The Midnight Hour: A Collection of Great Smoochers

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
A1With You I’m Born Again
recording of:
With You I’m Born Again
Texter:
Carol Connors
Komponist(in):
David Shire (American score composer)
publisher:
Check Out Music, EMI Music Publishing (do not use as a release label!) und Jobete Music (UK) Ltd.
Billy Preston & Syreeta?:??
A2Easy
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1977), Motown Record Corporation (company credits only; do NOT use as release label) (in 1977), Motown Records (not for label use; use “Motown” instead) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 2009)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 93)
recording of:
Easy
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Commodores3.75?:??
A3How ’Bout Us
assistierende(r) Techniker(in):
Michael Ferraro (engineer) und Tom Miller (engineer)
Techniker(in):
Stu Walder
Partner-Produzent(in):
James Mack (Composer, arranger, conductor)
Produzent(in):
Leo Graham (producer / composer / lyricist)
Bassgitarre [bass]:
Michael Reed (US bassist for Champaign) und Paul Richmond (producer - songwriter - bassist)
elektronisches Schlagzeug / E-Drums [syndrums]:
Tommy Radtke
Gitarre [guitars]:
Michael Day und Howard Reeder
Keyboard [keyboards]:
Michael Day und Dana Walden
Perkussion:
Rocky Maffit
Schlagzeug:
Morris Jennings, Jr.
Solo-alto saxophone:
Ken Soderbloom
Synthesizer [synthesizers]:
Dana Walden
Sologesang:
Pauli Carman
vocals:
Michael Day, Rena Jones (vocalist for Champaign), Rocky Maffit und Howard Reeder
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
James Mack (Composer, arranger, conductor)
arranger:
Champaign, Leo Graham (producer / composer / lyricist) und James Mack (Composer, arranger, conductor)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
produced for:
B‐Line Productions
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten
cover recording of:
How ’bout Us
Texter und Komponist(in):
Dana Walden
publisher:
April Music, Irving Music (BMI) und Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
How ’bout Us
Texter und Komponist(in):
Dana Walden
publisher:
April Music, Irving Music (BMI) und Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign3?:??
A4You’ll Never Know
recording engineer:
Gene Leone und Ray Volpe (engineer)
sonstige Unterstützung:
Benny Diggs (Aufgabe: background vocals coach)
Produzent(in):
Giuliano Salerni
Mix:
Giuliano Salerni und Gene Leone
Hintergrundgesang:
Phillip Ballou, Luter Vandross, Ullanda McCullough und Maeretha Stewart
Sologesang:
Bonita Taylor
conductor:
Giuliano Salerni (Horn [horns], Saiteninstrumente)
Horn [horns] arranger und Saiteninstrumente arranger:
Giuliano Salerni
arranger:
Giuliano Salerni
phonographisches Urheberrecht (℗) von:
Prelude Records (NY-based independent dance label, 1976–86) (in 1981)
aufgenommen bei:
Alpha International in Philadelphia, Pennsylvania, Vereinigte Staaten und Eras Recording in New York, New York, Vereinigte Staaten
mixed at:
Alpha International in Philadelphia, Pennsylvania, Vereinigte Staaten
recording of:
You’ll Never Know
Texter:
Phil Hurtt
Verfasser(in):
Giuliano Salerni
publisher:
April Blackwood Music, Cookie Box Music, GS EuroAmerican, Keep On Music, Phylmar Music, Unitunes Music, リトルスター・コピーライトマネージメント (Little Star Copyright Management) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Hi‐Gloss3?:??
A5Stop, Look, Listen (to Your Heart)
Produzent(in):
Hal Davis
arranger:
Gene Page (conductor, composer, arranger and record producer)
cover recording of:
Stop, Look, Listen (to Your Heart)
Verfasser(in):
Thom Bell (keyboards, songwriter, producer) und Linda Creed
publisher:
Assorted Music, Bellboy Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross & Marvin Gaye3.35?:??
A6Help Me Make It Through the Night
cover recording of:
Help Me Make It Through the Night
Texter und Komponist(in):
Kris Kristofferson
publisher:
BMG Songs Ltd., Combine Music Corp., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd. und KPM (music publisher)
sub-publisher:
Air Music Scandinavia AB
Gladys Knight & the Pips?:??
A7Got to Be There
Produzent(in):
Hal Davis
Sologesang:
Michael Jackson (“King of Pop”) (von 1970-06 bis 1970-07)
arranger:
Dave Blumberg
recording of:
Got to Be There (von 1971-06 bis 1971-07)
Texter und Komponist(in):
Elliot Willensky
vocals arranger:
Willie Hutch
Michael Jackson3?:??
A8(If Loving You Is Wrong) I Don’t Want to Be Right
Millie Jackson?:??
