25 Greatest Hits: Que Sera, Sera

~ Release by Doris Day (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Que Sera, Sera (Whatever Will Be, Will Be)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1956 winner)
2:05
2Pillow Talk
recording of:
Pillow Talk
writer:
Inez James and Buddy Pepper
2:11
3Everybody Loves a Lover
vocals:
Doris Day (on 1958-05-12)
orchestra:
Frank DeVol’s Orchestra (on 1958-05-12)
conductor:
Frank De Vol (on 1958-05-12)
recording of:
Everybody Loves a Lover (on 1958-05-12)
lyricist:
Richard Adler (musical composer/lyricist)
composer:
Robert Allen (US songwriter/arranger/pianist)
2:45
4Secret Love
vocals:
Doris Day (on 1953-08-05)
orchestra:
The Warner Bros. Studio Orchestra (on 1953-08-05)
conductor:
Ray Heindorf (on 1953-08-05)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1953)
recorded at:
Warner Bros. Studios (Burbank, CA) in Burbank, California, United States (on 1953-08-05)
recording of:
Secret Love (song from “Calamity Jane”) (on 1953-08-05)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell North America and Warner Chappell North America Ltd.
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) and Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
part of:
The 26th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1953 winner)
part of:
Calamity Jane (stage musical)
33:40
5A Guy Is a Guy
vocals:
Doris Day (on 1952-02-07)
orchestra:
Paul Weston Orchestra (on 1952-02-07)
conductor:
Paul Weston (on 1952-02-07)
recording of:
A Guy Is a Guy (on 1952-02-07)
lyricist and composer:
Oscar Brand
publisher:
Ludlow Music
2:41
6Tea for Two
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
3:09
7Ready, Willing and Able
recording of:
Ready, Willing and Able
writer:
Dick Gleason, Floyd Huddleston and Al Rinker
2:28
8Tunnel of Love
2:11
9Teacher's Pet
conductor:
Frank De Vol
2:36
10Lullaby of Broadway
recording of:
Lullaby of Broadway (from “Gold Diggers of 1935”)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist) (in 1935)
publisher:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 winner)
part of:
42nd Street (full musical)
2:52
11Moonlight Bay
2:29
12Three Coins in the Fountain
recording of:
Three Coins in the Fountain
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. and WB Music Corp. (1929–2019)
part of:
The 27th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1954 winner)
43:17
13If I Gave My Heart to You
recording of:
If I Give My Heart to You
writer:
Jimmie Crane, Al Jacobs (US songwriter) and Milton Gabler
2:51
14By the Light of the Silvery Moon
recording of:
By the Light of the Silvery Moon
lyricist:
Edward Madden (in 1909)
composer:
Gus Edwards (in 1909)
publisher:
Remick Music
part of:
Two Weeks With Love (1950 film)
2:52
15The Black Hills of Dakota
vocals:
Doris Day (on 1953-07-16)
conductor:
Ray Heindorf (on 1953-07-16)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1953)
recording of:
The Black Hills of Dakota (“Calamity Jane”) (on 1953-07-16)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Calamity Jane (stage musical)
33:01
16Perhaps, Perhaps, Perhaps
recording of:
Perhaps, Perhaps, Perhaps
lyricist:
Joe Davis (US lyricist, producer, publisher & promoter)
composer:
Osvaldo Farrés
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
translated version of:
Quizás, quizás, quizás
2:33
17It's Magic
recording of:
It’s Magic
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 21st Academy Award for Best Original Song (number: 2)
part of:
Romance on the High Seas
3:39
18Quiet Nights of Quiet Stars
2:55
19Send Me No Flower
recording of:
Send Me No Flowers
lyricist:
Hal David
composer:
Burt Bacharach
2:13
20Sentimental Journey
3:45
21Zip-A-Dee-Doo-Dah
1:59
22Singin' in the Rain
recording of:
Singin’ in the Rain
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
The Hollywood Revue (1929 MGM musical film)
2:37
23Twinkle Lullaby
1:50
24(Why Did I Tell You I Was Going to) Shanghai
vocals:
Doris Day (on 1951-05-15)
orchestra:
Paul Weston and His Orchestra (on 1951-05-15)
recording of:
(Why Did I Tell You I Was Going to) Shanghai
writer:
Milton DeLugg and Bob Hilliard
2:21
25Fly Me to the Moon
producer:
Allen Stanton
conductor:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
arranger:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
2:33