Now That’s What I Call Disney

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

track artist credits and durations for this digital edition available at https://music.apple.com/gb/album/1585375153
there are many differing versions (performed by different artists) of the same song titles in the same sequence among the 80 tracks between this digital edition and the 4-cd edition (though the latter's back cover does not include track artist credits or track times to make this apparent)

Anmerkung zuletzt geändert am 2023-10-10 18:05 UTC.

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Into the Unknown (from “Frozen 2”)
recording of:
Into the Unknown (Frozen II)
Texter und Komponist(in):
Kristen Anderson‐Lopez (American songwriter) und Robert Lopez (songwriter of musicals)
publisher:
Wonderland Music Company, Inc. (a division of Disney Music Publishing)
sub-publisher:
ヤマハミュージックEH(P+CM) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 92nd Academy Award for Best Original Song (Nummer: 2)
Idina Menzel, AURORA3.653:15
2Remember Me (from “Coco” soundtrack version)
Produzent(in):
Kristen Anderson‐Lopez (American songwriter), Germaine Franco und Robert Lopez (songwriter of musicals)
recording of:
Remember Me (Coco Song)
Texter:
Kristen Anderson‐Lopez (American songwriter)
Komponist(in):
Robert Lopez (songwriter of musicals)
Teil von:
The 90th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 2017 winner)
Benjamin Bratt3.751:48
3Circle of Life / Nants’ ingonyama (from “The Lion King” soundtrack version)
Programmierung:
Omar Benyamin und Steven Doar (production music)
assistierende(r) Techniker(in):
David Naroth (production music)
Techniker(in):
Chuck Choi und Alejandro Moros
Produzent(in):
Stephen Lipson und Hans Zimmer (German score composer)
Mix:
Stephen Lipson
Editing:
Stephanie McNally (engineer)
Gast Hintergrundgesang:
Lebo M (producer/composer Lebohang Morake)
Solo vocals:
Brown Lindiwe Mkhize
Orchester:
The Re-Collective Orchestra
conductor:
Nick Glennie‐Smith
chorus master:
Khaya Mthethwa
zusätzlich arranger:
David Fleming (composer) und Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA)
Orchestrator(in):
Bruce L. Fowler (trombone, composer, arranger, orchestrator) und The Hollywood Symphony Orchestra (synthesizer)
zusätzliche(r) Orchestrator(in):
Christopher Anderson‐Bazzoli, Brandon Bailo, Marshall Bowen, Nicholas Cazares, Dave Giuli, Jennifer Hammond, Martin McClellan, Dave Metzger, Aaron Meyer (orchestrator) und Melissa Orquiza
phonographisches Urheberrecht (℗) von:
Walt Disney Records (in 2019)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Mastermax Studios in Johannesburg, Gauteng, Südafrika, Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Circle of Life (The Lion King)
Texter:
Tim Rice
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Warner/Chappell Artemis Music Limited und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1994)
Teil von:
The 67th Academy Award for Best Original Song (Nummer: 2)
quotes lyrics from:
Nants' Ingonyama
Teil von:
The Lion King (1994 film soundtrack)
Teil von:
The Lion King (stage musical)
Teil von:
The Lion King (Live in Prague)
Teil von:
The Lion King (2019 film soundtrack)
Lindiwe Mkhize, Lebo M3:59
4Beauty and the Beast (from “Beauty and the Beast” soundtrack version)
Produzent(in):
Howard Ashman und Alan Menken
Sologesang:
Angela Lansbury
conductor:
David Friedman (film and theatre composer, songwriter, author, lyricist and conductor)
recording of:
Beauty and the Beast (song from Beauty and the Beast)
Texter:
Howard Ashman (in 1991)
Komponist(in):
Alan Menken (in 1991)
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), 日音 Synch事業部 (NICHION, INC. Synch Division), Walt Disney Music Company (music publisher, do not use as release label) (in 1991) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1991)
Teil von:
The 64th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1991 winner)
Teil von:
Beauty and the Beast (2017 Disney film soundtrack)
Teil von:
Beauty and the Beast (stage musical)
Teil von:
Beauty and the Beast (1991 Disney animated film soundtrack and score)
Angela Lansbury3.52:45
5Reflection (from “Mulan” pop version)
recording engineer:
Phil Kaffel
Produzent(in):
Matthew Wilder
assistierende(r) Mix:
Tony Flores (engineer)
Mix:
Peter Mokran
vocals und Interpret(in):
Christina Aguilera
conductor:
Jerry Goldsmith (American score composer)
andere Instrumente [orchestra arranged] arranger:
Aaron Zigman (American score composer)
arranger:
Matthew Wilder
phonographisches Urheberrecht (℗) von:
Disney Enterprises, Inc. (not for release label use!) (in 1998) und Walt Disney Records (in 1998)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Reflection (from "Mulan")
Texter:
David Zippel
Komponist(in):
Matthew Wilder
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
sub-publisher:
ヤマハミュージックEH(P+CM) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Mulan (film soundtrack)
recording of:
Reflection (from "Mulan")
Texter:
David Zippel
Komponist(in):
Matthew Wilder
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
sub-publisher:
ヤマハミュージックEH(P+CM) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Mulan (film soundtrack)
Christina Aguilera3.63:34
6Trip a Little Light Fantastic (from “Mary Poppins Returns” soundtrack version)
conductor:
Paul Gemignani
Lin‐Manuel Miranda, Emily Blunt, Tarik Frimpong, Pixie Davies, Joel Dawson, Nathanael Saleh, Leeries, Paul Gemignani, Gavin Greenaway, Metro Voices & Jenny O’Grady37:02
7Prince Ali (from “Aladdin” soundtrack version)
Produzent(in):
Mitchell Leib (president of music & soundtracks for the Walt Disney studios), Alan Menken, Marc Platt (writer), Guy Ritchie und Matt Sullivan (baritone)
recording of:
Prince Ali (Aladdin)
Texter:
Howard Ashman
Komponist(in):
Alan Menken
Teil von:
Aladdin (1992 film soundtrack)
Teil von:
Aladdin (stage musical based on the 1992 Disney animated film)
Will Smith, Michael Kosarin, London Voices & Everton Nelson3:27
8You’ve Got a Friend in Me (from “Toy Story” soundtrack version)
recording engineer:
Frank Wolf (engineer at Skyline Recording) (in 1995)
Produzent(in):
Don Davis (American score composer), Jim Flamberg, Randy Newman (American singer‐songwriter and score composer) und Frank Wolf (engineer at Skyline Recording)
Mix:
Frank Wolf (engineer at Skyline Recording)
vocals:
Randy Newman (American singer‐songwriter and score composer) (in 1995)
Orchestrator(in):
Don Davis (American score composer) und Randy Newman (American singer‐songwriter and score composer)
phonographisches Urheberrecht (℗) von:
Pixar (in 1995) und Walt Disney Records (in 1995)
recording of:
You’ve Got a Friend in Me (from “Toy Story”) (in 1995)
Orchestrator(in):
Don Davis (American score composer), Randy Newman (American singer‐songwriter and score composer) und Jonathan Sacks (American composer)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Walt Disney Music Company (music publisher, do not use as release label) (in 1995)
Teil von:
The 68th Academy Award for Best Original Song (Nummer: 2)
Version von:
Εγώ και συ μαζί
Teil von:
Toy Story (1995 film soundtrack)
Teil von:
Toy Story 2 (1999 film soundtrack)
Teil von:
Toy Story 4 (2019 film soundtrack)
Randy Newman3.752:04
9Under the Sea (from “The Little Mermaid” soundtrack version)
Techniker(in):
John Richards (engineer)
Produzent(in):
Howard Ashman, Robert Kraft und Alan Menken
Mix:
Bruce Botnick
zusätzliches Editing:
Neil Bulk
vocals:
Samuel E. Wright (US actor, voice actor & singer)
conductor:
J.A.C. Redford
arranger:
Alan Menken und Robbie Merkin
Orchestrator(in):
Thomas Pasatieri
phonographisches Urheberrecht (℗) von:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (in 1989)
mixed at:
Uniteye in California (Kalifornien), Vereinigte Staaten
recording of:
Under the Sea (The Little Mermaid)
Texter:
Howard Ashman
Komponist(in):
Alan Menken
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), 日音 Synch事業部 (NICHION, INC. Synch Division), Walt Disney Music Company (music publisher, do not use as release label) (in 1988) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1988)
Teil von:
The 62nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1989 winner)
Teil von:
The Little Mermaid (1989 film soundtrack)
cover recording of:
Under the Sea (The Little Mermaid)
Texter:
Howard Ashman
Komponist(in):
Alan Menken
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), 日音 Synch事業部 (NICHION, INC. Synch Division), Walt Disney Music Company (music publisher, do not use as release label) (in 1988) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1988)
Teil von:
The 62nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1989 winner)
Teil von:
The Little Mermaid (1989 film soundtrack)
Samuel E. Wright3.13:13
10You’re Welcome (from “Moana” soundtrack version)
recording engineer und Mix:
David Boucher
Produzent(in):
Opetaia Foa’i, Mark Mancina (American score composer) und Lin‐Manuel Miranda
Editing:
Earl Ghaffari
vocals:
Dwayne Johnson (actor, “The Rock”)
conductor:
Don Harper (LA‐based film composer)
arranger und Orchestrator(in):
Dave Metzger
phonographisches Urheberrecht (℗) von:
Walt Disney Records (in 2016)
recording of:
You’re Welcome (Moana)
Texter und Komponist(in):
Lin‐Manuel Miranda
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
Teil von:
Moana (2016 film soundtrack)
Dwayne Johnson42:43
11Breaking Free (from “High School Musical” soundtrack version)
Produzent(in):
Jamie Houston
Sologesang [Gabriella]:
Vanessa Hudgens (American actress and singer)
Sologesang [singing voice of Troy]:
Drew Seeley
zusätzlich Sologesang [Troy]:
Zac Efron
phonographisches Urheberrecht (℗) von:
Walt Disney Records (in 2006)
recording of:
Breaking Free (in 2005)
Texter und Komponist(in):
Jamie Houston
publisher:
Walt Disney Music Company (music publisher, do not use as release label), ヤマハミュージックEH(P+CM) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
High School Musical (2006)
Troy Bolton, Gabriella Montez33:27
12Hakuna Matata (from “The Lion King” soundtrack version)
recording engineer und Mix:
Jay Rifkin
Techniker(in):
Paula Jones (Australian audio engineer, producer)
Produzent(in):
Mark Mancina (American score composer) und Jay Rifkin
Editing:
Adam Smalley
Sologesang:
Nathan Lane und Ernie Sabella
vocals:
Nathan Lane, Ernie Sabella und Jason Weaver
zusätzlich vocals:
Jason Weaver und Joseph Williams (vocalist for Toto, son of composer John Williams)
conductor:
Nick Glennie‐Smith
arranger:
Mark Mancina (American score composer) und Jay Rifkin
Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator) und Nick Glennie‐Smith
phonographisches Urheberrecht (℗) von:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (in 1994)
recording of:
Hakuna matata (The Lion King)
Texter:
Tim Rice
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), Walt Disney Music Company (music publisher, do not use as release label) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1994)
Teil von:
The 67th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Lion King (1994 film soundtrack)
Teil von:
The Lion King (stage musical)
Ernie Sabella, Jason Weaver, Joseph Williams, Nathan Lane2.853:32
13Supercalifragilisticexpialidocious (from “Mary Poppins” soundtrack version)
Chorgesang:
Pearlies (fictional characters from Mary Poppins) (von 1963-04-12 bis 1963-12-20)
Sprecher:
J. Pat O’Malley (von 1963-04-12 bis 1963-12-20)
vocals:
Julie Andrews (English actress/vocalist) (von 1963-04-12 bis 1963-12-20) und Dick Van Dyke (US actor) (von 1963-04-12 bis 1963-12-20)
Orchester:
Disney Studio Orchestra
conductor:
Irwin Kostal (von 1963-04-12 bis 1963-12-20)
arranger:
Irwin Kostal
phonographisches Urheberrecht (℗) von:
Walt Disney Records (in 1964)
recording of:
Supercalifragilisticexpialidocious (Mary Poppins) (von 1963-04-12 bis 1963-12-20)
Texter und Komponist(in):
Richard M. Sherman und Robert B. Sherman (American songwriter)
zusätzlicher Texter:
Anthony Drewe
publisher:
Campbell Connelly & Co. Ltd. und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1963)
Teil von:
Mary Poppins (stage version)
Teil von:
Mary Poppins (1964 film version)
Julie Andrews, Dick Van Dyke, The Pearlie Chorus3.352:02
14What’s This (from “The Nightmare Before Christmas” soundtrack version)
recording engineer:
Robert Fernandez (engineer), Bill Jackson (American engineer) und Shawn Murphy (producer/engineer)
assistierende(r) Techniker(in):
Andy Bass, Bill Easystone, Mike Piersante (recording engineer & mixer) und Sharon Rice (Los Angeles sound engineer)
Partner-Produzent(in):
Bob Badami und Richard Kraft
Produzent(in):
Danny Elfman (American singer and score composer)
