The Definitive Soul Collection

~ Release by Wilson Pickett (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1I’m a Midnight Mover
recorded in:
Memphis, Tennessee, United States (on 1968-03-04)
producer:
Tom Dowd
vocals:
Wilson Pickett (on 1968-03-04)
arranger:
Tom Dowd
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I’m a Midnight Mover (on 1968-03-04)
writer:
Wilson Pickett and Bobby Womack
publisher:
Cotillion Music Inc. (BMI), Erva Music Publishing (BMI) and Tracebob Music Co.
2:25
2I Found a True Love
recorded in:
Memphis, Tennessee, United States (on 1968-03-04)
producer:
Tom Dowd
vocals:
Wilson Pickett (on 1968-03-04)
arranger:
Tom Dowd
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I Found a True Love (on 1968-03-04)
writer:
Bobby Womack and Reggie Young (guitarist and songwriter)
publisher:
Cotillion Music Inc. (BMI), Erva Music Publishing (BMI) and Tracebob Music Co.
2:24
3A Man and a Half
recorded in:
Memphis, Tennessee, United States (on 1968-09-19)
bass [electric bass]:
Jerry Jemmott (on 1968-09-19)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-09-19)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1968) and Duane Allman (on 1968-09-19)
piano:
Barry Beckett (on 1968-09-19)
tenor saxophone:
Andrew Love (on 1968-09-19) and James Mitchell (US saxophonist/arranger) (on 1968-09-19)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1968-09-19)
vocals:
Wilson Pickett (on 1968-09-19)
conductor:
Tom Dowd (on 1968-09-19)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-09-19)
recording of:
A Man and a Half (on 1968-09-19)
writer:
Larry Chambers, George Jackson (US soul songwriter/vocalist), Melvin Leakes and Raymond Moore (US songwriter)
publisher:
Screen Gems-EMI
2:51
4Hey Jude
engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-11-27)
electric bass guitar [electric bass]:
Jerry Jemmott (on 1968-11-27)
electric guitar:
Duane Allman (on 1968-11-27) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-11-27)
piano:
Barry Beckett (on 1968-11-27)
saxophone:
Floyd Newman (on 1968-11-27)
tenor saxophone:
Andrew Love (on 1968-11-27) and James Mitchell (US saxophonist/arranger) (on 1968-11-27)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1968-11-27)
lead vocals:
Wilson Pickett (on 1968-11-27)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-11-27)
cover recording of:
Hey Jude (on 1968-11-27)
written in:
England, United Kingdom (in 1968-06)
writer:
John Lennon (The Beatles) (in 1968-06) and Paul McCartney (The Beatles) (in 1968-06)
publisher:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
written at:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-06 until 1968-07-26)
4:05
5Mini‐Skirt Minnie
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-12-03)
recording of:
Mini-Skirt Minnie (on 1968-12-03)
writer:
Earl Cage (American songwriter, producer and arranger), Lindell Hill and George Jackson (US soul songwriter/vocalist)
publisher:
New Research Publishing
2:59
6Hey Joe
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
vocals:
Wilson Pickett (on 1969-05-20)
orchestra:
unidentified orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1969-05-20)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1969-05-20)
cover recording of:
Hey Joe (on 1969-05-20)
lyricist and composer:
Billy Roberts (songwriter)
publisher:
Carlin Music Corp, Sony/ATV Melody, Third Palm Music and Third Story Music, Inc.
