The More I See You

~ Release by Oscar Peterson (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1In a Mellow Tone
recording engineer:
Jack Renner (engineer for Telarc) (from 1995-01-15 until 1995-01-16)
producer:
Elaine Martone (engineer)
editor:
James Bonney (editor for Telarc)
alto saxophone:
Benny Carter (from 1995-01-15 until 1995-01-16)
double bass:
Ray Brown (jazz bassist) (from 1995-01-15 until 1995-01-16)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1995-01-15 until 1995-01-16)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (from 1995-01-15 until 1995-01-16)
guitar:
Lorne Lofsky (from 1995-01-15 until 1995-01-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1995-01-15 until 1995-01-16)
phonographic copyright (℗) by:
TELARC (in 1995)
recorded at:
Manta / Eastern Sound in Toronto, Ontario, Canada (from 1995-01-15 until 1995-01-16)
instrumental recording of:
In a Mellow Tone (from 1995-01-15 until 1995-01-16)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
4:54
2Gee Baby, Ain't I Good to You
recording engineer:
Jack Renner (engineer for Telarc) (from 1995-01-15 until 1995-01-16)
producer:
Elaine Martone (engineer)
editor:
James Bonney (editor for Telarc)
alto saxophone:
Benny Carter (from 1995-01-15 until 1995-01-16)
double bass:
Ray Brown (jazz bassist) (from 1995-01-15 until 1995-01-16)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1995-01-15 until 1995-01-16)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (from 1995-01-15 until 1995-01-16)
guitar:
Lorne Lofsky (from 1995-01-15 until 1995-01-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1995-01-15 until 1995-01-16)
phonographic copyright (℗) by:
TELARC (in 1995)
recorded at:
Manta / Eastern Sound in Toronto, Ontario, Canada (from 1995-01-15 until 1995-01-16)
instrumental recording of:
Gee, Baby Ain’t I Good to You (from 1995-01-15 until 1995-01-16)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, volume I)
4:46
3On the Trail
recording engineer:
Jack Renner (engineer for Telarc) (from 1995-01-15 until 1995-01-16)
producer:
Elaine Martone (engineer)
editor:
James Bonney (editor for Telarc)
alto saxophone:
Benny Carter (from 1995-01-15 until 1995-01-16)
double bass:
Ray Brown (jazz bassist) (from 1995-01-15 until 1995-01-16)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1995-01-15 until 1995-01-16)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (from 1995-01-15 until 1995-01-16)
guitar:
Lorne Lofsky (from 1995-01-15 until 1995-01-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1995-01-15 until 1995-01-16)
phonographic copyright (℗) by:
TELARC (in 1995)
recorded at:
Manta / Eastern Sound in Toronto, Ontario, Canada (from 1995-01-15 until 1995-01-16)
instrumental recording of:
On the Trail (from 1995-01-15 until 1995-01-16)
lyricist:
Harold Adamson
composer:
Ferde Grofé (pianist, arranger, conductor and composer)
7:05
4When My Dream Boat Comes Home
recording engineer:
Jack Renner (engineer for Telarc) (from 1995-01-15 until 1995-01-16)
producer:
Elaine Martone (engineer)
editor:
James Bonney (editor for Telarc)
alto saxophone:
Benny Carter (from 1995-01-15 until 1995-01-16)
double bass:
Ray Brown (jazz bassist) (from 1995-01-15 until 1995-01-16)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1995-01-15 until 1995-01-16)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (from 1995-01-15 until 1995-01-16)
guitar:
Lorne Lofsky (from 1995-01-15 until 1995-01-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1995-01-15 until 1995-01-16)
phonographic copyright (℗) by:
TELARC (in 1995)
recorded at:
Manta / Eastern Sound in Toronto, Ontario, Canada (from 1995-01-15 until 1995-01-16)
instrumental recording of:
When My Dreamboat Comes Home (from 1995-01-15 until 1995-01-16)
writer:
Dave Franklin (Tin Pan Alley songwriter) and Cliff Friend (US composer, lyricist & pianist)
8:20
5Ron's Blues
recording engineer:
Jack Renner (engineer for Telarc) (from 1995-01-15 until 1995-01-16)
producer:
Elaine Martone (engineer)
editor:
James Bonney (editor for Telarc)
alto saxophone:
Benny Carter (from 1995-01-15 until 1995-01-16)
double bass:
Ray Brown (jazz bassist) (from 1995-01-15 until 1995-01-16)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1995-01-15 until 1995-01-16)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (from 1995-01-15 until 1995-01-16)
