Sunrise Mile

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Copyright: © 2026 UMG Recordings, Inc.
℗ 2026 UMG Recordings, Inc.

Annotation last modified on 2026-07-02 18:41 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Green Light
assistant engineer:
Greg Eliason and Barry McCready
engineer:
Laura Sisk
executive producer:
Jack Antonoff and Lorde (New Zealand singer‐songwriter)
producer:
Jack Antonoff, Frank Dukes (Canadian record producer, songwriter, musician), Kuk Harrell (task: first verse vocal) and Lorde (New Zealand singer‐songwriter)
additional mixer:
John Hanes (audio engineer, mixer)
mixer:
Serban Ghenea
vocals:
Lorde (New Zealand singer‐songwriter)
phonographic copyright (℗) by:
Universal Music New Zealand Limited (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 2017)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States, Rough Customer Studio in Brooklyn Heights, New York, New York, United States and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
Stereogum Readers’ 10 Favorite Songs of 2017 (number: 5), Stereogum: The 200 Best Songs of the 2010s (number: 10) and Rolling Stone: The 100 Best Songs of the 2010s (number: 82)
recording of:
Green Light
lyricist:
Jack Antonoff and Ella Yelich-O'Connor (Lorde, New Zealand singer‐songwriter)
composer:
Ella Yelich-O'Connor (Lorde, New Zealand singer‐songwriter) and Joel Little
publisher:
Ducky Donath Music, EMI Blackwood Music Inc., Songs Music Publishing and Sony/ATV Songs LLC
part of:
APRA Silver Scroll Awards Winners (number: 2017)
Lorde4.23:55
2Wake Me Up (radio edit)
recording engineer:
Chris Cheney (engineer) and Kyle VandeKerkhoff
additional engineer:
Mike Einziger
producer and mixer:
Tim Bergling
guitar:
Mike Einziger
keyboard [keys]:
Peter Dyer (keyboardist & writer Avicii and Cam)
vocals:
Aloe Blacc
phonographic copyright (℗) by:
Avicii Music AB (holding company - do not use as release label) (in 2013)
recorded at:
Interscope Studios in Santa Monica, California, United States
additionally engineered at:
Casa Chica in Malibu, California, United States
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 19), Billboard Year-End Hot 100 singles of 2014 (number: 22) and BILLIONS CLUB
recording of:
Wake Me Up
writer:
Aloe Blacc, Mike Einziger and Tim Bergling
publisher:
Aloe Blacc Publishing Inc., Elementary Particle Music, EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Kobalt Music Group Ltd. and Sony/ATV Music Publishing (worldwide except Japan, ended 1995)
Avicii3.654:07
3Be Alright
drum machine programming:
Edd Holloway (producer and songwriter)
engineer:
Edd Holloway (producer and songwriter)
additional producer:
Dylan Nash
producer:
Nick Atkinson (member of Rooster) and Edd Holloway (producer and songwriter)
mixer:
Mark “Spike” Stent (producer, engineer)
acoustic guitar, electric guitar, piano and lead vocals:
Dean Lewis (singer‐songwriter)
keyboard:
Edd Holloway (producer and songwriter)
background vocals:
Nick Atkinson (member of Rooster) and Dean Lewis (singer‐songwriter)
phonographic copyright (℗) by:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2018)
part of:
Billboard Year-End Hot 100 singles of 2019 (number: 54)
recording of:
Be Alright
writer:
Jon Hume (Australian-born New Zealand singer-songwriter, guitarist and, record producer) and Dean Lewis (singer‐songwriter)
Dean Lewis3.653:16
4Nightswimming
additional engineer:
George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Ted Malia and Andrew Roshberg
engineer:
Clif Norrell
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Ed Brooks (audio engineer at RFI Mastering in Seattle)
assistant mixer:
Tod Lemkuhl
mixer:
Scott Litt (producer and engineer) and Clif Norrell
guest cello:
Kathleen Kee, Daniel Laufer (cellist) and Elizabeth Proctor Murphy
guest oboe:
Deborah Workman (oboist)
guest viola:
Reid Harris, Paul Murphy (viola) and Heidi Nitchie (violist)
guest violin:
Denise Berginson-Smith (violinist), Patti Gouvas, Lonnie Ottzen (violinist), Sandy Salzinger (violinist), Sou-Chun Su (violinist) and Jody Taylor (violin)
vocals:
Michael Stipe
conductor:
George Hanson
orchestrator:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
additionally recorded at:
Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios (New Orleans) in New Orleans, Louisiana, United States
recorded at:
Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
mixed at:
Bad Animals Studio in Seattle, Washington, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 160)
recording of:
Nightswimming
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
live recording of:
