The Best of the Nat King Cole Trio

~ Veröffentlichung von The Nat King Cole Trio (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Cardboard outer slipcase that the 3 plastic CD cases slide into.

Includes "The Instrumental Classics," "The Vocal Classics (1942-46)," and "The Vocal Classics (1947-50)," which were all issued individually at the same time. Recorded between 1942 and 1950.

Anmerkung zuletzt geändert am 2024-01-03 20:08 UTC.

Titelliste

1▶CD: The Instrumental Classics
2▼CD: The Vocal Classics (1942-1946)
Nr.TitelBewertungLänge
1All for You
Gitarre:
Oscar Moore (am 1942-10-11)
Klavier:
Nat King Cole (am 1942-10-11)
Kontrabass:
Red Callender (am 1942-10-11)
vocals:
Nat King Cole (am 1942-10-11)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1942-10-11)
recording of:
All for You (am 1942-10-11)
Texter und Komponist(in):
Robert Scherman
recording of:
All for You (in 1942)
Texter und Komponist(in):
Robert Scherman
3:22
2Straighten Up and Fly Right
Gitarre:
Oscar Moore (am 1943-11-30)
Klavier:
Nat King Cole (am 1943-11-30)
Kontrabass und Kontrabass [bass]:
Johnny Miller (part of the Nat King Cole Trio) (am 1943-11-30)
vocals:
Nat King Cole (am 1943-11-30), Johnny Miller (part of the Nat King Cole Trio) (am 1943-11-30) und Oscar Moore (am 1943-11-30)
Interpret(in):
The Nat King Cole Trio (am 1943-11-30)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-11-30)
recording of:
Straighten Up and Fly Right (am 1943-11-30)
Verfasser(in):
Nat King Cole und Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30)
52:23
3Gee Baby, Ain't I Good to You
Gitarre:
Oscar Moore (am 1943-11-30)
Klavier:
Nat King Cole (am 1943-11-30)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1943-11-30)
vocals:
Nat King Cole (am 1943-11-30)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-11-30)
cover recording of:
Gee, Baby Ain’t I Good to You (am 1943-11-30)
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:54
4If You Can't Smile and Say Yes
Gitarre:
Oscar Moore (am 1943-11-30)
Klavier:
Nat King Cole (am 1943-11-30)
Kontrabass:
Red Callender (am 1943-11-30) und Johnny Miller (part of the Nat King Cole Trio) (am 1943-11-30)
vocals:
Nat King Cole (am 1943-11-30), Johnny Miller (part of the Nat King Cole Trio) (am 1943-11-30) und Oscar Moore (am 1943-11-30)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-11-30)
recording of:
If You Can’t Smile and Say Yes (am 1943-11-30)
Verfasser(in):
Louis Jordan (US jazz, blues and r&b musician and songwriter) und Timmie Rogers
3:04
5Sweet Lorraine
Gitarre:
Oscar Moore (am 1943-12-15)
Klavier:
Nat King Cole (am 1943-12-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1943-12-15)
vocals:
Nat King Cole (am 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (am 1943-12-15) und Oscar Moore (am 1943-12-15)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-12-15)
cover recording of:
Sweet Lorraine (am 1943-12-15)
Texter:
Mitchell Parish (in 1928)
Komponist(in):
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. und Mills Music, Inc.
3:07
6Embraceable You
Gitarre:
Oscar Moore (am 1943-12-15)
Klavier:
Nat King Cole (am 1943-12-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1943-12-15)
vocals:
Nat King Cole (am 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (am 1943-12-15) und Oscar Moore (am 1943-12-15)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-12-15)
instrumental cover recording of:
Embraceable You (am 1943-12-15)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:22
7It's Only a Paper Moon
Gitarre:
Oscar Moore (am 1943-12-15)
Instrumente:
The Nat King Cole Trio (in 1943)
Klavier:
Nat King Cole (am 1943-12-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1943-12-15)
