| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Yellow | Coldplay | 3.3 | 4:26 |
| 2 | Tee Shirt (soundtrack version) | Birdy | | 2:39 |
| 3 | The Blower’s Daughter | Damien Rice | 4.6 | 4:46 |
| 4 | Hooked on a Feeling | Blue Swede | 4.05 | 2:53 |
| 5 | Can’t Take My Eyes Off You | Morten Harket | | 3:43 |
| 6 | Mi Mi Mi (radio edit) | SEREBRO | 5 | 3:12 |
| 7 | Kokomo (1995 remaster)- Techniker(in) und Mix:
- Keith Wechsler
- Produzent(in):
- Terry Melcher
- accordion:
- Van Dyke Parks (von 1988-03-22 bis 1988-04-06)
- Akustikgitarre:
- Jeffrey Foskett (von 1988-03-22 bis 1988-04-06)
- alto saxophone:
- Joel Peskin (von 1988-03-22 bis 1988-04-06)
- Bass:
- Rod Clark (von 1988-03-22 bis 1988-04-06)
- Schlagzeug:
- Jim Keltner (von 1988-03-22 bis 1988-04-06)
- Slide-Gitarre [electric slide guitar]:
- Ry Cooder (von 1988-03-22 bis 1988-04-06)
- Hintergrundgesang:
- Al Jardine (von 1988-03-22 bis 1988-04-06), Bruce Johnston (von 1988-03-22 bis 1988-04-06), Mike Love (von 1988-03-22 bis 1988-04-06) und Carl Wilson (von 1988-03-22 bis 1988-04-06)
- Sologesang:
- Mike Love (von 1988-03-22 bis 1988-04-06) und Carl Wilson (von 1988-03-22 bis 1988-04-06)
- Interpret(in):
- The Beach Boys (von 1988-03-22 bis 1988-04-06)
- phonographisches Urheberrecht (℗) von:
- WEA International Inc. , Elektra (in 1988) und Touchstone Pictures (in 1988)
- Musikvideos:
- Kokomo von The Beach Boys
- recording of:
- Kokomo (von 1988-03-22 bis 1988-04-06)
- Verfasser(in):
- Mike Love , Scott McKenzie, Terry Melcher und John Phillips
- publisher:
- Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division , Spirit One Music, Touchstone Pictures Music and Songs Inc. und Yamaha Music EH(CM)
| The Beach Boys | 4.25 | 3:36 |
| 8 | L‐O‐V‐E | Natalie Cole | | 2:31 |
| 9 | One More Kiss, Dear | Vangelis | 3 | 3:59 |
| 10 | A View to a Kill | Duran Duran | 3.65 | 3:37 |
| 11 | Is It You (Step Up 2 the Streets O.S.T. version) | Cassie | 3 | 3:57 |
| 12 | Love Theme From St. Elmo’s Fire (instrumental) | David Foster | | 3:30 |
| 13 | Fallen | Lauren Wood | | 3:41 |
| 14 | Gangsta’s Paradise | Coolio feat. L.V. | 3.95 | 4:01 |
| 15 | I Saw the Light | Todd Rundgren | 5 | 3:02 |
| 16 | To Sir With Love (2002 remaster) | Lulu | | 2:47 |
| 17 | La bamba | Los Lobos | 4.15 | 2:52 |
| 18 | The Rose | Bette Midler | 4.2 | 3:41 |
| 19 | The Way You Look Tonight (from Father of the Bride) | Steve Tyrell | | 4:32 |
| 20 | Early in the Morning (2004 remaster) | Cliff Richard | | 2:18 |
| 21 | It Must Have Been Love (from the film “Pretty Woman”) | Roxette | 3.15 | 4:18 |
| 22 | Arthur’s Theme (Best That You Can Do)- assistierende(r) Techniker(in):
- Stuart Gitlin und Margaret Gwynne
- zusätzliche(r) Techniker(in):
- John Guess, Lee Herschberg, Mark Linett und Richard Mullen
- Produzent(in):
- Michael Omartian
- Mix:
- Chet Himes
- Sologesang:
- Christopher Cross
- conductor:
- Michael Omartian
- Saiteninstrumente arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer und Michael Omartian
- concertmaster:
- Assa Drori
- phonographisches Urheberrecht (℗) von:
- Warner Bros. Records Inc. (in 1981, in 1983)
- aufgenommen bei und mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- Teil von:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 19)
- recording of:
- Arthur’s Theme (Best That You Can Do)
