The Boat That Rocked: Movie Soundtrack

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 4 disponibili)

Annotazione

LINER NOTES:

These are some of my favourite pop songs and I hope they will bring you pleasure. I don't buy the argument, ever, that the best days are done - there are lots of fantastic songs around now - but there certainly were a lot of great songs in the 60s, and this is just a taster of them. When we made The Boat That Rocked, every day, as we bobbed around in the ocean on our rusty boat, at lunchtime, the sound crew would put these songs on, really loud, and the actors would sit around in their absurd sideburns an hair cuts and shirts - and sometimes it seemed as though it actually was 1966 again, and we were actually there, riding and rocking on the ocean waves. I hope when you listen to these CDs, you can close your eyes, sway a bit - and join us on the high seas.

Richard Curtis - Writer / Director / Fan

Annotazione modificata l'ultima volta il 2020-09-26 03:32 UTC.

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Stay With Me Baby
assistente tecnico:
Sam Okell (engineer, Abbey Road Studios)
tecnico:
Pete Cobben
produttore e tecnico di missaggio:
Bernard Butler
basso :
Tom Lammiman-Hinley
chitarra :
Bernard Butler
membranofono :
Makoto Sakamoto (Japanese drummer)
sassofono :
Jim Hunt
tromba :
Dominic Glover (composer, writer, trumpet, flugelhorn and brass)
trombone :
Nichol Thomson (British trombonist, trumpet, brass)
direttore d'orchestra:
Sally Herbert (violinist, composer, and conductor)
arrangiatore archi :
Sally Herbert (violinist, composer, and conductor)
editore:
Warner/Chappell Music Ltd. (1996–2019)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
mixata presso:
West Heath Studio in West Heath, Bexley, London (Greater London), England, Regno Unito
registrazione di:
Stay With Me Baby
paroliere:
Walter Marks
editore:
Warner/Chappell Music Ltd. (1996–2019)
Duffy3:53
2All Day and All of the Night
produttore:
Shel Talmy
batteria :
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (il 1964-09-23)
chitarra :
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (il 1964-09-23)
chitarra basso :
Pete Quaife (Kinks' bass guitarist) (il 1964-09-23)
pianoforte :
Perry Ford (English pop singer) (il 1964-09-23)
voce di accompagnamento:
Johnny B. Great (il 1964-09-23)
voce principale:
Ray Davies (UK singer/songwriter, member of The Kinks) (il 1964-09-23)
editore:
Edward Kassner Music Co. Ltd.
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 23)
registrazione di:
All Day and All of the Night (il 1964-09-23)
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Edward Kassner Music Co. Ltd., Jay Boy e Kassner Associated Publishers Ltd.
The Kinks4.552:23
3Elenore
registrazione di:
Elenore
paroliere e compositore:
John Barbata, Howard Kaylan, Al Nichol, Jim Pons e Mark Volman
editore:
Doraflo Music, Inc., EMI Longitude Music e High Concept Music
The Turtles52:31
4Judy in Disguise
diritti fonografici (℗) detenuti da:
Pye International (nel 1968)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 96)
registrazione di:
Judy in Disguise (With Glasses) (nel 1967)
autore:
Andrew Bernard e John Fred (John Fred Gourrier)
editore:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e MCS Music Ltd.
John Fred & His Playboy Band3.852:54
5Dancing in the Street
produttore:
William Stevenson (Motown songwriter)
altri strumenti [tire iron] :
Ivy Jo Hunter (il 1964-06-29)
batteria :
Marvin Gaye (il 1964-06-29)
chitarra :
Joe Messina (il 1964-06-29), Robert White (US funk/soul guitarist) (il 1964-06-29) e Eddie Willis (il 1964-06-29)
chitarra basso :
James Jamerson (il 1964-06-29)
percussione , tamburello e vibrafono [vibes] :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-06-29)
sassofono baritono :
Thomas Bowles (il 1964-06-29)
sassofono tenore :
Henry Cosby (il 1964-06-29)
tromba :
Russell Conway (trumpet player) (il 1964-06-29) e Herbert Williams (trumpet player) (il 1964-06-29)
trombone :
George Bohanon (il 1964-06-29) e Paul Riser (il 1964-06-29)
voce di accompagnamento:
Rosalind Ashford (il 1964-06-29), Ivy Jo Hunter (il 1964-06-29), Betty Kelly (il 1964-06-29) e William Stevenson (Motown songwriter) (il 1964-06-29)
voce principale:
Martha Reeves (il 1964-06-29)
editore:
EMI Music Publishing (do not use as a release label!)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 130) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 403)
registrazione di:
Dancing in the Street (il 1964-06-29)
autore:
I. Hunter, M. Gaye e W. Stevenson (Motown songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha Reeves & the Vandellas3.552:36
6Wouldn’t It Be Nice
tecnico:
Larry Levine (il 1966-01-22) e Ralph Valentin (dal 1966-03 al 1966-04)
produttore:
Brian Wilson (Beach Boys co‐founder)
basso elettrico :
Carol Kaye (il 1966-01-22) e Ray Pohlman (il 1966-01-22)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1966-01-22)
chitarra :
Bill Pitman (il 1966-01-22)
chitarra a 12 corde :
Jerry Cole (il 1966-01-22)
chitarra basso :
Lyle Ritz (il 1966-01-22)
chitarra mandolino :
Barney Kessel (il 1966-01-22)
fisarmonica :
Carl Fortina (il 1966-01-22) e Frank Marocco (il 1966-01-22)
percussione :
Frank Capp (il 1966-01-22)
pianoforte :
Al De Lory (il 1966-01-22)
pianoforte [track piano] :
Larry Knechtel (il 1966-01-22)
sassofono baritono :
Jay Migliori (il 1966-01-22)
sassofono tenore :
Steve Douglas (American saxophonist, flautist and clarinetist) (il 1966-01-22) e Plas Johnson (il 1966-01-22)
tromba :
Roy Caton (trumpet player) (il 1966-01-22)
voce di accompagnamento:
Al Jardine (guitarist and singer) (il 1966-01-22), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (il 1966-01-22), Carl Wilson (Beach Boys) (il 1966-01-22) e Dennis Wilson (Beach Boys) (il 1966-01-22)
voce principale:
Mike Love (Beach Boys) (il 1966-01-22) e Brian Wilson (Beach Boys co‐founder) (il 1966-01-22)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrata presso:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, Stati Uniti (il 1966-01-22) e Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1966-01-22)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 297)
registrazione di:
Wouldn’t It Be Nice (il 1966-01-22)
paroliere:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.42:23
7Ooo Baby Baby
produttore:
Bill “Smokey” Robinson (il 1965-01-21)
voce di accompagnamento:
The Miracles (aka Smokey Robinson and The Miracles) (il 1965-01-21)
voce principale:
Smokey Robinson (il 1965-01-21)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 20) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 262)
registrazione di:
Ooo Baby Baby (il 1965-01-21)
autore:
Warren “Pete” Moore e Smokey Robinson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Smokey Robinson & the Miracles52:45
8This Guy’s in Love With You
tecnico:
Larry Levine
produttore:
Herb Alpert e Jerry Moss (record company founder and inductee)
voce:
Herb Alpert
arrangiatore:
Herb Alpert e Burt Bacharach
diritti fonografici (℗) detenuti da:
Herb Alpert Presents (Herb Alpert label) (nel 2015)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1968)
registrazione di:
This Guy’s in Love With You (nel 1968)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal/MCA Music Publishing Australia, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
registrazione cover di:
This Guy’s in Love With You
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal/MCA Music Publishing Australia, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Herb Alpert & the Tijuana Brass3.54:01
9Crimson and Clover
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 188)
registrazione di:
Crimson and Clover
autore:
Tommy James (American musician, singer, songwriter and record producer) e Pete Lucia Jr.
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), Planetary Nom (publisher) e Big Seven Music Corp. (nel 1987)
Tommy James and the Shondells45:25
10Hi Ho Silver Lining
produttore:
Mickie Most (English record producer) (il 1967-01-19)
batteria :
Clem Cattini (il 1967-01-19)
chitarra basso :
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (il 1967-01-19)
chitarra elettrica e voce principale:
Jeff Beck (English rock guitarist) (il 1967-01-19)
voce di accompagnamento:
Rod Stewart (il 1967-01-19)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1967)
lavorazione tecnica effettuata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (il 1967-01-19)
registrazione di:
Hi Ho Silver Lining (il 1967-01-19)
autore:
Scott English e Larry Weiss (American singer-songwriter)
editore:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:49
11I Can See for Miles
produttore:
Kit Lambert
produttore esecutivo:
Chris Stamp
batteria e percussione :
Keith Moon (drummer)
chitarra :
Pete Townshend (of The Who)
chitarra basso :
John Entwistle
voce principale:
Roger Daltrey
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1967)
registrata presso:
CBS Studios (London, 1967 - 1972) in London (Greater London), England, Regno Unito (dal 1967-05-28 al 1967-05-29), Talent Masters Studios in New York, New York, Stati Uniti (nel 1967-07) e Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1967-09)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 258)
registrazione di:
I Can See for Miles (dal 1967-05-28 al 1967-05-29)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) e TRO-Essex Music, Inc.
registrazione di:
I Can See for Miles (nel 1967-07)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) e TRO-Essex Music, Inc.
registrazione di:
I Can See for Miles (nel 1967-09)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) e TRO-Essex Music, Inc.
The Who4.454:07
12With a Girl Like You
registrazione di:
With a Girl Like You
autore:
Reg Presley
The Troggs4.42:07
13The Letter
produttore:
Dan Penn (songwriter, soul singer)
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1967) e Atoll Music (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 357) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 364)
registrazione di:
The Letter (nel 1967)
paroliere e compositore:
Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Box Tops4.151:54
14I’m Alive
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1965)
registrazione cover di:
I’m Alive
paroliere e compositore:
Clint Ballard, Jr.
The Hollies2:25
15Yesterday Man
produttore:
Peter Columbus
registrazione di:
Yesterday Man
paroliere e compositore:
Chris Andrews (UK singer-songwriter)
Chris Andrews2:32
16I’ve Been a Bad Bad Boy
registrazione di:
I’ve Been a Bad Bad Boy
compositore:
Mike Leander
editore:
Leeds Music Ltd. e Universal/MCA Music Publishing Pty Ltd
Paul Jones2:21
17Silence Is Golden
produttore:
Mike Smith (60’s & 70’s UK Producer)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1967) e CBS Records (manufacturer/distributor, not for release label use!) (nel 1967)
registrazione cover di:
Silence Is Golden
autore:
Bob Crewe e Bob Gaudio
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), Gavadima Music Inc., Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc. e Windswept Pacific Music Ltd.
The Tremeloes3.653:09
18The End of the World
tecnico:
Bill Porter (engineer)
produttore:
Chet Atkins
voce:
Skeeter Davis
registrazione di:
The End of the World (nel 1962)
paroliere:
Sylvia Dee (American lyricist)
compositore:
Arthur Kent
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e Summit Music Corp, (ASCAP-affiliated)
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Skeeter Davis4.152:39
2▶CD

Accreditamenti

Pubblicazione

note di libretto:Richard Curtis (NZ/UK screenwriter, music producer, actor and film director)
Discogs:https://www.discogs.com/release/2046464 [info]
ASIN:UK: B001TH16BK [info]