| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | You’re the First, My Last, My Everything- Techniker(in):
- Frank Kejmar
- Produzent(in):
- Barry White
- arranger:
- Gene Page und Barry White
- phonographisches Urheberrecht (℗) von:
- PolyGram Records, Inc. (in 1974)
- recording of:
- You’re the First, the Last, My Everything
- Verfasser(in):
- Peter Sterling Radcliffe, Tony Sepe und Barry White
- publisher:
- Chappell & Co., Inc. , January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. und World Song Publishing Inc.
| Barry White | 4 | 3:26 |
| 2 | Out of Reach | Gabrielle | 3.75 | 3:19 |
| 3 | Shoop Shoop Song (It’s in His Kiss) | Cher | 3.35 | 2:52 |
| 4 | Baby, Now That I’ve Found You | The Foundations | 4 | 2:57 |
| 5 | Up Where We Belong | Joe Cocker & Jennifer Warnes | 3.5 | 3:49 |
| 6 | When You Say Nothing at All | Ronan Keating | 2.75 | 4:15 |
| 7 | Ocean Drive | Lighthouse Family | 2 | 3:47 |
| 8 | Show Me Heaven | Maria McKee | 3 | 3:46 |
| 9 | All by Myself- cover recording of:
- All by Myself
- Texter:
- Eric Carmen
- Komponist(in):
- Eric Carmen und Sergei Rachmaninov
- publisher:
- Sony Music Publishing (Japan), Inc., A Division (beendet), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control , Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. und ワーナー・チャペル音楽出版 Synch事業部
- basiert auf:
- Let’s Pretend
- basiert auf:
- Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
| Jamie O’Neal | | 4:37 |
| 10 | Unchained Melody- Techniker(in):
- Larry Levine
- Produzent(in):
- Phil Spector
- Solo Sologesang:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographisches Urheberrecht (℗) von:
- Spectrum Music , PolyGram Records, Inc. (in 1965, in 1968) und Universal Records (in 1966)
- aufgenommen bei:
- Radio Recorders Studios in West Hollywood, California , Vereinigte Staaten (in 1965-03)
- Teil von:
- The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- Texter:
- Hy Zaret
- Komponist(in):
- Alex North
- publisher:
- Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. , MPL Communications Australia, MPL Musik Verlags GmbH , North Melody Publishing und Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- Teil von:
- The 28th Academy Award for Best Original Song (Nummer: 2)
| The Righteous Brothers | 3 | 3:38 |
| 11 | Theme From Mahogany (Do You Know Where You’re Going To?) | Diana Ross | 5 | 3:25 |
| 12 | Waiting for a Star to Fall- drum machine-Programmierung:
- George Merrill
- Produzent(in):
- Arif Mardin
- assistierende(r) Mix:
- Jim Dineen
- Mix:
- David Leonard
- alto saxophone:
- Andy Snitzer
- Bassgitarre, Klavier und Synthesizer:
- George Merrill
- Gitarre:
- John Goux
- Schlagzeug:
- Denny Fongheiser und Michael Jochum
- Synthesizer [Crowning touch]:
- Joe Mardin
- vocals:
- George Merrill und Shannon Rubicam
- zusätzlich vocals:
- Susan Boyd
- phonographisches Urheberrecht (℗) von:
- BMG Music (in 1988) und Sony Music Entertainment (in 1988)
- mixed at:
- The Grey Room in Hollywood, Los Angeles, California , Vereinigte Staaten
- recording of:
- Waiting for a Star to Fall
- Verfasser(in):
- George Merrill und Shannon Rubicam
- publisher:
- Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. , ヤマハミュージックEH(CM) , ユニバーサル・ミュージック・パブリッシング Synch事業部 , Boy Meets Girl Music (vom 1987 bis heute) und Irving Music (vom 1987 bis heute)
| Boy Meets Girl | 3.4 | 4:32 |
| 13 | (What’s So Funny ’Bout) Peace, Love and Understanding | Curtis Stigers | 4 | 4:05 |
| 14 | Lady in Red | Chris de Burgh | 3.35 | 4:06 |
Spiele auf ListenBrainz