A9Body Talk
recording of:
Body Talk
Verfasser(in):
Ashley Ingram, Leee John, Steve Jolley und Tony Swain (songwriter, producer)
publisher:
Associated Music International Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony/ATV Music Publishing LLC (1995–2020), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Imagination3?:??
B1If You’re Looking for a Way Out
recording of:
If You’re Looking for a Way Out
Verfasser(in):
Ralph Kotkov und Sandy Linzer
publisher:
EMI Songs Ltd.
Odyssey?:??
B2All of My Life
Produzent(in):
Michael Randall
arranger:
Michael Randall
recording of:
All of My Life
Texter und Komponist(in):
Michael Randall
Diana Ross?:??
B3I’ll Be There
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 7)
recording of:
I’ll Be There
Verfasser(in):
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy und Willie Hutch
publisher:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. und Stone Diamond Music Corporation
Teil von:
MJ: The Musical
The Jacksons5?:??
B4Let’s Get It On
Techniker(in):
William McMeekin und Art Stewart
Produzent(in):
Marvin Gaye und Ed Townsend
Mix:
Cal Harris
Bassgitarre:
Wilton Felder (am 1973-03-22)
Bongos und Conga:
Eddie “Bongo” Brown (am 1973-03-22) und Bobbye Hall (am 1973-03-22)
guitar family:
Don Peake (am 1973-03-22), Louie Shelton (am 1973-03-22), David T. Walker (am 1973-03-22) und Melvin “Wah Wah” Watson (am 1973-03-22)
Klavier:
Marvin Gaye (am 1973-03-22), Marvin Jenkins (am 1973-03-22) und Joe Sample (am 1973-03-22)
Perkussion:
Emil Richards (am 1973-03-22)
Saxophon:
Plas Johnson (am 1973-03-22) und Ernie Watts (jazz and blues saxophonist) (am 1973-03-22)
Schlagzeug:
Paul Humphrey (jazz, r&b drummer) (am 1973-03-22)
Vibraphon:
Victor Feldman (jazz musician) (am 1973-03-22) und Emil Richards (am 1973-03-22)
Hintergrundgesang und Sologesang:
Marvin Gaye (am 1973-03-22)
conductor:
René Hall (am 1973-03-22)
aufgenommen bei:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1973-03-22)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 167) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 264)
recording of:
Let’s Get It On (am 1973-03-22)
Verfasser(in):
Marvin Gaye und Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und Stone Diamond Music Corporation
Marvin Gaye4.05?:??
B5The Whole Town’s Laughing at Me
Produzent(in):
Sherman Marshall
recording of:
The Whole Town’s Laughing at Me
Verfasser(in):
Sherman Marshall und Ted Wortham
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teddy Pendergrass?:??
B6Just the Two of Us
Produzent(in):
Ralph MacDonald und Grover Washington, Jr.
E-Bass:
Marcus Miller (jazz musician) (von 1980-06 bis 1980-07)
E-Gitarre:
Eric Gale (von 1980-06 bis 1980-07)
Perkussion:
Ralph MacDonald (von 1980-06 bis 1980-07)
Rhodes Piano:
Richard Tee (von 1980-06 bis 1980-07)
Saxophon:
Grover Washington, Jr. (von 1980-06 bis 1980-07)
Schlagzeug:
Steve Gadd (drummer) (von 1980-06 bis 1980-07)
Sologesang:
Bill Withers (von 1980-06 bis 1980-07)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1980), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1980) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
Bearbeitung von:
Just the Two of Us (original studio mix) von Bill Withers & Grover Washington, Jr.
recording of:
Just the Two of Us (Bill Withers song) (von 1980-06 bis 1980-07)
Verfasser(in):
Ralph MacDonald, William Salter (songwriter, bassist, producer) und Bill Withers
publisher:
Antisia Music Inc. und Bleunig Music
Bill Withers2.65?:??
B7Love All the Hurt Away
recording of:
Love All the Hurt Away
Texter und Komponist(in):
Sam Dees
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Aretha Franklin & George Benson?:??
B8Betcha’ Wouldn’t Hurt Me
Synthesizer-Programmierung:
Ian Underwood
Produzent(in):
Quincy Jones
Hybrid-Piano und Synthesizer:
Greg Phillinganes
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Solo-Synthesizer [Yamaha CS-80] und Synthesizer [Yamaha CS-80]:
Stevie Wonder
Hintergrundgesang und Sologesang:
Patti Austin
Perkussion arranger:
Quincy Jones und Stevie Wonder
Synthesizer arranger:
Jerry Hey, Quincy Jones und Stevie Wonder
vocals arranger:
Quincy Jones
recording of:
Betcha Wouldn’t Hurt Me
Verfasser(in):
Stephanie Andrews, Quincy Jones und Stevie Wonder
Quincy Jones?:??

Nennungen