Blue Saxophones

~ Release by Coleman Hawkins & Ben Webster (see all versions of this release, 16 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Blues for Yolande
recorded in:
Los Angeles, California, United States (on 1957-10-16)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
Blues for Yolande
composer:
Coleman Hawkins
6:48
A2Maria
recorded in:
Los Angeles, California, United States (on 1957-10-16)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981)
6:31
A3It Never Entered My Mind
recorded in:
Los Angeles, California, United States (on 1957-10-16)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981)
instrumental recording of:
It Never Entered My Mind
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:49
A4Prisoner of Love
recorded in:
Los Angeles, California, United States (on 1957-10-16)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981)
instrumental recording of:
Prisoner of Love
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Russ Columbo (American singer, songwriter, violinist and actor) and Clarence Gaskill
publisher:
Colgems-EMI Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Music Sales Corporation (American copyright holder in both popular and classical music)
4:17
B1Tangerine
recorded in:
Los Angeles, California, United States (on 1957-10-16)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981)
instrumental recording of:
Tangerine (1941 song)
lyricist:
Johnny Mercer
composer:
Victor Schertzinger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
5:24
B2La Rosita
recorded in:
Los Angeles, California, United States (on 1957-10-16)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
La Rosita (on 1957-10-16)
composer:
Paul Dupont
5:06
B3Cocktails for Two
recorded in:
Los Angeles, California, United States (on 1957-10-16)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981)
instrumental recording of:
Cocktails for Two (on 1957-10-16)
lyricist:
Arthur Johnston (American composer and songwriter)
composer:
Sam Coslow
2:43
B4Shine on Harvest Moon
recorded in:
Los Angeles, California, United States (on 1957-10-16)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981)
instrumental recording of:
Shine On, Harvest Moon
lyricist:
Jack Norworth (in 1908)
composer:
Nora Bayes (in 1908) and Jack Norworth (in 1908)
4:53
B5You'd Be So Nice to Come Home To
recorded in:
Los Angeles, California, United States (on 1957-10-16)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981)
instrumental recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
4:19