The Singer

~ Release by Diamanda Galás (see all versions of this release, 4 available)

Annotation

D. Galás: Voice, Steinway piano, Hammond organ

Special thanks to Beth BEllis

Photographs: Rotem

Art Direction: Susan Duncan

Macintosh Man: John Figurski

Thanks: Barbara Maier, Daniel Miller, Kim Seligman, Linda Kelly, James & Gerogianna Galás, Michael Flanagan, Guy Walker, Hal Wilner, Frank Kelly, Aldo Hernandez, Cassie Roessel, Linda Greenberg, Peter Wright, Suzanne Stefenac, Sylvia Heisel, Scott Macauley and Rachel Felder

Insane Asylum is dedicated to Phyllis Pinko

Gloomy Sunday is dedicated to Carl Valentino

All music arranged and performed live by Diamanda Galás

Produced by: Eric Liljestrand and Diamanda Galás
Engineered and mixed by Eric Lijestrand
Recorded at Sorcerer Sound, New York City
Assistant Engineer: Patrick Derivaz
Thanks to Vera Beren
Mixed at This Way Productions, INC., New York City
Assistant Engineer: Bill Kreth
Thanks to Danny Caccavo
Mastered at Digital Soundworks, New York City by Suha Gur

1992, Diamanda Galás

Annotation last modified on 2021-01-10 18:31 UTC.

Tracklist

1Digital Media
#TitleRatingLength
1My Love Will Never Die
3:56
2Reap What You Sow
3:40
3Were You There When They Crucified My Lord?
5:17
4Gloomy Sunday
3:02
5Balm in Gilead / Swing Low, Sweet Chariot
5:41
6Insane Asylum
4:54
7I Put a Spell on You
4:30
8Let My People Go
recorded at:
Sorcerer Sound in New York, New York, United States (on 1991-11-01)
recording of:
Let My People Go (Diamanda Galás song) (on 1991-11-01)
lyricist and arranger:
Diamanda Galás
composer:
[traditional] (special purpose artist)
is based on:
Go Down Moses (spiritual)
5:00
9See That My Grave Is Kept Clean
cover recording of:
See That My Grave Is Kept Clean
lyricist and composer:
Blind Lemon Jefferson (American blues and gospel singer‐songwriter)
writer:
Steve Wynn
publisher:
Boogie Music, Poison Brisket, Tradition Music and Universal Music Corp. (USA, affiliated with ASCAP)
3:11
10Judgement Day
recording of:
Judgement Day
writer:
Diamanda Galás
7:01