guitar:
Lorne Lofsky (from 1995-01-15 until 1995-01-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1995-01-15 until 1995-01-16)
phonographic copyright (℗) by:
TELARC (in 1995)
recorded at:
Manta / Eastern Sound in Toronto, Ontario, Canada (from 1995-01-15 until 1995-01-16)
8:08
6For All We Know
recording engineer:
Jack Renner (engineer for Telarc) (from 1995-01-15 until 1995-01-16)
producer:
Elaine Martone (engineer)
editor:
James Bonney (editor for Telarc)
alto saxophone:
Benny Carter (from 1995-01-15 until 1995-01-16)
double bass:
Ray Brown (jazz bassist) (from 1995-01-15 until 1995-01-16)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1995-01-15 until 1995-01-16)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (from 1995-01-15 until 1995-01-16)
guitar:
Lorne Lofsky (from 1995-01-15 until 1995-01-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1995-01-15 until 1995-01-16)
phonographic copyright (℗) by:
TELARC (in 1995)
recorded at:
Manta / Eastern Sound in Toronto, Ontario, Canada (from 1995-01-15 until 1995-01-16)
instrumental recording of:
For All We Know (1934 song) (from 1995-01-15 until 1995-01-16)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
8:43
7Blues for Lisa
recording engineer:
Jack Renner (engineer for Telarc) (from 1995-01-15 until 1995-01-16)
producer:
Elaine Martone (engineer)
editor:
James Bonney (editor for Telarc)
alto saxophone:
Benny Carter (from 1995-01-15 until 1995-01-16)
double bass:
Ray Brown (jazz bassist) (from 1995-01-15 until 1995-01-16)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1995-01-15 until 1995-01-16)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (from 1995-01-15 until 1995-01-16)
guitar:
Lorne Lofsky (from 1995-01-15 until 1995-01-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1995-01-15 until 1995-01-16)
phonographic copyright (℗) by:
TELARC (in 1995)
recorded at:
Manta / Eastern Sound in Toronto, Ontario, Canada (from 1995-01-15 until 1995-01-16)
recording of:
Blues for Bird (from 1995-01-15 until 1995-01-16)
composer:
Dizzy Gillespie and Oscar Peterson (Canadian jazz pianist and composer)
publisher:
Dizlo Music Corp. and Tomi Music Corp. (BMI affiliated)
9:20
8Squatty Roo
recording engineer:
Jack Renner (engineer for Telarc) (from 1995-01-15 until 1995-01-16)
producer:
Elaine Martone (engineer)
editor:
James Bonney (editor for Telarc)
alto saxophone:
Benny Carter (from 1995-01-15 until 1995-01-16)
double bass:
Ray Brown (jazz bassist) (from 1995-01-15 until 1995-01-16)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1995-01-15 until 1995-01-16)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (from 1995-01-15 until 1995-01-16)
guitar:
Lorne Lofsky (from 1995-01-15 until 1995-01-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1995-01-15 until 1995-01-16)
phonographic copyright (℗) by:
TELARC (in 1995)
recorded at:
Manta / Eastern Sound in Toronto, Ontario, Canada (from 1995-01-15 until 1995-01-16)
recording of:
Squatty Roo (from 1995-01-15 until 1995-01-16)
composer:
Johnny Hodges
5:43
9The More I See You
recording engineer:
Jack Renner (engineer for Telarc) (from 1995-01-15 until 1995-01-16)
producer:
Elaine Martone (engineer)
editor:
James Bonney (editor for Telarc)
alto saxophone:
Benny Carter (from 1995-01-15 until 1995-01-16)
double bass:
Ray Brown (jazz bassist) (from 1995-01-15 until 1995-01-16)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1995-01-15 until 1995-01-16)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (from 1995-01-15 until 1995-01-16)
guitar:
Lorne Lofsky (from 1995-01-15 until 1995-01-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1995-01-15 until 1995-01-16)
phonographic copyright (℗) by:
TELARC (in 1995)
recorded at:
Manta / Eastern Sound in Toronto, Ontario, Canada (from 1995-01-15 until 1995-01-16)
instrumental recording of:
The More I See You (from 1995-01-15 until 1995-01-16)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music International Ltd.
translated version of:
The More I See You (Valli’s version with french lyrics)
6:07

Credits

Release group

Wikipedia:en: The More I See You (album) [info]
Wikidata:Q7752239 [info]