- Verfasser(in):
- Peter Allen , Burt Bacharach, Carole Bayer Sager und Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing , Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America und Woolnough Music
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス und ユニバーサル・ミュージック・パブリッシング Synch事業部
- Teil von:
- The 54th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1981 winner)
| Christopher Cross | 5 | 3:53 |
| 23 | Love You ’Till the End (alternate version; 2006 remaster) | The Pogues | | 3:54 |
| 24 | Drive- recording engineer:
- Nigel Green
- Produzent(in):
- The Cars und Robert John “Mutt” Lange
- Mix:
- Mike Shipley
- Bass:
- Benjamin Orr
- Gitarre:
- Elliot Easton und Ric Ocasek
- Keyboard:
- Greg Hawkes
- Schlagzeug:
- David Robinson
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr
- phonographisches Urheberrecht (℗) von:
- Elektra/Asylum Records (in 1984) und WEA International Inc. (in 1984)
- aufgenommen bei:
- Battery Studios in London , England, Vereinigtes Königreich
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
- Musikvideos:
- Drive von The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek
- Texter und Komponist(in):
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. , Universal Music Publishing, Inc., Universal‐MCA Music Publishing und Warner/Chappell Music Ltd.
| The Cars | 4 | 3:54 |
| 25 | The Living Daylights | a‐ha | 3 | 4:47 |
| 26 | Twin Peaks Theme (instrumental) | Angelo Badalamenti | 4.25 | 5:10 |
| 27 | True (2003 remaster) | Spandau Ballet | 4 | 6:33 |
| 28 | Pure Shores | All Saints | 3.65 | 4:28 |
| 29 | Stand by Me- recorded in:
- New York, New York, Vereinigte Staaten (am 1960-10-27)
- Produzent(in):
- Leiber and Stoller
- vocals:
- Ben E. King (am 1960-10-27)
- conductor:
- Stan Applebaum (am 1960-10-27)
- arranger:
- Stan Applebaum
- phonographisches Urheberrecht (℗) von:
- HHO Ltd. , WEA International Inc. (in 1960, in 1961), Atlantic Recording Corporation (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
- recording of:
- Stand by Me (am 1960-10-27)
- publisher:
- Mike Stoller
- Verfasser(in):
- Ben E. King, Jerry Leiber und Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt , Melodie der Welt GmbH & Co. KG , Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music , Trio Music Co., Inc., Unichappell Music und Universal Music Publishing
| Ben E. King | 4.65 | 2:54 |
| 30 | Non, je ne regrette rien | Édith Piaf | 5 | 2:22 |
| 31 | December, 1963 (Oh, What a Night) (2007 remaster)- recording engineer:
- Steve Maslow
- Produzent(in):
- Bob Gaudio
- Mix:
- Val Garay
- Bass:
- Don Ciccone
- Gitarre:
- John Paiva
- Keyboard:
- Bob Gaudio und Lee Shapiro
- Klavier:
- Bob Gaudio
- Schlagzeug:
- Gerry Polci
- vocals:
- Bob Gaudio, Don Ciccone, Frankie Valli , Gerry Polci und John Paiva
- Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
- Lee Shapiro
- phonographisches Urheberrecht (℗) von:
- WEA International Inc.
- aufgenommen bei:
- Sound Factory in Los Angeles, California , Vereinigte Staaten
- Teil von:
- Billboard: The 500 Best Pop Songs (Nummer: 64)
- recording of:
- December, 1963 (Oh, What a Night)
- Texter:
- Bob Gaudio und Judy Parker
- Komponist(in):
- Bob Gaudio
- publisher:
- EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. und Seasons Music Co.
