Remastered: The Complete Studio Recordings (1949-1969)

~ Uitgave van Maria Callas (Bekijk alle versies van deze uitgave, 3 beschikbaar)

Nummerlijst

1▶cd: The First Recordings (1949)
2▶cd: Amilcare Ponchielli: La Gioconda (Act 1) (1952)
3▶cd: Amilcare Ponchielli: La Gioconda (Act 2) (1952)
4▶cd: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (1952)
5▶cd: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (1953)
6▶cd: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (1953)
7▶cd: Vincenzo Bellini: I puritani (Act 1) (1953)
8▶cd: Vincenzo Bellini: I puritani (Acts 2 & 3) (1953)
9▶cd: Pietro Mascagni: Cavalleria rusticana (1953)
10▶cd: Giacomo Puccini: Tosca (Act 1) (1953)
11▶cd: Giacomo Puccini: Tosca (Acts 2 & 3) (1953)
12▶cd: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (1953)
13▶cd: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (1953)
14▶cd: Norma: Act 1, Scene 1 (1954)
15▶cd: Vincenzo Bellini: Norma (Act 1, Scene 2) (1954)
16▶cd: Vincenzo Bellini: Norma (Act 2) (1954)
17▶cd: Ruggero Leoncavallo: I pagliacci (1954)
18▶cd: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (1954)
19▶cd: Giuseppe Verdi: La forza del destino (Act 3) (1954)
20▶cd: Giuseppe Verdi: La forza del destino (Act 4) (1954)
21▶cd: Gioachino Rossini: Il turco in Italia (Act 1) (1954)
22▶cd: Gioachino Rossini: Il turco in Italia (Act 2) (1954)
23▶cd: Puccini Arias (1954)
24▶cd: Lyric and Coloratura Arias (1954)
25▶cd: Callas at La Scala (1955)
26▶cd: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (1955)
27▶cd: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (1955)
28▶cd: Giuseppe Verdi: Aida (Acts 1 & 2) (1955)
29▶cd: Giuseppe Verdi: Aida (Acts 3 & 4) (1955)
30▶cd: Giuseppe Verdi: Rigoletto (Act 1) (1955)
31▶cd: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (1955)
32▶cd: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (1956)
33▼cd: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (1956)
#TitelArtiestWaarderingDuur
1Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (Coro, Ferrando)
producent:
Walter Legge (British classical producer)
basvocalen [Ferrando]:
Nicola Zaccaria (operatic bass) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto III. Il figlio della zingara
is een opname van:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:29
2Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte, Ferrando, Coro, Azucena)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
basvocalen [Ferrando]:
Nicola Zaccaria (operatic bass) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
mezzo-sopraanvocalen [Azucena]:
Fedora Barbieri (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto III. Il figlio della zingara
is een opname van:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:12
3Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Conte, Ferrando, Coro, Azucena)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
basvocalen [Ferrando]:
Nicola Zaccaria (operatic bass) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
mezzo-sopraanvocalen [Azucena]:
Fedora Barbieri (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto III. Il figlio della zingara
is een opname van:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:08
4Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Conte, Ferrando, Coro, Azucena)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
basvocalen [Ferrando]:
Nicola Zaccaria (operatic bass) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
mezzo-sopraanvocalen [Azucena]:
Fedora Barbieri (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Azucena, Ferrando, Conte Luna, soldati) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto III. Il figlio della zingara
is een opname van:
Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Azucena, Ferrando, Conte Luna, soldati) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:07
5Il trovatore: Atto III, scena 2. “Quale d'armi fragor” (Leonora, Manrico)
producent:
Walter Legge (British classical producer)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto III. Il figlio della zingara
is een opname van:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:02
6Il trovatore: Atto III, scena 2. “Ah sì, ben mio, coll'essere io tuo” (Manrico)
producent:
Walter Legge (British classical producer)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
deel van:
Il trovatore: Atto III. Il figlio della zingara
is een opname van:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
deel van:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:53
7Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!” (Manrico, Leonora, Ruiz, Coro)
producent:
Walter Legge (British classical producer)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Ruiz]:
Renato Ercolani (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto III. Il figlio della zingara
is een opname van:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:29
8Il trovatore: Atto III, scena 2. “Di quella pira, l'orrendo foco” (Manrico, Leonora, Ruiz, Coro)
producent:
Walter Legge (British classical producer)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Ruiz]:
Renato Ercolani (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
deel van:
Il trovatore: Atto III. Il figlio della zingara
is een opname van:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
deel van:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:21
9Il trovatore: Atto IV, scena 1. “Siam giunti, ecco la torre” (Ruiz, Leonora)
producent:
Walter Legge (British classical producer)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Ruiz]:
Renato Ercolani (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
is een opname van:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:06
10Il trovatore: Atto IV, scena 1. “D'amor sull'ali rosscena” (Leonora)
producent:
Walter Legge (British classical producer)
editor:
Jennifer Howells
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
fonografisch auteursrecht (℗):
EMI Italiana S.p.A. (not for release label use! Italian subsidiary of EMI 1967–1997)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
is een opname van:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:02
11Il trovatore: Atto IV, scena 1. “Miserere…Quel suon quelle preci” (Coro, Leonora, Manrico)
producent:
Walter Legge (British classical producer)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
is een opname van:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:54
12Il trovatore: Atto IV, scena 1. “Di te, di te scordarmi! Tu vedrai che amore in terra” (Leonora)
producent:
Walter Legge (British classical producer)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto IV, scena 1. “Di te! Di te! scordami di te” (Leonora) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto IV. Il supplicio
is een opname van:
Il trovatore: Atto IV, scena 1. “Di te! Di te! scordami di te” (Leonora) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:33
13Il trovatore: Atto IV, scena 1. “Udiste?” (Conte, Leonora)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
is een opname van:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:47
14Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime” (Conte, Leonora)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
is een opname van:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:19
15Il trovatore: Atto IV, scena 1. “Conte!…Né basti!” (Conte, Leonora)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto IV, scena 1. “Conte” … “Nè basti” (Leonora, Conte Luna) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto IV. Il supplicio
is een opname van:
Il trovatore: Atto IV, scena 1. “Conte” … “Nè basti” (Leonora, Conte Luna) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:14
16Il trovatore: Atto IV, scena 1. “Colui vivrà…Vivrà! Contende il giubilo” (Conte, Leonora)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
is een opname van:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:25
17Il trovatore: Atto IV, scena 2. “Madre, non dormi?” (Azucena, Manrico)
producent:
Walter Legge (British classical producer)
mezzo-sopraanvocalen [Azucena]:
Fedora Barbieri (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
is een opname van:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:29
18Il trovatore: Atto IV, scena 2. “Sì, la stanchezza m'opprime” (Azucena, Manrico)
producent:
Walter Legge (British classical producer)
mezzo-sopraanvocalen [Azucena]:
Fedora Barbieri (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
is een opname van:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:19
19Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico)
producent:
Walter Legge (British classical producer)
mezzo-sopraanvocalen [Azucena]:
Fedora Barbieri (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto IV. Il supplicio
is een opname van:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:04
20Il trovatore: Atto IV, scena 2. “Che! Non m'inganna” (Manrico, Leonora, Azucena)
producent:
Walter Legge (British classical producer)
mezzo-sopraanvocalen [Azucena]:
Fedora Barbieri (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
is een opname van:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:08
21Il trovatore: Atto IV, scena 2. “Parlar non vuoi?…Ha quest'infame l'amor venuto” (Manrico, Leonora, Azucena)
producent:
Walter Legge (British classical producer)
mezzo-sopraanvocalen [Azucena]:
Fedora Barbieri (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto IV, scena 2. "Parlar non vuoi?" ... "Ha quest'infame l'amor venduto" (Manrico, Leonora) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto IV. Il supplicio
is een opname van:
Il trovatore: Atto IV, scena 2. "Parlar non vuoi?" ... "Ha quest'infame l'amor venduto" (Manrico, Leonora) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:01
22Il trovatore: Atto IV, scena 2. “Ti scosta!” (Manrico, Leonora)
producent:
Walter Legge (British classical producer)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
is een opname van:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:06
23Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Leonora, Manrico, Conte, Azucena)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
mezzo-sopraanvocalen [Azucena]:
Fedora Barbieri (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
is een opname van:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:34
34▶cd: Giacomo Puccini: La bohème (Acts 1 & 2) (1956)
35▶cd: Giacomo Puccini: La bohème (Acts 3 & 4) (1956)
36▶cd: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (1956)
37▶cd: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (1956)
38▶cd: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (1957)
39▶cd: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (1957)
40▶cd: Vincenzo Bellini: La sonnambula (Act 1) (1957)
41▶cd: Vincenzo Bellini: La sonnambula (Act 2) (1957)
42▶cd: Giacomo Puccini: Turandot (Acts 1 & 2) (1957)
43▶cd: Giacomo Puccini: Turandot (Acts 3) (1957)
44▶cd: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (1957)
45▶cd: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (1957)
46▶cd: Luigi Cherubini: Medea (Act 1) (1957)
47▶cd: Luigi Cherubini: Medea (Acts 2 & 3) (1957)
48▶cd: Callas Portrays Verdi Heroines (Verdi Arias I) (1958)
49▶cd: Mad Scenes (1958)
50▶cd: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (1959)
51▶cd: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (1959)
52▶cd: Amilcare Ponchielli: La Gioconda (Act 1) (1959)
53▶cd: Amilcare Ponchielli: La Gioconda (Act 2) (1959)
54▶cd: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (1959)
55▶cd: Vincenzo Bellini: Norma (Act 1 beginning) (1960)
56▶cd: Vincenzo Bellini: Norma (Act 1 conclusion) (1960)
57▶cd: Vincenzo Bellini: Norma (Act 2) (1960)
58▶cd: Great Arias from French Opera (Callas à Paris I) (1961)
59▶cd: More Arias from French Opera (Callas à Paris II) (1963)
60▶cd: Mozart, Beethoven, Weber Recital (1963 & 1964)
61▶cd: Verdi Arias II (1963 & 1964)
62▶cd: Rossini & Donizetti Arias (1963 & 1964)
63▶cd: Georges Bizet: Carmen (Act 1, Act 2 beginning) (1964)
64▶cd: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (1964)
65▶cd: Giacomo Puccini: Tosca (Act 1) (1964 & 1965)
66▶cd: Giacomo Puccini: Tosca (Acts 2 & 3) (1964 & 1965)
67▶cd: Verdi Arias III (1965 & 1969)
68▶cd: The Callas Rarities (1953-1969) (1953, 1958, 1960 & 1961)
69▶cd: The Callas Rarities (1953-1969) (1962, 1964, 1965 & 1969)
70▶data-cd: Libretti

Relaties

Uitgavegroep

bevat:Aida (1955 studio cast) van Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Tullio Serafin (conductor)
Callas à Paris (Album II) van Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (French conductor)
Callas à Paris I van Maria Callas (soprano), Orchestre National de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France), Georges Prêtre (French conductor)
Callas at La Scala van Maria Callas (soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Callas sings Rossini and Donizetti Arias van Rossini (composer), Donizetti (Italian opera composer); Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno (conductor)
Callas Sings Verdi Arias van Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno (conductor)
Carmen (1964 studio cast) van Georges Bizet (French composer); Maria Callas (soprano), Nicolai Gedda (tenor), Andréa Guiot (soprano), Robert Massard (baritone), Nadine Sautereau (French soprano), Jane Berbié (mezzo-soprano), Claude Calès (French baritone), Chœurs René Duclos, Chœurs d’enfants Jean Pesneaud, Orchestre du Théâtre national de l’Opéra de Paris, Georges Prêtre (French conductor)
Cavalleria rusticana (1953 EMI recording) van Pietro Mascagni (composer & conductor); Maria Callas (soprano) - Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
I puritani (1953 Milan studio cast) van Vincenzo Bellini (Sicilian opera composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Nicola Rossi‐Lemeni (operatic bass), Rolando Panerai (baritone), Coro & Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Il barbiere di Siviglia (1957 studio recording) van Rossini (composer); Maria Callas (soprano), Tito Gobbi (baritone), Alva (tenor), Carturan (mezzo-soprano), Ollendorff (operatic bass), Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Alceo Galliera (organist, conductor and composer)
Il trovatore (1956 recording) van Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
Il turco in Italia (1954 studio cast) van Gioachino Rossini (composer); Maria Callas (soprano), Nicola Rossi‐Lemeni (operatic bass), Nicolai Gedda (tenor), Mariano Stabile (baritone), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Gianandrea Gavazzeni (conductor)
La bohème (1956 studio cast) van Giacomo Puccini (Italian composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Rolando Panerai (baritone), Anna Moffo (soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Antonino Votto (conductor)
La forza del destino (1954 Milan recording) van Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Richard Tucker (tenor), Carlo Tagliabue (baritone), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
La Gioconda (1959 recording) van Ponchielli (composer); Callas (soprano), Cossotto (mezzo-soprano), Companeez (mezzo-soprano / contralto), Vinco (operatic bass), Ferraro (tenor), Cappuccilli (baritone), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Antonino Votto (conductor)