Mix:
Shawn Murphy (producer/engineer)
assistierendes Editing:
Letitia Rogers
Editing:
Bob Badami
vocals und Interpret(in):
Danny Elfman (American singer and score composer)
conductor:
Chris Boardman (composer)
recording of:
What’s This? (Tim Burton’s The Nightmare Before Christmas)
Orchestrator(in):
Steve Bartek
Texter und Komponist(in):
Danny Elfman (American singer and score composer)
publisher:
Buena Vista Music Company
Teil von:
The Nightmare Before Christmas
Danny Elfman3.553:06
15Be Our Guest (from “Beauty and the Beast” soundtrack version)
Sologesang und zusätzlich vocals:
Angela Lansbury und Jerry Orbach
conductor:
David Friedman (film and theatre composer, songwriter, author, lyricist and conductor)
recording of:
Be Our Guest (Beauty and the Beast)
Texter:
Howard Ashman (in 1991)
Komponist(in):
Alan Menken (in 1991)
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), 日音 Synch事業部 (NICHION, INC. Synch Division), Walt Disney Music Company (music publisher, do not use as release label) (in 1991) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1991)
Teil von:
The 64th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Beauty and the Beast (2017 Disney film soundtrack)
Teil von:
Beauty and the Beast (stage musical)
Teil von:
Beauty and the Beast (1991 Disney animated film soundtrack and score)
Angela Lansbury, Jerry Orbach & Chorus3.23:44
16A Whole New World (from “Aladdin” soundtrack version)
recording engineer:
Bruce Botnick und Michael Farrow
Produzent(in):
Alan Menken und Tim Rice
Mix:
Bruce Botnick
Editing:
Kathleen Fogarty-Bennett
vocals:
Brad Kane (American singer, actor, producer and writer) und Lea Salonga
conductor:
David Friedman (film and theatre composer, songwriter, author, lyricist and conductor)
arranger:
Alan Menken und Danny Troob
vocals arranger:
David Friedman (film and theatre composer, songwriter, author, lyricist and conductor)
Orchestrator(in):
Danny Troob
phonographisches Urheberrecht (℗) von:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (in 1992)
recording of:
A Whole New World (Aladdin)
Texter:
Tim Rice
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (in 1992) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1992)
Teil von:
The 65th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1992 winner)
Teil von:
Aladdin (1992 film soundtrack)
Teil von:
Aladdin (stage musical based on the 1992 Disney animated film)
Brad Kane, Lea Salonga3.62:40
17Can You Feel the Love Tonight (from “The Lion King” soundtrack version)
recording engineer und Mix:
Jay Rifkin
Produzent(in):
Mark Mancina (American score composer)
Editing:
Adam Smalley
vocals:
Sally Dworsky, Kristle Edwards, Nathan Lane, Ernie Sabella und Joseph Williams (vocalist for Toto, son of composer John Williams)
conductor:
Nick Glennie‐Smith
arranger:
Mark Mancina (American score composer)
Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator) und Nick Glennie‐Smith
phonographisches Urheberrecht (℗) von:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (in 1994)
recording of:
Can You Feel the Love Tonight (The Lion King, dramatized Timon/Pumbaa/Simba/Nala lyrics)
Texter:
Tim Rice
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
Teil von:
The Lion King (1994 film soundtrack)
Teil von:
The Lion King (stage musical)
Teil von:
The Lion King (2019 film soundtrack)
Kristle Edwards, Joseph Williams, Sally Dworsky, Nathan Lane, Ernie Sabella3.52:57
18I Can’t Let You Throw Yourself Away (from “Toy Story 4” soundtrack version)
recording engineer und Mix:
David Boucher
Produzent(in):
Mitchell Froom
Gitarre:
Val McCallum (guitarist & singer-songwriter)
Klavier:
Randy Kerber
Kontrabass [upright bass]:
David Piltch
Perkussion:
Luis Conte (percussionist)
Schlagzeug [drums]:
Matthew Chamberlain (American drummer)
vocals:
Randy Newman (American singer‐songwriter and score composer)
Horn [horns] arranger:
Dan Higgins (saxophonist and woodwind recording artist)
phonographisches Urheberrecht (℗) von:
Pixar (in 2020) und Walt Disney Records (in 2020)
recording of:
I Can’t Let You Throw Yourself Away (Toy Story 4)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Five Hundred South Songs (in 2020) und Pixar Tunes (in 2020)
Teil von:
The 92nd Academy Award for Best Original Song (Nummer: 2)
Teil von:
Toy Story 4 (2019 film soundtrack)
Randy Newman2:06
19The Best of Both Worlds (from “Hannah Montana” soundtrack version)Hannah Montana32:56
20I Think I Kinda, You Know (from “High School Musical: The Musical: The Series”)Olivia Rodrigo, Joshua Bassett12:52
21Let It Go (from “Frozen” soundtrack version)
recording engineer und Mix:
David Boucher
Produzent(in):
Kristen Anderson‐Lopez (American songwriter), Earl Ghaffari und Robert Lopez (songwriter of musicals)
Editing:
Earl Ghaffari
vocals:
Idina Menzel
conductor:
Stephen Oremus
phonographisches Urheberrecht (℗) von:
Walt Disney Records (in 2013)
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 21) und Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 31)
recording of:
Let It Go (Frozen)
Orchestrator(in):
David Metzger
Verfasser(in):
Kristen Anderson‐Lopez (American songwriter) und Robert Lopez (songwriter of musicals)
publisher:
Wonderland Music Company, Inc. (a division of Disney Music Publishing)
Teil von:
The 86th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 2013 winner)
Teil von:
Frozen (Disney 2013 animated musical film, English soundtrack and score)
Idina Menzel3.253:44
22Born to Be Brave (from “High School Musical: The Musical: The Series”)
phonographisches Urheberrecht (℗) von:
Walt Disney Records (in 2019)
Cast of High School Musical: The Musical: The Series3:11
23Kiss the Girl (from “The Little Mermaid” soundtrack version)
Techniker(in):
John Richards (engineer)
Produzent(in):
Howard Ashman, Robert Kraft und Alan Menken
vocals:
Samuel E. Wright (US actor, voice actor & singer)
conductor:
J.A.C. Redford
arranger:
Alan Menken und Robbie Merkin
Orchestrator(in):
Thomas Pasatieri
phonographisches Urheberrecht (℗) von:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (in 1989)
recording of:
Kiss the Girl (The Little Mermaid)
Texter:
Howard Ashman
zusätzlicher Texter:
Lin‐Manuel Miranda (von 2022 bis 2023)
Komponist(in):
Alan Menken
