Sony Music 100 Years: Soundtrack for a Century

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD: Pop Music: The Early Years 1890–1950, Disc 1
2▶CD: Pop Music: The Early Years 1890–1950, Disc 2
3▶CD: Sony Classical: Great Performances: 1903–1998, Disc 1
4▶CD: Sony Classical: Great Performances: 1903–1998, Disc 2
5▶CD: Sony Classical: Great Performances: 1903–1998, Disc 3
6▶CD: Sony Classical: Great Performances: 1903–1998, Disc 4
7▶CD: Jazz: The Definitive Performances, Disc 1
8▶CD: Jazz: The Definitive Performances, Disc 2
9▶CD: Folk, Gospel & Blues: Will the Circle Be Unbroken, Disc 1
10▶CD: Folk, Gospel & Blues: Will the Circle Be Unbroken, Disc 2
11▶CD: Country: The American Tradition, Disc 1
12▶CD: Country: The American Tradition, Disc 2
13▶CD: Movie Music: The Definitive Performances, Disc 1
14▶CD: Movie Music: The Definitive Performances, Disc 2
15▶CD: Broadway: The Great Original Cast Recordings, Disc 1
16▶CD: Broadway: The Great Original Cast Recordings, Disc 2
17▼CD: Pop Music: The Golden Era: 1951–1975, Disc 1
Nr.TitelKünstlerBewertungLänge
1The Birth of the Blues
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1952-06-03)
arranger:
Heine Beau
recording of:
Birth of the Blues (am 1952-06-03)
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
Frank Sinatra13:28
2Because of You
Stimme/Gesang:
Tony Bennett (US jazz/standards vocalist)
vocals:
Tony Bennett (US jazz/standards vocalist)
conductor:
Percy Faith
cover recording of:
Because of You (am 1951-04-04)
Verfasser(in):
Arthur Hammerstein und Dudley Wilkinson
publisher:
Julian Stearns Arena Music, Inc
Tony Bennett42:56
3Jezebel
recording of:
Jezebel
Texter und Komponist(in):
Wayne Shanklin
publisher:
Anne-Rachel Music Corp. und Domino Publishing Co. Ltd.
Frankie Laine3:10
4Come On‐A My House
recorded in:
New York, New York, Vereinigte Staaten (am 1951-06-06)
Produzent(in):
Al Ham und Mitch Miller
Cembalo:
Stan Freeman (am 1951-06-06)
Gitarre:
Mundell Lowe (am 1951-06-06)
Kontrabass:
Frank Carroll (US bass player) (am 1951-06-06)
Schlagzeug:
Jimmy Crawford (US swing-era jazz drummer) (am 1951-06-06)
vocals:
Rosemary Clooney (am 1951-06-06)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
cover recording of:
Come On‐a My House (am 1951-06-06)
Verfasser(in):
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks) und William Saroyan
publisher:
Adam Bagdasarian Music, Bagdasarian Productions, Carol Bagdasarian Music, EMI Music Publishing France, Peter Maurice Music, Ross Bagdasarian Music, Stanford University Library for Saroyan, The Saroyan Company, Universal Duchess Music Corp., Universal MCA Music Publishing (France), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
Rosemary Clooney41:57
5Cry
recorded in:
New York, New York, Vereinigte Staaten (am 1951-10-16)
Interpret(in):
The Four Lads (am 1951-10-16)
cover recording of:
Cry (am 1951-10-16)
Texter und Komponist(in):
Churchill Kohlman
Johnnie Ray, The Four Lads43:02
6You Belong to Me
cover recording of:
You Belong to Me
Verfasser(in):
Pee Wee King, Chilton Price (country music songwriter) und Redd Stewart
publisher:
Hill & Range Inc. (publisher) und Ridgeway Music Co, Inc.
Jo Stafford43:04
7The Yellow Rose of Texas
recording of:
The Yellow Rose of Texas (am 1955-06-10)
Texter:
[traditional] (special purpose artist) und Don George (US songwriter/composer, 1909–1987)
Komponist(in):
[traditional] (special purpose artist)
publisher:
EMI Full Keel Music
Mitch Miller3:01
8Mack the Knife
Bass:
Arvell Shaw (in 1955)
Klarinette:
Barney Bigard (in 1955)
Klavier:
Billy Kyle (in 1955)
Posaune:
Trummy Young (in 1955)
Schlagzeug:
Barrett Deems (in 1955)
Trompete und Sologesang:
Louis Armstrong (in 1955)
recording of:
Mack the Knife (1954 Blitzstein translation) (am 1955-09-28)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3.653:21
9Standing on the Corner
recording of:
Standing on the Corner (The Most Happy Fella)
Texter und Komponist(in):
Frank Loesser
Teil von:
The Most Happy Fella (full musical)
The Four Lads2:51
10Whatever Will Be, Will Be (Que sera, sera)
vocals:
Doris Day (am 1956-02-24)
Orchester:
Frank De Vol and His Orchestra (am 1956-02-24)
conductor:
Frank De Vol (am 1956-02-24)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (vom 1956 bis heute)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (am 1956-02-24)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1956 winner)
Doris Day2:05
11Singing the Blues
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 37)
cover recording of:
Singing the Blues
Texter und Komponist(in):
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) und Acuff-Rose Music Limited (UK)
Guy Mitchell2:26
12Chances Are
leitende(r) Produzent(in):
Michael Berniker und Jerry Shulman
Produzent(in):
Al Ham und Mitch Miller
vocals:
Johnny Mathis (US pop/soul singer) (in 1957)
Orchester:
Ray Conniff and His Orchestra
phonographisches Urheberrecht (℗) von:
Jon Mat Records, Inc. (in 1957)
Teil von:
Grammy Hall of Fame (Nummer: 1998)
recording of:
Chances Are (in 1957)
Texter:
Al Stillman
