The Hobbit: The Battle of the Five Armies: Original Motion Picture Soundtrack (special edition)

~ Release by Howard Shore (see all versions of this release, 8 available)

Tracklist

1Digital Media
2Digital Media
#TitleArtistRatingLength
1The Darkest Hour
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
The Darkest Hour
composer:
Howard Shore (Canadian score composer)
Howard Shore1.55:33
2Sons of Durin
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Sons of Durin
composer:
Howard Shore (Canadian score composer)
Howard Shore1.654:25
3The Fallen
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
The Fallen
composer:
Howard Shore (Canadian score composer)
Howard Shore1.754:57
4Ravenhill
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Ravenhill
composer:
Howard Shore (Canadian score composer)
Howard Shore2.755:48
5To the Death (extended version)
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
To the Death
composer:
Howard Shore (Canadian score composer)
Howard Shore17:23
6Courage and Wisdom
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Courage and Wisdom
composer:
Howard Shore (Canadian score composer)
Howard Shore2.155:10
7The Return Journey
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
The Return Journey
composer:
Howard Shore (Canadian score composer)
Howard Shore1.54:18
8There and Back Again
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
There and Back Again
composer:
Howard Shore (Canadian score composer)
Howard Shore1.754:20
9The Last Goodbye
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios) and Jason Huss (New Zealand engineer)
associate producer:
Stephen Gallagher (New Zealand composer and editor)
executive producer:
Billy Boyd (Scottish actor and musician) and Fran Walsh
producer and mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Olga FitzRoy
cimbalom:
Edward Cervenka (percussionist and cimbalom player)
guitar:
Adam Goldsmith, John Parricelli and Dario Rossetti-Bonell
lead vocals:
Billy Boyd (Scottish actor and musician)
conductor:
Robert Ziegler (conductor)
arranger and orchestrator:
Victoria Kelly
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Park Road Post in Wellington (Wellington Region), North Island, New Zealand and Roundhead Studios in Auckland, Auckland (Auckland Region), North Island, New Zealand
recording of:
The Last Goodbye (End credits song for “The Hobbit: The Battle of the Five Armies”)
lyricist:
Philippa Boyens and Fran Walsh
composer:
Billy Boyd (Scottish actor and musician)
Billy Boyd3.754:07
10Ironfoot (extended version)
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Ironfoot
composer:
Howard Shore (Canadian score composer)
Howard Shore16:12
11Dragon-Sickness
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Dragon‐Sickness
composer:
Howard Shore (Canadian score composer)
Howard Shore13:53
12Thrain
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Thrain
composer:
Howard Shore (Canadian score composer)
Howard Shore13:25