Rock Der Rykker

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1We Will Rock You
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
assistierende(r) Produzent(in) und Koproduzent(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
Queen (UK rock group)
E-Gitarre und Gitarre:
Brian May (Queen guitarist) (von 1977-08 bis 1977-09)
foot stomps [footstomps] und Händeklatschen:
John Deacon (von 1977-08 bis 1977-09), Brian May (Queen guitarist) (von 1977-08 bis 1977-09), Freddie Mercury (von 1977-08 bis 1977-09) und Roger Taylor (Queen drummer) (von 1977-08 bis 1977-09)
Hintergrundgesang:
Brian May (Queen guitarist) (von 1977-08 bis 1977-09), Freddie Mercury (von 1977-08 bis 1977-09) und Roger Taylor (Queen drummer) (von 1977-08 bis 1977-09)
Sologesang:
Freddie Mercury (von 1977-08 bis 1977-09)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2001, in 2011)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (von 1977-08 bis 1977-09)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 338)
recording of:
We Will Rock You (von 1977-08 bis 1977-09)
Texter und Komponist(in):
Brian May (Queen guitarist)
publisher:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. und Sony/ATV
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.82:02
2Gimme All Your Lovin'
Techniker(in):
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
E-Bass:
Dusty Hill
E-Gitarre und Sologesang:
Billy Gibbons
Perkussion und Schlagzeug:
Frank Beard (ZZ Top drummer)
vocals:
Dusty Hill
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Gimme All Your Lovin’
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three und Songs of Mosaic
ZZ Top4.053:59
3Sleeping My Day Away
D‐A‐D4:23
4Urgent
assistierende(r) Techniker(in):
Edwin Hobgood (engineer) und Michael Sauvage
Techniker(in):
Tony Platt (UK engineer and producer), Brad Samuelsohn und Dave Wittman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Robert John “Mutt” Lange (Robert John Lange)
Bassgitarre:
Rick Wills
E-Gitarre [lead guitar]:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Keyboard:
Michael Fonfara und Mick Jones (Foreigner/Spooky Tooth, worked in France)
Saxophon:
Mark Rivera
Schlagzeug:
Dennis Elliott
Solo-Saxophon:
Junior Walker
Synthesizer:
Thomas Dolby
Hintergrundgesang:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981, in 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Urgent
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd. und Somerset Songs Publishing Inc.
sub-publisher:
Fuji Pacific Music inc. (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner4.154:26
5Black Night
E-Bass:
Roger Glover (in 1970-05)
E-Gitarre:
Ritchie Blackmore (in 1970-05)
Hammond-Orgel:
Jon Lord (in 1970-05)
Schlagzeug:
Ian Paice (in 1970-05)
Sologesang:
Ian Gillan (in 1970-05)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1970-05)
recording of:
Black Night (in 1970-05)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (bis 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple4.253:26
6Out in the Fields
Techniker(in):
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
Produzent(in):
Peter Collins (producer)
assistierende(r) Mix:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
Gast-Bassgitarre [bass] und Gast vocals:
Philip Lynott
Gast-Keyboard [keyboards]:
Don Airey und Andy Richards (Strawbs keyboard player/record producer)
Gast-Schlagzeug [drums]:
Charlie Morgan (British drummer and percussionist)
Gitarre [guitars] und Sologesang:
Gary Moore (Thin Lizzy, blues guitar)
phonographisches Urheberrecht (℗) von:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 2002)
produced at:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
Out in the Fields
Texter und Komponist(in):
Gary Moore (Thin Lizzy, blues guitar)
Gary Moore & Phil Lynott3.44:16
7Fool for Your Loving
Techniker(in), Produzent(in) und Mix:
Martin Birch
Bassgitarre:
Neil Murray (British bass guitar player) (von 1979-12 bis 1980-02)
Gitarre:
Bernie Marsden (von 1979-12 bis 1980-02) und Micky Moody (von 1979-12 bis 1980-02)
Keyboard:
Jon Lord (von 1979-12 bis 1980-02)
Schlagzeug:
Ian Paice (von 1979-12 bis 1980-02)
Hintergrundgesang:
David Coverdale (von 1979-12 bis 1980-02), Bernie Marsden (von 1979-12 bis 1980-02) und Micky Moody (von 1979-12 bis 1980-02)
Sologesang:
David Coverdale (von 1979-12 bis 1980-02)
aufgenommen bei:
Central Recorders Studio in London (Greater London), England, Vereinigtes Königreich (von 1979-12 bis 1980-02) und Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich (von 1979-12 bis 1980-02)
Musikvideos:
Fool for Your Loving (original version) von Whitesnake
recording of:
Fool for Your Loving (von 1979-12 bis 1980-02)
Verfasser(in):
David Coverdale, Bernie Marsden und Micky Moody
publisher:
Colgems-EMI Music Inc., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Seabreeze Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Windswept Pacific Music Ltd., 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), WB Music Corp. (1929–2019) (bis 2019-05-28), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), WC Music Corp. (vom 2019-05-28 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Whitesnake4.654:15
8Can't Get Enough
recording of:
Can’t Get Enough
Texter und Komponist(in):
Mick Ralphs
publisher:
Badco Music, Inc.