Nightswimming
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.4.34:18
5Malibu Nights
LANY44:47
6Sunrise
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (sound engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar and banjolin:
Kevin Breit (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
slit drum:
Andrew Borger (from 2003 until 2004)
background vocals [backup vocal]:
Adam Levy (jazz guitarist) (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Sunrise (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
Norah Jones3.853:21
7Pompeii
programming and producer:
Mark Crew (songwriter, record producer and mix engineer) and Dan Smith (member of UK band Bastille)
assistant mixer:
Matty Green (mix engineer)
mixer:
Mark “Spike” Stent (producer, engineer)
bass guitar [bass]:
William Farquarson (bassist, Bastille)
drums (drum set):
Chris “Woody” Wood (drummer, Bastille)
keyboard [keyboards]:
Mark Crew (songwriter, record producer and mix engineer)
keyboard [keyboards] and piano:
Dan Smith (member of UK band Bastille)
background vocals [backing vocals]:
Ian Dudfield, Ralph Pelleymounter (Lead singer of To Kill A King), Josh Platman and Jon Willoughby
vocals:
Dan Smith (member of UK band Bastille)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2013)
recorded at:
Unit 24 (Mark Crew's studio) in London (Greater London), England, United Kingdom
music videos:
Pompeii by Bastille (British indie pop band)
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 12), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 297)
recording of:
Pompeii
lyricist and composer:
Dan Smith (member of UK band Bastille)
publisher:
Bastille Music, Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Bastille3.43:37
8Livin' on a Prayer
assistant engineer:
Tim Crich
engineer and mixer:
Bob Rock
producer:
Bruce Fairbairn
acoustic guitar, electric guitar, guitar synthesizer [IVL Guitar Synths] and talkbox:
Richie Sambora
drums (drum set) and percussion:
Tico Torres
electric bass guitar [Bass]:
Alec John Such
keyboard [Keyboards, Noises]:
Dave Bryan (keyboardist for Bon Jovi)
background vocals [Backing Vocals]:
Jon Bon Jovi, Dave Bryan (keyboardist for Bon Jovi), Richie Sambora and Alec John Such
lead vocals:
Jon Bon Jovi
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2011)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada
music videos:
Livin’ on a Prayer by Bon Jovi (group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 146), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 457)
recording of:
Livin’ on a Prayer
writer:
Jon Bon Jovi, Desmond Child and Richie Sambora
publisher:
Aggressive Music, Aggressive Music (A), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., SBK Songs Ltd., Sony/ATV Tunes LLC (ASCAP), Universal Music Group International (manages UMG’s offices in most countries outside of North America), Universal Music Works (GMR affiliated), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), April Music Inc. (in 1986), Bon Jovi Publishing (in 1986), Desmobile Inc. (in 1986) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1986)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bon Jovi4.14:11
9September Song
recording of:
September Song
writer:
Benjamin Hudson McIldowie, JP Cooper and Jon Cobbe Hume (Australian-born New Zealand singer-songwriter, guitarist and, record producer)
JP Cooper33:40
10Only Love
producer:
Chris Bond (UK producer/multi‐instrumentalist, active 2010s–present)
assistant mixer:
Jonathan Gilmore
mixer:
Mike Crossey
acoustic guitar, melodica and lead vocals:
Ben Howard
drums (drum set), guitar and percussion:
Chris Bond (UK producer/multi‐instrumentalist, active 2010s–present)
background vocals:
Chris Bond (UK producer/multi‐instrumentalist, active 2010s–present) and India Bourne
recording of:
Only Love
lyricist and composer:
Ben Howard
publisher:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Ben Howard4.354:09
11Somewhere Only We Know
programming and engineer:
Andy Green (producer, engineer)
producer:
Andy Green (producer, engineer) and Keane
assistant mixer:
David Treahern and Rob Haggett
mixer:
Mark “Spike” Stent (producer, engineer)
bass and keyboard:
Tim Rice‐Oxley
drums (drum set):
Richard Hughes (musician and multimedia composer based in Ireland)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2004, in 2024)
recorded at:
Helioscentric Studios in Rye, East Sussex, England, United Kingdom
recording of:
Somewhere Only We Know
writer:
Tom Chaplin, Richard Hughes (Keane member) and Tim Rice‐Oxley
publisher:
BMG Music Publishing Ltd.
