’s Door (in 1973-02)
Texter und Komponist(in):
Bob Dylan
zusätzlicher Texter:
Bob Dylan (am 1975-03-23)
publisher:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Ram’s Horn Music (in 1973)
Bob Dylan4.72:32
20Unchained Melody
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Solo Sologesang:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1965-03)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
The Righteous Brothers33:35
2▶CD