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), 日音 Synch事業部 (NICHION, INC. Synch Division), Walt Disney Music Company (music publisher, do not use as release label) (in 1988) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1988)
Teil von:
The 62nd Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1989 nominee)
Teil von:
The Little Mermaid (1989 film soundtrack)
Samuel E. Wright3.52:42
24Un poco loco (from “Coco” soundtrack version)
Produzent(in):
Germaine Franco
recording of:
Un Poco Loco (Coco song)
Texter:
Adrian Molina (Pixar director)
Komponist(in):
Germaine Franco
Anthony Gonzalez, Gael García Bernal41:54
25I Just Can’t Wait to Be King (from “The Lion King” soundtrack version)
recording engineer und Mix:
Jay Rifkin
Produzent(in):
Mark Mancina (American score composer)
Editing:
Adam Smalley
Sologesang:
Jason Weaver
vocals:
Rowan Atkinson
zusätzlich vocals:
Rowan Atkinson und Laura Williams (musical theatre vocalist)
conductor:
Nick Glennie‐Smith
arranger:
Mark Mancina (American score composer)
Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator) und Nick Glennie‐Smith
phonographisches Urheberrecht (℗) von:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (in 1994)
recording of:
I Just Can’t Wait to Be King (The Lion King)
Texter:
Tim Rice
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), 日音 Synch事業部 (NICHION, INC. Synch Division), Walt Disney Music Company (music publisher, do not use as release label) (in 1994) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1994)
Teil von:
The Lion King (1994 film soundtrack)
Teil von:
The Lion King (stage musical)
Teil von:
The Lion King (2019 film soundtrack)
Jason Weaver, Rowan Atkinson, Laura Williams3.32:51
26The Wonderful Thing About Tiggers (from “Winnie the Pooh and the Blustery Day” soundtrack version)
Interpret(in):
Jim Cummings (American actor & singer)
recording of:
The Wonderful Thing About Tiggers (Winnie the Pooh and the Blustery Day)
Verfasser(in):
Richard M. Sherman und Robert B. Sherman (American songwriter)
Teil von:
The Many Adventures of Winnie the Pooh (Disney story-with-songs feature based on the character created by A.A. Milne)
Teil von:
Winnie the Pooh and the Blustery Day (Disney story-with-songs featurette based on the character created by A.A. Milne)
Jim Cummings as Tigger40:36
27Heigh‐Ho (from “Snow White and the Seven Dwarfs”)
Produzent(in):
Michael Leon (producer of several Disney film soundtracks) und Randy Thornton (Disney producer/engineer)
conductor:
Frank Churchill
recording of:
Heigh‐Ho (The Dwarfs’ Marching Song)
Texter:
Larry Morey (American lyricist, 1905–1971)
Komponist(in):
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Teil von:
On est toutes Blanche-Neige
Teil von:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
The Dwarf Chorus22:48
28Bibbidi‐Bobbidi‐Boo
Sologesang:
Verna Felton
vocals:
Verna Felton
recording of:
Bibbidi‐Bobbidi‐Boo (Cinderella, 1950 animated film)
Verfasser(in):
Mack David (American lyricist and songwriter) (in 1948), Al Hoffman (in 1948) und Jerry Livingston (songwriter) (in 1948)
publisher:
Campbell Connelly & Co. Ltd. und Walt Disney Music Company (music publisher, do not use as release label) (in 1948)
Teil von:
The 23rd Academy Award for Best Original Song (Nummer: 2)
Teil von:
Cinderella (1950 Disney animated film)
Verna Felton3.351:19
29Trust in Me
Scarlett Johansson2:56
30Baby Mine (from “Dumbo”)
vocals:
Betty Noyes
recording of:
Baby Mine (Dumbo)
Texter:
Ned Washington
Komponist(in):
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
Betty Noyes42:08
31Let’s Go Fly a Kite (from “Mary Poppins” soundtrack version)
David Tomlinson, Dick Van Dyke, Londoners1:50
32When She Loved Me
recording engineer:
Greg Reely (Sologesang, Klavier)
Produzent(in):
Sarah McLachlan und Randy Newman (American singer‐songwriter and score composer)
Klavier:
Sarah McLachlan
vocals:
Sarah McLachlan
arranger und Orchestrator(in):
Randy Newman (American singer‐songwriter and score composer)
aufgenommen bei:
The Warehouse Studio in Vancouver, British Columbia, Kanada (Sologesang, Klavier)
recording of:
When She Loved Me (from “Toy Story 2”)
Orchestrator(in), Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Pixar Talking Pictures, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), 日音 Synch事業部 (NICHION, INC. Synch Division), Pixar (in 1999) und Walt Disney Music Company (music publisher, do not use as release label) (in 1999)
Teil von:
The 72nd Academy Award for Best Original Song (Nummer: 2)
Teil von:
Toy Story 2 (1999 film soundtrack)
Sarah McLachlan3.453:04
33Belle
Sologesang:
Paige O’Hara und Richard White (US actor, opera singer and voice actor)
zusätzlich vocals:
Mary Kay Bergman und Alec Murphy
conductor:
David Friedman (film and theatre composer, songwriter, author, lyricist and conductor)
recording of:
Belle (Beauty and the Beast)
Texter:
Howard Ashman (in 1991)
Komponist(in):
Alan Menken (in 1991)
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), 日音 Synch事業部 (NICHION, INC. Synch Division), Walt Disney Music Company (music publisher, do not use as release label) (in 1991) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1991)
Teil von:
The 64th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Beauty and the Beast (2017 Disney film soundtrack)
Teil von:
Beauty and the Beast (stage musical)
Teil von:
Beauty and the Beast (1991 Disney animated film soundtrack and score)
Paige O’Hara, Richard White, Chorus45:08
34Colors of the Wind
recording engineer und Mix:
John Richards (engineer)
Produzent(in):
Alan Menken und Stephen Schwartz (musical theatre lyricist/composer)
Editing:
Kathleen Fogarty-Bennett
vocals:
Judy Kuhn
conductor:
David Friedman (film and theatre composer, songwriter, author, lyricist and conductor)
arranger:
Martin Erskine und Danny Troob
vocals arranger:
David Friedman (film and theatre composer, songwriter, author, lyricist and conductor)
Orchestrator(in):
Danny Troob
recording of:
Colors of the Wind (Pocahontas, 1995)
Texter:
Stephen Schwartz (musical theatre lyricist/composer)
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) und Wonderland Music Company, Inc. (a division of Disney Music Publishing)
Teil von:
The 68th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1995 winner)
Teil von:
Pocahontas (1995 Disney animated film soundtrack)
Judy Kuhn33:34
35That’s How You Know (from “Enchanted” soundtrack version)
Koproduzent(in):