Bad Company3:27
9Born to Be Wild
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:28
10This Flight Tonight
Produzent(in):
Roger Glover
phonographisches Urheberrecht (℗) von:
Nazareth (Dunfermline) Ltd. (bis 1973) und Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1973)
cover recording of:
This Flight Tonight
Texter und Komponist(in):
Joni Mitchell
publisher:
Global Musikverlag (Global Musik GmbH & Co. KG), Joni Mitchell Publishing Corp., Siquomb Pub. Corp. und Warner Bros. Music (publisher; do NOT use as release label)
Nazareth3.83:21
11Easy Livin'
recording engineer:
Peter Gallen (von 1972-03 bis 1972-04)
assistierende(r) Techniker(in):
Ashley Howe
Techniker(in):
Peter Gallen
Produzent(in):
Gerry Bron
Mix:
Rafe McKenna
E-Bass:
Gary Thain (von 1972-03 bis 1972-04)
Gitarre:
Mick Box (von 1972-03 bis 1972-04)
Orgel:
Ken Hensley (von 1972-03 bis 1972-04)
Schlagzeug:
Lee Kerslake (von 1972-03 bis 1972-04)
vocals:
David Byron (von 1972-03 bis 1972-04)
arranger:
Uriah Heep (British prog/hard rock)
phonographisches Urheberrecht (℗) von:
Bronze (in 1972), Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972), Legacy Records Ltd. (in 1972), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Vereinigtes Königreich (von 1972-03 bis 1972-04) und Astoria Theatre (London) in Westminster, London (Greater London), England, Vereinigtes Königreich (am 2003-11-08)
produced at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Vereinigtes Königreich
recording of:
Easy Livin’ (von 1972-03 bis 1972-04)
Texter und Komponist(in):
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd., Sidney Bron Music (also spelled “Sydney”) und Umble Tunes Ltd.
Uriah Heep4.252:35
12Paranoid
Techniker(in):
Tom Allom und Brian Humphries
Produzent(in):
Rodger Bain (von 1970-06 bis 1970-07)
E-Bass:
Geezer Butler (von 1970-06-16 bis 1970-06-21)
E-Gitarre:
Tony Iommi (von 1970-06-16 bis 1970-06-21)
Perkussion und Schlagzeug:
Bill Ward (von 1970-06-16 bis 1970-06-21)
Sologesang:
Ozzy Osbourne (in 1970)
phonographisches Urheberrecht (℗) von:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970), NEMS (UK label, 1976–1983) (in 1976) und Icarus Music (Argentinian metal label and distributor) (in 2006)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970) und Regent Sound Studios in London (Greater London), England, Vereinigtes Königreich (von 1970-06-16 bis 1970-06-21)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 13), TV Cream: Real 100 Best Singles Ever (Nummer: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 250) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 338)
recording of:
Paranoid (von 1970-06-16 bis 1970-07-08)
Texter:
Geezer Butler
Komponist(in):
Geezer Butler, Tony Iommi, Ozzy Osbourne und Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. und Westminster Music Ltd. (in 1970)
Black Sabbath4.62:47
13Rotator
Dizzy Mizz Lizzy3:30
14Rock You Like a Hurricane
Techniker(in):
Mike Beiriger, Dieter Dierks, David Hewitt (engineer) und Gerd Rautenbach
Produzent(in):
Dieter Dierks
Mix:
Mike Beiriger, Dieter Dierks und Scorpions (German rock band)
Akustikgitarre und E-Gitarre:
Rudolf Schenker (in 1984)
Bassgitarre:
Francis Buchholz (in 1984)
E-Gitarre [lead guitar] und E-Gitarre [rhythm guitar]:
Matthias Jabs (in 1984) und Rudolf Schenker (in 1984)
Perkussion und Schlagzeug:
Herman Rarebell (drummer, Germany) (in 1984)
Slide-Gitarre:
Matthias Jabs (in 1984)
Hintergrundgesang:
Francis Buchholz (in 1984), Matthias Jabs (in 1984), Klaus Meine (in 1984), Herman Rarebell (drummer, Germany) (in 1984) und Rudolf Schenker (in 1984)
Sologesang:
Klaus Meine (in 1984)
arranger:
Dieter Dierks
phonographisches Urheberrecht (℗) von:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 1984, in 2015, in 2018), Breeze Music (in 1984), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1984) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1984)
aufgenommen bei:
Dierks Studios in Pulheim, Nordrhein-Westfalen, Deutschland (von 1983 bis 1984)
Teil von:
Alan Cross: Hurricane Songs (Nummer: 5), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 18) und Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 36)