Keane4.453:56
12How Deep Is Your Love
producer:
Bee Gees, Albhy Galuten and Karl Richardson
bass:
Maurice Gibb (in 1977)
drums (drum set):
Dennis Bryon (Welsh drummer, author) (in 1977)
electric guitar:
Alan Kendall (in 1977)
guitar [rhythm guitar]:
Barry Gibb (in 1977)
keyboard, piano and synthesizer:
Blue Weaver (in 1977)
percussion:
Dennis Bryon (Welsh drummer, author) (in 1977) and Joe Lala (in 1977)
background vocals and other vocals [harmony vocals]:
Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
lead vocals:
Barry Gibb (in 1977) and Robin Gibb (in 1977)
phonographic copyright (℗) by:
Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1977), PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (not for release label use!) (in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1977)
music videos:
How Deep is Your Love (music video) by Bee Gees
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 6), Billboard: Greatest of All Time Hot 100 Songs (number: 27), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 260) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 367)
recording of:
How Deep Is Your Love (Bee Gees song) (in 1977)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. (BMI), Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gibb Brothers Music (in 1977)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
live recording of:
How Deep Is Your Love (Bee Gees song)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. (BMI), Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gibb Brothers Music (in 1977)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Bee Gees44:05
13Crush
recording of:
Crush
Yuna & USHER34:03
14Don't You Worry Child
producer:
Swedish House Mafia
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2012)
recording of:
Don’t You Worry Child
writer:
Steve Angello, Axwell (Swedish DJ, record producer and remixer), Sebastian Ingrosso, John Martin (famous for vocals on songs by Swedish House Mafia) and Michel Zitron
publisher:
Lateral Management, Sony/ATV Music Publishing Ltd. and Universal Music Publishing AB (Sweden)
Swedish House Mafia & John Martin6:43
15Don't Call Me Up
engineer:
Dan Pursey (UK engineer) and Chris Laws (engineer, keyboardist & songwriter)
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistant mixer:
Michael Freeman (US engineer, works with Mark Stent)
mixer:
Mark “Spike” Stent (producer, engineer)
drums (drum set) [drums]:
Chris Laws (engineer, keyboardist & songwriter)
guitar:
Tim Laws
keyboard [keyboards]:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
background vocals:
Camille Purcell (British singer-songwriter and record producer)
vocals:
Mabel (British-Swedish singer)
phonographic copyright (℗) by:
Mabel McVey (British-Swedish singer) (in 2019)
recorded at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom
mixed at:
The Mixsuite LA in Los Angeles, California, United States
part of:
Spotify: Top Hits of 2019 (number: 36)
recording of:
Don’t Call Me Up
writer:
Camille Purcell (British singer-songwriter and record producer), Mabel McVey (British-Swedish singer) and Steve Mac (British pop producer/songwriter Steve McCutcheon)
Mabel42:58
16Better Together
engineer and mixer:
Mario Caldato Jr. and Robert Carranza
producer:
Mario Caldato Jr.
bass guitar:
Merlo Podlewski
drums (drum set) and percussion:
Adam Topol
guitar and lead vocals:
Jack Johnson (singer‐songwriter from Hawaii) (in 2004-10)
recorded at:
The Mango Tree in Kailua (Honolulu County), Hawaii, United States (in 2004-10)
recording of:
Better Together (in 2004-10)
lyricist and composer:
Jack Johnson (singer‐songwriter from Hawaii)
publisher:
Bubble Toes Publishing (ASCAP-affiliated)
Jack Johnson3.53:28
17Stay With Me
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 10) and Billboard Year-End Hot 100 singles of 2015 (number: 58)
recording of:
Stay With Me
additional writer:
Jeff Lynne and Tom Petty
writer:
Jimmy Napes, Sam Smith (English singer‐songwriter) and William Phillips
publisher:
EMI April Music Inc., Gone Gator Music (ASCAP affiliated) and Sony/ATV Music Publishing (UK) Ltd.