vocals:
Nat King Cole (in 1943, am 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (am 1943-12-15) und Oscar Moore (am 1943-12-15)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-12-15)
cover recording of:
It’s Only a Paper Moon (am 1943-12-15)
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
2:53
8I Realize Now
Gitarre:
Oscar Moore (am 1944-03-06)
Klavier:
Nat King Cole (am 1944-03-06)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1944-03-06)
vocals:
Nat King Cole (am 1944-03-06)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-03-06)
recording of:
I Realize Now (am 1944-03-06)
Verfasser(in):
Stanley Cowan (composer, songwriter) und Sidney Miller (songwriter, director and actor)
3:07
9I'm a Shy Guy
Gitarre:
Oscar Moore (am 1945-04-13)
Klavier:
Nat King Cole (am 1945-04-13)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1945-04-13)
vocals:
Nat King Cole (am 1945-04-13)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1945-04-13)
recording of:
I’m a Shy Guy (am 1945-04-13)
Texter und Komponist(in):
Nat King Cole
2:52
10You're Nobody 'til Somebody Loves You
Gitarre:
Oscar Moore (am 1945-05-19)
Klavier:
Nat King Cole (am 1945-05-19)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1945-05-19)
vocals:
Nat King Cole (am 1945-05-19)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1945-05-19)
recording of:
You’re Nobody Till Somebody Loves You (am 1945-05-19)
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, volume I)
cover recording of:
You’re Nobody Till Somebody Loves You (in 1945)
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:49
11What Can I Say After I Say I'm Sorry
Gitarre:
Oscar Moore (am 1945-05-19)
Klavier:
Nat King Cole (am 1945-05-19)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1945-05-19)
vocals:
Nat King Cole (am 1945-05-19)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1945-05-19)
recording of:
What Can I Say After I Say I’m Sorry? (am 1945-05-19)
Texter und Komponist(in):
Walter Donaldson (in 1926) und Abe Lyman (in 1926)
cover recording of:
What Can I Say After I Say I’m Sorry? (in 1946)
Texter und Komponist(in):
Walter Donaldson (in 1926) und Abe Lyman (in 1926)
2:32
12I'm Thru With Love
Gitarre:
Oscar Moore (am 1945-05-19)
Klavier:
Nat King Cole (am 1945-05-19)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1945-05-19)
vocals:
Nat King Cole (am 1945-05-19)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1945-05-19)
recording of:
I’m Thru With Love (am 1945-05-19)
Texter:
Gus Kahn
Komponist(in):
Fud Livingston und Matty Malneck
publisher:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (am 1931-04-17)
2:54
13Come to Baby, Do
Gitarre:
Oscar Moore (am 1945-10-11)
Klavier:
Nat King Cole (am 1945-10-11)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1945-10-11)
vocals:
Nat King Cole (am 1945-10-11)
aufgenommen bei:
WMCA Studios in New York, New York, Vereinigte Staaten (am 1945-10-11)
recording of:
Come to Baby, Do (am 1945-10-11)
Verfasser(in):
Inez James und Sidney Miller (songwriter, director and actor)
3:03
14The Frim Fram Sauce
Gitarre:
Oscar Moore (am 1945-10-11)
Klavier:
Nat King Cole (am 1945-10-11)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1945-10-11)
vocals:
Nat King Cole (am 1945-10-11)
aufgenommen bei:
WMCA Studios in New York, New York, Vereinigte Staaten (am 1945-10-11)
recording of:
The Frim‐Fram Sauce (am 1945-10-11)
Texter:
Redd Evans (in 1945)
Komponist(in):
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
3:15
15How Does It Feel
Gitarre:
Oscar Moore (am 1945-12-04)
Klavier:
Nat King Cole (am 1945-12-04)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1945-12-04)
vocals:
Nat King Cole (am 1945-12-04)
aufgenommen bei:
WMCA Studios in New York, New York, Vereinigte Staaten (am 1945-12-04)
recording of:
How Does It Feel (am 1945-12-04)
Verfasser(in):
Roy Alfred (Tin Pan Alley lyricist and composer) und Marvin Fisher
2:53
16(Get Your Kicks on) Route 66
Gitarre:
Oscar Moore (am 1946-03-15)
Instrumente:
The Nat King Cole Trio (in 1946)
Klavier:
Nat King Cole (am 1946-03-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-03-15)
Sologesang:
King Cole
vocals:
Nat King Cole (in 1946, am 1946-03-15)
Interpret(in):
The Nat King Cole Trio (am 1946-03-15)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2000)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-03-15)
recording of:
(Get Your Kicks on) Route 66 (am 1946-03-15)
Texter und Komponist(in):
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Burke-Van Heusen, Inc. (am 1946-04-22)
3:00
17Baby, Baby All the Time
Gitarre:
Oscar Moore (am 1946-04-17)
Klavier:
Nat King Cole (am 1946-04-17)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-17)
vocals:
Nat King Cole (am 1946-04-17)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-04-17)
recording of:
Baby Baby All the Time (am 1946-04-17)
Texter und Komponist(in):
Bobby Troup
2:59
18But She's My Buddy's Chick
Gitarre:
Oscar Moore (am 1946-05-01)
Klavier:
Nat King Cole (am 1946-05-01)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-05-01)
vocals:
Nat King Cole (am 1946-05-01)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-05-01)
recording of:
But She’s My Buddy’s Chick (am 1946-05-01)
Verfasser(in):
Charles Atkinson und Sy Oliver
3:05
19You Call It Madness (But I Call It Love)
Gitarre:
Oscar Moore (am 1946-05-01)
Klavier:
Nat King Cole (am 1946-05-01)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-05-01)
vocals:
Nat King Cole (am 1946-05-01)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-05-01)
recording of:
You Call It Madness (But I Call It Love) (am 1946-05-01)
Verfasser(in):
Russ Columbo (American singer, songwriter, violinist and actor), Con Conrad (songwriter and producer), Gladys DuBois und Paul Gregory (Songwriter)
Teil von:
Going Hollywood (1933 film)
3:02
20The Best Man
Gitarre:
Oscar Moore (am 1946-08-19)
Klavier:
Nat King Cole (am 1946-08-19)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-08-19)
Schlagzeug:
Jack “The Bear” Parker (US jazz drummer & bandleader) (am 1946-08-19)
vocals:
Nat King Cole (am 1946-08-19)
aufgenommen bei:
WMCA Studios in New York, New York, Vereinigte Staaten (am 1946-08-19)
recording of:
The Best Man (am 1946-08-19)
Texter:
Roy Alfred (Tin Pan Alley lyricist and composer)
Komponist(in):
Fred Wise
3:06
21(I Love You) For Sentimental Reasons
Gitarre:
Oscar Moore (am 1946-08-22)
Klavier:
Nat King Cole (am 1946-08-22)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-08-22)
vocals:
Nat King Cole (am 1946-08-22)
Interpret(in):
The Nat King Cole Trio (am 1946-08-22)
aufgenommen bei:
WMCA Studios in New York, New York, Vereinigte Staaten (am 1946-08-22)
cover recording of:
(I Love You) for Sentimental Reasons (am 1946-08-22)
Texter:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
Komponist(in):
William “Pat” Best
publisher:
MCA Duchess Music Corporation und Peter Maurice Music Co. Ltd.
42:51
22You're the Cream in My Coffee
Gitarre:
Oscar Moore (am 1946-12-18)
Klavier:
Nat King Cole (am 1946-12-18)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-12-18)
vocals:
Nat King Cole (am 1946-12-18)
aufgenommen bei:
RKO-Pathé Studios in New York, New York, Vereinigte Staaten (am 1946-12-18)
recording of:
You’re the Cream in My Coffee (am 1946-12-18)
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
2:27
3▶CD: The Vocal Classics (1947-1950)