recording of:
Rock You Like a Hurricane (in 1984)
Texter:
Klaus Meine und Herman Rarebell (drummer, Germany)
Komponist(in):
Rudolf Schenker
publisher:
Arabella Music Edition München, Arabella Musikverlag GmbH (ARABELLA MUSIC EDITION MUENCHEN) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Scorpions44:12
15The Ballroom Blitz
Techniker(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Phil Wainman
arranger:
Sweet (UK glam rock band)
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei und engineered at:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
The Ballroom Blitz
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. und Universal Music Publishing MGB Australia
Sweet4.64:01
16You Ain’t Seen Nothin’ Yet
Techniker(in):
Mark Smith (Canadian engineer)
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
Solo-Gitarre und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
You Ain’t Seen Nothing Yet
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. und Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:32
17Whatever You Want
Produzent(in):
Pip Williams (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1979), Mercury Records Ltd. (London) (for copyrights use only) (in 1979), Mercury Records Ltd. (UK) (in 1979) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1979)
recording of:
Whatever You Want
geschrieben in:
Jersey
Verfasser(in):
Andy Bown und Rick Parfitt (UK guitarist for Status Quo)
publisher:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton und Shawbury Music Ltd. (publisher)
Status Quo43:48
18Pet Sematary
Assistent recording engineer:
Judy Kirschner und Robbie Norris
recording engineer:
Martin Bisi und Robert Musso (musician, producer and engineer)
zusätzlich recording engineer:
Martin Bisi
assistierende(r) Techniker(in):
Oz Fritz (sound engineer) und Robbie Norris
Techniker(in):
Judy Kirschner und Robert Musso (musician, producer and engineer)
Produzent(in):
Jean Beauvoir und Daniel Rey
assistierende(r) Mix:
Oz Fritz (sound engineer)
Mix:
Jason Corsaro (U.S. music engineer, and record producer) und Robert Musso (musician, producer and engineer)
Bassgitarre:
Dee Dee Ramone
Gitarre:
Johnny Ramone
Schlagzeug:
Marky Ramone (Marc Bell)
Sologesang:
Joey Ramone
aufgenommen bei:
Sorcerer Sound in New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
B.C. Studios in Brooklyn, New York, New York, Vereinigte Staaten
mixed at:
Platinum Island Studios in New York, New York, Vereinigte Staaten
recording of:
Pet Sematary
Verfasser(in):
Dee Dee Ramone und Daniel Rey
publisher:
Taco Tunes Inc. und Warner/Chappell Music (Warner/Chappell Music, Inc.)
Ramones4.23:30
19White Wedding (Part 1)
assistierende(r) Techniker(in):
Steve Bates (engineer)
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bassgitarre:
Phil Feit
Gitarre:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
Schlagzeug:
Steve Missal
Sologesang:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
aufgenommen bei und mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
White Wedding, Pt. 1 von Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rare Blue Music Inc
Billy Idol4.154:12
205 Minutes of Loneliness
The Sandmen3:43
21My Generation
Produzent(in):
Shel Talmy
Bass:
John Entwistle (am 1965-10-13)
Gitarre:
Pete Townshend (of The Who) (am 1965-10-13)
Klavier:
Nicky Hopkins (pianist and organist) (am 1965-10-13)
Perkussion und Schlagzeug:
Keith Moon (drummer) (am 1965-10-13)
Sologesang:
Roger Daltrey (am 1965-10-13)
vocals:
John Entwistle (am 1965-10-13) und Pete Townshend (of The Who) (am 1965-10-13)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1965, in 1970) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (am 1965-10-13)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 37) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 232)
recording of:
My Generation (am 1965-10-13)
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
Devon Music Inc., Essex Music of Australia P/L, Essex Musikvertrieb GmbH und Fabulous Music, Ltd. (this is a publisher, not an imprint!)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Who4.353:15

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