The Very Best of Relaxing Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1O Mio Babbino Caro From “Gianni Schicchi”
Orchester:
BBC Concert Orchestra
conductor:
Barry Wordsworth (conductor)
instrumental recording of:
“O mio babbino caro” (from Gianni Schicchi) (catch‐all for arrangements)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
Arrangement von:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
instrumental recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini4:06
2Intermezzo From “Cavelleria rusticina”
Orchester:
BBC Concert Orchestra
conductor:
Barry Wordsworth (conductor)
recording of:
Cavalleria rusticana: Intermezzo
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
Teil von:
Cavalleria rusticana
Teil von:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:31
3Rhapsody on a Theme of Paganini, op. 43 Variation 18
Klavier:
Bella Davidovich (pianist)
Orchester:
Concertgebouw Orchestra Amsterdam (Concertgebouworkest Amsterdam)
conductor:
Neeme Järvi (Estonian conductor)
teilweise recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer) (von 1934-07-03 bis 1934-08-18)
Teil von:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Sergei Rachmaninov2:37
4Canon in D major
recorded in:
La Chaux-de-Fonds, Neuchâtel (Kanton Neuenburg), Schweiz (in 1982-07)
Orchester:
I Musici (in 1982-07, in 1987)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon) (in 1982-07)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon) (in 1987)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel4:43
5Barcarolle From “Les Contes d’Hoffmann”
Orchester:
BBC Concert Orchestra
conductor:
Barry Wordsworth (conductor)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Librettist:
Jules Barbier
Teil von:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach3:37
6Cavatina from “The Deer Hunter”
Techniker(in):
Lars Finnström (engineer) (von 1981-05 bis 1981-06)
klassiche Gitarre:
Göran Söllscher (classical guitarist) (von 1981-05 bis 1981-06)
Gitarre arranger:
John Williams (classical guitarist)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981) und PolyGram AB (in 1981)
aufgenommen bei:
Mastersound Recording Studios (Skurup) in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Schweden (von 1981-05 bis 1981-06)
recording of:
Cavatina (theme from The Deer Hunter, for guitar) (von 1981-05 bis 1981-06)
Komponist(in):
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. und Robbins Music Corp. Ltd.
Stanley Myers3:36
7Adagio for Strings
Techniker(in):
Simon Eadon (classical music engineer)
Produzent(in):
Chris Hazell
Orchester:
Baltimore Symphony Orchestra (von 1991-09-30 bis 1991-10-01)
conductor:
David Zinman (conductor) (von 1991-09-30 bis 1991-10-01)
Tonmeister(in):
Simon Eadon (classical music engineer) (von 1991-09-30 bis 1991-10-01)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1992) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1992)
aufgenommen bei:
Joseph Meyerhoff Symphony Hall (Meyerhoff Symphony Hall) in Baltimore, Maryland, Vereinigte Staaten (von 1991-09-30 bis 1991-10-01)
recording of:
Adagio for Strings (von 1991-09-30 bis 1991-10-01)
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
Samuel Barber8:45
8Orchestral Suite no. 3 in D major: Air on a G String
Techniker(in):
Stanley Goodall (engineer) (in 1982-02)
Produzent(in):
Michael Haas (classical music producer)
Orchester:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02, in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1984-02, in 1985-01)
Tonmeister(in):
Stanley Goodall (engineer) (in 1984-02)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1984-02)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:49
9Humming Chorus From “Madame Butterfly”
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) und Gordon Parry (engineer) (in 1974-01)
assistierende(r) Produzent(in):
Michael Woolcock (producer) (in 1974-01)
Produzent(in):
Christopher Raeburn (producer) (in 1974-01)
Chorgesang:
Chor der Wiener Staatsoper (in 1974-01)
Orchester:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1974-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1974-01)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1974-01)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:59
10Symphony no. 9 in E minor From “The New World”: II. Largo (excerpt)
Orchester:
Koninklijk Concertgebouworkest (Concertgebouworkest Amsterdam)
conductor:
Sir Colin Davis (English conductor)
teilweise recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": II. Largo)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Antonín Dvořák3:07
11Prelude - Morning Mood From “Peer Gynt”
Orchester:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1888)
Version von:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
Teil von:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:21
12The John Dunbar Theme From “Dances With the Wolves
recorded in:
Culver City, California (Kalifornien), Vereinigte Staaten (in 1991-02)
Techniker(in):
Joel Moss (in 1991-02)
Produzent(in):
Michael Gore (producer)
Orchester:
Hollywood Bowl Orchestra (in 1991-02)
conductor:
John Mauceri (conductor) (in 1991-02)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1991) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1991)
recording of:
John Dunbar Theme (Dances With Wolves) (in 1991-02)
Komponist(in):
John Barry (English score composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) und EMI Virgin Music Publishing
Teil von:
Dances With Wolves
John Barry2:30
13The Lamb
Chorgesang:
Monteverdi Choir (English vocal Baroque ensemble)
conductor und chorus master:
John Eliot Gardiner
recording of:
The Lamb
Texter:
William Blake (English poet, painter, and printmaker) (in 1789)
Komponist(in):
John Tavener (20th century composer) (in 1982)
publisher:
Chester Music Ltd., Edition Wilhelm Hansen London Ltd. und J. & W. Chester, Ltd.
John Tavener2:53
14The Last Sleep of the Virgin
Produzent(in):
Michael Williamson (classical music producer)
Orchester:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (in 1958-05)
conductor:
Raymond Agoult (Hungarian, London-based conductor and composer) (in 1958-05)
Tonmeister(in):
Kenneth Wilkinson (engineer) (in 1958-05)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (in 1958-05)
recording of:
La Vierge: Scene 4. The Assumption: Dernier sommeil de la Vierge (in 1958-05)
Komponist(in):
Jules Massenet (French Romantic composer)
Librettist:
Charles Grandmougin
Teil von:
La Vierge
Jules Massenet5:01
15Prelude á l’ares midi d’un faune (excerpt)
flute:
Timothy Hutchins (flautist)
Orchester:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
teilweise recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
Komponist(in):
Claude Debussy (French composer) (von 1891 bis 1894-09)
gewidmet:
Raymond Bonheur (composer, 1861-1939)
Premiere bei:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
Teil von:
Classic 100: Music of France (2012) (Nummer: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (Nummer: L. 86) und Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (Nummer: CD 87)
Claude Debussy3:20
16Consolation no. 3
Klavier:
Rhondda Gillespie (pianist)
recording of:
Consolation in D‐flat major, S. 172 no. 3: Lento placido
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor)
Teil von:
Consolations, S. 172
Franz Liszt3:54
17Piano Concerto in D, K576: II. Adagio
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist)
Klavier:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1968-10)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1968-10)
recording of:
Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio (in 1968-10)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1789)
Teil von:
Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt"
Wolfgang Amadeus Mozart5:28
18Symphony no. 2: III. Adagio (conclusion)
Orchester:
Koninklijk Concertgebouworkest (Concertgebouworkest Amsterdam)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
teilweise recording of:
Symphony no. 2 in E minor, op. 27: III. Adagio
Komponist(in):
Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer) (von 1906 bis 1907)
Teil von:
Symphony no. 2 in E minor, op. 27
Sergie Rachmaninov6:54
2▶CD