Pars vite et reviens tard

~ Release by Patrick Doyle (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Camille
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Taylor (UK recording engineer)
engineer:
Jake Jackson (recording engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Andy Walter (engineer) and James Bellamy (editor)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Gaumont (film company) and LGM Cinéma
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Camille
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:15
2L'érudit
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Taylor (UK recording engineer)
engineer:
Jake Jackson (recording engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Andy Walter (engineer) and James Bellamy (editor)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Gaumont (film company) and LGM Cinéma
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
L'érudit
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
3:01
3Les symptômes du fléau
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Taylor (UK recording engineer)
engineer:
Jake Jackson (recording engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Andy Walter (engineer) and James Bellamy (editor)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Gaumont (film company) and LGM Cinéma
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Les symptômes du fléau
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:13
4La longue nuit
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Taylor (UK recording engineer)
engineer:
Jake Jackson (recording engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Andy Walter (engineer) and James Bellamy (editor)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Gaumont (film company) and LGM Cinéma
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
La longue nuit
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
4:29
5L'archéologue
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Taylor (UK recording engineer)
engineer:
Jake Jackson (recording engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Andy Walter (engineer) and James Bellamy (editor)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Gaumont (film company) and LGM Cinéma
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
L'archéologue
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:55
6La mort en marche
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Taylor (UK recording engineer)
engineer:
Jake Jackson (recording engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Andy Walter (engineer) and James Bellamy (editor)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Gaumont (film company) and LGM Cinéma
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
La mort en marche
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:15
7Le solitaire
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Taylor (UK recording engineer)
engineer:
Jake Jackson (recording engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Andy Walter (engineer) and James Bellamy (editor)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Gaumont (film company) and LGM Cinéma
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Le solitaire
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:55
8La maison du mystère
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Taylor (UK recording engineer)
engineer:
Jake Jackson (recording engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Andy Walter (engineer) and James Bellamy (editor)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Gaumont (film company) and LGM Cinéma
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
La maison du mystère
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:26
9Adamsberg & Marie
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Taylor (UK recording engineer)
engineer:
Jake Jackson (recording engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Andy Walter (engineer) and James Bellamy (editor)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Gaumont (film company) and LGM Cinéma
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Adamsberg & Marie
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:57
10Le semeur
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Taylor (UK recording engineer)
engineer:
Jake Jackson (recording engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Andy Walter (engineer) and James Bellamy (editor)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Gaumont (film company) and LGM Cinéma
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Le semeur
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:55
11Mort à Marseille
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Taylor (UK recording engineer)
engineer:
Jake Jackson (recording engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Andy Walter (engineer) and James Bellamy (editor)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Gaumont (film company) and LGM Cinéma
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Mort à Marseille
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:34
12Chasse à l'homme
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Taylor (UK recording engineer)
engineer:
Jake Jackson (recording engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Andy Walter (engineer) and James Bellamy (editor)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Gaumont (film company) and LGM Cinéma
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Chasse à l'homme
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:34
13Afrique
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Taylor (UK recording engineer)
engineer:
Jake Jackson (recording engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Andy Walter (engineer) and James Bellamy (editor)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Gaumont (film company) and LGM Cinéma
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Afrique
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
3:31
14Révélation
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Taylor (UK recording engineer)
engineer:
Jake Jackson (recording engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Andy Walter (engineer) and James Bellamy (editor)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Gaumont (film company) and LGM Cinéma
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Révélation
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:20
15Le crime et l'enfant
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Taylor (UK recording engineer)
engineer:
Jake Jackson (recording engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Andy Walter (engineer) and James Bellamy (editor)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Gaumont (film company) and LGM Cinéma
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Le crime et l'enfant
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:44
16La coupable
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Taylor (UK recording engineer)
engineer:
Jake Jackson (recording engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Andy Walter (engineer) and James Bellamy (editor)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Gaumont (film company) and LGM Cinéma
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
La coupable
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
5:10