The Best Choral Album In The World ... Ever!

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼Cassette
#TitleArtistRatingLength
A1Gloria In Excelsis Deo
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Academy And Chorus Of St Martin In The Fields2:23
A2Jesu, Joy Of Man's Desiring
producer:
Christopher Bishop (conductor/producer)
choir vocals:
King’s College Choir, Cambridge
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
conductor:
Sir Neville Marriner (conductor) and Sir David Willcocks (UK composer, organist, choral conductor)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Jesu, Joy of Man’s Desiring
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Choir Of King's College, Cambridge, Academy Of St. Martin In The Fields3:22
A3Lacrimosa
recording engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1989-04)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (in 1989-04)
choir vocals:
London Philharmonic Choir (in 1989-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1989-04)
conductor:
Franz Welser‐Möst (conductor) (in 1989-04)
arranger:
Franz Beyer (violist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Requiem in D minor, K. 626: IIIf. Sequenz: “Lacrimosa” (Beyer/Kunzelmann Edition) (in 1989-04)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
London Philharmonic Choir and Orchestra2:57
A4For Unto Us A Child Is Born
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06-29 until 1966-08-09)
orchestra:
English Chamber Orchestra (from 1966-06-29 until 1966-08-09)
conductor:
Charles Mackerras (Australian conductor) (from 1966-06-29 until 1966-08-09)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
arranger:
Basil Lam (English producer, harpsichordist)
balance engineer:
Neville Boyling (engineer) (from 1966-06-29 until 1966-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06-29 until 1966-08-09)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (from 1966-06-29 until 1966-08-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Ambrosian Singers, English Chamber Orchestra4:20
A5Panis Angelicus
choir vocals:
Hallé Choir
orchestra:
Hallé Orchestra
conductor and chorus master:
Maurice Handford (hornist/conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
Hallé Chorus And Orchestra4:55
A6Listen To De Lambs
orchestra:
Elmer Iseler Singers
conductor:
Elmer Iseler (choir master)
recording of:
Listen to de lambs
lyricist and composer:
[traditional] (special purpose artist)
Elmer Iseler Singers4:56
A7Miserere Mei, Deus
bass vocals [Cantor]:
Gerald Finley (bass-baritone)
treble vocals:
Timothy Beasley-Murray (treble vocalist)
conductor:
Stephen Cleobury (organist, conductor)
partial recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
part of:
ABC Classic 100 (2001) (number: 9)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Choir Of King's College, Cambridge5:46
A8Sing To The Lord Of Harvest
choir vocals:
Vancouver Chamber Choir
recording of:
Sing to the Lord of Harvest
composer:
Healey Willan (English-Canadian organist and composer)
Vancouver Chamber Choir2:43
A9I'se The B'y
choir vocals:
Toronto Children’s Chorus
Toronto Children’s Chorus2:30
A10Ode To Joy
bass-baritone vocals:
James Morris (operatic bass-baritone)
choir vocals:
Westminster Choir (Princeton, USA)
orchestra:
The Philadelphia Orchestra
conductor:
Sir Adrian Boult (conductor) and Riccardo Muti (conductor)
chorus master:
Joseph Flummerfelt (choir master) and James Morris (operatic bass-baritone)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
The Westminster Choir, The Philadelphia Orchestra3:21
B1Dies Irae
choir vocals:
Orfeón Donostiarra (Spanish choir)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Orfeon Donostiarra, Orchestre National Du Capitole Du Toulouse2:16
B2Va, Pensiero
producer:
John Fraser (UK producer)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
chorus master:
Robin Stapleton (conductor)
balance engineer:
Michael Sheady (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Chorus And Orchestra Of The Royal Opera House, Covent Garden5:27
B3Chorus Of Slave Girls
harp:
María Rosa Calvo-Manzano
keyboard:
Anatoli Pouzun (keyboards)
choir vocals:
Escolanía de El Escorial
conductor:
José de Felipe
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
partial recording of:
Prince Igor (opera by Borodin, most contemporary performances shouldn't link to this work)
additional composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (from 1887 until 1888) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1887 until 1888)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (from 1869 until 1887)
premiered at:
Мариинский театр (Mariinsky Theatre, Mariinsky Theatre) in Sankt-Peterburg (Saint Petersburg), Russia (on 1890-11-04)
Chorus And Orchestra Of The National Theatre Of Sofia2:57
B4Agnus Dei
choir vocals:
Winchester Cathedral Choir
orchestra:
Bournemouth Sinfonietta
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Winchester Cathedral Choir, Bournemouth Sinfonietta6:02
B5Totus Tuus
choir vocals:
Choir of King’s College, Cambridge
conductor:
Stephen Cleobury (organist, conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
partial recording of:
Totus Tuus, op. 60
premiered in:
Warsaw, Mazowieckie (Masovian Voivodeship), Poland (on 1987-06-14)
lyricist:
Maria Bogusławska
composer:
Henryk Mikołaj Górecki (Henryk Mikolaj Gorecki, Polish composer) (in 1987)
part of:
Works of Henryk Mikołaj Górecki by opus number (number: op. 60)
Choir Of King's College, Cambridge4:10
B6Song For Athene
choir vocals:
Winchester Cathedral Choir
conductor and chorus master:
David Hill (British organist and conductor)
phonographic copyright (℗) by:
Floating Earth Ltd. (in 1998) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1998)
recording of:
Song for Athene
lyricist:
William Shakespeare (English poet and playwright)
composer:
John Tavener (20th century composer) (in 1993)
publisher:
Chester Music Ltd.
Winchester Cathedral Choir6:09
B7Rise Up, My Love, My Fair One
vocals:
Choirs of St. Mary Magdalene, Toronto
recording of:
Liturgical Motet no. 5, op. 314 "Rise up, my love, my fair one"
lyricist:
[anonymous] (special purpose artist)
composer:
Healey Willan (English-Canadian organist and composer) (in 1929)
Choirs of St. Mary Magdalene, Toronto1:56
B8Rede, Madchen, Allzu Liebes
choir vocals:
Vancouver Chamber Choir
recording of:
Liebeslieder-Walzer, op. 52: Nr. 1. Rede, Mädchen, allzu liebes
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Vancouver Chamber Choir1:12
B9Jerusalem
choir vocals:
Royal Choral Society (The Royal Choral Society)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recording of:
Jerusalem (anthem by Hubert Parry)
lyricist:
William Blake (English poet, painter, and printmaker)
composer:
Hubert Parry (English composer) (in 1916)
is based on:
Jerusalem (poem by Blake)
Royal Choral Society, London Philharmonic Orchestra2:26
2▶Cassette

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part of:The Best Album in the World... Ever! (order: 6)