| Frankie Valli & The Four Seasons | 3.85 | 3:31 |
| 32 | Beyond the Sea (2006 remaster) | Bobby Darin | | 2:50 |
| 33 | As Time Goes By | Jimmy Durante | | 2:28 |
| 34 | L’appuntamento (Sentado a’ beira do caminho) | Ornella Vanoni | | 4:44 |
| 35 | Brazil | Geoff & Maria Muldaur | | 3:31 |
| 36 | Midnight With the Stars and You | Ray Noble | | 3:29 |
| 37 | All I Have to Do Is Dream (single version; 2006 remaster) | The Everly Brothers | | 2:20 |
| 38 | Conquest of Paradise | Vangelis | 4.2 | 4:44 |
| 39 | Who Am I to Say | Hope | | 3:48 |
| 40 | Never Ending Story | Limahl | 3.35 | 3:30 |
| 41 | Harlem Desire | London Boys | | 3:46 |
| 42 | When a Man Loves a Woman- Produzent(in):
- Marlin Greene und Quin Ivy
- Farfisa-Orgel [farfisa organ]:
- Spooner Oldham (am 1966-02-17)
- Gitarre:
- Marlin Greene (am 1966-02-17)
- Kontrabass:
- Albert Lowe Jr. (am 1966-02-17)
- Schlagzeug:
- Roger Hawkins (am 1966-02-17)
- vocals:
- Percy Sledge (am 1966-02-17)
- phonographisches Urheberrecht (℗) von:
- HHO Ltd. , WEA International Inc. (, in 1966) und Atlantic Recording Corporation (in 1966)
- aufgenommen bei:
- Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time (Nummer: 54) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- When a Man Loves a Woman (am 1966-02-17)
- Verfasser(in):
- Calvin Lewis, Percy Sledge und Andrew Wright
- publisher:
- Mijac Music, Warner Bros. Music Ltd. , Warner Chappell, Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell , Pronto Music, Inc. (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (vom 1966 bis heute), Pronto (in 1972) und Quinvy (in 1972)
| Percy Sledge | 4.35 | 2:50 |
| 43 | Careless Whisper | Tamia | | 5:12 |
| 44 | I’ve Got a Woman (2005 remaster)- Produzent(in):
- Ahmet Ertegun und Jerry Wexler
- baritone saxophone:
- David “Fathead” Newman (am 1954-11-18)
- Bass:
- Jimmy Bell (am 1954-11-18)
- Gitarre:
- Wesley Jackson (am 1954-11-18)
- Klavier:
- Ray Charles (am 1954-11-18)
- Schlagzeug:
- Glenn Brooks (am 1954-11-18)
- Solo-Tenorsaxophon:
- Donald Wilkerson (am 1954-11-18)
- Trompete:
- Joe Bridgewater (am 1954-11-18) und Charles "Clanky" Whitley (am 1954-11-18)
- vocals:
- Ray Charles (am 1954-11-18)
- arranger:
- Ray Charles
- aufgenommen bei:
- WGST Studio in Atlanta, Georgia, Vereinigte Staaten (am 1954-11-18)
- Teil von:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2019) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 235)
- recording of:
- I Got a Woman (am 1954-11-18)
- Verfasser(in):
- Ray Charles und Renald Richard
- publisher:
- Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. , Warner–Tamerlane Publishing Corp. und Warner/Chappell
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部 , ヤマハミュージックエンタテインメントホールディングス und ワーナー・チャペル音楽出版 Synch事業部
| Ray Charles | 4.5 | 2:52 |
| 45 | All You Need Is Love | Anita Kerr | | 3:09 |
| 46 | Without You- phonographisches Urheberrecht (℗) von:
- Giant Records (in 1991)
- cover recording of:
- Without You
- Verfasser(in):
- Tom Evans und W. Peter Ham
- publisher:
- 100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, vom 1970 bis heute), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music und WB Music Corp. (bis 2019-05-28)
- sub-publisher:
- ティー・アール・オー・エセックス・ジャパン A事業部
| Air Supply | | 4:32 |
| 47 | A Man and a Woman | Herbie Mann | | 2:25 |
| 48 | Por una cabeza – La comparsita | Laurent Korcia | | 3:52 |
| 49 | Puccini: Turandot, act 3: “Nessun dorma! ” (Calaf, chorus) | Alain Lombard | | 4:11 |
| 50 | My Heart Will Go On | The New World Orchestra feat. Lisa Keaton | | 5:02 |
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