3:05
7You Keep Me Hanging On
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
bass:
Harold Cowart (on 1969-08-29)
drums (drum set):
Tubby Ziegler (on 1969-08-29)
guitar:
Jim O’Rourke (guitar) (on 1969-08-29)
keyboard:
Billy Carter (organ, jazz) (on 1969-08-29)
vocals:
Wilson Pickett (on 1969-08-29)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-08-29)
cover recording of:
You Keep Me Hangin’ On (on 1969-08-29)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
4:56
8Sugar Sugar
producer:
Tom Dowd and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-11-19)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-11-19)
guitar [lead guitar]:
Eddie Hinton (on 1969-11-19)
guitar [rhythm guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-11-19)
keyboard [piano, organ]:
Barry Beckett (on 1969-11-19)
vocals:
Wilson Pickett (on 1969-11-19)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-11-19)
cover recording of:
Sugar, Sugar (on 1969-11-19)
writer:
Jeff Barry and Andy Kim (pop singer & songwriter)
publisher:
Don Kirshner Music Inc., Kirshner CBS Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Warner/Chappell Music Ltd. (1996–2019)
2:58
9She Said Yes
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
bass:
Harold Cowart (on 1969-08-29)
drums (drum set):
Tubby Ziegler (on 1969-08-29)
guitar:
Jim O’Rourke (guitar) (on 1969-08-29)
keyboard:
Billy Carter (organ, jazz) (on 1969-08-29)
vocals:
Wilson Pickett (on 1969-08-29)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-08-29)
recording of:
She Said Yes (on 1969-08-29)
writer:
Don Covay, Johnny Nash (US reggae/pop singer-songwriter), Wilson Pickett and William Stevenson (Motown songwriter)
publisher:
Cotillion Music Inc. (BMI), Erva Music Publishing (BMI) and Mikim Music
3:16
10Engine Number 9
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1970-01)
recording of:
Engine Number Nine (Engine Number 9) (in 1970-01)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
46:26
11Don’t Let the Green Grass Fool You
recording of:
Don’t Let the Green Grass Fool You
writer:
Jerry Akines (soul singer and songwriter), Johnnie Bellmon, Victor Drayton and Reginald Turner
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
2:48
12Don’t Knock My Love
recording engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) and Brad Shapiro (Producer, arranger, bass player and songwriter)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1971-01-27)
electric bass guitar [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1971-01-27)
guitar:
Tippy Armstrong (on 1971-01-27) and Dennis Coffey (on 1971-01-27)
percussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1971-01-27)
tenor saxophone:
Andrew Love (on 1971-01-27)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1971-01-27)
vocals:
Wilson Pickett (on 1971-01-27)
conductor:
Wade Marcus (on 1971-01-27)
arranger:
Wade Marcus
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1971-01-27)
recording of:
Don’t Knock My Love (on 1971-01-27)
composer:
Wilson Pickett and Brad Shapiro (Producer, arranger, bass player and songwriter)
publisher:
Erva Music Publishing (BMI)
2:19
13Call My Name, I’ll Be There
recording engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) and Brad Shapiro (Producer, arranger, bass player and songwriter)
vocals:
Wilson Pickett (on 1971-07-14)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1971-07-14)
recording of:
Call My Name, I’ll Be There (on 1971-07-14)
writer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer), Willie Martin (US soul songwriter) and Brad Shapiro (Producer, arranger, bass player and songwriter)
publisher:
Walden Music (publisher)
2:19
14Fire and Water
recording of:
Fire and Water
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
publisher:
Blue Mountain Music, Catherine’s Peak Music, Irving Music, Inc. and Songs of PolyGram, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3:17
15Funk Factory
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) and Brad Shapiro (Producer, arranger, bass player and songwriter)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1971-10-26)
congas:
Eddy Brown (on 1971-10-26)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1971-10-26)
French horn and trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1971-10-26)
guitar:
Tippy Armstrong (on 1971-10-26) and Dennis Coffey (on 1971-10-26)
harmonica:
Wilson Pickett (on 1971-10-26)
keyboard:
Barry Beckett (on 1971-10-26) and Dave Crawford (US soul songwriter, keyboard player, singer & producer) (on 1971-10-26)
percussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1971-10-26)
tenor saxophone:
Andrew Love (on 1971-10-26)
vocals:
Wilson Pickett (on 1971-10-26)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1971-10-26)
recording of:
Funk Factory (on 1971-10-26)
writer:
Luther Dixon, Wilson Pickett and Brad Shapiro (Producer, arranger, bass player and songwriter)
publisher:
Erva Music Publishing (BMI)
2:55