Aria cantilena

~ Release by Elīna Garanča (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Las Hijas del Zebedeo: Carceleras (Luisa) “Al pensar en el dueño de mis amores”
executive producer:
Christian Leins
producer:
Sid McLauchlan (engineer/producer)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-07)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-07)
conductor:
Fabio Luisi (conductor) (in 2006-07)
balance engineer:
Hans‐Ulrich Bastin and Andrew Wedman (producer and engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2006-07)
recording of:
Las hijas del Zebedeo: Carceleras "Al pensar en el dueño de mis amores" (in 2006-07)
composer:
Ruperto Chapí (composer)
librettist:
José Estremera y Cuenca
part of:
Las hijas del Zebedeo
Ruperto Chapí4:56
2Werther, Act III: Letter Scene (Charlotte): “Werther… Werther… Qui m’aurait dit la place”
executive producer:
Christian Leins
producer:
Sid McLauchlan (engineer/producer)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-07)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-07)
conductor:
Fabio Luisi (conductor) (in 2006-07)
balance engineer:
Hans‐Ulrich Bastin and Andrew Wedman (producer and engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2006-07)
recording of:
Werther : Acte III. « Ces lettres ! ... ces lettres ! ... je les relis sans cesse ! » - « Je vous écris de ma petite chambre » – « Des cris joyeux » (Charlotte) (Air des lettres) (in 2006-07)
composer:
Jules Massenet (French Romantic composer)
part of:
Werther : Acte III (Charlotte et Werther)
recording of:
Werther : Acte III. « Werther ! Qui m'aurait dit » (Charlotte) (in 2006-07)
composer:
Jules Massenet (French Romantic composer)
part of:
Werther : Acte III (Charlotte et Werther)
Jules Massenet7:15
3Les Contes d’Hoffmann, Act III: No. 15. Romance (Niklausse): “Vois sous l’archet frémissant – C’est l’amour, l’amour vainqueur!”
executive producer:
Christian Leins
producer:
Sid McLauchlan (engineer/producer)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-07)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-07)
conductor:
Fabio Luisi (conductor) (in 2006-07)
balance engineer:
Hans‐Ulrich Bastin and Andrew Wedman (producer and engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2006-07)
recording of:
Les Contes d’Hoffmann: Acte III, Nº 13. Récit et Romance “Enfin je vais avoir” ... “C'est l'amour vainqueur” (in 2006-07)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
Jacques Offenbach3:50
4La Cenerentola, Act II: Rondò finale (Cenerentola): “Nacqui all’affanno e al pianto”
executive producer:
Christian Leins
producer:
Sid McLauchlan (engineer/producer)
baritone vocals [Dandini]:
Dominik Licht (operatic baritone) (in 2006-07)
bass vocals [Don Magnifico]:
Mirko Tuma (in 2006-07)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 2006-07)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-07)
mezzo-soprano vocals [Tisbe]:
Heike Liebmann (mezzo-soprano) (in 2006-07)
soprano vocals [Clorinda]:
Katharina Flade (soprano) (in 2006-07)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-07)
conductor:
Fabio Luisi (conductor) (in 2006-07)
balance engineer:
Hans‐Ulrich Bastin and Andrew Wedman (producer and engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2006-07)
recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) (in 2006-07)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini7:35
5Bachianas brasileiras no. 5: No. 1. Aria (Cantilena): “Tarde, uma nuvem rósea lenta e transparente”
executive producer:
Christian Leins
producer:
Sid McLauchlan (engineer/producer)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-07)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-07)
conductor:
Fabio Luisi (conductor) (in 2006-07)
arranger:
[anonymous] (special purpose artist)
balance engineer:
Hans‐Ulrich Bastin and Andrew Wedman (producer and engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2006-07)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (catch-all for arrangements) (in 2006-07)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1936)
arrangement of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
Heitor Villa‐Lobos6:23
6La Grande-Duchesse de Gérolstein, Act I: No. 3a Chœur, Récit et Rondeau (La Grande-Duchesse): “Portez armes!” – “Vous aimez le danger – Ah, que j’aime les militaires”
executive producer:
Christian Leins
producer:
Sid McLauchlan (engineer/producer)
