The Midnight Hour: The 20 Sexiest Hits of All Time

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Given away free with the Mail on Sunday (UK newspaper) on the Saturday, April 12th 2003.

Anmerkung zuletzt geändert am 2013-04-05 19:02 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Your Song
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Gus Dudgeon
Akustikgitarre:
Frank Clark (Guitar/bassist)
Bassgitarre:
Dave Richmond
Gitarre:
Colin Green
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Barry Morgan (English drummer)
zwölfsaitige Gitarre:
Clive Hicks
conductor:
Paul Buckmaster
arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 54), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 136) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 202)
recording of:
Your Song
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (beendet), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.754:04
2Let’s Get It On
Produzent(in):
Marvin Gaye und Ed Townsend
Perkussion:
Emil Richards
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
Remix von:
Let’s Get It On (album version) von Marvin Gaye
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 46)
recording of:
Let’s Get It On
Verfasser(in):
Marvin Gaye und Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und Stone Diamond Music Corporation
Marvin Gaye3.53:55
3You Do Something to Me
Produzent(in):
Brendan Lynch (London producer) und Paul Weller (English singer‐songwriter and musician)
Mix:
Brendan Lynch (London producer)
andere Instrumente [novatron], Gitarre, Klavier und Sologesang:
Paul Weller (English singer‐songwriter and musician)
Bassgitarre:
Yolanda Charles
Schlagzeug:
Steve White (Style Council drummer)
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1995)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich und Finsbury Park in Haringey, London (Greater London), England, Vereinigtes Königreich (am 1996-06-09)
live recording of:
You Do Something to Me (am 1996-06-09)
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Solid Bond Productions Ltd. und Stylist Music Ltd.
recording of:
You Do Something to Me
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Solid Bond Productions Ltd. und Stylist Music Ltd.
Paul Weller43:41
4I’ll Make Love to You
Schlagzeug-Programmierung:
Rayford Griffin
assistierende(r) Techniker(in):
David Betancourt (engineer), Milton Chan (Recording Engineer), Marty Hornburg und Jamie Seyberth
Techniker(in):
Brad Gilderman
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Mix:
Mick Guzauski
Bass:
Reggie Hamilton
Synthesizer:
Babyface (R&B musician Kenny Edmonds)
produced for:
ECAF Productions, Inc.
aufgenommen bei:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Enterprise (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 185)
recording of:
I’ll Make Love to You
Texter und Komponist(in):
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men4.653:58
5I’m Not in Love
recording engineer:
10cc (in 1974)
Techniker(in) und Mix:
Eric Stewart
Produzent(in):
10cc
Bass und Gitarre:
Graham Gouldman (in 1974)
Effektgerät [musical effects], Hybrid-Piano und Sologesang:
Eric Stewart (in 1974)
Klavier:
Lol (in 1974)
Moog:
Kevin (in 1974)
Synclavier [control desk]:
Graham Gouldman (in 1974), Kevin (in 1974), Lol (in 1974) und Eric Stewart (in 1974)
Hintergrundgesang:
Graham Gouldman (in 1974), Kevin (in 1974) und Lol (in 1974)
sonstiger Gesang [whisper vocals]:
Kathy Redfern (in 1974)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1975), Mercury Records Ltd. (London) (for copyrights use only) (in 1975), Phonogram, Inc. (in 1975), Phonogram Ltd. (not for release label use!) (in 1979) und Mercury Records Ltd. (not for release label use!) (in 1996)
recorded by:
Phonogram Ltd. (London) (company name, NOT a label!)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich (in 1974)
Musikvideos:
I’m Not in Love von 10cc
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 319)
recording of:
I’m Not in Love (in 1974)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music und St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
10cc3.856:01
6Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Joe Cocker and Jennifer Warnes3.53:50
7Touch Me in the Morning
Produzent(in):
Tom Baird (Motown producer) und Michael Masser
arranger:
Tom Baird (Motown producer) und Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
recording of:
Touch Me in the Morning
Verfasser(in):
Michael Masser und Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Diana Ross3.53:26
8Addicted to Love
Techniker(in):
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
Bernard Edwards (American bassist and record producer)
Mix:
Eric "E.T." Thorngren
Bassgitarre:
Bernard Edwards (American bassist and record producer)
Gitarre:
Andy Taylor (of Duran Duran)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC)
Hintergrundgesang:
Benny Diggs und Fonzi Thornton
vocals arranger:
Chaka Khan
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1985) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985)
recording of:
Addicted to Love
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) und WC Music Corp.
