Classics for Lovers

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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#TitoloArtistaValutazioneDurata
1“The Sleeping Beauty” Suite - Pas d’action: Andante
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) e Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren e Peter Wohlert (conductor, Alfred Scholz related)
registrazione di:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky5:28
2Scheherazade, op. 35: III. The Young Prince and the Young Princess
registrazione di:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (Andantino quasi allegretto)
compositore:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (nel 1888)
parte di:
Scheherazade, op. 35
Nikolai Rimsky-Korsakoff10:04
3Clarinet Concerto in A major, K. 622: II. Adagio
clarinetto :
Jozé Ostrac (clarinettist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
esecutore:
Joze Ostrack
registrazione di:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
compositore:
Wolfgang Amadeus Mozart (classical composer) (dal 1791-09-28 al 1791-10-07)
parte di:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:27
4On the Beautiful, Blue Danube
orchestra:
Strauss-Orchestra Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
direttore d'orchestra:
Joseph Francek (conductor, pseudonym for Alfred Scholz)
registrazione di:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
eseguita per la prima volta a:
Wien (Vienna), Austria (il 1867-02-15)
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (nel 1866)
parte di:
Works of Johann Strauss Jr. by opus number (numero: op. 314)
Johann Strauss Jr.310:57
5La Mer - From Dawn Until Noon on the Sea
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Orchestre philharmonique de l’ORTF, ORF-Symphonic Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) e Philharmonia Slavonica (Alfred Scholz pseudonym)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer”
compositore:
Claude Debussy (French composer) (dal 1903 al 1905)
parte di:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:59
6“Carmen”: Intermezzo
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
parte di:
Carmen Suite no. 1
Georges Bizet2:41
7“Carmen”: Sequidilla
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
compositore:
Georges Bizet (French composer)
arrangiatore:
Ernest Guiraud (French composer)
si basa su:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
parte di:
Carmen Suite no. 1
Georges Bizet1:54
8“Carmen”: Habanera
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz e Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Carmen Suite no. 2: II. Habanera
compositore:
Georges Bizet (French composer)
arrangiatore:
Ernest Guiraud (French composer)
si basa su:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
parte di:
Carmen Suite no. 2
Georges Bizet42:10
9“Carmen”: Nocturne
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Anton Nanut (conductor), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 2: III. Nocturne
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
parte di:
Carmen Suite no. 2
Georges Bizet4:13
10“Carmina Burana”: Omnia Sol temperat
cori:
Mozarteum Chor Salzburg e Russian State Chorus
voce di baritono:
Rudolf Knoll (operatic baritone)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Russian State Symphony Orchestra (“New Russia” State Symphony Orchestra) e Государственный академический симфонический оркестр России (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
Kurt Prestel (conductor, chorus master) e Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related)
diritti fonografici (℗) detenuti da:
Selcor Ltd. (for copyrights use only) (nel 1989)
registrazione di:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat
compositore:
Carl Orff (composer) (nel 1936)
editore:
B. Schott’s Söhne (publisher; do not use as label)
parte di:
Carmina Burana: I. Primo Vere
Carl Orff2:11
11“Carmina Burana”: Amor volat undique
cori:
Russian State Chorus e Salzburg Mozarteum Chorus
voce di soprano:
Gerda Harman (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Russian State Symphony Orchestra (“New Russia” State Symphony Orchestra) e Государственный академический симфонический оркестр России (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
Kurt Prestel (conductor, chorus master) e Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related)
diritti fonografici (℗) detenuti da:
Selcor Ltd. (for copyrights use only) (nel 1989)
registrazione di:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique
compositore:
Carl Orff (composer) (nel 1936)
editore:
B. Schott’s Söhne (publisher; do not use as label)
parte di:
Carmina Burana: III. Cour d’amours
Carl Orff3:30
12“Carmina Burana”: Dies, nox et omina
cori:
Mozarteum Chor Salzburg e Russian State Chorus
voce di baritono:
Rudolf Knoll (operatic baritone)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Russian State Symphony Orchestra (“New Russia” State Symphony Orchestra) e Государственный академический симфонический оркестр России (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
Kurt Prestel (conductor, chorus master) e Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related)
diritti fonografici (℗) detenuti da:
Selcor Ltd. (for copyrights use only) (nel 1989)
registrazione di:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia
compositore:
Carl Orff (composer) (nel 1936)
editore:
B. Schott’s Söhne (publisher; do not use as label)
parte di:
Carmina Burana: III. Cour d’amours
Carl Orff2:29
13Symphony no. 6 in B minor, op. 74 “Pathétique”: Adagio lamentoso; Andante
registrazione di:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso (Sinfonia No. 6 in Si minore, Op. 74 "Patetica": IV. Finale. Adagio lamentoso - Andante)
compositore:
Pyotr Ilyich Tchaikovsky (Pëtr Il’ič Čajkovskij, Russian romantic composer) (dal 1893-02 al 1893-08)
parte di:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky9:06

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ASIN:US: B0002PYSTC [info]