| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | You’re the First, the Last, My Everything (edit)- Techniker(in):
- Frank Kejmar
- Produzent(in):
- Barry White
- arranger:
- Gene Page und Barry White
- phonographisches Urheberrecht (℗) von:
- PolyGram Records, Inc. (in 1974)
- recording of:
- You’re the First, the Last, My Everything
- Verfasser(in):
- Peter Sterling Radcliffe, Tony Sepe und Barry White
- publisher:
- Chappell & Co., Inc. , January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. und World Song Publishing Inc.
| Barry White | 4 | 3:23 |
| 2 | Never Can Say Goodbye | Gloria Gaynor | 4 | 6:17 |
| 3 | The Hustle | Van McCoy & The Soul City Symphony | | 4:02 |
| 4 | Car Wash (single version) | Rose Royce | 4.6 | 3:18 |
| 5 | Love’s Theme (single version) | Love Unlimited Orchestra | | 3:38 |
| 6 | Heaven Must Be Missing an Angel, Part 1 | Tavares | | 3:31 |
| 7 | The Boss | Diana Ross | | 3:57 |
| 8 | What Cha Gonna Do With My Lovin’ | Stephanie Mills | | 4:01 |
| 9 | La vie en rose | Grace Jones | | 3:33 |
| 10 | Don’t Leave Me This Way (single version) | Thelma Houston | | 3:36 |
| 11 | Brick House- recording of:
- Brick House
- Texter:
- William King , Walter Orange und Lionel Richie
- Komponist(in):
- Ronald LaPread, Thomas McClary, Lionel Richie und Milan Williams
- publisher:
- Brenda Richie Publishing, Cambrae Music, Daddy Married a Golddigger, Drop Five, Hanna Music, Jobete Music Co., Inc., Libren Music, Old Fashion Publishing, Reservoir Media Music, イーエムアイ音楽出版 フジパシフィック事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (vom 2021-07-01 bis heute)
| Commodores | | 3:27 |
| 12 | Take Your Time (Do It Right) | The S.O.S. Band | | 3:15 |
| 13 | Stomp! (single version) | The Brothers Johnson | | 4:07 |
| 14 | You Can Do It | Al Hudson and the Partners | | 3:24 |
| 15 | Take Me Home (12” version) | Cher | | 7:26 |
| 16 | Risky Changes (7” version) | Bionic Boogie | | 3:30 |
| 17 | Heart of Glass- assistierende(r) Techniker(in):
- Grey Russell
- Techniker(in):
- Peter Coleman
- assistierende(r) Produzent(in):
- Peter Coleman
- Produzent(in):
- Mike Chapman
- Bassgitarre:
- Nigel Harrison
- Gitarre:
- Frank Infante und Chris Stein
- Keyboard:
- Jimmy Destri
- Schlagzeug:
- Clem Burke
- Sologesang:
- Deborah Harry
- phonographisches Urheberrecht (℗) von:
- Capitol Records, LLC , Capitol Records (in 1978), Capitol Records, Inc. (in 1978), Chrysalis Records (in 1978) und Chrysalis Records, Inc. (in 1978)
- aufgenommen bei:
- The Record Plant in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1978-06)
- mixed at:
- Forum Studio in Covington, Kentucky, Vereinigte Staaten
- recording of:
- Heart of Glass
- Verfasser(in):
- Deborah Harry und Chris Stein
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
- sub-publisher:
- フジパシフィックミュージック
- Version von:
- Once I Had a Love
| Blondie | 4.3 | 4:09 |
| 18 | If I Can’t Have You- Produzent(in):
- Freddie Perren
- Bass:
- Scott Edwards
- Gitarre:
- Bob Bowles
- Keyboard und Synthesizer:
- Freddie Perren
- Klavier:
- Sonny Burke
- Perkussion:
- Bob Zimmitti, Paulinho da Costa und Freddie Perren
- Schlagzeug:
- James Gadson
- Hintergrundgesang [additional background vocals] und Sologesang:
- Yvonne Elliman
- Hintergrundgesang [girl-group background vocals]:
- Marti McCall , Julia Waters und Maxine Waters
- phonographisches Urheberrecht (℗) von:
- PolyGram Records, Inc. (in 1977) und Universal International Music B.V. (in 1977)
- Teil von:
- Billboard Year-End Hot 100 singles of 1978 (Nummer: 19) und Billboard: The 500 Best Pop Songs (Nummer: 343)
- recording of:
- If I Can’t Have You
- geschrieben in:
- Frankreich
- Verfasser(in):
- Barry Gibb, Maurice Gibb und Robin Gibb
- publisher:
- BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) und Unichappell Music (in 1978)
- sub-publisher:
- シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
| Yvonne Elliman | 4.25 | 2:57 |
| 19 | Contact (UK 7” single version) | Edwin Starr | 5 | 3:32 |
| 20 | Don’t Let Me Be Misunderstood – Esmeralda Suite (single version) | Santa Esmeralda | | 3:26 |
| 21 | Spring Affair (single version) | Donna Summer | | 4:01 |
| 22 | Do or Die (disco version) | Grace Jones | | 6:15 |
| 23 | I Love the Nightlife (Disco ’Round) (single version) | Alicia Bridges | | 3:05 |
| 24 | Star Wars Theme/Cantina Band (7” radio edit) | Meco | | 3:44 |
| 25 | For Your Love (radio edit) | Chilly | | 3:56 |
| 26 | Move Me No Mountain | Love Unlimited | | 3:52 |
| 27 | More Than a Woman- vocals:
- Tavares
- cover recording of:
- More Than a Woman (in 1997)
- Verfasser(in):
- Barry Gibb, Maurice Gibb und Robin Gibb
- publisher:
- BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music und Stigwood Music, Inc.
