Die Zauberflöte

~ Release by Mozart; Roger Norrington, London Classical Players, The Schütz Choir of London, Andreas Schmidt, Anthony Rolfe Johnson, Beverly Hoch, Caroline Trevor, Catherine Denley, Catherine Pierard, Cornelius Hauptmann, Dawn Upshaw, Eirian James, Evelyn Tubb, Guy de Mey, Nancy Argenta, Olaf Bär & Tessa Bonner (see all versions of this release, 1 available)

Annotation

Matrix / Runout (disc 1): SONOPRESS F-3993 / 7542882 B 3
Matrix / Runout (disc 2): SONOPRESS F-3994 / 7542892 A 3

Annotation last modified on 2024-12-19 11:26 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Die Zauberflöte: Akt II. Nr. 10 Dialog „Eine schreckliche Nacht!“ (Tamino, Papageno, Sprecher, Zweiter Priester)
baritone vocals [Papageno]:
Andreas Schmidt (bass-baritone & teacher) (in 1990-12)
baritone vocals [Sprecher]:
Olaf Bär (baritone) (in 1990-12)
tenor vocals [2. Priester]:
Rufus Müller (tenor) (in 1990-12)
tenor vocals [Tamino]:
Anthony Rolfe Johnson (tenor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:29
2Die Zauberflöte: Akt II. Nr. 11 Duetto „Bewahret euch vor Weibertücken“ (Zweiter Priester, Sprecher)
baritone vocals [Sprecher]:
Olaf Bär (baritone) (in 1990-12)
tenor vocals [2. Priester]:
Rufus Müller (tenor) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:44
3Die Zauberflöte: Akt II. Nr. 11 Dialog „He, Lichter Her!“ (Papageno, Tamino)
baritone vocals [Papageno]:
Andreas Schmidt (bass-baritone & teacher) (in 1990-12)
tenor vocals [Tamino]:
Anthony Rolfe Johnson (tenor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. Dialog „He, Lichter her!” (Papageno, Tamino) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:15
4Die Zauberflöte: Akt II. Nr. 12 Quintetto „Wie? Wie? Wie? Ihr an diesem Schreckensort?“ (Die drei Damen, Papageno, Tamino, Eingeweihte)
baritone vocals [Papageno]:
Andreas Schmidt (bass-baritone & teacher) (in 1990-12)
mezzo-soprano vocals [2. Dame]:
Eirian James (mezzo-soprano) (in 1990-12)
soprano vocals [1. Dame]:
Nancy Argenta (soprano) (in 1990-12)
soprano vocals [3. Dame]:
Catherine Denley (contralto, mezzo‐soprano) (in 1990-12)
tenor vocals [Tamino]:
Anthony Rolfe Johnson (tenor) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:54
5Die Zauberflöte: Akt II. Nr. 12 Dialog „Heil dir, Jüngling!“ (Sprecher, Zweiter Priester, Papageno)
baritone vocals [Papageno]:
Andreas Schmidt (bass-baritone & teacher) (in 1990-12)
baritone vocals [Sprecher]:
Olaf Bär (baritone) (in 1990-12)
tenor vocals [2. Priester]:
Rufus Müller (tenor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. Dialog „Heil dir, Jüngling! Dein standhaft männliches Betragen” (Sprecher, 2. Priester, Papageno, Tamino) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:50
6Die Zauberflöte: Akt II. Nr. 12 Dialog „Ha, da find’ ich ja die spröde Schöne!“ (Monostatos)
tenor vocals [Monostatos]:
Guy de Mey (Belgian operatic tenor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. Monolog „Ha, da find’ich ja die spröde Schöne!” (Monostatos) (in 1990-12)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:30
7Die Zauberflöte: Akt II. Nr. 13 Aria „Alles fühlt der Liebe Freuden“ (Monostatos)
tenor vocals [Monostatos]:
Guy de Mey (Belgian operatic tenor) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:18
8Die Zauberflöte: Akt II. Nr. 13 Dialog „Zurück! O weh!“ (Königin der Nacht, Pamina, Monostatos)
soprano vocals [Königin der Nacht]:
Beverly Hoch (in 1990-12)
soprano vocals [Pamina]:
Dawn Upshaw (soprano) (in 1990-12)
tenor vocals [Monostatos]:
Guy de Mey (Belgian operatic tenor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. Dialog „Zurück! O weh!” (Die Königin der Nacht, Pamina, Monostatos) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:49
9Die Zauberflöte: Akt II. Nr. 14 Aria „Der Hölle Rache kocht in meinem Herzen“ (Königin der Nacht)
soprano vocals [Königin der Nacht]:
Beverly Hoch (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:46
10Die Zauberflöte: Akt II. Nr. 14 Dialog „Morden soll ich?“ (Pamina, Monostatos, Sarastro)
bass vocals [Sarastro]:
Cornelius Hauptmann (operatic bass) (in 1990-12)
soprano vocals [Pamina]:
Dawn Upshaw (soprano) (in 1990-12)
tenor vocals [Monostatos]:
Guy de Mey (Belgian operatic tenor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. Dialog „Morden soll ich?” (Pamina, Monostatos, Sarastro) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:07
11Die Zauberflöte: Akt II. Nr. 15 Aria „In diesen heil’gen Hallen kennt“ (Sarastro)
bass vocals [Sarastro]:
Cornelius Hauptmann (operatic bass) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:46
12Die Zauberflöte: Akt II. Nr. 15 Dialog „Hier seid ihr euch beide allein überlassen“ (Sprecher, Papageno, Tamino, Ein Altes Weib)
baritone vocals [Papageno]:
Andreas Schmidt (bass-baritone & teacher) (in 1990-12)
baritone vocals [Sprecher]:
Olaf Bär (baritone) (in 1990-12)
tenor vocals [Tamino]:
Anthony Rolfe Johnson (tenor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. Dialog „Hier seid ihr euch beide allein überlassen” (Sprecher, 2. Priester, Papageno, Tamino, Altes Weib) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:10
13Die Zauberflöte: Akt II. Nr. 16 Terzetto „Seid uns zum zweiten Mal willkommen“ (Drei Knaben)
contralto vocals [3. Knabe]:
Caroline Trevor (contralto) (in 1990-12)
soprano vocals [1. Knabe]:
Tessa Bonner (soprano) (in 1990-12)
soprano vocals [2. Knabe]:
Evelyn Tubb (soprano) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:25
14Die Zauberflöte: Akt II. Nr. 16 Dialog „Tamino, wollen wir nicht speisen?“ (Papageno, Pamina, Tamino)
baritone vocals [Papageno]:
Andreas Schmidt (bass-baritone & teacher) (in 1990-12)
soprano vocals [Pamina]:
Dawn Upshaw (soprano) (in 1990-12)
tenor vocals [Tamino]:
Anthony Rolfe Johnson (tenor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. Dialog „Tamino, wollen wir nicht speisen?” (Papageno, Pamina, Tamino) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:24
15Die Zauberflöte: Akt II. Nr. 17 Aria „Ach, ich fühl’s, es ist verschwunden“ (Pamina)
soprano vocals [Pamina]:
Dawn Upshaw (soprano) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:56
16Die Zauberflöte: Akt II. Nr. 17 Dialog „Nicht wahr, Tamino“ (Papageno, Sarastros Löwen)
baritone vocals [Papageno]:
Andreas Schmidt (bass-baritone & teacher) (in 1990-12)
bass vocals [Sarastro]:
Cornelius Hauptmann (operatic bass) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. Monolog „Nicht wahr, Tamino” (Papageno) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:38
17Die Zauberflöte: Akt II. Nr. 18 Coro „O Isis und Osiris, welche Wonne!“ (Priester)
choir vocals:
The Schütz Choir of London (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:54
18Die Zauberflöte: Akt II. Nr. 18 Dialog „Prinz, dein Betragen war bis hieher männlich und gelassen“ (Sarastro, Pamina, Tamino)
bass vocals [Sarastro]:
Cornelius Hauptmann (operatic bass) (in 1990-12)
soprano vocals [Pamina]:
Dawn Upshaw (soprano) (in 1990-12)
tenor vocals [Tamino]:
Anthony Rolfe Johnson (tenor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. Dialog „Prinz, dein Betragen war bis hieher männlich und gelassen” (Sarastro, Pamina, Tamino) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:39
19Die Zauberflöte: Akt II. Nr. 19 Terzetto „Soll ich dich, Teurer, nicht mehr sehn?“ (Sarastro, Pamina, Tamino)
bass vocals [Sarastro]:
Cornelius Hauptmann (operatic bass) (in 1990-12)
soprano vocals [Pamina]:
Dawn Upshaw (soprano) (in 1990-12)
tenor vocals [Tamino]:
Anthony Rolfe Johnson (tenor) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:48
20Die Zauberflöte: Akt II. Nr. 19 Dialog „Tamino! Tamino! Willst Du mich denn gänzlich verlassen?“ (Papageno, Zwei Stimmen, Sprecher)
baritone vocals [Papageno]:
Andreas Schmidt (bass-baritone & teacher) (in 1990-12)
baritone vocals [Sprecher]:
Olaf Bär (baritone) (in 1990-12)
bass vocals:
Wolfgang Riedelbauch (in 1990-12) and Richard Wistreich (British bass vocalist) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. Dialog "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno, Stimmen, Zweiter Sprecher) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:29
21Die Zauberflöte: Akt II. Nr. 20 Aria „Ein Mädchen oder Weibchen wünscht Papageno sich!“ (Papageno)
baritone vocals [Papageno]:
Andreas Schmidt (bass-baritone & teacher) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:26
22Die Zauberflöte: Akt II. Nr. 20 Dialog „Da bin ich schon, mein Engel!“ (Ein Altes Weib, Papageno, Sprecher)
baritone vocals [Papageno]:
Andreas Schmidt (bass-baritone & teacher) (in 1990-12)
baritone vocals [Sprecher]:
Olaf Bär (baritone) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. Dialog „Da bin ich schon, mein Engel!” (Altes Weib, Papageno, Zweiter Sprecher) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:25
23Die Zauberflöte: Akt II. Nr. 21 Finale „Bald prangt, den Morgen zu verkünden“ (Drei Knaben, Pamina)
contralto vocals [3. Knabe]:
Caroline Trevor (contralto) (in 1990-12)
soprano vocals [1. Knabe]:
Tessa Bonner (soprano) (in 1990-12)
soprano vocals [2. Knabe]:
Evelyn Tubb (soprano) (in 1990-12)
soprano vocals [Pamina]:
Dawn Upshaw (soprano) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
partial recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:11
24Die Zauberflöte: Akt II. Nr. 21 Finale „Holdes Mädchen, sieh uns an!“ (Drei Knaben, Pamina)
contralto vocals [3. Knabe]:
Caroline Trevor (contralto) (in 1990-12)
soprano vocals [1. Knabe]:
Tessa Bonner (soprano) (in 1990-12)
soprano vocals [2. Knabe]:
Evelyn Tubb (soprano) (in 1990-12)
soprano vocals [Pamina]:
Dawn Upshaw (soprano) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
partial recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:05
25Die Zauberflöte: Akt II. Nr. 21 Finale „Der, welcher wandelt diese Straße voll Beschwerden“ (Zweiter Geharnischter Mann, Tamino, Pamina)
soprano vocals [Pamina]:
Dawn Upshaw (soprano) (in 1990-12)
tenor vocals [Tamino]:
Anthony Rolfe Johnson (tenor) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:23
26Die Zauberflöte: Akt II. Nr. 21 Finale „Tamino mein!“ (Erster, Zweiter Geharnischter Mann, Tamino, Pamina)
soprano vocals [Pamina]:
Dawn Upshaw (soprano) (in 1990-12)
tenor vocals [Tamino]:
Anthony Rolfe Johnson (tenor) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:59
27Die Zauberflöte: Akt II. Nr. 21 Finale „Wir wandelten durch Feuersgluten“ (Pamina, Tamino, Gefolge, Priester)
bass vocals:
Simon Birchall (operatic bass) (in 1990-12) and Wolfgang Riedelbauch (in 1990-12)
choir vocals:
The Schütz Choir of London (in 1990-12)
soprano vocals [Pamina]:
Dawn Upshaw (soprano) (in 1990-12)
tenor vocals [2. Priester]:
Rufus Müller (tenor) (in 1990-12)
tenor vocals [Tamino]:
Anthony Rolfe Johnson (tenor) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. Marsch durch Feuer und Wasser „Wir wandelten durch Feuersgluten” (Pamina, Tamino, Coro) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:46
28Die Zauberflöte: Akt II. Nr. 21 Finale „Papagena! Papagena!“ (Papageno, Drei Knaben)
baritone vocals [Papageno]:
Andreas Schmidt (bass-baritone & teacher) (in 1990-12)
contralto vocals [3. Knabe]:
Caroline Trevor (contralto) (in 1990-12)
soprano vocals [1. Knabe]:
Tessa Bonner (soprano) (in 1990-12)
soprano vocals [2. Knabe]:
Evelyn Tubb (soprano) (in 1990-12)
soprano vocals [Papagena]:
Catherine Pierard (soprano) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:04
29Die Zauberflöte: Akt II. Nr. 21 Finale „Klinget, Glöckchen, klinget“ (Papageno, Drei Knaben)
baritone vocals [Papageno]:
Andreas Schmidt (bass-baritone & teacher) (in 1990-12)
contralto vocals [3. Knabe]:
Caroline Trevor (contralto) (in 1990-12)
soprano vocals [1. Knabe]:
Tessa Bonner (soprano) (in 1990-12)
soprano vocals [2. Knabe]:
Evelyn Tubb (soprano) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
partial recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:40
30Die Zauberflöte: Akt II. Nr. 21 Finale „Pa‐pa‐ge‐na!“ (Papageno, Papagena)
baritone vocals [Papageno]:
Andreas Schmidt (bass-baritone & teacher) (in 1990-12)
soprano vocals [Papagena]:
Catherine Pierard (soprano) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
included in:
「パ、パ、パ、パ」〜オペラ「魔笛」より
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:21
31Die Zauberflöte: Akt II. Nr. 21 Finale „Nur stille! Stille! Die Strahlen der Sonne“ (Monostatos, Königin der Nacht, Die drei Damen)
mezzo-soprano vocals [2. Dame]:
Eirian James (mezzo-soprano) (in 1990-12)
soprano vocals [1. Dame]:
Nancy Argenta (soprano) (in 1990-12)
soprano vocals [3. Dame]:
Catherine Denley (contralto, mezzo‐soprano) (in 1990-12)
soprano vocals [Königin der Nacht]:
Beverly Hoch (in 1990-12)
tenor vocals [Monostatos]:
Guy de Mey (Belgian operatic tenor) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:09
32Die Zauberflöte: Akt II. Nr. 21 Finale „Die Strahlen der Sonne vertreiben die Nacht“ (Sarastro, Gefolge, Priester)
bass vocals:
Simon Birchall (operatic bass) (in 1990-12) and Wolfgang Riedelbauch (in 1990-12)
bass vocals [Sarastro]:
Cornelius Hauptmann (operatic bass) (in 1990-12)
choir vocals:
The Schütz Choir of London (in 1990-12)
tenor vocals [2. Priester]:
Rufus Müller (tenor) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:18
33Die Zauberflöte: Akt II. Nr. 21 Finale „Es siegte die Stärke“ (Gefolge, Priester)
bass vocals:
Simon Birchall (operatic bass) (in 1990-12) and Wolfgang Riedelbauch (in 1990-12)
choir vocals:
The Schütz Choir of London (in 1990-12)
tenor vocals [2. Priester]:
Rufus Müller (tenor) (in 1990-12)
orchestra:
London Classical Players (in 1990-12)
conductor:
Sir Roger Norrington (conductor) (in 1990-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Die Zauberflöte: Akt II. „Heil sei euch Geweihten” (Chor) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:27

Credits

Release

photography:Richard Faulks
sound engineer:Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
assistant producer:Rosemary Lowther
producer:David R. Murray
editor:Tim Handley (engineer/editor/producer)
Mary Hughes (editor, engineer)
Discogs:https://www.discogs.com/release/12195034 [info]
ASIN:DE: B000002RSC [info]