Komponist(in):
Robert Allen (US songwriter/arranger/pianist)
publisher:
Kitty Anne Music Co., Inc. (beendet), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., EMI Music Publishing (do not use as a release label!), Music Sales Corporation (American copyright holder in both popular and classical music) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:01
13Summertime, Summertime
recording of:
Summertime, Summertime
Verfasser(in):
Sherman Feller (radio DJ, artist manager and songwriter.) und Thomas Earl Jameson
publisher:
Music Sales Shawnee, Templeton Publishing Co., Inc. und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Jamies1:59
14Theme From “A Summer Place”
recording of:
Theme from “A Summer Place” (original instrumental version)
Komponist(in):
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America
Percy Faith & His Orchestra2:24
15Moon River
Produzent(in):
Robert Mersey
conductor:
Robert Mersey (am 1962-01-04)
Interpret(in):
Andy Williams (US pop/jazz vocalist) (am 1962-01-04)
arranger:
Robert Mersey
cover recording of:
Moon River (am 1962-01-04)
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
Andy Williams12:45
16Bless You
recording of:
Bless You
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Dyad Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Tony Orlando2:07
17(I Left My Heart in) San Francisco
Produzent(in):
Ernie Altschuler
vocals:
Tony Bennett (US jazz/standards vocalist) (am 1962-01-23)
conductor:
Marty Manning
arranger:
Marty Manning
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 485)
cover recording of:
I Left My Heart in San Francisco (am 1962-01-23)
Texter:
Douglass Cross (US songwriter)
Komponist(in):
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. und EMI April Music Inc.
Tony Bennett32:50
18Blue Velvet
Produzent(in):
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
cover recording of:
Blue Velvet
Verfasser(in):
Lee Morris (US songwriter) und Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:48
19People
recording of:
People (Funny Girl)
Texter:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
Komponist(in):
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Funny Girl (Broadway musical)
Barbra Streisand3:40
20Ruby Baby
recording of:
Ruby Baby
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corp., Jerry Leiber Music, Sony/ATV Songs LLC und Stoller Music (ASCAP)
Dion2:35
21The Monkey Time
recording of:
The Monkey Time
Texter und Komponist(in):
Curtis Mayfield
publisher:
EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Major Lance2:46
22Hey Little Cobra
recording of:
Hey Little Cobra
Verfasser(in):
Carol Connors und Marshall Howard Connors
The Rip Chords1:59
23Before and After
Chad & Jeremy2:41
24For Your Love
Produzent(in):
Giorgio Gomelsky
Bass:
Paul Samwell-Smith (am 1965-02-01)
Bass [bowed bass]:
Ron Prentice (am 1965-02-01)
Bongos:
Denny Piercey (am 1965-02-01)
Cembalo:
Brian Auger (am 1965-02-01)
Gitarre:
Eric Clapton (am 1965-02-01) und Chris Dreja (am 1965-02-01)
Schlagzeug:
Jim McCarty (UK drummer, Yardbirds member) (am 1965-02-01)
vocals:
Keith Relf (am 1965-02-01)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1965)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (am 1965-02-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 22)
recording of:
For Your Love (am 1965-02-01)
Texter und Komponist(in):
Graham Gouldman
publisher:
EMI Blackwood Music Inc., Francis, Day & Hunter, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Screen Gems–EMI Music Ltd.
The Yardbirds4.552:28
25Down in the Boondocks
recording of:
Down in the Boondocks
Texter und Komponist(in):
Joe South
publisher:
Bike Music, BMG Music Ltd., BMG Music Publishing Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Lowery Music Co. Inc. (in 1965)
Billy Joe Royal2:33
26Kicks
recording of:
Kicks
Texter:
Cynthia Weil
Komponist(in):
Barry Mann
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Paul Revere & the Raiders2:27
27Like a Rolling Stone
recorded in:
New York, New York, Vereinigte Staaten (am 1965-06-15)
Produzent(in):
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.) (von 1965-07-15 bis 1965-07-16)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 4) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 16)
recording of:
Like a Rolling Stone (am 1965-06-15)
Texter und Komponist(in):
Bob Dylan (in 1965)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1965 bis 1993) und Special Rider Music (vom 1993 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
adaptations:
Olet yksin taas
Bob Dylan4.456:08
18▶CD: Pop Music: The Golden Era: 1951–1975, Disc 2
19▶CD: Rock: The Train Kept a Rollin’, Disc 1
20▶CD: Rock: The Train Kept a Rollin’, Disc 2
21▶CD: R&B: From Doo‐Wop to Hip‐Hop, Disc 1
22▶CD: R&B: From Doo‐Wop to Hip‐Hop, Disc 2
23▶CD: International Music: Sony Music Around the World, Disc 1
24▶CD: International Music: Sony Music Around the World, Disc 2
25▶CD: Pop Music: The Modern Era: 1976–1999, Disc 1
26▶CD: Pop Music: The Modern Era: 1976–1999, Disc 2