4 Great Operas on Deutsche Grammophon & Decca

~ Veröffentlichung von Mozart, Rossini, Verdi, Puccini; Orchester der Deutschen Oper Berlin, London Symphony Orchestra, Bayerisches Staatsorchester, Berliner Philharmoniker, Karl Böhm, Claudio Abbado, Carlos Kleiber, Herbert von Karajan (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

This release is from the "4 Great Operas on Deutsche Grammophon & Decca" 9 hybrid SACD Box-set (ESSG/D-90089-97)

Anmerkung zuletzt geändert am 2022-06-29 16:42 UTC.

Titelliste

1▶Hybrid-SACD
2▶Hybrid-SACD
3▶Hybrid-SACD
4▶Hybrid-SACD
5▶Hybrid-SACD
6▶Hybrid-SACD
7▶Hybrid-SACD
8▼Hybrid-SACD
Nr.TitelKünstlerBewertungLänge
1La Boheme: Act I. Questo Mar Rosso mi ammollisce e assidera
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Bass-Gesang [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) und Schöneberger Sängerknaben (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto I, no. 1. “Questo Mar Rosso” … “Nei cieli bigi" (Marcello, Rodolfo) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:33
2La Boheme: Act I. Pensier profondo!
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Bass-Gesang [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) und Schöneberger Sängerknaben (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto I, no. 2. “Pensier profondo!” (Colline, Marcello, Rodolfo) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini1:11
3La Boheme: Act I. Abbasso, abbasso l'autor! - Legna! Sigari! Bordò!
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Baritongesang [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
Bass-Gesang [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) und Schöneberger Sängerknaben (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto I. “Abbasso, abbasso l'autor!” … “Legna! ─ Sigari! ─ Bordò!” (Rodolfo, Marcello, Colline, Schaunard) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini3:51
4La Boheme: Act I. Si può? - Chi è là?
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Baritongesang [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
Bass-Gesang [Benoit]:
Michel Sénéchal (tenor) (in 1972-10)
Bass-Gesang [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) und Schöneberger Sängerknaben (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto I, no. 3. “Si può?” – “Chi è là?” (Benoît, Marcello, Schaunard, Colline, Rodolfo) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:18
5La Boheme: Act I. Io resto per terminar l'articolo di fondo del Castoro
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Baritongesang [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
Bass-Gesang [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) und Schöneberger Sängerknaben (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto I. “Io resto per terminar l’articolo” (Rodolfo, Marcello) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini1:09
6La Boheme: Act I. Chi è là?! - Scusi
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Bass-Gesang [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) und Schöneberger Sängerknaben (in 1972-10)
Soprangesang [Mimì]:
Mirella Freni (soprano) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
teilweise recording of:
La bohème: Atto I, no. 5. “Non sono in vena. Chi è là?” (Rodolfo, Mimì) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini1:11
7La Boheme: Act I. Si sente meglio?
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) und Schöneberger Sängerknaben (in 1972-10)
Soprangesang [Mimì]:
Mirella Freni (soprano) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto I. “Si sente meglio?” (Rodolfo, Mimì) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini2:42
8La Boheme: Act I. Che gelida manina
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:37
9La Boheme: Act I. Sì. Mi chiamano Mimì
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Baritongesang [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
Bass-Gesang [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
Soprangesang [Mimì]:
Mirella Freni (soprano) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 8. “Ehi! Rodolfo” (Schaunard, Colline, Marcello, Mimi) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:58
10La Boheme: Act I. O soave fanciulla
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Soprangesang [Mimì]:
Mirella Freni (soprano) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
Bearbeitung von:
La Bohème: Atto I. “O soave fanciulla” (Love Duet) von Luciano Pavarotti (tenor), Mirella Freni (soprano), Berliner Philharmoniker, Herbert von Karajan (conductor)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:19
11La Boheme: Act II. Aranci, datteri, caldi i marroni!
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Baritongesang [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
Bass-Gesang [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) und Schöneberger Sängerknaben (in 1972-10)
Soprangesang [Mimì]:
Mirella Freni (soprano) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto II. no. 10. “Aranci, datteri! Caldi i marroni!” (Venditori [Coro], Schaunard, Colline, Rodolfo, Mimi, Marcello) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini2:53
12La Boheme: Act II. Chi guardi?
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Baritongesang [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
Bass-Gesang [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) und Schöneberger Sängerknaben (in 1972-10)
Soprangesang [Mimì]:
Mirella Freni (soprano) (in 1972-10)
Tenor-Gesang [Parpignol]:
Gernot Pietsch (tenor) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto II. no. 11. “Chi guardi?” – “Odio il profano volgo al par d'Orazio” (Rodolfo, Colline, Mimì, Schaunard, Marcello, coro, Parpignol) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini3:08
13La Boheme: Act II. Viva Parpignol!
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Baritongesang [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
Bass-Gesang [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) und Schöneberger Sängerknaben (in 1972-10)
Soprangesang [Mimì]:
Mirella Freni (soprano) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto II. “Viva Parpignol! Parpignol! Parpignol!” (fanciulli, fanciulle) … “Signorina Mimì” (Marcello, Mimì, Schaunard, Colline) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini2:21
14La Boheme: Act II. Oh! - Essa! - Musetta!
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Baritongesang [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
Bass-Gesang [Alcindoro]:
Michel Sénéchal (tenor) (in 1972-10)
Bass-Gesang [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) und Schöneberger Sängerknaben (in 1972-10)
Soprangesang [Mimì]:
Mirella Freni (soprano) (in 1972-10)
Soprangesang [Musetta]:
Elizabeth Harwood (soprano) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto II. “Oh!” – “Essa!” – “Musetta!” (Rodolfo, Schaunard, Colline, Marcello, Coro, Alcindoro, Musetta, Mimi) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini3:31
15La Boheme: Act II. Quando me n'vò
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Baritongesang [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
Bass-Gesang [Alcindoro]:
Michel Sénéchal (tenor) (in 1972-10)
Bass-Gesang [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) und Schöneberger Sängerknaben (in 1972-10)
Soprangesang [Mimì]:
Mirella Freni (soprano) (in 1972-10)
Soprangesang [Musetta]:
Elizabeth Harwood (soprano) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini5:29
16La Boheme: Act II. Caro! Fuori il danaro!
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Baritongesang [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
Bass-Gesang [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) und Schöneberger Sängerknaben (in 1972-10)
Soprangesang [Mimì]:
Mirella Freni (soprano) (in 1972-10)
Soprangesang [Musetta]:
Elizabeth Harwood (soprano) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto II. no. 14. “Chi l’ha richiesto?” (Colline) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini2:17
9▶Hybrid-SACD