The Hunger Games: Mockingjay, Part 1: Original Motion Picture Score

~ Veröffentlichung von James Newton Howard (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1The Mockingjay
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
The Mockingjay
Komponist(in):
James Newton Howard (American score composer)
32:40
2Remind Her Who the Enemy Is
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Remind Her Who the Enemy Is
Komponist(in):
James Newton Howard (American score composer)
12:30
3District 12
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
District 12
Komponist(in):
James Newton Howard (American score composer)
13:24
4Snow’s Speech
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Snow's Speech
Komponist(in):
James Newton Howard (American score composer)
13:33
5Please Welcome Peeta
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Please Welcome Peeta
Komponist(in):
James Newton Howard (American score composer)
13:54
6Katniss’ Nightmare
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Katniss' Nightmare
Komponist(in):
James Newton Howard (American score composer)
12:07
7The Arsenal
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
The Arsenal
Komponist(in):
James Newton Howard (American score composer)
13:55
8Incoming Bombers
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Incoming Bombers
Komponist(in):
James Newton Howard (American score composer)
14:34
9Don’t Be a Fool Katniss
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Don't Be a Fool Katniss
Komponist(in):
James Newton Howard (American score composer)
11:40
10District 12 Ruins
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
District 12 Ruins
Komponist(in):
James Newton Howard (American score composer)
14:05
11The Hanging Tree
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
Sologesang:
Jennifer Lawrence
conductor:
Pete Anthony (American conductor and orchestrator.)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 78)
recording of:
The Hanging Tree (2014, Jennifer Lawrence version)
Texter:
Suzanne Collins
Komponist(in):
Jeremiah Fraites und Wesley Schultz
Teil von:
Matuschkes Lieblinge 2014
4.253:39
12Peeta’s Broadcast
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Peeta's Broadcast
Komponist(in):
James Newton Howard (American score composer)
11:46
13Air Raid Drill
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Air Raid Drill
Komponist(in):
James Newton Howard (American score composer)
14:32
14It’s Gonna Be a Long Night
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
It's Gonna Be a Long Night
Komponist(in):
James Newton Howard (American score composer)
12:27
15Taunting the Cat
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Taunting the Cat
Verfasser(in):
Ella Yelich‐O’Connor (Lorde, New Zealand singer‐songwriter) und Joel Little
Komponist(in):
James Newton Howard (American score composer)
12:09
16White Roses
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
White Roses
Komponist(in):
James Newton Howard (American score composer)
13:27
17District 8 Hospital
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
District 8 Hospital
Komponist(in):
James Newton Howard (American score composer)
12:07
18The Broadcast
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
The Broadcast
Komponist(in):
James Newton Howard (American score composer)
11:12
19Jamming the Capitol
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Jamming the Capitol
Komponist(in):
James Newton Howard (American score composer)
13:28
20Inside the Tribute Center
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Inside the Tribute Center
Komponist(in):
James Newton Howard (American score composer)
13:45
21Put Me on the Air
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Put Me on the Air
Komponist(in):
James Newton Howard (American score composer)
13:10
22They’re Back
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
They're Back
Komponist(in):
James Newton Howard (American score composer)
12:48
23Victory
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
Sven Faulconer und James Newton Howard (American score composer)
Editing:
David Channing, David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Lions Gate Entertainment Inc. (not for release label use, American global lmass media and entertainment company)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Victory
Komponist(in):
James Newton Howard (American score composer)
12:55

Nennungen

Veröffentlichung

Techniker(in):Joe Trapanese (Aufgabe: sound deisgn)
Synthesizer [synth]-Programmierung:Sven Faulconer
Sunna Wehrmeijer
Christopher Wray
mastering:Dave Collins (US mastering engineer)
Cello [baroque cello]:Richard Tunnicliffe (cello and viol player)
Solo-Cello:Josephine Knight (cellist)
Solo-Fiddle:Giles Lewin
Sonia Slany (violinist)
viola da gamba:Richard Boothby (viol and cello player)
chorus master:Terry Edwards (British choir director)
Ben Parry (British conductor)
David Swinson (organist and conductor)
Chorgesang [boys' choir]:Trinity Boys Choir
Chorgesang [choir]:London Voices
Solo vocals:Sunna Wehrmeijer
zusätzlich arranger:Sven Faulconer
Sunna Wehrmeijer
concertmaster:Thomas Bowes (violinist)
design:Jessica Kelly (Aufgabe: package design)
Discogs:https://www.discogs.com/release/7313336 [Info]
ASIN:US: B00OKF3PU8 [Info]

Veröffentlichungsgruppe

ausgekoppelte Singles/EPs:The Hanging Tree von James Newton Howard (American score composer) feat. Jennifer Lawrence
The Hanging Tree (Rebel remix) von James Newton Howard (American score composer) featuring Jennifer Lawrence
Teil von:The Hunger Games (soundtracks / scores) (Nummer: 3 score) (Reihenfolge: 5)
Discogs:https://www.discogs.com/master/892496 [Info]
andere Datenbanken:http://soundtrackcollector.com/title/106469/ [Info]
IMDb:https://www.imdb.com/title/tt1951265/ [Info]
Wikidata:Q121409263 [Info]