Dioclesian - Timon of Athens

~ Release by Henry Purcell, Trevor Pinnock, English Concert (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Prelude - "Behold, O Mightiest Of Gods"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Choir of the English Concert (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Chorus "Behold, O mighty'st of Gods" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
?:??
2Paspe
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Paspe. The first entry of heroes on the stage (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
?:??
3"Oh The Sweet Delights Of Love!"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals:
Nancy Argenta (soprano) (in 1994-01) and Ann Monoyios (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Duet "O the Sweet Delights of Love" (Wood-Gods) (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
?:??
4"Let Monarchs Fight" / "Hear, Mighty Love!"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Choir of the English Concert (in 1994-01)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Aria and Chorus "Let monarchs fight" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
?:??
5"Since From My Dear Astraea's Sight"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals:
Nancy Argenta (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Song "Since from my dear Astrea's sight" (Soprano ("sung in the last act", probably alternate number for "Still I'm wishing")) (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
?:??
6"Make Room, Make Room"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals:
Simon Birchall (operatic bass) (in 1994-01) and Lawrence Wallington (British classical bass vocalist) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: (Prelude and) Duet "Make room for the great god of wine" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
?:??
7"I'm Here, I'm Here, With My Jolly Crew" / "We'll Rejoice As Well As You" / "The Mighty Jove"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1994-01) and Stephen Gadd (baritone) (in 1994-01)
choir vocals:
Choir of the English Concert (in 1994-01)
tenor vocals:
Richard Edgar‐Wilson (tenor) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Dioclesian, Z. 627: Act V. The Masque: “Let the Graces and Pleasures repair” (Cupid) (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
?:??
8Dance Of Bacchanals
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Dance of Bacchanals (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
?:??
9"Still I'm Wishing, Still Desiring"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals:
Nancy Argenta (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Aria and Ritornello "Still I'm wishing" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
?:??
10Canaries
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Canaries (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
?:??
11"Tell Me Why"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals:
Stephen Gadd (baritone) (in 1994-01)
soprano vocals:
Ann Monoyios (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Duet "Tell me why my charming fair" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
?:??
12Dance
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Dance (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
?:??
13"All Our Days And Our Nights" / "Begone, Begone, Importunate Reason"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Choir of the English Concert (in 1994-01)
tenor vocals:
Richard Edgar‐Wilson (tenor) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5.: Masque: Aria and Chorus "All our days" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
?:??
14"Let Us Dance, Let Us Sing"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals:
Ann Monoyios (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Aria and Chorus "Let us dance" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
?:??
15Dance
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Dance (2) (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
?:??
16"Triumph, Triumph Victorious Love" / "Then All Rehearse"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals:
Stephen Gadd (baritone) (in 1994-01)
choir vocals:
Choir of the English Concert (in 1994-01)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1994-01) and Richard Edgar‐Wilson (tenor) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Trio and Chorus "Triumph, triumph, victorious Love" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
?:??
17Overture
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 1. Overture (in 1994-11)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
?:??
18A Symphony Of Pipes "Hark! How The Songsters Of The Grove"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [Nymph]:
Nancy Argenta (soprano) (in 1994-11) and Ann Monoyios (soprano) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 2. Duet "Hark! How the songsters of the grove" (in 1994-11)
lyricist:
Thomas Shadwell
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
?:??
19"Love In Their Little Veins Inspires"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [Nymph]:
Ann Monoyios (soprano) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 3. Solo "Love in their little veins inspires" (Cupid) (in 1994-11)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
?:??
20"But Ah! How Much Are Our Delights"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals [Shepherd]:
Christopher Foster (English bass-baritone) (in 1994-11)
soprano vocals [Nymph]:
Nancy Argenta (soprano) (in 1994-11) and Ann Monoyios (soprano) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 4. Trio "But ah! How much are our delights" (in 1994-11)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
?:??
21"Hence With Your Trifling Deity" / "But Over Us No Griefs Prevail"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals [Bacchus]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1994-11)
choir vocals:
Choir of the English Concert (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 5. Solo "Hence with your trifling deity" (Bass) (in 1994-11)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
?:??
22"Come All, Come All To Me" / "Who Can Resist Such Mighty Charms?"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Choir of the English Concert (in 1994-11)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 7. Solo "Come, come all to me" (Cupid) (in 1994-11)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
?:??
23"Return, Revolting Rebels"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals [Bacchus]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 9. Solo "Return, revolting rebels" (Bacchus (Bass)) (in 1994-11)
composer:
Henry Purcell (Baroque composer) (in 1694)
part of:
Timon of Athens (semi-opera)
?:??
24"The Cares Of Lovers"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 10. Solo "The cares of lovers" (Cupid) (in 1994-11)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
?:??
25"Love Quickly Is Pall'd"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
tenor vocals [Bacchanalian]:
Paul Agnew (tenor and conductor) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 11. Solo "Love quickly is pall'd" (Alto) (in 1994-11)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
?:??
26"Come, Let Us Agree"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals [Bacchus]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1994-11)
choir vocals:
Choir of the English Concert (in 1994-11)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 13. Chorus "Come, let us agree" (in 1994-11)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
?:??
27Curtain Tune
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 14. Curtain Tune on a Ground (in 1994-11)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
?:??