quotes music from:
I Won’t Back Down
Sam Smith42:53
18Dog Days Are Over
recording engineer:
Jimmy Robertson (sound engineer)
additional producer:
Isabella Summers
producer:
James Ellis Ford (Formerly James Ford. UK producer/engineer/drummer for Simian Mobile Disco)
mixer:
James Ellis Ford (Formerly James Ford. UK producer/engineer/drummer for Simian Mobile Disco) and Jimmy Robertson (sound engineer)
additional piano and bass guitar:
James Ellis Ford (Formerly James Ford. UK producer/engineer/drummer for Simian Mobile Disco)
cello:
Ian Burdge (cellist)
drums (drum set):
Christopher Lloyd Hayden
guitar:
Rob Ackroyd
harp:
Tom Moth (harpist)
piano:
Isabella Summers
viola:
Bruce White (violist)
violin:
Sally Herbert (violinist, composer, and conductor) and Everton Nelson (violinist)
lead vocals:
Florence Welch (English singer)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2009)
recorded at:
The Garden (John Foxx's studio in London) in Shoreditch, Hackney, London (Greater London), England, United Kingdom
mixed at:
Metropolis (London) in London (Greater London), England, United Kingdom
music videos:
Dog Days Are Over (music video) by Florence + the Machine
instrumental versions:
Dog Days Are Over (instrumental) by Florence + the Machine
part of:
Indie 88: Top 500 Indie Rock Songs (number: 164)
recording of:
Dog Days Are Over
writer:
Isabella Summers and Florence Welch (English singer)
publisher:
Florence + the Machine Limited and Universal Music Publishing (UK) Ltd.
Florence + The Machine3.84:13
19Strangers
recording of:
Strangers
writer:
Sigrid Solbakk Raabe (Norwegian singer) and Martin Sjølie (Norwegian songwriter & producer)
Sigrid3.653:54
20Don't Dream It's Over
recording engineer:
Tchad Blake and Dennis Kirk
assistant engineer:
Glen Holguin (engineer)
producer:
Mitchell Froom
mixer:
Michael Frondelli
bass:
Nick Seymour (Nicholas More Seymour)
congas, mbira [kalimba] and shakers:
Jorge Bermudez
drums (drum set):
Paul Hester (Australian drummer for Crowded House/Split Enz)
electric guitar [Gibson Les Paul Goldtop] and lead vocals:
Neil Finn
electric guitar [Tom Anderson “S” Style]:
Tim Pierce (US session guitarist)
keyboard and organ:
Mitchell Froom
background vocals:
Noel Crombie, Jim Gilstrap, Andy Milton and Joe Satriani
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
mixed at:
Studio 55 in Los Angeles, California, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 5)
recording of:
Don’t Dream It’s Over
lyricist and composer:
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing and Roundhead Music (Neil Finn)
part of:
APRA Top 100 New Zealand Songs of All Time (number: 2)
Crowded House3.93:57
21Grace Kelly
recording engineer:
Joe Chiccarelli
producer:
MIKA (Lebanese-born English pop singer) and Greg Wells
mixer:
Greg Wells
drums (drum set) and guitar:
Greg Wells
guitar:
Lyle Workman
keyboard and background vocals:
MIKA (Lebanese-born English pop singer)
recorded at:
Rocket Carousel Studio in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
Rocket Carousel Studio in Los Angeles, California, United States
music videos:
Grace Kelly by MIKA (Lebanese-born English pop singer)
recording of:
Grace Kelly
writer:
Jodi Marr (American songwriter and record producer), John Merchant, MIKA (Lebanese-born English pop singer) and Dan Warner (producer, writer and studio guitarist)
publisher:
Famous Publishing Co. Ltd., Rondor Music (London) Ltd., Sony/ATV Music Publishing (UK) Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
MIKA3.553:07
22Slow Hands
additional recording engineer:
Julian Bunetta and Eric Greedy
recording engineer and producer:
Julian Bunetta
programming:
AfterHrs (American production duo), Dave Emery (engineer) and Mark “Spike” Stent (producer, engineer)
additional producer:
AfterHrs (American production duo) and Mark “Spike” Stent (producer, engineer)
assistant mixer:
Michael Freeman (US engineer, works with Mark Stent)
mixer:
Mark “Spike” Stent (producer, engineer)
guitar:
Mark Goldenberg, Niall Horan and John Ryan (American pop singer/producer a/k/a “John the Blind”)
keyboard [keyboards]:
Dave Emery (engineer)
organ:
Tommy King (keyboardist/songwriter/engineer)
synthesizer:
AfterHrs (American production duo)
background vocals:
Julian Bunetta
vocals:
Niall Horan
phonographic copyright (℗) by:
Neon Haze Music Ltd. (in 2017)
produced for:
Family Affairs Productions
additionally recorded at:
Wendy House Productions in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recorded at:
Enemy Dojo in Calabasas, California, United States and Sarm Music Village in Ladbroke Grove, Kensington and Chelsea, London (Greater London), England, United Kingdom
mixed at:
The Mixsuite in Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2017 (number: 32)
recording of:
Slow Hands
writer:
Julian Bunetta, Niall Horan, Alexander Izquierdo, Tobias Jesso Jr., Ruth-Anne Cunningham (Irish singer-songwriter) and John Ryan (American pop singer/producer a/k/a “John the Blind”)
publisher:
AIX Music Publishing, BMG Gold Songs, BMG Platinum Songs, Bob Erotik Music, Dragon Bunny Music (BMI), Family Affair Songbook, Music of Big Deal, NJH Publishing Ltd., Songs of Universal, Inc. (BMI), The Family Songbook and These Are Songs of Pulse (ASCAP)
Niall Horan2.93:08
23Little Talks
engineer:
Aron Arnarsson
producer:
Aron Arnarsson and Of Monsters and Men
mixer:
Craig Silvey
phonographic copyright (℗) by:
SKRIMSL ehf (in 2012)
music videos:
Little Talks by Of Monsters and Men
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 65) and Indie 88: Top 500 Indie Rock Songs (number: 157)
recording of:
Little Talks
lyricist:
Nanna (Icelandic contemporary pop artist) and Ragnar þórhallsson
composer:
Of Monsters and Men
publisher:
Sony/ATV Music Publishing, Inc.
Of Monsters and Men3.654:26
24Read My Mind
recording engineer and mixer:
Flood (British producer Mark Ellis) and Alan Moulder (producer and engineer)
producer:
Flood (British producer Mark Ellis), The Killers (American rock band) and Alan Moulder (producer and engineer)
music videos:
Read My Mind by The Killers (American rock band)
recording of:
Read My Mind
writer:
Brandon Flowers, Dave Keuning and Mark Stoermer
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers3.94:07
25Anything Could Happen
assistant recording engineer:
Joel M Peters (mixing, mastering, engineer) (choir vocals)
recording engineer:
Graham Archer (engineer) (choir vocals)
drum machine programming:
Jim Eliot (UK singer-songwriter, composer, record producer)
additional engineer and assistant mixer:
Ben Baptie
producer:
Jim Eliot (UK singer-songwriter, composer, record producer) and Ellie Goulding
mixer:
Tom Elmhirst (mixing engineer)
drums (drum set), effects [sound fx], percussion, piano and synthesizer:
Jim Eliot (UK singer-songwriter, composer, record producer)
choir vocals:
The London Community Gospel Choir
conductor:
Sally Herbert (violinist, composer, and conductor)
choir vocals arranger:
Sally Herbert (violinist, composer, and conductor)
arranged for:
Solar Management Ltd.
music videos:
Anything Could Happen (video) by Ellie Goulding
recording of:
Anything Could Happen
writer:
Jim Eliot (UK singer-songwriter, composer, record producer) and Ellie Goulding
Ellie Goulding3.24:47