Robbie Buchanan (Canadian producer), Alan Menken und Stephen Schwartz (musical theatre lyricist/composer)
Mix:
Frank Filipetti
arranger:
Martin Erskine
recording of:
That's How You Know
Texter:
Stephen Schwartz (musical theatre lyricist/composer)
Komponist(in):
Alan Menken
Teil von:
The 80th Academy Award for Best Original Song (Nummer: 2)
Amy Adams3.753:49
36Speechless (from “Aladdin” soundtrack version)
Naomi Scott, Michael Kosarin, London Voices & Everton Nelson3:28
37A Star Is Born (from “Hercules” soundtrack version)
recording engineer:
Sheridan Tongue
Schlagzeug-Programmierung:
Sheridan Tongue
Produzent(in):
Alan Glass
Gitarre:
Milton MacDonald
Klavier:
Robbie Taylor (UK keyboardist, pianist, songwriter)
Orgel:
Luke Smith (UK session and live keyboardist, producer, arranger, musical director)
Chorgesang [chorus]:
Lance Ellington (Strictly Come Dancing), Hazel Fernandes (vocalist) und Juliette Roberts (British jazz, rock, and house music singer)
Sologesang:
Jocelyn Brown
phonographisches Urheberrecht (℗) von:
Disney Enterprises, Inc. (not for release label use!) (in 1997) und Walt Disney Records (in 1997)
aufgenommen bei:
Soho Square in London (Greater London), England, Vereinigtes Königreich
recording of:
A Star Is Born
Texter:
David Zippel
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) und Wonderland Music Company, Inc. (a division of Disney Music Publishing)
Teil von:
Hercules (1997 Disney animated feature film soundtrack)
Jocelyn Brown22:05
38I See the Light (from “Tangled” soundtrack version)
Produzent(in):
Alan Menken und Frank Wolf (engineer at Skyline Recording)
vocals:
Zachary Levi und Mandy Moore
conductor:
Michael Kosarin
arranger und Orchestrator(in):
Michael Starobin
vocals arranger:
Michael Kosarin
phonographisches Urheberrecht (℗) von:
Walt Disney Records (vom 2010 bis heute)
recording of:
I See the Light (Tangled)
Texter:
Glenn Slater
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (vom 2010 bis heute) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (vom 2010 bis heute)
Teil von:
The 83rd Academy Award for Best Original Song (Nummer: 2)
Teil von:
Tangled (2010 Disney animated film soundtrack)
Mandy Moore, Zachary Levi4.253:44
39When We’re Human
recording engineer und Mix:
David Boucher
Produzent(in):
Mitchell Froom
Editing:
Earl Ghaffari
Solo-Trompete:
Terence Blanchard (American trumpeter and score composer)
vocals:
Bruno Campos, Anika Noni Rose und Michael‐Leon Wooley
recording of:
When We're Human
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
Teil von:
The Princess and the Frog (2009 animated film soundtrack)
Michael‐Leon Wooley, Bruno Campos, Anika Noni Rose, Terence Blanchard32:24
40Circle of Life
recording engineer und Mix:
Jay Rifkin
Produzent(in):
Hans Zimmer (German score composer)
Editing:
Adam Smalley
Chorgesang:
Committed Artists Choir & Friends
Solo vocals und Sologesang:
Carmen Twillie
zusätzlich vocals:
Lebo M. (Lebo M, producer/composer Lebohang Morake)
conductor:
Nick Glennie‐Smith
arranger:
Hans Zimmer (German score composer)
Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator) und Nick Glennie‐Smith
phonographisches Urheberrecht (℗) von:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (in 1994)
aufgenommen bei:
BOP Studios (South African recording studios and facilities) in Mmabatho, North West, Südafrika
recording of:
Circle of Life (The Lion King)
Texter:
Tim Rice
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Warner/Chappell Artemis Music Limited und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1994)
Teil von:
The 67th Academy Award for Best Original Song (Nummer: 2)
quotes lyrics from:
Nants' Ingonyama
Teil von:
The Lion King (1994 film soundtrack)
Teil von:
The Lion King (stage musical)
Teil von:
The Lion King (Live in Prague)
Teil von:
The Lion King (2019 film soundtrack)
Carmen Twillie, Lebo M3.353:58
41The Bare Necessities
Mix:
Bruce Botnick
vocals:
Phil Harris (US singer, songwriter, jazz musician, actor and comedian) und Bruce Reitherman
Interpret(in):
Phil Harris (US singer, songwriter, jazz musician, actor and comedian)
phonographisches Urheberrecht (℗) von:
Walt Disney Productions (in 1967)
mixed at:
Digital Magnetics in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Bare Necessities (From "The Jungle Book")
Texter und Komponist(in):
Terry Gilkyson
publisher:
Campbell Connelly & Co. Ltd. und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1964)
Teil von:
The 40th Academy Award for Best Original Song (Nummer: 2)
adaptations:
Le Livre de la jungle : Il en faut peu pour être heureux
Teil von:
The Jungle Book (1967 Disney film soundtrack)
Phil Harris, Bruce Reitherman4.054:50
42A Spoonful of Sugar
Julie Andrews4:07
43Whistle While You Work
Produzent(in):
Michael Leon (producer of several Disney film soundtracks) und Randy Thornton (Disney producer/engineer)
vocals:
Adriana Caselotti
conductor:
Frank Churchill
recording of:
Whistle While You Work (from "Snow White and the Seven Dwarfs")
Texter:
Larry Morey (American lyricist, 1905–1971)
Komponist(in):
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) und EMI Allans Music Australia Pty Ltd
Teil von:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
Adriana Caselotti3.53:25
44Cruella de Vil
Sologesang:
Bill Lee (American singer, Disney character voice talent)
recording of:
Cruella De Vil (101 Dalmatians)
Texter und Komponist(in):
Mel Leven
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
Teil von:
One Hundred and One Dalmatians (1961 film soundtrack)
Bill Lee43:36
45Bella Notte
recording of:
Bella Notte (Lady and the Tramp)
Verfasser(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) und Peggy Lee (jazz vocalist)
publisher:
Walt Disney Music Company (music publisher, do not use as release label), ヤマハミュージックEH(P+CM) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
George Givot, Bill Thompson, Disney Studio Chorus2:41
46They Live in You
Samuel E. Wright & Ensemble2:59
47When Will My Life Begin (from “Tangled” soundtrack version)
Produzent(in):
Scott Cutler, Alan Menken und Anne Preven
vocals:
Mandy Moore
conductor:
Michael Kosarin
arranger und Orchestrator(in):
Michael Starobin
vocals arranger:
Michael Kosarin
phonographisches Urheberrecht (℗) von:
Walt Disney Records (vom 2010 bis heute)
recording of:
When Will My Life Begin?