- recording of:
- More Than a Woman
- Verfasser(in):
- Barry Gibb, Maurice Gibb und Robin Gibb
- publisher:
- BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music und Stigwood Music, Inc.
| Tavares | 3 | 3:28 |
| 28 | Boogie Oogie Oogie (single version 1 / remastered 2001) | A Taste of Honey | | 3:43 |
| 29 | H.E.L.P. | Four Tops | | 3:37 |
| 30 | After Dark (edit) | Pattie Brooks | | 3:40 |
| 31 | Put Your Body in It | Stephanie Mills | | 4:04 |
| 32 | Baby Baba Boogie | The Gap Band | | 4:15 |
| 33 | Saturday Night, Sunday Morning | Thelma Houston | | 3:55 |
| 34 | I Love America | Patrick Juvet | | 3:49 |
| 35 | Upside Down (single version) | Diana Ross | 4 | 3:38 |
| 36 | Don’t Push It Don’t Force It | Leon Haywood | | 3:29 |
| 37 | Sexy Eyes | Dr. Hook | | 3:28 |
| 38 | Rock It (edit) | Lipps, Inc. | | 3:41 |
| 39 | Shake Your Groove Thing | Peaches & Herb | | 5:32 |
| 40 | Gimme! Gimme! Gimme! (A Man After Midnight) | ABBA | 4 | 4:47 |
| 41 | Funkytown (single version)- phonographisches Urheberrecht (℗) von:
- PolyGram Records, Inc. (in 1979), The Island Def Jam Music Group (in 1979) und UMG Recordings, Inc. (in 1980)
- Bearbeitung von:
- Funkytown (12″ version) von Lipps, Inc.
- Teil von:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 37)
- recording of:
- Funkytown
- Texter und Komponist(in):
- Steven Greenberg
- publisher:
- Copyright Control , Intersong Music, Red Sea Songs, Rick S. Music , Steven Greenberg Music, Warner Chappell, Warner Chappell Music , Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd.
| Lipps, Inc. | 4.1 | 4:00 |
| 42 | I Was Made for Lovin’ You- recording engineer und Mix:
- Jay Messina
- assistierende(r) Techniker(in):
- Jim Galante und Jon Mathias
- Produzent(in):
- Vini Poncia
- Keyboard und Hintergrundgesang:
- Vini Poncia
- Schlagzeug:
- Anton Fig
- Sologesang:
- Paul Stanley
- phonographisches Urheberrecht (℗) von:
- Casablanca Record & FilmWorks, Inc. (in 1979), PolyGram Records, Inc. (in 1979) und The Island Def Jam Music Group (in 1979)
- produced for:
- Mad Vincent Productions
- aufgenommen bei:
- Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten und The Record Plant in Midtown Manhattan, New York, New York, Vereinigte Staaten
- recording of:
- I Was Made for Lovin’ You
- Verfasser(in):
- Desmond Child, Vini Poncia und Paul Stanley
- publisher:
- Desmobile Inc., Hori Productions America Inc., Universal Music Publishing , Universal Polygram International Publishing I , Universal–Songs of PolyGram International, Inc., Kiss (in 1979) und Mad Vincent Music (in 1979)
- sub-publisher:
- Taiyō Music, Universal Music Publishing France , Universal Music Publishing GmbH und Universal Music Publishing Ltd.
| KISS | 4.45 | 4:27 |
| 43 | I Don’t Believe You Want to Get Up and Dance (Oops, Up Side Your Head)- Produzent(in):
- Lonnie Simmons
- phonographisches Urheberrecht (℗) von:
- Phonogram, Inc. (in 1979), UMG Recordings, Inc. (in 1979) und The Island Def Jam Music Group (in 1980)
- produced for:
- Total Experience Productions
- recording of:
- I Don’t Believe You Want to Get Up and Dance (Oops!)