baritone vocals [Puck]:
Dominik Licht (operatic baritone) (in 2006-07)
bass vocals [Boum]:
Thomas Müller (bass vocalist) (in 2006-07)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 2006-07)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-07)
tenor vocals [Fritz]:
Rafael Harnisch (German operatic tenor) (in 2006-07)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-07)
conductor:
Fabio Luisi (conductor) (in 2006-07)
balance engineer:
Hans‐Ulrich Bastin and Andrew Wedman (producer and engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2006-07)
recording of:
La Grande‐Duchesse de Gérolstein : Acte I. N° 3C: Rondeau « Ah! que j'aime les militaires » (Duchesse, Fritz, Puck, Boum, chœur) (in 2006-07)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
La Grande-Duchesse de Gérolstein: Acte I
Jacques Offenbach5:14
7L’italiana in Algeri, Act II: No. 11. Cavatina (Isabella): “Per lui che adoro”
executive producer:
Christian Leins
producer:
Sid McLauchlan (engineer/producer)
baritone vocals [Taddeo]:
Dominik Licht (operatic baritone) (in 2006-07)
bass vocals [Mustafà]:
Matthias Beutlich (bass vocalist) (in 2006-07)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-07)
tenor vocals [Lindoro]:
Rafael Harnisch (German operatic tenor) (in 2006-07)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-07)
conductor:
Fabio Luisi (conductor) (in 2006-07)
balance engineer:
Hans‐Ulrich Bastin and Andrew Wedman (producer and engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2006-07)
recording of:
L'italiana in Algeri: Atto II, scena 5. No. 11. Cavatina: “Per lui che adoro” (Isabella, Mustafà, Taddeo, Lindoro) (in 2006-07)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini5:40
8Madrigal sobre un tema popular
executive producer:
Christian Leins
producer:
Sid McLauchlan (engineer/producer)
cello:
Peter Bruns (German cellist) (in 2006-07)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-07)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-07)
conductor:
Fabio Luisi (conductor) (in 2006-07)
balance engineer:
Hans‐Ulrich Bastin and Andrew Wedman (producer and engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2006-07)
recording of:
Madrigal sobre un tema popular "El cant dels ocells" (for voice, cello or violin and orchestra) (in 2006-07)
composer:
Xavier Montsalvatge (Catalan composer) (in 1991)
Xavier Montsalvatge5:13
9Der Rosenkavalier, Act III: Trio (Sophie, Marschallin, Octavian): “Marie Theres’!” – “Hab mir’s gelobt”
executive producer:
Christian Leins
producer:
Sid McLauchlan (engineer/producer)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-07)
soprano vocals [Marschallin]:
Adrianne Pieczonka (soprano) (in 2006-07)
soprano vocals [Sophie]:
Diana Damrau (soprano) (in 2006-07)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-07)
conductor:
Fabio Luisi (conductor) (in 2006-07)
balance engineer:
Hans‐Ulrich Bastin and Andrew Wedman (producer and engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2006-07)
recording of:
Der Rosenkavalier, op. 59: Akt III. “Marie Theres’!” … “Hab’ mir’s gelobt” (Octavian, Marschallin, Sophie, Faninal) (in 2006-07)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss5:50
10Der Rosenkavalier, Act III: Duet (Sophie, Octavian): “Ist ein Traum, kann nicht wirklich sein”
executive producer:
Christian Leins
producer:
Sid McLauchlan (engineer/producer)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-07)
soprano vocals [Sophie]:
Diana Damrau (soprano) (in 2006-07)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-07)
conductor:
Fabio Luisi (conductor) (in 2006-07)
balance engineer:
Hans‐Ulrich Bastin and Andrew Wedman (producer and engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2006-07)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum" … "Spür nur dich" (Sophie, Octavian) (in 2006-07)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss6:26

Credits

Release

art direction:Fred Münzmaier
photography:Steven Haberland (photographer)
Barbara Luisi
Rainer Maillard
miscellaneous support:Burkhard Bartsch (producer for the Deutsche Grammophon) (task: project coordinator)
design:fri design
Karen Friedrichs-Jöhnk (Booklet designer)
booklet editor:Daniel Fesquet (liner notes translator)
ASIN:DE: B000JFZ9ES [info]

Release group

included in:111 Years of Deutsche Grammophon: The Collectors’ Edition 2 by Various Artists (add compilations to this artist)