80s Mixtape

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (producer, aka “Merrick”)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) and Phonogram Ltd. (not for release label use!) (in 1985)
music videos:
Everybody Wants to Rule the World by Tears for Fears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 28) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Tears for Fears3.94:11
2Don’t You (Forget About Me) (2001 mix)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. and Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
3Word Up
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1986)
music videos:
Word Up! by Cameo (American soul-influenced funk group)
part of:
TV Cream: Real 100 Best Singles Ever (number: 70) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 81)
recording of:
Word Up!
writer:
Larry Blackmon and Tomi Jenkins
publisher:
All Seeing Eye Music, Better Days Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:13
6Nasty
co-producer:
Janet Jackson
executive producer:
John McClain
producer:
Jam & Lewis
mixer:
Steve Hodge (engineer and producer)
keyboard, background vocals and lead vocals:
Janet Jackson
percussion:
Jam & Lewis
phonographic copyright (℗) by:
A&M Records (in 1986, in 2015)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 45)
recording of:
Nasty
writer:
Janet Jackson, James Samuel Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Flyte Tyme Tunes
Janet Jackson3.354:04
7(I Just) Died in Your Arms
engineer:
Terry Brown (producer)
producer:
Terry Brown (producer), Cutting Crew and John Jansen (US recording engineer and producer)
mixer:
Tim Palmer (British producer/mixer)
acoustic guitar, electric guitar and synthesizer [E-mu Emulator]:
Kevin MacMichael
bass:
Colin Farley
drums (drum set), percussion and tambourine:
Martin Beedle
piano:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Peter Birch
lead vocals:
Nick Van Eede
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) and Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
recorded at:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Utopia Studios (London) in London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 26)
recording of:
(I Just) Died in Your Arms
lyricist and composer:
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. and Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:40
8Maniac (from “Flashdance”)
producer:
Phil Ramone and Michael Sembello
vocals:
Michael Sembello (in 1983)
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
writer:
Dennis Matkosky and Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1983 nominee)
Michael Sembello4.154:08
9Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
saxophone:
David Tofani
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:40
10I Think We’re Alone Now
additional recording engineer:
John Kerns (US engineer)
drum machine [drum] programming:
John Duarte
engineer:
Bill Smith (US recording engineer)
producer:
George E. Tobin
guitar:
Chuck Yamek
synthesizer:
John Duarte
background vocals and lead vocals:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin and Bill Smith (US recording engineer)
arranger:
John Duarte
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 7)
cover recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:47
11Super Freak
recording engineer and mixer:
Tom "Super" Flye
assistant engineer:
Rick "Port Hole" Sanchez
engineer:
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez and Tom "Super" Flye
executive producer:
Alonzo Miller (Singer-songwriter, producer)
producer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
bass:
Oscar Alston
drums (drum set):
Lanise Hughes
electric piano and synthesizer [Crumar]:
Levi Ruffin, Jr.
guitar:
Tom McDermott (guitarist)
handclaps and percussion:
Oscar Alston, Rick James (US vocalist, multi‐instrumentalist, composer & producer) and Tom McDermott (guitarist)
other instruments [flexatone] and vibraslap:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
tenor saxophone:
Daniel LeMelle
background vocals:
Dennis Edwards (US soul & R’n’B singer), Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street and Otis Williams (US baritone singer, member of The Temptations & The Distants)
horn arranger:
Daniel LeMelle and Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recorded at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States (background vocals) and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 153) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 477)
recording of:
Super Freak
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
lyricist and composer:
Alonzo Miller (Singer-songwriter, producer) and Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. and Stone Diamond Music Corporation
Rick James4.153:24
12Centerfold
engineer:
Dave Thoener
producer:
Seth Justman
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) and EMI Catalog (in 2006)
recorded at:
Long View Farm in North Brookfield, Massachusetts, United States
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, United States
part of:
TV Cream: Real 100 Best Singles Ever (number: 38), Billboard: Greatest of All Time Hot 100 Songs (number: 73) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 314)
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) and Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:40
13Red Red Wine
producer:
Ray “Pablo” Falconer and UB40
arranger:
UB40
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) and DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Bang Records (Bert Berns label) (in 1968)
UB403.83:04
15If I Could Turn Back Time
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
additional engineer:
Guy Roche
assistant engineer:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) and Duane Seykora
producer:
Guy Roche and Diane Warren (US songwriter)
additional guitar:
Gene Black and Glenn Sciurba
bass guitar:
John Pierce (US session bassist)
drums (drum set) and tambourine:
Mark T. Williams
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
keyboard:
Alan Pasqua and Guy Roche
background vocals:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal (American singer-songwriter)
lead vocals:
Cher
phonographic copyright (℗) by:
Geffen Records (in 1989), The David Geffen Company (legal rights relating to Geffen Records) (in 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
mixed at:
The Complex Studios in Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 386)
recording of:
If I Could Turn Back Time
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) and Realsongs (in 1989)
Cher3.753:59
16Summer of ’69
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov and Michael Sauvage
engineer:
Bob Clearmountain (from 1984-03-27 until 1984-09-22)
associate producer:
Jim Vallance
producer:
Bryan Adams (Canadian singer/songwriter) and Bob Clearmountain
mixer:
Bob Clearmountain (on 1984-09-22)
drums (drum set) [drums]:
Pat (from 1984-03-27 until 1984-09-22)
electric bass guitar [bass]:
Dave (Bass player (Bryan Adams) and engineer) (from 1984-03-27 until 1984-09-22)
guitar [lead guitar]:
Keith (Canadian guitarist) (from 1984-03-27 until 1984-09-22)
guitar [rhythm guitar] and background vocals [harmony vocal]:
BA (Canadian singer/songwriter) (from 1984-03-27 until 1984-09-22)
percussion:
Jim (from 1984-03-27 until 1984-09-22)
lead vocals:
Bryan Adams (Canadian singer/songwriter) (from 1984-03-27 until 1984-09-22)
phonographic copyright (℗) by:
A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999) and Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada (from 1984-03-27 until 1984-09-22)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (on 1984-09-22)
part of:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (number: 1), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 3), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 3), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 5), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 8), Huffington Post: 100 Best Canadian Songs Ever (number: 9), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 10) and The Downloader’s Music Source Book (number: 179)
recording of:
Summer of ’69 (from 1984-03-27 until 1984-09-22)
written in:
Vancouver, British Columbia, Canada (on 1984-01-25)
writer:
Bryan Adams (Canadian singer/songwriter) (on 1984-01-25) and Jim Vallance (on 1984-01-25)
publisher:
Adams Communications Inc. (in 1984), Almo Music Corp. (USA, affiliated with ASCAP) (in 1984), Calypso Toonz (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984) and Testatyme Music (in 1984)
Bryan Adams4.43:36
17Heat of the Moment
engineer and producer:
Mike Stone (producer and engineer, 1960s–80s)
drums (drum set) and percussion:
Carl Palmer
electric bass guitar:
John Wetton
guitar:
Steve Howe
keyboard:
Geoff Downes (English keyboardist)
vocals:
Geoff Downes (English keyboardist), Steve Howe and John Wetton
phonographic copyright (℗) by:
Geffen Records (in 1982), The David Geffen Company (legal rights relating to Geffen Records) (in 1982) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1982)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
music videos:
Heat of the Moment (music video) by Asia (UK progressive rock band)
recording of:
Heat of the Moment
writer:
Geoff Downes (English keyboardist) and John Wetton
publisher:
BMG Gold Songs, Crosstown UK (Palan), Island Music Ltd., John Wetton Music Ltd, Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Palan Music Publishing Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music Co., Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music, Inc., Ackee Music Inc. (from 1982 to present), Almond Legg Music Corp. (from 1982 to present), WB Music Corp. (1929–2019) (from 1982 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Fujipacific Music, Inc., Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
Asia4.53:52
20Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
producer:
Val Garay
electric guitar:
Waddy Wachtel (in 1981-01)
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:46
21All Night Long (All Night) (single version)Lionel Richie4:19
22The Boys of Summer
engineer and mixer:
Niko Bolas and Greg Ladanyi
producer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Don Henley, Danny Kortchmar (Danny Kootch) and Greg Ladanyi
electric bass guitar [bass]:
Larry Klein
guitar [guitars], percussion and synthesizer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
guitar synthesizer [synthesizer guitar]:
Danny Kortchmar (Danny Kootch)
synthesizer:
Steve Porcaro
lead vocals:
Don Henley
music videos:
The Boys of Summer (music video) by Don Henley
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 164), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 209) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 416)
recording of:
The Boys of Summer
lyricist and composer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) and Don Henley
publisher:
Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Wild Gator Music (publishing company for Mike Campbell of Tom Petty and the Heartbreakers) and Woody Creek Music
Don Henley3.94:48
23White Wedding, Pt. 1 (remastered 2002)
assistant engineer:
Steve Bates (engineer)
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
bass guitar:
Phil Feit
drums (drum set):
Steve Missal
guitar:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
recorded at and mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
music videos:
White Wedding, Pt. 1 by Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Rare Blue Music Inc
Billy Idol4.154:12
24Addicted to LoveRobert Palmer & Eric Thorngren5:59
25Walking on Sunshine
recorded in:
England, United Kingdom
assistant engineer:
Jon Goldberger (engineer)
engineer and mixer:
Scott Litt (producer and engineer)
additional producer:
Scott Litt (producer and engineer)
producer:
Pat Collier and Katrina and the Waves (British‐American rock band)
bass guitar:
Vince de la Cruz
drums (drum set) and percussion:
Alex Cooper (drummer, member of “Katrina and the Waves”)
guest brass [Rumour Brass Section]:
Ray Beavis, Dick Hanson and John "Irish" Earl (Irish saxophonist)
guest organ:
Nick Glennie‐Smith
guitar [lead guitar]:
Kimberley Rew
guitar [rhythm guitar] and lead vocals:
Katrina Leskanich
background vocals:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz and Kimberley Rew
brass arranger:
Eamon Fitzpatrick
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recorded at:
Alaska Studios in London (Greater London), England, United Kingdom and Greenhouse Studio (London) in London (Greater London), England, United Kingdom
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 378)
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:53

Credits

Release

ASIN:US: B075FFLQ2V [info]