Texter:
Glenn Slater
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (vom 2010 bis heute) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (vom 2010 bis heute)
Teil von:
Tangled (2010 Disney animated film soundtrack)
Mandy Moore4.42:31
48Just Around the Riverbend (from “Pocahontas” soundtrack version)
recording engineer und Mix:
John Richards (engineer)
Produzent(in):
Alan Menken und Stephen Schwartz (musical theatre lyricist/composer)
Editing:
Kathleen Fogarty-Bennett
vocals:
Judy Kuhn
conductor:
David Friedman (film and theatre composer, songwriter, author, lyricist and conductor)
arranger:
Martin Erskine und Danny Troob
vocals arranger:
David Friedman (film and theatre composer, songwriter, author, lyricist and conductor)
Orchestrator(in):
Danny Troob
recording of:
Just Around the Riverbend
Texter:
Stephen Schwartz (musical theatre lyricist/composer)
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) und Wonderland Music Company, Inc. (a division of Disney Music Publishing)
Teil von:
Pocahontas (1995 Disney animated film soundtrack)
Judy Kuhn3.652:29
49One Jump Ahead (from “Aladdin” soundtrack version)
Brad Kane2:24
50I Won’t Say (I’m in Love)
Produzent(in):
Alan Menken
Hintergrundgesang [Calliope]:
Lillias White
Hintergrundgesang [Clio]:
Vaneese Thomas
Hintergrundgesang [Melpomene]:
Cheryl Freeman
Hintergrundgesang [Terpsichore]:
LaChanze (Rhonda LaChanze Sapp)
Sologesang [Meg]:
Susan Egan
conductor:
Michael Kosarin
arranger und Orchestrator(in):
Danny Troob
vocals arranger:
Michael Kosarin
phonographisches Urheberrecht (℗) von:
Walt Disney Records (in 1997)
recording of:
I Won’t Say (I’m in Love) (Hercules)
Texter:
David Zippel
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) und Wonderland Music Company, Inc. (a division of Disney Music Publishing)
Teil von:
Hercules (1997 Disney animated feature film soundtrack)
recording of:
No Hablaré (Spanish Mexico Version of I Won’t Say (I’m in Love))
übersetzte Version von:
I Won’t Say (I’m in Love) (Hercules)
Susan Egan, Cheryl Freeman, LaChanze, Vaneese Thomas, Lillias White3.52:21
51Part of Your World
Techniker(in):
John Richards (engineer)
Produzent(in):
Howard Ashman, Robert Kraft und Alan Menken
Sologesang und Sprecher:
Jodi Benson
conductor:
J.A.C. Redford
arranger:
Alan Menken und Robbie Merkin
Orchestrator(in):
Thomas Pasatieri
phonographisches Urheberrecht (℗) von:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (in 1989)
recording of:
Part of Your World (The Little Mermaid)
Texter:
Howard Ashman
Komponist(in):
Alan Menken
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), 日音 Synch事業部 (NICHION, INC. Synch Division), Walt Disney Music Company (music publisher, do not use as release label) (in 1988) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1988)
Teil von:
The Little Mermaid (1989 film soundtrack)
Teil von:
The Little Mermaid (2008 Broadway musical based on the 1989 Disney film)
Jodi Benson3.53:14
52The Place Where Lost Things Go
conductor:
Paul Gemignani
recording of:
The Place Where Lost Things Go
Texter:
Marc Shaiman (American score composer and lyricist) und Scott Wittman (American score composer and lyricist)
Komponist(in):
Marc Shaiman (American score composer and lyricist)
Teil von:
The 91st Academy Award for Best Original Song (Nummer: 2)
Emily Blunt, Paul Gemignani, Gavin Greenaway, Metro Voices & Jenny O’Grady33:43
53We Belong Together
recording engineer:
David Boucher, Tom Hardisty (film score engineer) und Adam Michalak (US film score engineer)
Produzent(in):
Mitchell Froom
Mix:
David Boucher
assistierendes Editing:
Brenda Heins
Editing:
Bruno Coon
vocals:
Randy Newman (American singer‐songwriter and score composer)
phonographisches Urheberrecht (℗) von:
Pixar und Walt Disney Records
mixed at:
Eastwood Scoring Stage in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
We Belong Together (From "Toy Story 3")
Orchestrator(in):
Don Davis (American score composer), Randy Newman (American singer‐songwriter and score composer) und Jonathan Sacks (American composer)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Pixar Talking Pictures (in 2010) und Walt Disney Music Company (music publisher, do not use as release label) (in 2010)
Teil von:
The 83rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 2010 winner)
Teil von:
Toy Story 3 (2010 film soundtrack)
Randy Newman3.254:04
54Hawaiian Roller Coaster Ride
Mark Kealiʻi Hoʻomalu, North Shore Children’s Choir & Key Cygnetures3:28
55Lava (from “Lava” soundtrack version)
recording engineer und Mix:
David Boucher
Effektgerät [sound effects]:
Ren Klyce
Ukulele:
James Ford Murphy (Pixar Animator)
recording of:
Lava
Texter und Komponist(in):
James Ford Murphy (Pixar Animator)
Kuana Torres Kahele, Napua Greig, James Ford Murphy45:46
56Zero to Hero
Produzent(in):
Alan Menken
vocals:
Tawatha Agee, Cheryl Freeman, LaChanze (Rhonda LaChanze Sapp), Roz Ryan, Vaneese Thomas und Lillias White
conductor:
Michael Kosarin
arranger und Orchestrator(in):
Danny Troob
vocals arranger:
Michael Kosarin
phonographisches Urheberrecht (℗) von:
Walt Disney Records (in 1997)
recording of:
Zero to Hero
Texter:
David Zippel
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) und Wonderland Music Company, Inc. (a division of Disney Music Publishing)
Teil von:
Hercules (1997 Disney animated feature film soundtrack)
