Super 70’s Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
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Nr.TitelKünstlerBewertungLänge
1Don’t Stop
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) und Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Stop
Texter und Komponist(in):
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) und Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:13
2Because the Night
Produzent(in):
Jimmy Iovine
Mix:
Jimmy Iovine und Shelly Yakus
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978, in 1988) und Arista Records, LLC (holding company - file NO releases here!) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 72)
recording of:
Because the Night
publisher:
Bruce Springsteen und Bruce Springsteen (in 1975)
Texter:
Patti Smith (in 1977) und Bruce Springsteen (in 1977)
Komponist(in):
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith Group4.63:21
3The Passenger
Techniker(in):
Eduard Meyer und Colin Thurston
Produzent(in):
Bewlay Bros.
Bassgitarre:
Tony Sales (von 1977-06-04 bis 1977-06-18)
cowbell, Schlagzeug, shakers und Tamburin:
Hunt Sales (von 1977-06-04 bis 1977-06-18)
Gitarre:
Carlos Alomar (von 1977-06-04 bis 1977-06-18) und Ricky Gardiner (von 1977-06-04 bis 1977-06-18)
Klavier:
David Bowie (English singer‐songwriter) (von 1977-06-04 bis 1977-06-18)
Hintergrundgesang:
David Bowie (English singer‐songwriter) (von 1977-06-04 bis 1977-06-18), Hunt Sales (von 1977-06-04 bis 1977-06-18) und Tony Sales (von 1977-06-04 bis 1977-06-18)
Sologesang:
Iggy Pop (von 1977-06-04 bis 1977-06-18)
phonographisches Urheberrecht (℗) von:
Thousand Mile, Inc. (in 1977) und Virgin America (Virgin sublabel for EUROPEAN releases of artists signed by Virgin Records America, Inc.) (in 1990)
aufgenommen bei:
Hansa Studio III in Berlin, Deutschland (von 1977-06-04 bis 1977-06-18)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 179)
recording of:
The Passenger (von 1977-06-04 bis 1977-06-18)
Texter:
Iggy Pop
Komponist(in):
Ricky Gardiner
publisher:
Ricky Gardiner Songs und Virgin Music (Publishers) Ltd.
Iggy Pop4.64:41
4(I Don’t Want to Go to) Chelsea
recording of:
(I Don’t Want to Go to) Chelsea
Texter und Komponist(in):
Declan Patrick MacManus
Elvis Costello & The Attractions43:08
5Sex & Drugs & Rock ’n’ Roll
E-Bass:
Norman Watt-Roy (in 1976)
E-Gitarre:
Chaz Jankel (English musician and songwriter) (in 1976)
Schlagzeug:
Charley Charles (UK drummer) (in 1976)
Sologesang:
Ian Dury (in 1976)
phonographisches Urheberrecht (℗) von:
Stiff Records (in 1977) und Templemill Music Ltd (in 1977)
aufgenommen bei:
Alvic Studios (Wimbledon) in Wimbledon, Merton, London (Greater London), England, Vereinigtes Königreich (in 1976)
recording of:
Sex & Drugs & Rock & Roll (in 1976)
Texter:
Ian Dury
Komponist(in):
Chaz Jankel (English musician and songwriter)
publisher:
Blackhill Music Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Ian Dury3.853:11
6Spanish Stroll
Bass:
Rubén Sigüenza
Gitarre:
Willy DeVille und Louis X. Erlanger
Klavier:
Bobby Leonards
membranophone:
Thomas R. "Manfred" Allen, Jr.
Sologesang:
Willy DeVille
phonographisches Urheberrecht (℗) von:
USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (in 2015)
recording of:
Spanish Stroll
Texter und Komponist(in):
Willy DeVille
Mink DeVille53:38
7Once Bitten, Twice Shy
assistierende(r) Techniker(in):
Gary Edwards, Pete Henderson (engineer), Jon Kelly (engineer at Air London Studios), Sean Milligan, Mike Sellers (Michael Peter Anthony Sellers; actor, author and the son of actor Peter Sellers) und Mike Stafford
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Ian Hunter (Mott the Hoople) und Mick Ronson (British guitarist)
arranger:
Mick Ronson (British guitarist)
Bearbeitung von:
Once Bitten Twice Shy von Ian Hunter (Mott the Hoople)
recording of:
Once Bitten Twice Shy
Texter und Komponist(in):
Ian Hunter (Mott the Hoople)
publisher:
April (publisher), EMI April Music Inc. und Ian Hunter Music Inc.
Ian Hunter3:52
8Motor Bikin’
Techniker(in):
Douglas Hopkins (engineer)
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
Motor Bikin’
Texter und Komponist(in):
Chris Spedding
Chris Spedding3.352:36
9Milk & Alcohol
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
Verfasser(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer) und Gypie Mayo
publisher:
Plangent Visions Music Ltd. und Rock Music Co., Ltd.
