X-Men: First Class

~ Release by Henry Jackman (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleRatingLength
1First Class
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
First Class
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer)
3:20
2Pain and Anger
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Pain and Anger
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer)
2:58
3Would You Date Me?
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Would You Date Me?
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer)
1:44
4Not That Sort of Bank
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Not That Sort of Bank
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer) and Christopher Willis (soundtrack and concert composer)
3:27
5Frankenstein's Monster
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Frankenstein's Monster
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer)
3:03
6What Am I Thinking
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
What Am I Thinking
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer) and Christopher Willis (soundtrack and concert composer)
2:10
7Cerebro
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Cerebro
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer)
2:23
8Mobilise for Russia
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Mobilise for Russia
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer) and Dominic Lewis (British score composer)
1:18
9Rise Up to Rule
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Rise Up to Rule
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer), Matthew Margeson (American score composer) and Christopher Willis (soundtrack and concert composer)
5:56
10Cold War
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Cold War
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer)
3:20
11X-Training
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
X-Training
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer)
4:26
12Rage and Serenity
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Rage and Serenity
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer)
2:06
13To Beast or Not to Beast
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
To Beast or Not to Beast
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer), Dominic Lewis (British score composer) and Christopher Willis (soundtrack and concert composer)
4:47
14True Colours
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
True Colours (X-Men: First Class)
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer) and Christopher Willis (soundtrack and concert composer)
1:51
15Let Battle Commence
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Let Battle Commence
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer), Dominic Lewis (British score composer) and Matthew Margeson (American score composer)
4:45
16Sub Lift
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Sub Lift
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer)
2:19
17Coup d'État
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Coup d'État
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer) and Christopher Willis (soundtrack and concert composer)
2:15
18Mutant and Proud
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Mutant and Proud
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer)
3:28
19X-Men
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
X-Men
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer)
2:59
20Magneto
recording engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Al Clay and Henry Jackman (English score composer)
assistant mixer:
Lori Castro, Johnny Traunwieser (American recording and mixing engineer) and Katia Lewin
mixer:
Jeff Biggers and Al Clay
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Magneto
orchestrator:
Stephen Coleman and John Ashton Thomas
composer:
Henry Jackman (English score composer) and Matthew Margeson (American score composer)
1:58