Tracklist

1CD: 2007 recording
#TitleArtistRatingLength
1Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme"
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:56
2Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenore) "Er kommt, er kommt, der Bräutgam kommt!"
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Kurt Streit (tenor) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach0:59
3Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Duetto: Soprano, basso) "Wann kömmst du, mein Heil?" (Seele, Jesus)
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Anton Scharinger (bass-baritone) (from 2007-12-15 until 2007-12-16)
soprano vocals:
Julia Kleiter and Julia Kleitner (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:52
4Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenore) "Zion hört die Wächter singen"
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
tenor vocals:
Kurt Streit (tenor)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach3:57
5Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Basso) "So geh herein zu mir"
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Anton Scharinger (bass-baritone) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:29
6Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Duetto: Soprano, basso) "Mein Freund ist mein" (Seele, Jesus)
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Anton Scharinger (bass-baritone) (from 2007-12-15 until 2007-12-16)
soprano vocals:
Julia Kleiter and Julia Kleitner (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:34
7Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen"
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:57
8Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland"
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-08 until 2006-12-09)
orchestra:
Concentus Musicus Wien (from 2006-12-08 until 2006-12-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-08 until 2006-12-09)
chorus master:
Erwin Ortner (from 2006-12-08 until 2006-12-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2006-12-08 until 2006-12-09)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: I. Coro “Nun komm, der Heiden Heiland” (from 2006-12-08 until 2006-12-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach3:23
9Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore): "Der Heiland ist gekommen"
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-08 until 2006-12-09)
orchestra:
Concentus Musicus Wien (from 2006-12-08 until 2006-12-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-08 until 2006-12-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2006-12-08 until 2006-12-09)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: II. Recitativo (Tenore): “Der Heiland ist gekommen” (from 2006-12-08 until 2006-12-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach1:26
10Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche"
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-08 until 2006-12-09)
orchestra:
Concentus Musicus Wien (from 2006-12-08 until 2006-12-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-08 until 2006-12-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2006-12-08 until 2006-12-09)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: III. Aria (Tenore) “Komm, Jesu, komm zu deiner Kirche” (from 2006-12-08 until 2006-12-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach3:46
11Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Recitative (Basso) "Siehe, ich stehe vor der Tür"
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Gerald Finley (bass-baritone) (from 2006-12-08 until 2006-12-09)
orchestra:
Concentus Musicus Wien (from 2006-12-08 until 2006-12-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-08 until 2006-12-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2006-12-08 until 2006-12-09)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: IV. Recitativo (Basso) “Siehe, ich stehe vor der Tür und klopfe an” (from 2006-12-08 until 2006-12-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach1:00
12Kantate, BWV 61 "Nun komm, der Heiden Heiland": IV. Aria (Soprano) "Öffne dich, mein ganzes Herze"
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
soprano vocals:
Christine Schäfer (soprano) (from 2006-12-08 until 2006-12-09)
orchestra:
Concentus Musicus Wien (from 2006-12-08 until 2006-12-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-08 until 2006-12-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2006-12-08 until 2006-12-09)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: V. Aria (Soprano) “Öffne dich, mein ganzes Herze” (from 2006-12-08 until 2006-12-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach3:48
13Kantate, BWV 61 "Nun komm, der Heiden Heiland": V. Choral "Amen"
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-08 until 2006-12-09)
orchestra:
Concentus Musicus Wien (from 2006-12-08 until 2006-12-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-08 until 2006-12-09)
chorus master:
Erwin Ortner (from 2006-12-08 until 2006-12-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2006-12-08 until 2006-12-09)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: VI. Choral “Amen, Amen” (from 2006-12-08 until 2006-12-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach0:54
14Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": I. Sinfonia
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
orchestra:
Concentus Musicus Wien (from 2007-01-13 until 2007-01-14)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-01-13 until 2007-01-14)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-01-13 until 2007-01-14)
recording of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (from 2007-01-13 until 2007-01-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach3:38
15Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-01-13 until 2007-01-14)
orchestra:
Concentus Musicus Wien (from 2007-01-13 until 2007-01-14)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-01-13 until 2007-01-14)
chorus master:
Erwin Ortner (from 2007-01-13 until 2007-01-14)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-01-13 until 2007-01-14)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir" (from 2007-01-13 until 2007-01-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach2:20
16Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": III. Aria (Tenore) "Halleluja, Stärk und Macht"
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2007-01-13 until 2007-01-14)
orchestra:
Concentus Musicus Wien (from 2007-01-13 until 2007-01-14)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-01-13 until 2007-01-14)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-01-13 until 2007-01-14)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": III. Aria (Tenore) "Halleluja, Stärk und Macht" (from 2007-01-13 until 2007-01-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach5:36
17Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": IV. Recitativo (Basso) "Gottlob! es geht uns wohl!"
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
baritone vocals:
Christian Gerhaher (baritone) (from 2007-01-13 until 2007-01-14)
orchestra:
Concentus Musicus Wien (from 2007-01-13 until 2007-01-14)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-01-13 until 2007-01-14)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-01-13 until 2007-01-14)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": IV. Recitativo (Basso) "Gottlob! es geht uns wohl!" (from 2007-01-13 until 2007-01-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach0:49
18Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": V. Aria (Soprano) "Gedenk an uns mit deiner Liebe"
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
soprano vocals:
Christine Schäfer (soprano) (from 2007-01-13 until 2007-01-14)
orchestra:
Concentus Musicus Wien (from 2007-01-13 until 2007-01-14)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-01-13 until 2007-01-14)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-01-13 until 2007-01-14)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": V. Aria (Soprano) "Gedenk an uns mit deiner Liebe" (from 2007-01-13 until 2007-01-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach5:15
19Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VI. Recitativo (Alto) e Coro "Vergiß es ferner nicht, mit deiner Hand"
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 2007-01-13 until 2007-01-14)
choir vocals:
Arnold Schoenberg Chor (from 2007-01-13 until 2007-01-14)
orchestra:
Concentus Musicus Wien (from 2007-01-13 until 2007-01-14)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-01-13 until 2007-01-14)
chorus master:
Erwin Ortner (from 2007-01-13 until 2007-01-14)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-01-13 until 2007-01-14)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VI. Recitativo (Alto) e Coro "Vergiß es ferner nicht, mit deiner Hand" (from 2007-01-13 until 2007-01-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach0:26
20Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VII. Aria (Alto) "Halleluja, Stärk und Macht"
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 2007-01-13 until 2007-01-14)
orchestra:
Concentus Musicus Wien (from 2007-01-13 until 2007-01-14)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-01-13 until 2007-01-14)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-01-13 until 2007-01-14)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VII. Aria (Alto) "Halleluja, Stärk und Macht" (from 2007-01-13 until 2007-01-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach1:41
21Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VIII. Choral "Sei Lob und Preis mit Ehren"
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-01-13 until 2007-01-14)
orchestra:
Concentus Musicus Wien (from 2007-01-13 until 2007-01-14)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-01-13 until 2007-01-14)
chorus master:
Erwin Ortner (from 2007-01-13 until 2007-01-14)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-01-13 until 2007-01-14)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VIII. Choral "Sei Lob und Preis mit Ehren" (from 2007-01-13 until 2007-01-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 272)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach2:02
2CD: 1976 recording

Credits

Release

ASIN:DE: B002K9C0RK [info]