La Gioconda (1952 recording) van Amilcare Ponchielli (composer); Maria Callas (soprano), Fedora Barbieri (mezzo-soprano), Giulio Neroni, Maria Amadini (mezzo-soprano), Gianni Poggi (tenor), Paolo Silveri (baritone), Piero Poldi (bass vocalist), Armando Benzi (operatic tenor), Orchestra Sinfonica di Torino della RAI, Antonino Votto (conductor)
La sonnambula (1957 studio cast) van Vincenzo Bellini (Sicilian opera composer); Nicola Zaccaria (operatic bass), Fiorenza Cossotto (mezzo-soprano), Maria Meneghini Callas (soprano), Eugenia Ratti (soprano), Nicola Monti (tenor), Giuseppe Morresi (operatic bass), Franco Ricciardi (Italian tenor), Coro e Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan), Antonino Votto (conductor)
La traviata (1953 studio recording) van Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Francesco Albanese (tenor), Ugo Savarese (Italian baritone), Coro Cetra, Orchestra Sinfonica Nazionale della RAI (RAI National Symphony Orchestra, formed in 1994, merging the four former RAI orchestras of Turin, Rome, Naples, and Milan), Gabriele Santini (conductor)
Lucia di Lammermoor (1959 London Recording) van Donizetti (Italian opera composer); Maria Callas (soprano), Ferruccio Tagliavini (tenor), Piero Cappuccilli (baritone), Bernard Ładysz (bass-baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Tullio Serafin (conductor)
Lucia di Lammermoor (1953 Florence Recording) van Gaetano Donizetti (Italian opera composer); Maria Callas (soprano), Tullio Serafin (conductor)
Lyric and Coloratura Arias van Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
Manon Lescaut (1957 studio cast) van Giacomo Puccini (Italian composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Maria Meneghini Callas Sings Arias From Tristano e Isotta, Norma, I puritani van Wagner (Richard Wagner, composer), Bellini (Sicilian opera composer); Maria Meneghini Callas (soprano), Orchestra Sinfonica di Torino della RAI, Arturo Basile (Italian opera conductor)
Maria Meneghini Callas Sings Operatic Arias by Puccini van Puccini (Italian composer); Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
Medea (1957 Milan recording) van Luigi Cherubini (composer); Maria Callas (soprano), Renata Scotto (operatic soprano), Miriam Pirazzini (mezzo soprano), Mirto Picchi (tenor), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Tullio Serafin (conductor)
Mozart, Beethoven & Weber Arias van Mozart (Wolfgang Amadeus Mozart, classical composer), Beethoven (Ludwig van Beethoven, German composer), Weber (composer); Maria Callas (soprano), Paris Conservatoire Orchestra, Nicola Rescigno (conductor)
Norma (1960 studio cast) van Bellini (Sicilian opera composer); Maria Callas (soprano), Franco Corelli (tenor), Christa Ludwig (mezzo-soprano), Nicola Zaccaria (operatic bass), Piero de Palma (tenor), Edda Vincenzi (soprano), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Norma (1954 studio cast) van Bellini (Sicilian opera composer); Maria Callas (soprano), Mario Filippeschi (tenor), Ebe Stignani (mezzo soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Tullio Serafin (conductor)
Pagliacci (1954 Scala cast) van Leoncavallo (composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Tito Gobbi (baritone), Rolando Panerai (baritone), Nicola Monti (tenor), Orchestra (Orchestra of La Scala, Milan) and Chorus of La Scala, Milan, Tullio Serafin (conductor)
Rigoletto (1955 studio cast) van Giuseppe Verdi (Italian opera composer); Giuseppe di Stefano (tenor), Tito Gobbi (baritone), Maria Meneghini Callas (soprano), Nicola Zaccaria (operatic bass), Adriana Lazzarini (mezzo-soprano), Giuse Gerbino (Italian mezzo-soprano), Plinio Clabassi (operatic bass), William Dickie (british bass-baritone), Renato Ercolani (tenor), Carlo Forti (operatic bass), Elvira Galassi (soprano / mezzo-soprano), Tullio Serafin (conductor), Norberto Mola (chorus master), L'Ente Autonomo del Teatro alla Scala (Orchestra of La Scala, Milan)
The Callas Rarities
Tosca (1964 studio cast) van Giacomo Puccini (Italian composer); Maria Callas (soprano), Carlo Bergonzi (tenor), Tito Gobbi (baritone), Chœurs du Théâtre National de l'Opéra de Paris (Paris National Opera Chorus), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (French conductor)
Turandot (1957 studio cast) van Giacomo Puccini (Italian composer); Maria Callas (soprano), Eugenio Fernandi (tenor), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nicola Zaccaria (operatic bass), Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Un ballo in maschera (1956 studio cast) van Verdi (Giuseppe Verdi, Italian opera composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Tito Gobbi (baritone), Fedora Barbieri (mezzo-soprano), Eugenia Ratti (soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Antonino Votto (conductor)
Verdi Arias I van Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Nicola Rescigno (conductor)
Verdi Arias III van Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Orchestre de l'Opéra National de Paris, Nicola Rescigno (conductor)