Robert Palmer44:22
9Need You Tonight
assistierende(r) Techniker(in):
Paula Jones (Australian audio engineer, producer)
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Bob Clearmountain und Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
INXS (label and copyrights holder for INXS) (in 1987, in 1997), PolyGram International Music B.V. (not for release label use!) (in 1987) und Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1999)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Need You Tonight (music video) von INXS
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 59), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 16) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 114)
recording of:
Need You Tonight
Texter und Komponist(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (in 1987) und Chardonnay Investments Ltd. (in 1987)
INXS4.153:05
10Friday I’m Love
assistierende(r) Techniker(in):
Chris Bandy
Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) und Steve Whitfield
Produzent(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) und The Cure
assistierende(r) Mix:
Andy Baker (recording engineer from the UK with Westside Studios), Shaun De Feo, Bill Parry (Mixer), Danton Supple und Mark Warner (UK guitarist for Quantum Jump)
Mix:
Mark Saunders (UK record producer)
Bassgitarre:
Simon Gallup
Bassgitarre [6-string bass]:
Perry Bamonte
Gitarre:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Porl Thompson
Keyboard:
Perry Bamonte und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Perkussion und Schlagzeug:
Boris Williams
Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographisches Urheberrecht (℗) von:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (in 1992)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Friday I’m in Love von The Cure
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 73)
recording of:
Friday I’m in Love
Texter:
Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Boris Williams, Paul S. Thompson, Perry Bamonte, Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure) und Simon Gallup
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. und Fiction Songs Ltd.
The Cure4.63:36
11I Just Wanna Make Love to You
Produzent(in):
Leonard Chess, Leonard & Phil Chess (legendary US production duo) und Phil Chess
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
I Just Wanna Make Love to You (in 1960-05)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hoochie Coochie Music
Etta James33:07
12It’s a Man’s Man’s World
recorded in:
New York, New York, Vereinigte Staaten (am 1966-02-16)
Techniker(in):
Ron Lenhoff
Produzent(in):
James Brown (The Godfather of Soul)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1966-02-16)
Gitarre:
Billy Butler (jazz guitarist) (am 1966-02-16)
Schlagzeug:
Bernard “Pretty” Purdie (am 1966-02-16)
Trompete:
Dud Bascomb (Sr., jazz trumpeter) (am 1966-02-16), Waymon Reed (am 1966-02-16) und Lammar Wright (am 1966-02-16)
Sologesang:
James Brown (The Godfather of Soul) (am 1966-02-16)
aufgenommen bei:
Talent Masters Studios in New York, New York, Vereinigte Staaten (am 1966-02-16)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 123)
recording of:
It’s a Man’s Man’s Man’s World (am 1966-02-16)
Verfasser(in):
James Brown (The Godfather of Soul) und Betty Jean Newsome
James Brown4.42:48
13Baby Can I Hold You Tonight
Programmierung:
Stephen Lipson und James McMillan (trumpeter and engineer)
Produzent(in):
Stephen Lipson
Mix:
Heff Moraes
Gitarre [guitars]:
Calum McColl und Dominic Miller (guitarist)
Mandoline [mandolins]:
Stephen Lipson
Schlagzeug [drums]:
Andy Duncan (UK drummer and producer)
Hintergrundgesang [backing vocals]:
Andy Caine
Sologesang:
Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Stephen Gately, Mikey Graham und Shane Lynch
Orchestrator(in):
Nick Ingham
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographisches Urheberrecht (℗) von:
Polygram Ireland Ltd. (in 1997)
aufgenommen bei:
Landsdowne Studios (British recording studio based in London, England, UK.) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
Baby Can I Hold You
Texter und Komponist(in):
Tracy Chapman (American singer‐songwriter)
publisher:
EMI Songs Ltd., Kobalt Music Publishing Ltd. (UK), Purple Rabbit Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Boyzone23:14
14Endless Love
recording engineer:
Reggie Dozier
Produzent(in):
Lionel Richie
Mix:
Guy Costa
zusätzliche(r) Gast-Interpret(in):
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 20)
recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner/Chappell North America
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1981 nominee)
Lionel Richie & Diana Ross3.54:25
15Love Is All Around
recording of:
Love Is All Around
Texter und Komponist(in):
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Marti Pellow3:59
16Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
The Mamas & the Papas4.153:15
17I’ll Be There
Produzent(in):
Nickolas Ashford, Hal Davis und Valerie Simpson
arranger:
Bob West (US session bassist, producer & songwriter)
recording of:
I’ll Be There (in 1970-06)
Verfasser(in):
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy und Willie Hutch
publisher:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. und Stone Diamond Music Corporation
Teil von:
MJ: The Musical
The Jackson 54.353:54
18If You’re Thinking of Me
recording of:
If You're Thinking of Me
Verfasser(in):
Nigel Clark (singer and bassist of Dodgy), Andy Miller (UK guitarist for Dodgy/Hey Gravity) und Mathew Priest
publisher:
BMG Music Publishing Ltd.
Dodgy24:37
19More Than Words
recording of:
More Than Words
Verfasser(in):
Nuno Bettencourt und Gary Cherone
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Funky Metal Publishing
Extreme44:01
20In the Midnight Hour
Hintergrundgesang:
Angeline Ball, Maria Doyle Kennedy und Bronagh Gallagher (Irish singer and actress)
vocals:
Andrew Strong (Irish singer)
phonographisches Urheberrecht (℗) von:
MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1991)
cover recording of:
In the Midnight Hour
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. und Irving Music, Inc.
The Commitments2.52:25