- Verfasser(in):
- Lonnie Simmons , Rudy Taylor , Charlie Wilson , Robert Wilson und Ronnie Wilson
- publisher:
- Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (in 1979) und Total Experience Music (in 1979)
- cover recording of:
- I Don’t Believe You Want to Get Up and Dance (Oops!)
- Verfasser(in):
- Lonnie Simmons , Rudy Taylor , Charlie Wilson , Robert Wilson und Ronnie Wilson
- publisher:
- Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (in 1979) und Total Experience Music (in 1979)
| The Gap Band | | 3:28 |
| 44 | I Will Survive (single version)- Partner-Produzent(in):
- Freddie Perren
- Produzent(in):
- Dino Fekaris
- phonographisches Urheberrecht (℗) von:
- PolyGram Records, Inc. (in 1978), Universal Records (in 1978) und Polydor Incorporated (in 1979)
- Bearbeitung von:
- I Will Survive von Gloria Gaynor
- Teil von:
- Billboard: The 500 Best Pop Songs (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 251) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 489)
- recording of:
- I Will Survive
- Verfasser(in):
- Dino Fekaris und Freddie Perren
- publisher:
- ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. , Universal Music Publishing , Universal Music Publishing Ltd. , Universal Music Publishing Pty Ltd. und Universal PolyGram International Publishing, Inc.
| Gloria Gaynor | 3.95 | 3:10 |
| 45 | Fess Up to the Boogie | Bionic Boogie | | 5:25 |
| 46 | Sacrifice | Chilly | | 3:52 |
| 47 | Love Pains- assistierende(r) Techniker(in):
- Frank Jones , Mark Linett, Raffaelo Maza und John Weaver
- Techniker(in):
- Joe Bogan und Phil Kaye
- Produzent(in):
- Steve Barri
- Bassgitarre [bass]:
- Mike Porcaro
- Gitarre [guitars]:
- Jay Graydon und Marty Walsh
- Keyboard [all keyboards]:
- Michael Omartian
- Perkussion:
- Steve Barri und Victor Feldman
- Schlagzeug:
- Jeffrey Porcaro
- Solo-Saxophon:
- Jim Horn
- Hintergrundgesang:
- Stan Farber, Jim Haas , Jon Joyce , Julia Waters Tillman, John Henry Kurtz und Maxine Waters Willard
- Sologesang:
- Yvonne Elliman
- conductor:
- Michael Omartian
- Saiteninstrumente arranger:
- Jimmy Haskell
- arranger:
- Michael Omartian
- concertmaster:
- Assa Drori
- aufgenommen bei:
- Dawnbreaker Studios in San Fernando, California , Vereinigte Staaten und Jennifudy Recording Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- mixed at:
- Jennifudy Recording Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- recording of:
- Love Pains
- Verfasser(in):
- Steve Barri, Michael Price und Dan Walsh
- publisher:
- Golden Clover Music, Sony Music Publishing (Japan) Inc. , World Song Publishing Inc., ヤマハミュージックEH(CM) , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 und Warner/Chappell Music Ltd. (in 1989)
| Yvonne Elliman | | 3:50 |
| 48 | What Am I Gonna Do With You | Barry White | | 3:35 |
| 49 | Ladies Night (single version) | Kool & the Gang | 4.15 | 3:27 |
| 50 | Ain’t Nothin’ Gonna Keep Me From You | Teri DeSario | | 3:51 |
| 51 | When You’re in Love With a Beautiful Woman | Dr. Hook | | 2:52 |
| 52 | H.A.P.P.Y. Radio (single version) | Edwin Starr | | 3:21 |
| 53 | Reunited (single version) | Peaches & Herb | 5 | 3:58 |
| 54 | Got a Feeling | Patrick Juvet | 3 | 3:41 |
| 55 | Lady (You Bring Me Up) (single version) | Commodores | 4 | 4:02 |
| 56 | Circles (single edit) | Atlantic Starr | | 4:03 |
| 57 | Let It Whip (single version) | Dazz Band | | 4:03 |
| 58 | On the Beat (remastered 2004) | The Brooklyn, Bronx and Queens Band | 3 | 5:55 |
| 59 | Grease (from “Grease”) | Frankie Valli | 4.4 | 3:25 |
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