Dr. Feelgood4.152:48
10My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack3.94:01
11Hanging On the Telephone
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
cover recording of:
Hanging On the Telephone (von 1978-06 bis 1978-07)
Texter und Komponist(in):
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) und Rare Blue Music Inc (in 1978)
Blondie4.32:22
12Ever Fallen in Love (With Someone You Shouldn’t’ve)
Techniker(in):
Doug Bennett (producer, engineer) und Martin Rushent
Produzent(in) und Mix:
Martin Rushent
arranger:
Buzzcocks (English punk band)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1989)
aufgenommen bei und mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 276)
recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
Texter und Komponist(in):
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
Buzzcocks4.42:41
13Teenage Kicks
Techniker(in):
Roger Bechirian
Produzent(in):
Roger Bechirian und The Undertones (Northern Irish punk rock band)
aufgenommen bei:
Wizard Studios in Belfast, Belfast (Belfast City Council), County Antrim, County Down, Northern Ireland, Vereinigtes Königreich
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 59)
recording of:
Teenage Kicks
Texter und Komponist(in):
John O’Neill (of The Undertones)
publisher:
Universal Music Corporation (USA, affiliated with ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
The Undertones4.72:26
14Peaches
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
assistierende(r) Mix:
Benny King (engineer)
Mix:
Doug Bennett (producer, engineer)
Bassgitarre:
Jean‐Jacques Burnel (von 1976-12-20 bis 1977-01-28)
Gitarre und Sologesang:
Hugh Cornwell (English rock musician) (von 1976-12-20 bis 1977-01-28)
Keyboard:
Dave Greenfield (von 1976-12-20 bis 1977-01-28)
Schlagzeug:
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (von 1976-12-20 bis 1977-01-28)
Herausgeber:
EMI April Music Inc.
aufgenommen bei:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1976-12-20 bis 1977-01-28)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
produced at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1977-01 bis 1977-02)
recording of:
Peaches (von 1976-12-20 bis 1977-01-28)
Verfasser(in):
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Albion Music Ltd., April Music Ltd., Complete Music, Complete Music Ltd., Musik-Edition Discoton GmbH und Universal Music Publishing MGB Ltd.
The Stranglers4.154:06
15I Want More
recording engineer:
Holger Czukay und René Tinner
Produzent(in):
Can (German rock band)
Mix:
Manfred Schunke
Bassgitarre [bass]:
Holger Czukay
Effektgerät [alpha 77] und Keyboard [keyboards]:
Irmin Schmidt
Gitarre [guitars] und Slide-Gitarre:
Michael Karoli
Perkussion und Schlagzeug [drums]:
Jaki Liebezeit
Hintergrundgesang [backing vocals]:
Holger Czukay, Michael Karoli, Jaki Liebezeit und Irmin Schmidt
aufgenommen bei:
Inner Space Studio in Weilerswist, Nordrhein-Westfalen, Deutschland
mixed at:
Delta Acoustic in Wilster, Schleswig-Holstein, Deutschland
recording of:
I Want More
Verfasser(in):
Can (German rock band)
CAN53:33
16Airport
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1978)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 19)
recording of:
Airport
Verfasser(in):
Andy McMaster
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Island Music Ltd. (vom 1978 bis heute)
The Motors3.754:33
17Davy’s on the Road Again
cover recording of:
Davey’s on the Road Again
Verfasser(in):
Robbie Robertson und John Simon (US producer, arranger, composer, songwriter and musician)
publisher:
Canaan Music Inc und Limitless Songs Ltd.
recording of:
Davey’s on the Road Again
Verfasser(in):
Robbie Robertson und John Simon (US producer, arranger, composer, songwriter and musician)
publisher:
Canaan Music Inc und Limitless Songs Ltd.
Manfred Mann’s Earth Band53:37
18Year of the Cat
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
Al Stewart (UK folk singer/songwriter) (in 1976)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 13)
recording of:
Year of the Cat
Verfasser(in):
Al Stewart (UK folk singer/songwriter) und Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.456:36
19The Man With the Child in His Eyes
Techniker(in):
Jon Kelly (engineer at Air London Studios)
leitende(r) Produzent(in):
David Gilmour (Pink Floyd)
Produzent(in):
Andrew Powell (known for contributions to Alan Parsons Project)
Klavier, Hintergrundgesang und Sologesang:
Kate Bush (in 1975-06)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977, in 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (in 1977, in 1978) und EMI France (in 1995)
aufgenommen bei:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (von 1977-07 bis 1977-08)
recording of:
The Man With the Child in His Eyes (in 1975-06)
publisher:
Kate Bush (vom 1978 bis heute)
Texter und Komponist(in):
Kate Bush
arranger:
Stefan Lievestro (Dutch jazz bassist)
Premiere bei:
Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) (, vom 1978 bis heute) und Kate Bush Music Ltd.
Kate Bush3.652:40

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