Lillias White, Cheryl Freeman, LaChanze, Roz Ryan, Vaneese Thomas, Tawatha Agee2.52:20
57Rotten to the Core
recording of:
Rotten to the Core
Verfasser(in):
Johan Alkenäs (songwriter and producer), Shelly Peiken und Joacim Persson (Swedish songwriter and producer)
publisher:
Walt Disney Music Company (music publisher, do not use as release label) und Wonderland Music Company, Inc. (a division of Disney Music Publishing)
Dove Cameron, Cameron Boyce, Booboo Stewart, Sofia Carson2:44
58Evermore
Dan Stevens3:14
59I’ll Try
Produzent(in):
Stewart Levine (record producer and saxophonist)
Mix:
Bob Clearmountain und Shawn Murphy (producer/engineer)
recording of:
I’ll Try
Texter und Komponist(in):
Jonatha Brooke
Jonatha Brooke34:06
60Man or Muppet
recording engineer:
David Bianco (American engineer and record producer), Joseph Magee, Matt Shane und Casey Stone (engineer)
Produzent(in):
Bret McKenzie und Mickey Petralia
Mix:
Brian Malouf
arranger:
Chris Caswell (Film & TV composer)
Orchestrator(in):
Chris Caswell (Film & TV composer) und Doug Walter (arranger, conductor)
recording of:
Man or Muppet
Texter und Komponist(in):
Bret McKenzie
Teil von:
The 84th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 2011 winner)
Jason Segel2:58
61Mickey Mouse March (from “The Mickey Mouse Club”)
recording of:
Mickey Mouse March (opening theme for The Mickey Mouse Club TV show, 1955–59)
Texter und Komponist(in):
Jimmie Dodd
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
The Mouseketeers2.52:41
62When You Wish Upon a Star (from “Pinocchio” soundtrack version)
Chorgesang:
Disney Studio Chorus
vocals:
Cliff Edwards (actor/musician, best known as the voice of Jiminy Cricket)
conductor:
Paul J. Smith (film and television composer, Disney Legends honoree)
recording of:
When You Wish Upon a Star (Pinocchio, 1940 film)
Texter:
Ned Washington
Komponist(in):
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Chappell Music Ltd.
Teil von:
The 13th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1940 winner)
Medley von:
Little Wooden Head (Pinocchio, 1940 film, music cue)
Medley von:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
Medley von:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
Teil von:
Celebrate the Future Hand in Hand
Teil von:
Pinocchio (1940 Disney film soundtrack)
Cliff Edwards, Disney Chorus3.53:14
63A Dream Is a Wish Your Heart Makes (from “Cinderella” soundtrack version)
Ilene Woods and the Mice Chorus4:36
64Some Day My Prince Will Come
Produzent(in):
Michael Leon (producer of several Disney film soundtracks) und Randy Thornton (Disney producer/engineer)
vocals:
Adriana Caselotti
conductor:
Frank Churchill
recording of:
Someday My Prince Will Come
Texter:
Larry Morey (American lyricist, 1905–1971)
Komponist(in):
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
Teil von:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
Adriana Caselotti3.351:53
65Once Upon a Dream (from “Sleeping Beauty” soundtrack version)
vocals:
Mary Costa (soprano) und Bill Shirley (actor/singer)
recording of:
Once Upon a Dream (from Disney’s 1959 animated film Sleeping Beauty)
Texter:
Sammy Fain und Jack Lawrence (US songwriter)
zusätzliche(r) Komponist(in):
George Bruns
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
basiert auf:
The Sleeping Beauty, op. 66: Acte I, no. 6. Valse
Mary Costa, Bill Shirley & Chorus2.52:46
66You Can Fly! You Can Fly! You Can Fly! (from “Peter Pan” soundtrack version)
Chorgesang:
The Jud Conlon Chorus
Sprecher:
Kathryn Beaumont, Paul Collins (actor, starred as John Darling in Disney’s Peter Pan), Bobby Driscoll und Tommy Luske
vocals:
The Mellomen (American singing quartet)
phonographisches Urheberrecht (℗) von:
Walt Disney Productions (in 1953)
recording of:
You Can Fly! You Can Fly! You Can Fly! (Peter Pan, 1953 animated film)
Texter:
Sammy Cahn
Komponist(in):
Sammy Fain
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (in 1953) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1953)
Teil von:
Peter Pan (1953 Disney animated film soundtrack and score)
Bobby Driscoll, Kathryn Beaumont, Paul Collins, Tommy Luske, The Jud Conlon Chorus24:24
67Give a Little Whistle
vocals:
Cliff Edwards (actor/musician, best known as the voice of Jiminy Cricket) und Dickie Jones
conductor:
Paul J. Smith (film and television composer, Disney Legends honoree)
phonographisches Urheberrecht (℗) von:
Walt Disney Productions (in 1940)
recording of:
Give a Little Whistle (Pinocchio, 1940 film)
Texter:
Ned Washington
Komponist(in):
Leigh Harline
Teil von:
Pinocchio (1940 Disney film soundtrack)
Cliff Edwards, Dickie Jones2.51:37
68He’s a Tramp
Sologesang:
Peggy Lee (jazz vocalist)
sonstiger Gesang:
The Mellomen (American singing quartet)
conductor:
Oliver Wallace (English composer and conductor, Walt Disney Studios)
recording of:
He’s a Tramp (Lady and the Tramp)
Texter:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) und Peggy Lee (jazz vocalist)
Komponist(in):
Oliver Wallace (English composer and conductor, Walt Disney Studios)
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
Peggy Lee3.22:26
69Chim Chim Cher‐ee (from “Mary Poppins” soundtrack version)
Sologesang:
Julie Andrews (English actress/vocalist) und Dick Van Dyke (US actor)
vocals:
Julie Andrews (English actress/vocalist) (von 1963-04-12 bis 1963-12-20), Karen Dotrice (von 1963-04-12 bis 1963-12-20), Matthew Garber (von 1963-04-12 bis 1963-12-20) und Dick Van Dyke (US actor) (von 1963-04-12 bis 1963-12-20)
Orchester:
Disney Studio Orchestra
conductor:
Irwin Kostal (von 1963-04-12 bis 1963-12-20)
arranger:
Irwin Kostal
phonographisches Urheberrecht (℗) von:
Walt Disney Productions (in 1964)
recording of:
Chim Chim Cher-ee (Mary Poppins) (von 1963-04-12 bis 1963-12-20)
Texter und Komponist(in):
Richard M. Sherman und Robert B. Sherman (American songwriter)
publisher:
Campbell Connelly & Co. Ltd., The Walt Disney Co. und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1964)
Teil von:
The 37th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1964 winner)
Teil von:
Mary Poppins (stage version)
Teil von:
Mary Poppins (1964 film version)
Dick Van Dyke, Julie Andrews, Karen Dotrice, Matthew Garber52:47
70Yo Ho (A Pirate’s Life for Me) (from “Pirates of the Caribbean”)
Disney Chorus2:40
71He’s a Pirate
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson und Nick Wollage
zusätzlich recording engineer:
Slamm Andrews, Tom Vedvik und Mark Wherry
Synthesizer-Programmierung:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) und Hans Zimmer (German score composer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Jeff Biggers, Jake Jackson (recording engineer) und Gregg Silk
Produzent(in):
Hans Zimmer (German score composer)
Mix:
Slamm Andrews und Alan Meyerson
assistierendes Editing:
Dan Pinder und Melissa Muik
Editing:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman und Jeanette Surga
künstlerische Leitung:
Mel Wesson
Cello:
Martin Tillman
flute:
Fred Selden
Gitarre:
Heitor Pereira
Holzblasinstrumente:
Danny Kuramoto
Perkussion:
Emil Richards
Orchester:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely und Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
He’s a Pirate (Pirates of the Caribbean: The Curse of the Black Pearl)
Orchestrator(in):
Robert Elhai, Elizabeth Finch, Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope und Brad Warnaar (American composer)
Komponist(in):
Klaus Badelt (German score composer), Geoff Zanelli (American score composer) und Hans Zimmer (German score composer)
Teil von:
Pirates of the Caribbean (Live in Prague)
Teil von:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
Teil von:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
Teil von:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt3.251:26
72The Unbirthday Song
recording of:
The Unbirthday Song (Alice in Wonderland, 1951 film)
Texter und Komponist(in):
Mack David (American lyricist and songwriter), Al Hoffman und Jerry Livingston (songwriter)
Disney Chorus1:52
73Pink Elephants on Parade
recording of:
Pink Elephants on Parade (Dumbo)
Texter:
Ned Washington
Komponist(in):
Oliver Wallace (English composer and conductor, Walt Disney Studios)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Disney Chorus2:29
74Happy Working Song (from “Enchanted” soundtrack version)
Koproduzent(in):
Alan Menken und Stephen Schwartz (musical theatre lyricist/composer)
recording of:
Happy Working Song (From “Enchanted”)
Texter:
Stephen Schwartz (musical theatre lyricist/composer)
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) und Wonderland Music Company, Inc. (a division of Disney Music Publishing)
Teil von:
The 80th Academy Award for Best Original Song (Nummer: 2)
Amy Adams3.42:09
75Almost There
recording engineer und Mix:
David Boucher
Produzent(in):
Mitchell Froom
Editing:
Earl Ghaffari
vocals:
Anika Noni Rose
recording of:
Almost There (The Princess and the Frog)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
Teil von:
The 82nd Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Princess and the Frog (2009 animated film soundtrack)
Anika Noni Rose3.82:25
76Scales and Arpeggios
Robie Lester, Susan Novack, Gregory Novack, Victor Sweler, Mike Sammes Singers1:45
77Little April Shower
Editing:
Randy Thornton (Disney producer/engineer)
Chorgesang:
Disney Studio Chorus
conductor:
Alexander Steinert
phonographisches Urheberrecht (℗) von:
Walt Disney Records
recording of:
Little April Shower (from "Bambi")
Texter:
Larry Morey (American lyricist, 1905–1971) (in 1942)
Komponist(in):
Frank Churchill (in 1942)
publisher:
Walt Disney Music Company (music publisher, do not use as release label) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1942)
Disney Chorus3.53:55
78So This Is Love (from “Cinderella”)
Mike Douglas, Ilene Woods1:32
79It’s a Small World
recording of:
It’s a Small World (After All)
Verfasser(in):
Richard M. Sherman und Robert B. Sherman (American songwriter)
publisher:
Wonderland Music Company, Inc. (a division of Disney Music Publishing)
Disneyland Children’s Chorus, Robert B. Sherman, Richard M. Sherman2.653:02
80Mickey Mouse Club Alma Mater (from “The Mickey Mouse Club TV Show”)
recording of:
Mickey Mouse Club, Alma Mater (Mickey Mouse Club closing theme)
Texter und Komponist(in):
Jimmie Dodd
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
Version von:
Mickey Mouse March (opening theme for The Mickey Mouse Club TV show, 1955–59)
Jimmie Dodd & The Mouseketeers2.61:47

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Now That’s What I Call Music LLP (British holding company) (in 2021)
zum Herunterladen kaufen und Streaming-Seite:https://music.apple.com/gb/album/1585375153 [Info]

Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 107)